Attollite portas (William Byrd): Difference between revisions

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==Music files==
==Music files==
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*{{PostedDate|2016-07-27}} {{CPDLno|40546}} [{{filepath:Byrd_-_Attollite_Portas_SSAATB.pdf}} {{pdf}}]
<!--
{{Editor|Gareth Thomas|2016-07-27}}{{ScoreInfo|A4|12|118}}{{Copy|CPDL}}
*{{:Edition:CPDL 40546}}
:'''Edition notes:''' Transposed up a minor 3rd from printed pitch, original note values


*{{PostedDate|2016-07-27}} {{CPDLno|40545}}[{{filepath:Byrd_-_Attollite_Portas_AATTBarB.pdf}} {{pdf}}]
*{{:Edition:CPDL 40545}}
{{Editor|Gareth Thomas|2016-07-27}}{{ScoreInfo|A4|12|118}}{{Copy|CPDL}}
-->
:'''Edition notes:''' Transposed down a tone from printed pitch, original note values
*{{CPDLno|28187}} [[Media:Byrd_Attollite.pdf|{{pdf}}]] [[Media:Byrd_Attollite.mid|{{mid}}]] [[Media:Byrd_Attollite.mxl|{{XML}}]] [[Media:Byrd_Attollite.capx|{{Capx}}]]  
 
*{{CPDLno|28187}} [{{filepath:Byrd_Attollite.pdf}} {{pdf}}] [{{filepath:Byrd_Attollite.mid}} {{mid}}] [{{filepath:Byrd_Attollite.capx}} {{Capx}}]  
{{Editor|Gerd Eichler|2013-02-01}}{{ScoreInfo|A4|11|118}}{{Copy|CPDL}}
{{Editor|Gerd Eichler|2013-02-01}}{{ScoreInfo|A4|11|118}}{{Copy|CPDL}}
:'''Edition notes:''' Mensural notation, original key and note values, musica ficta clearly marked, clefs modernized
:'''Edition notes:''' Mensural notation, original key and note values, musica ficta clearly marked, clefs modernized. {{MXL}}


*{{CPDLno|4113}} [{{filepath:BYRD-ATT.pdf}} {{pdf}}] [{{filepath:BYRD-ATT.mid}} {{mid}}] [{{filepath:BYRD-ATT.sib}} Sibelius 4]
*{{CPDLno|4113}} [[Media:BYRD-ATT.pdf|{{pdf}}]] [[Media:BYRD-ATT.mid|{{mid}}]] [[Media:BYRD-ATT.mxl|{{XML}}]] [[Media:BYRD-ATT.sib|{{sib}}]] (Sibelius 4)
{{Editor|David Fraser|2002-10-21}}{{ScoreInfo|A4|12|157}} {{Copy|CPDL}}
{{Editor|David Fraser|2002-10-21}}{{ScoreInfo|A4|12|157}} {{Copy|CPDL}}
:'''Edition notes:''' Revised May 2015
:'''Edition notes:''' Revised May 2015. {{MXL}}


==General Information==
==General Information==
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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:''' [[Cantiones, quae ab argumento sacrae vocantur (William Byrd/Thomas Tallis)|Cantiones Sacrae]] (1575), no. 11<br>
{{Pub|1|1575|in ''[[Cantiones quae ab argumento sacrae vocantur]]''|no=11}}


'''Description:'''  
'''Description:'''  

Revision as of 07:43, 6 June 2019

Music files

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ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Sibelius.png Sibelius
Icon_zip.gif Zip file
File details.gif File details
Question.gif Help
  • CPDL #28187:         
Editor: Gerd Eichler (submitted 2013-02-01).   Score information: A4, 11 pages, 118 kB   Copyright: CPDL
Edition notes: Mensural notation, original key and note values, musica ficta clearly marked, clefs modernized. MusicXML source file(s) in compressed .mxl format.
  • CPDL #04113:        (Sibelius 4)
Editor: David Fraser (submitted 2002-10-21).   Score information: A4, 12 pages, 157 kB    Copyright: CPDL
Edition notes: Revised May 2015. MusicXML source file(s) in compressed .mxl format.

General Information

Title: Attollite portas
Composer: William Byrd
Source of text: Psalm 24: 7,8,10

Number of voices: 6vv   Voicing: SATTTB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1575 in Cantiones quae ab argumento sacrae vocantur, no. 11

Description:

External websites:

Original text and translations

Original text and translations may be found at Psalm 24.

English.png English translation

from the score; see psalm page for alternative translations

Lift up your gates, O ye princes, and be ye lifted up, O eternal gates: and the King of Glory shall enter in.
Who is this King of Glory? the Lord who is strong and mighty: the Lord mighty in battle.
Who is this King of Glory? the Lord of power, he is the King of Glory.
Glory be to the Father, and to the Son, and to the Holy Ghost: As it was in the beginning, is now, and ever shall be, world without end. Amen