Table: editions

edition_numbereditorcontributorsubmission_datepublication_dateedition_notesedition_statusstatus_dateviewerpage_idpage_titlework_titlecomposer_namelast_editedlast_updated
30707Harrison Hackett2013-12-042013-12-04Word placing, ficta and intonations are suggestions only. The even verses in this arrangement come from some of the odd verses in the source. This has been done to make a better fit with the Magnificat "Et Exultavit". When these two are sung together, the whole of the Morales' music for the Gloria Patri will be heard over the course of the two works, albeit with a re-distribution of the words. In all sections, some splits and merges of notes have been made to better fit the different words. "Quia viderunt oculi mei" comes from the original "Et Misericordia Eius". The section has a shortened start, and the central section has been removed. "Lumen ad revelationem gentium" comes from the original "Suscepit Israel". The central section is removed with a couple of bars being added to the Soprano. The Cantus Firmus is preserved. "Sicut Erat" comes from the original "Gloria Patri".95487Nunc Dimittis Tertii Toni "Quia Viderunt" (Cristóbal de Morales)Nunc Dimittis Tertii Toni "Quia Viderunt"Cristóbal de Morales2023-09-16 09:32:20

Table: files

file_idnameedition_numberlocationclasssubclasstypeiconcontentsizecopyrightpage_formatpagesdurationlast_editedlast_updated
30707.4Morales-NuncTertiiToni.capx30707internalsourcesource2Capella{{Capx}} 2023-09-16 09:32:20
30707.2Morales-NuncTertiiToni.mid30707internalsoundsoundmid{{Mid}} 2023-09-16 09:32:20
30707.3Morales-NuncTertiiToni.mxl30707internalsourcesourceMusic XML{{XML}} 2023-09-16 09:32:20
30707.1Morales-NuncTertiiToni.pdf30707internalscorescorepdf{{Pdf}} 921PersonalA442023-09-16 09:32:20