Table: editions

edition_numbereditorcontributorsubmission_datepublication_dateedition_notesedition_statusstatus_dateviewerpage_idpage_titlework_titlecomposer_namelast_editedlast_updated
38733Simon Biazeck2016-02-292016-02-29This edition has been transcribed from the Trent codex, transposed down a minor third and the note values have been quartered. Cue-sized and cautionary accidentals are editorial. The original prolation sign, tempus perfectum, suggests a moderate three in a bar. The editorial treatment of musica ficta, the approach to harmonic tritones and false relations seeks to address some aural prejudices we may have about this music, and indeed much music of the late Medieval early Renaissance periods. No attempt has been made to correct so-called forbidden intervals.126531Kyrie (Tr. 87, f. 126r) (John Dunstable)Kyrie (Tr. 87, f. 126r)John Dunstable2023-09-16 08:06:51

Table: files

file_idnameedition_numberlocationclasssubclasstypeiconcontentsizecopyrightpage_formatpagesdurationlast_editedlast_updated
38733.3Kyrie_(Dunstaple)_Tr._87,_f._126r.mxl38733internalsourcesourceMusic XML{{XML}} 2023-09-16 08:06:52
38733.2Kyrie_(Dunstaple)_Tr._87,_f._126.mid38733internalsoundsoundmid{{Mid}} 2023-09-16 08:06:51
38733.1Kyrie_(Dunstaple)_Tr._87,_f._126r.pdf38733internalscorescorepdf{{Pdf}} 93CPDLA432023-09-16 08:06:51