Ave virgo gratiosa (Jean Le Bouteiller): Difference between revisions

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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|1534}}
{{Published|1534|in ''Motettorum Liber 1'', Attaingnant.}}


'''Description:''' Motet published by Attaingnant in Motettorum Liber 1 (1534). The original clefs were G2, C2, C3, C4. Only two motets and four chansons by this French composer survive. Contratenor's first note in bar 38, although transcribed here in accordance with the source, should perhaps be a B rather than a D. A few sharps could optionally be added in cadential figures, e.g. A sharps and G sharp in the Tenor in bar 6, D sharp in the Superius in bar 11 and the Tenor in bar 38, and D sharps and C sharp in the Superius at the final cadence.
'''Description:''' The original clefs were G2, C2, C3, C4. Only two motets and four chansons by this French composer survive. Contratenor's first note in bar 38, although transcribed here in accordance with the source, should perhaps be a B rather than a D. A few sharps could optionally be added in cadential figures, e.g. A sharps and G sharp in the Tenor in bar 6, D sharp in the Superius in bar 11 and the Tenor in bar 38, and D sharps and C sharp in the Superius at the final cadence.


'''External websites:'''
'''External websites:'''

Revision as of 08:48, 25 November 2018

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  • (Posted 2017-11-17)  CPDL #47401:   
Editor: Mick Swithinbank (submitted 2017-11-17).   Score information: A4, 6 pages, 62 kB   Copyright: CPDL
Edition notes: Original note values; modern clefs; transposed down a minor third. One seemingly wrong note value corrected in bar 12.

General Information

Title: Ave virgo gratiosa
Composer: Jean Le Bouteiller
Lyricist:

Number of voices: 4vv   Voicing: STTB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: The original clefs were G2, C2, C3, C4. Only two motets and four chansons by this French composer survive. Contratenor's first note in bar 38, although transcribed here in accordance with the source, should perhaps be a B rather than a D. A few sharps could optionally be added in cadential figures, e.g. A sharps and G sharp in the Tenor in bar 6, D sharp in the Superius in bar 11 and the Tenor in bar 38, and D sharps and C sharp in the Superius at the final cadence.

External websites:

Original text and translations

Original text and translations may be found at Ave Virgo gratiosa a 5 (Orazio Vecchi).