Almighty God, who by thy Son (Orlando Gibbons): Difference between revisions
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*[[Image:NewScore.gif]] | *[[Image:NewScore.gif]] '''CPDL #9957:''' [[Media:Almighty.pdf|PDF]] [[Media:Almighty.mid|MIDI]]<br> | ||
: | :'''Editor:''' [[User:Michael Gibson|Michael Gibson]] ''(added 2005-10-12)''. '''Score information:''' A4, 8 pages, 242 kbytes '''Copyright:''' [[ChoralWiki:CPDL|CPDL]]<br> | ||
: | :'''Edition notes:''' | ||
==General Information== | ==General Information== | ||
'''Title:''' ''Almighty God, who by thy Son''<br> | |||
'''Composer:''' [[Orlando Gibbons]]<br> | |||
'''Number of voices:''' 5vv '''Voicing:''' SAATB<br> | |||
'''Genre:''' | '''Genre:''' {{pcat|Sacred| music}}, Anthem<br> | ||
'''Language:''' English<br> | |||
'''Instruments:''' piano/vocal score. Original was accompanied by consort of viols.<br> | |||
'''Published:''' c1620<br> | |||
'''Description:''' A typical 'Verse Anthem'<br> | |||
'''External websites:''' | |||
==Original text and translations== | ==Original text and translations== | ||
''' Forcing a work of this period into the straightjacket of the modern time signature/bar line system leads to many 'weak' word endings falling on 'strong' beats. Care should be taken that performance is dictated by the word stress, not by the bar lines. <br> | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category: | [[Category:Anthems]] | ||
[[Category:SAATB]] | [[Category:SAATB]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 16:06, 21 October 2005
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- Editor: Michael Gibson (added 2005-10-12). Score information: A4, 8 pages, 242 kbytes Copyright: CPDL
- Edition notes:
General Information
Title: Almighty God, who by thy Son
Composer: Orlando Gibbons
Number of voices: 5vv Voicing: SAATB
Genre: Sacred, Anthem
Language: English
Instruments: piano/vocal score. Original was accompanied by consort of viols.
Published: c1620
Description: A typical 'Verse Anthem'
External websites:
Original text and translations
Forcing a work of this period into the straightjacket of the modern time signature/bar line system leads to many 'weak' word endings falling on 'strong' beats. Care should be taken that performance is dictated by the word stress, not by the bar lines.