César Antonovich Cui: Difference between revisions
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<!-- '''Aliases:''' --> | <!-- '''Aliases:''' --> | ||
==Life== | ==Life== | ||
<b>Born: </b>1835-01-06 | <b>Born: </b>1835-01-06 (Old Style) | ||
<b>Died: </b>1918-03-13 | <b>Died: </b>1918-03-13 | ||
<b>Biography:</b> Russian composer of French-Lithuanian descent | <b>Biography:</b> Russian composer of French-Lithuanian descent. | ||
Profession: professor of fortifications in the military academies of St. Petersburg. | |||
Copious avocations in music: composition and journalism. Composer of 15 operas, orchestral music, much choral music (mostly secular, some sacred), chamber music, piano music, hundreds of art songs. | |||
{{WikipediaLink}} | {{WikipediaLink}} | ||
==List of choral works== | ==List of choral works== | ||
{{Legend}} | {{Legend}} | ||
<!--List adapted from http://en.wikipedia.org/wiki/List_of_compositions_by_C%C3%A9sar_Cui--> | |||
''(A cappella unless otherwise marked)'' | |||
===Sacred Choral=== | |||
*Three Psalms, op. 80, for mixed voices (1910) | |||
*''Song of the Most Holy Theotokos'' [''Песнь Пресвятыя Богородицы'' = ''Pesn' presvjatyja bogorodicy''] (i.e. the Russian Orthodox ''Magnificat''), op. 93, for soprano solo and mixed voices (1914) | |||
===Secular Choral and Part-Song=== | |||
*Two Choruses to Words by Pushkin, op. 4, for mixed voices with orchestra (1860) | |||
*''Chorus mysticus trium vocum muliebrium'' (''Mystical Chorus'') [''Мистический хор'' = ''Mističeskij khor''], op. 6, for women's voices and orchestra or piano, text from Dante's ''Purgatorio'' (1871) | |||
*Seven Choruses, op. 28, for mixed voices (1885) | |||
*"Ave Maria," op. 34, for 1-2 women's voices with piano or harmonium (1886) | |||
*"Les oiseaux d'Argenteau," for children's voices (1887) | |||
*Five Choruses, op. 46, for mixed voices (1893) | |||
*Six Choruses, op. 53, for mixed voices (1895) | |||
*Seven Little Duet-Choruses, Op. 101, for children's or women's voices, (1899) ''(not published)'' | |||
*Zwei Lieder, op. 58, for men's voices (1901) | |||
*Seven Vocal Quartets, Op. 59, for mixed voices (1901) | |||
*Six Choruses, op. 63, for mixed voices (1903) | |||
*Seven Little Choruses on texts by Belousov, op. 77 (1908) | |||
*Thirteen Choruses, op. 85, for women's and children's voices with piano (1911) | |||
*Nine Vocal Quartets for men's voices, op. 88 (1911-1912). | |||
*''March of the Russian Falcons'' [''Марш русских соколов'' = ''Marsh russkikh sokolov'', for mixed voices with piano (1912) | |||
*''Cantata in Commemoration of the Three-Hundredth Anniversary of the Reign of the House of the Romanovs, 1613-1913'', op. 89, for mixed voices with orchestra or piano (1913) | |||
*''Your Poetic Art'' [''Твой стих'' = ''Tvoj stikh''], Cantata in Memory of M.Yu. Lermontov, op. 96, for mixed voices with orchestra or piano (1914) | |||
*"They're Marching" ["Идут" = "Idut"], for men's voices (1914) | |||
==Publications== | ==Publications== | ||
Most compositions published in Russia, by Bessel, Jurgenson, | Most compositions published in Russia, by Bessel, Jurgenson, and Belaieff. | ||
==External links== | ==External links== | ||
http://en.wikipedia.org/wiki/Cesar_Cui | *[http://en.wikipedia.org/wiki/Cesar_Cui Wikipedia article on Cui] | ||
*[http://en.wikipedia.org/wiki/List_of_compositions_by_C%C3%A9sar_Cui Wikipedia list of Cui's works, choral and otherwise] | |||
[[Category:1835 births|Cui, César Antonovich]] | [[Category:1835 births|Cui, César Antonovich]] | ||
Revision as of 00:21, 14 December 2006
Life
Born: 1835-01-06 (Old Style)
Died: 1918-03-13
Biography: Russian composer of French-Lithuanian descent.
Profession: professor of fortifications in the military academies of St. Petersburg.
Copious avocations in music: composition and journalism. Composer of 15 operas, orchestral music, much choral music (mostly secular, some sacred), chamber music, piano music, hundreds of art songs.
View the Wikipedia article on César Antonovich Cui.
List of choral works
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(A cappella unless otherwise marked)
Sacred Choral
- Three Psalms, op. 80, for mixed voices (1910)
- Song of the Most Holy Theotokos [Песнь Пресвятыя Богородицы = Pesn' presvjatyja bogorodicy] (i.e. the Russian Orthodox Magnificat), op. 93, for soprano solo and mixed voices (1914)
Secular Choral and Part-Song
- Two Choruses to Words by Pushkin, op. 4, for mixed voices with orchestra (1860)
- Chorus mysticus trium vocum muliebrium (Mystical Chorus) [Мистический хор = Mističeskij khor], op. 6, for women's voices and orchestra or piano, text from Dante's Purgatorio (1871)
- Seven Choruses, op. 28, for mixed voices (1885)
- "Ave Maria," op. 34, for 1-2 women's voices with piano or harmonium (1886)
- "Les oiseaux d'Argenteau," for children's voices (1887)
- Five Choruses, op. 46, for mixed voices (1893)
- Six Choruses, op. 53, for mixed voices (1895)
- Seven Little Duet-Choruses, Op. 101, for children's or women's voices, (1899) (not published)
- Zwei Lieder, op. 58, for men's voices (1901)
- Seven Vocal Quartets, Op. 59, for mixed voices (1901)
- Six Choruses, op. 63, for mixed voices (1903)
- Seven Little Choruses on texts by Belousov, op. 77 (1908)
- Thirteen Choruses, op. 85, for women's and children's voices with piano (1911)
- Nine Vocal Quartets for men's voices, op. 88 (1911-1912).
- March of the Russian Falcons [Марш русских соколов = Marsh russkikh sokolov, for mixed voices with piano (1912)
- Cantata in Commemoration of the Three-Hundredth Anniversary of the Reign of the House of the Romanovs, 1613-1913, op. 89, for mixed voices with orchestra or piano (1913)
- Your Poetic Art [Твой стих = Tvoj stikh], Cantata in Memory of M.Yu. Lermontov, op. 96, for mixed voices with orchestra or piano (1914)
- "They're Marching" ["Идут" = "Idut"], for men's voices (1914)
Publications
Most compositions published in Russia, by Bessel, Jurgenson, and Belaieff.