Magnificat (Orlando di Lasso)

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Lassus' Magnificats number about 100 and indeed were printed posthumously as Iubilus beatæ virginis, hoc est centum Magnificat (Munich 1619). Almost all (the exceptions are the through-composed No's 35, 64, 65 & 102) are alternatim settings of the even verses.

The sortable list below is ordered after the SWnR, with Bötticher's 195? catalogue numbers and the numbering of the 1619 print.

SWnR

The Sämtlicher Werke neue Reihe (SWnR) includes 110 attributed works according to the following plan:

  • Volume 13 (Magnificats, Band 1, nos. 1–24), edited by Wolfgang Boetticher: 3 Magnificat cycles in the 8 modes (Nuremberg, 1567)
  • Volume 14 (Magnificats, Band 2, nos. 25–49), edited by James Erb: Works printed in Paris 1587 as well as Munich 1576 & 1587
  • Volume 15 (Magnificats, Band 3, nos. 50–70), edited by James Erb: works from the period 1576-1583 in Munich mss.
  • Volume 16 (Magnificats, Band 4, nos. 71–92), edited by James Erb: works from the period 1583-1585 in Munich mss.
  • Volume 17 (Magnificats, Band 5, nos. 93–110), edited by James Erb: Posthoumously transmitted works & dubia; appendix with parody models not by Lassus

Sources

Sortable table

SWnR Bot 1619 model mode vv publ.
1 10 61 Primi toni i 6 Nürnberg 1567
2 22 65 Secundi toni ii 6 Nürnberg 1567
3 37 74 Tertii toni iii 6 Nürnberg 1567
4 45 75 Quarti toni iv 6 Nürnberg 1567
5 53 78 Quinti toni v 6 Nürnberg 1567
5 63 80 Sexti toni vi 6 Nürnberg 1567
7 78 84 Septimi toni vii 6 Nürnberg 1567
8 95 90 Octavi toni viii 6 Nürnberg 1567
9 6 26 Primi toni i 5 Nürnberg 1567
10 18 30 Secundi toni ii 5 Nürnberg 1567
11 34 34 Tertii toni iii 5 Nürnberg 1567
12 40 37 Quarti toni iv 5 Nürnberg 1567
13 50 42 Quinti toni v 5 Nürnberg 1567
14 58 44 Sexti toni vi 5 Nürnberg 1567
15 72 49 Septimi toni vii 5 Nürnberg 1567
16 89 55 Octavi toni viii 5(6) Nürnberg 1567
17 2 2 Primi toni i 4 Nürnberg 1567
18 15 6 Secundi toni ii 4 Nürnberg 1567
19 32 10 Tertii toni iii 4 Nürnberg 1567
20 39 13 Quarti toni iv 4 Nürnberg 1567
21 49 15 Quintii toni v 4 Nürnberg 1567
22 56 17 Sexti toni vi 4 Nürnberg 1567
23 69 20 Septimi toni vii 4 Nürnberg 1567
24 88 24 Octavi toni viii 4 Nürnberg 1567
25 1 1 Primi toni i 4 Patrocinium musices 1576
26 14 5 Secundi toni ii 4 Patrocinium musices 1576
27 31 9 Tertii toni iii 4 Patrocinium musices 1576
28 38 12 Quarti toni iv 4 Patrocinium musices 1576
29 48 14 Quinti toni v 4 Patrocinium musices 1576
30 55 16 Sexti toni vi 4(5) Patrocinium musices 1576
31 68 19 Septimi toni vii 4 Patrocinium musices 1576
32 87 23 Octavi toni viii 4 Patrocinium musices 1576
33 3 3 Primi toni H xiv, 75 i 4
34 44 41 Ancor che col partire (after Rore's madrigal) H xiv, 82 iv 5
35 67 95 Sexti toni, H xiv, 94 vi 8 one of 4 through-composed settings
36 85 96 Septimi toni H xiv, 112 vii 8
37 4 4 Si par souhait (own chanson, 1570b), H xiv, 126 i 4
38 17 8 Il est jour (Claudin de Sermisy’s chanson),H xiv, 133 ii 4
39 28 71 Quanti in mille anni il ciel ([?Pierre] Nollet’s madrigal) H xiv, 141 ii 6
40 11 62 Dessus le marché d’Arras (own chanson, 1584a), H xiv, 158 i 6 1587
41 12 63 Susanne un jour (own chanson), H xiv 174 i 6 1587
42 83 89 Deus in adjutorium [septimi (?) toni] (own motet, 1582e), H xiv, 189 Peregrini toni 6 1587
43 29 72 Ecco ch’io lasso il core (?Striggio’s madrigal), H xiv, 201 ii 6 1587
44 13 64 Omnis enim homo (own motet, 1585b), H xiv, 216 i 6
45 81 87 Amor ecco colei H xiv, 231 vii 6 1587
46 46 76 Quando lieta sperai (anon. madrigal, 1548), H xiv, 243 iv 6 1587
47 94 60 Aria di un sonetto (Ortiz’s Aria di Ruggiero), H xiv, 256 viii 5 1587
48 36 36 Mort et fortune (Nicolas Gombert’s chanson), H xiv, 263 iii (viii) 5 1587
49 30 73 Mais qui pourroit (own chanson, 1584a), H xiv, 275 ii 6 1587
50 16 7 O s’io potessi (Berchem’s madrigal), 4vv, H xv, 3 ii 4
51 19 31 Secundi toni, 5vv, H xv, 10 ii 5
52 42 39 Quarti toni (i), 5vv, H xv, 16 iv 5
53 59 45 Sexti toni (i), 5vv, H xv, 24 vi 5
54 61 47 Sexti toni (ii), 5vv, H xv, 30 vi 5
55 74 51 Septimi toni (i), 5vv, H xv, 35 vii 5
56 90 56 Octavi toni (i), 5vv, H xv, 40 viii 5
57 21 33 Las je n’iray plus (own chanson, 1576a), H xv, 46 ii 5
58 26 69 Ultimi miei sospiri Verdelot’s madrigal), H xv, 58 ii 6
59 65 82 Tant vous allez doux (Ebran’s chanson), H xv, 74 vi 6
60 77 54 Hélas j’ai sans merci (own chanson, 1584a), H xv, 95 vii 5
61 82 88 S’io esca vivo (own madrigal, 1579), H xv, 108 vii 6
62 96 91 Octavi toni, 6vv, H xv, 126 vii 6
63 47 94 Quarti toni, 8vv, H xv, 138 iv 8
64 86 97 Septimi toni, 8vv, H xv, 152 vii 8 one of 4 through-composed settings
65 99 99 Octavi toni (i), 8vv, H xv, 166 viii 8 one of 4 through-composed settings
66 54 79 Omnis homo primum bonum vinum ponit (de Wert’s motet), H xv, 181 vi 6
67 101 - [Sexti toni], MS ca.1582, H xv, 201 vi 5
68 64 81 Dies est lætitia H xv, 212 vi 6
69 97 92 Benedicta es, cælorum regina (Josquin’s motet, 1520), H xv, 228 vii 6
70 25 68 Præter rerum seriem (Josquin’s motet), H xv, 248 ii 6
71 7 27 Primi toni, H xvi, 3 i 5
72 20 32 Secundi toni ii 5
73 35 35 Tertii toni, H xvi, 25 iii 5
74 41 38 Quarti toni, iv 5
75 51 43 Quinti toni, H xvi, 46 v 5
76 60 46 Sexti toni, 5vv, H xvi, 57 vi 5
77 73 50 Septimi toni, 5vv, H xvi, 68 vii 5
78 91 57 Octavi toni, 5vv, H xvi, 80 viii 5
79 5 25 Primi toni, 5vv, H xvi, 92 i 5
80 9 29 Vergine bella (Rore’s madrigal), H xvi, 108 i 5
81 62 48 Dalle belle contrade (Cipriano de Rore’s madrigal), H xvi, 120 vi 5
82 79 85 Recordare Jesu pie (own motet, 1594), 6vv, H xvi, 134 vii 6
83 71 22 Margot labouréz les vignes (own chanson, 1564a), H xvi, 154 vii 4
84 92 58 Alma real se come fide stella (Rore’s madrigal), H xvi, 163 viii 5
85 27 70 O che vezzosa aurora (Vecchi’s madrigal), H xvi, 175 ii 6
86 80 86 D’ogni gratia e d’amor (Striggio’s madrigal), H xvi, 188 vii 6
87 84 93 Perpulchrum H xvi, 204 vii 7
88 33 11 S’io credessi per morte (A. de Reulx’s madrigal), H xvi, 221 iii 4
89 57 18 Beau le cristal (own chanson, 1576d), H xvi, 230 vi 4
90 70 21 Pange lingua gloriosi H xvi, 241 vii 4/6
91 8 28 Primi toni, 5vv, H xvi, 259 i 5
92 75 52 Vous perdez temps (Sermisy’s chanson), H xvi, 267 vii 5
93 93 59 Vola vola pensier (Aeria a la italiana), 5vv, H xvii, 3 viii 5
94 52 77 Quinti toni, H xvii, 14 v 6/8
95 98 98 Octavi toni (i), 8vv, H xvii, 31 viii 8
96 43 40 Octavi toni (ii), 8vv, H xvii, 48 vii 8
97 76 53 Erano capei d’oro [septimi toni] (Nanino’s madrigal), 5vv, H xvii, 64 vii 5
98 23 66 Secundi toni, H xvii, 76 ii 6
99 66 83 Si vous estes m’amie (own chanson, 1584a), 6vv, H xvii, 94 vi 6
100 24 67 Memor esto (own motet, 1585a), 6vv, H xvii, 107 ii 6
101 100 100 Aurora lucis rutilat (own motet, 1604), 10vv, H xvii, 124 viii 10
102 - - Septimi toni, MS, H xvii, 150 vii 10 one of 4 through-composed settings

|103–110. 8 Magnificat settings, doubtful, H xvii, 182

External links