Almighty God, who by thy Son (Orlando Gibbons): Difference between revisions
Jump to navigation
Jump to search
Mike Gibson (talk | contribs) No edit summary |
Mike Gibson (talk | contribs) mNo edit summary |
||
| Line 3: | Line 3: | ||
*[[Image:NewScore.gif]] <b>CPDL #9957:</b> [[Media:Almighty.pdf|PDF]] [[Media:Almighty.mid|MIDI]]<br> | *[[Image:NewScore.gif]] <b>CPDL #9957:</b> [[Media:Almighty.pdf|PDF]] [[Media:Almighty.mid|MIDI]]<br> | ||
:<b>Editor:</b> [[User:Michael Gibson|Michael Gibson]] <i>(added 2005-10-12)</i>. <b>Score information: </b>A4, 8 pages, 242 kbytes <b>Copyright:</b> [[ChoralWiki: | :<b>Editor:</b> [[User:Michael Gibson|Michael Gibson]] <i>(added 2005-10-12)</i>. <b>Score information: </b>A4, 8 pages, 242 kbytes <b>Copyright:</b> [[ChoralWiki:CPDL|CPDL]]<br> | ||
:<b>Edition notes:</b> | :<b>Edition notes:</b> | ||
| Line 24: | Line 24: | ||
<!-- <b>Translation(s): </b> --> | <!-- <b>Translation(s): </b> --> | ||
<b> Forcing a work of this period into the straightjacket of the modern time signature/bar line system leads to many 'weak' word endings falling on 'strong' beats. Care should be taken that performance is dictated by the word stress, not by the bar lines. <br> | <b> Forcing a work of this period into the straightjacket of the modern time signature/bar line system leads to many 'weak' word endings falling on 'strong' beats. Care should be taken that performance is dictated by the word stress, not by the bar lines. <br> | ||
Revision as of 09:32, 13 October 2005
Music files
| ICON | SOURCE |
|---|---|
 |
File details |
 |
Help |
- Editor: Michael Gibson (added 2005-10-12). Score information: A4, 8 pages, 242 kbytes Copyright: CPDL
- Edition notes:
General Information
Title: Almighty God, who by thy Son
Composer: Orlando Gibbons
Number of voices: 5vv Voicing: SAATB
Genre: Sacred, Anthem
Language: English
Instruments: piano/vocal score. Original was accompanied by consort of viols.
Published: c1620
Description: A typical 'Verse Anthem'
External websites:
Original text and translations
Forcing a work of this period into the straightjacket of the modern time signature/bar line system leads to many 'weak' word endings falling on 'strong' beats. Care should be taken that performance is dictated by the word stress, not by the bar lines.