Dido and Aeneas: Difference between revisions

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==Text==
==General information==
An opera perform'd at Mr. Josias Priest's Boarding School at Chelsey by Young Gentlewomen.
An opera perform'd at Mr. Josias Priest's Boarding School at Chelsey by Young Gentlewomen.


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The music composed by Mr. HENRY PURCELL
The music composed by Mr. HENRY PURCELL


'''Dramatis Personae'''<br>
'''Dramatis Personae'''
DIDO<br>
*DIDO
BELINDA<br>
*BELINDA
TWO WOMEN<br>
*TWO WOMEN
AENEAS<br>
*AENEAS
SORCERESS<br>
*SORCERESS
ENCHANTRESSES<br>
*ENCHANTRESSES
SPIRIT of the Sorceress (Mercury)
*SPIRIT of the Sorceress (Mercury)


Dido's train, Aeneas' train, Fairies, Sailors
Dido's train, Aeneas' train, Fairies, Sailors


1 - OVERTURE
==Original text==
ACT THE FIRST
===Overture===
   
1 - OVERTURE
 
===Act the First===
<poem>
     Scene: The Palace
     Scene: The Palace
     [enter Dido, Belinda and train]
     [enter Dido, Belinda and train]
   
 
2 - BELINDA
2 - BELINDA
     Shake the cloud from off your brow,
     Shake the cloud from off your brow,
     Fate your wishes does allow;
     Fate your wishes does allow;
Line 37: Line 40:
     Grief should ne'er approach the fair.
     Grief should ne'er approach the fair.
      
      
3 - DIDO
3 - DIDO
     Ah! Belinda, I am prest
     Ah! Belinda, I am prest
     With torment not to be Confest,
     With torment not to be Confest,
Line 47: Line 50:
     Grief increases by concealing,
     Grief increases by concealing,
      
      
4 - DIDO
4 - DIDO
     Mine admits of no revealing.
     Mine admits of no revealing.
      
      
Line 56: Line 59:
     Our Carthage to secure and Troy revive.
     Our Carthage to secure and Troy revive.
      
      
5 - CHORUS
5 - CHORUS
     When monarchs unite, how happy their state,
     When monarchs unite, how happy their state,
     They triumph at once o'er their foes and their fate.
     They triumph at once o'er their foes and their fate.
      
      
6 - DIDO
6 - DIDO
     Whence could so much virtue spring?
     Whence could so much virtue spring?
     What storms, what battles did he sing?
     What storms, what battles did he sing?
Line 79: Line 82:
     But ah! I fear, I pity his too much.
     But ah! I fear, I pity his too much.
      
      
7 - BELINDA AND SECOND WOMAN
7 - BELINDA AND SECOND WOMAN
     [Repeated by Chorus]
     [Repeated by Chorus]
     Fear no danger to ensue,
     Fear no danger to ensue,
Line 93: Line 96:
     [Aeneas enters with his train]
     [Aeneas enters with his train]
      
      
8 - BELINDA
8 - BELINDA
     See, your Royal Guest appears,
     See, your Royal Guest appears,
     How Godlike is the form he bears!
     How Godlike is the form he bears!
Line 109: Line 112:
     The feeble stroke of Destiny.
     The feeble stroke of Destiny.
      
      
9 - CHORUS
9 - CHORUS
     Cupid only throws the dart
     Cupid only throws the dart
     That's dreadful to a warrior's heart,
     That's dreadful to a warrior's heart,
     And she that wounds can only cure the smart.
     And she that wounds can only cure the smart.
      
      
10- AENEAS
10- AENEAS
     If not for mine, for Empire's sake,
     If not for mine, for Empire's sake,
     Some pity on your lover take;
     Some pity on your lover take;
Line 120: Line 123:
     A hero fall, and Troy once more expire.
     A hero fall, and Troy once more expire.
      
      
11- BELINDA
11- BELINDA
     Pursue thy conquest, Love; her eyes
     Pursue thy conquest, Love; her eyes
     Confess the flame her tongue denies.
     Confess the flame her tongue denies.
Line 126: Line 129:
     A DANCE. GITTARS CHACONY. (missing from score)
     A DANCE. GITTARS CHACONY. (missing from score)
      
      
12- CHORUS
12- CHORUS
     To the hills and the vales, to the rocks and the mountains
     To the hills and the vales, to the rocks and the mountains
     To the musical groves and the cool shady fountains.
     To the musical groves and the cool shady fountains.
Line 132: Line 135:
     Go revel, ye Cupids, the day is your own.
     Go revel, ye Cupids, the day is your own.
      
      
13- THE TRIUMPHING DANCE
13- THE TRIUMPHING DANCE
   
</poem>
   
 
ACT THE SECOND
===Act the Second===
   
<poem>
     Scene [I]: The Cave
     Scene [I]: The Cave
     [enter Sorceress]
     [enter Sorceress]
      
      
14- PRELUDE FOR THE WITCHES
14- PRELUDE FOR THE WITCHES
      
      
     SORCERESS
     SORCERESS
Line 155: Line 158:
     Say, Beldam, say what's thy will.
     Say, Beldam, say what's thy will.
      
      
15- CHORUS
15- CHORUS
     Harm's our delight and mischief all our skill.
     Harm's our delight and mischief all our skill.
      
      
16- SORCERESS
16- SORCERESS
     The Queen of Carthage, whom we hate,
     The Queen of Carthage, whom we hate,
     As we do all in prosp'rous state,
     As we do all in prosp'rous state,
Line 164: Line 167:
     Depriv'd of fame, of life and love!
     Depriv'd of fame, of life and love!
      
      
17- CHORUS
17- CHORUS
     Ho, ho, ho, ho, ho, ho! [etc.]
     Ho, ho, ho, ho, ho, ho! [etc.]
      
      
18- TWO WITCHES
18- TWO WITCHES
     Ruin'd ere the set of sun?
     Ruin'd ere the set of sun?
     Tell us, how shall this be done?
     Tell us, how shall this be done?
Line 185: Line 188:
     And charge him sail tonight with all his fleet away.
     And charge him sail tonight with all his fleet away.
      
      
19- CHORUS
19- CHORUS
     Ho, ho, ho, ho, ho, ho! [etc.]
     Ho, ho, ho, ho, ho, ho! [etc.]
     [Enter a Drunken Sailor; a dance]
     [Enter a Drunken Sailor; a dance]
      
      
20- TWO WITCHES
20- TWO WITCHES
     But ere we this perform,
     But ere we this perform,
     We'll conjure for a storm
     We'll conjure for a storm
Line 195: Line 198:
     And drive 'em back to court.
     And drive 'em back to court.
      
      
21- CHORUS [in the manner of an echo.]
21- CHORUS [in the manner of an echo.]
     In our deep vaulted cell the charm we'll prepare,  
     In our deep vaulted cell the charm we'll prepare,  
     Too dreadful a practice for this open air.
     Too dreadful a practice for this open air.
      
      
22- ECHO DANCE [Enchantresses and Fairies]
22- ECHO DANCE [Enchantresses and Fairies]
      
      
     Scene [II]: The Grove
     Scene [II]: The Grove
     [enter Aeneas, Dido, Belinda, and their train]
     [enter Aeneas, Dido, Belinda, and their train]
      
      
23- RITORNELLE [Orchestra]
23- RITORNELLE [Orchestra]
      
      
24- BELINDA [Repeated by Chorus]
24- BELINDA [Repeated by Chorus]
     Thanks to these lovesome vales,
     Thanks to these lovesome vales,
     These desert hills and dales,  
     These desert hills and dales,  
Line 214: Line 217:
     GITTER GROUND A DANCE (missing from score)
     GITTER GROUND A DANCE (missing from score)
      
      
25- SECOND WOMAN
25- SECOND WOMAN
     Oft she visits this lov'd mountain,
     Oft she visits this lov'd mountain,
     Oft she bathes her in this fountain;  
     Oft she bathes her in this fountain;  
Line 223: Line 226:
     [A Dance to entertain Aeneas by Dido's women]
     [A Dance to entertain Aeneas by Dido's women]
      
      
26- AENEAS
26- AENEAS
     Behold, upon my bending spear
     Behold, upon my bending spear
     A monster's head stands bleeding,  
     A monster's head stands bleeding,  
Line 233: Line 236:
     Rends the mountain oaks a sunder.
     Rends the mountain oaks a sunder.
      
      
27- BELINDA [Repeated by Chorus]
27- BELINDA [Repeated by Chorus]
     Haste, haste to town, this open field  
     Haste, haste to town, this open field  
     No shelter from the storm can yield.
     No shelter from the storm can yield.
Line 241: Line 244:
     likeness of Mercury]  
     likeness of Mercury]  
      
      
28- SPIRIT
28- SPIRIT
     Stay, Prince and hear great Jove's command;  
     Stay, Prince and hear great Jove's command;  
     He summons thee this Night away.
     He summons thee this Night away.
Line 279: Line 282:
      
      
     THE GROVES DANCE
     THE GROVES DANCE
   
</poem>
   
 
ACT THE THIRD
===Act the Third===
   
<poem>
     Scene: The Ships
     Scene: The Ships
     [enter the Sailors, the Sorceress, and her Enchantresses]
     [enter the Sailors, the Sorceress, and her Enchantresses]
      
      
29- PRELUDE
29- PRELUDE
      
      
     FIRST SAILOR [Repeated by Chorus]
     FIRST SAILOR [Repeated by Chorus]
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     But never intending to visit them more.
     But never intending to visit them more.
      
      
30- THE SAILORS' DANCE
30- THE SAILORS' DANCE
      
      
31- SORCERESS
31- SORCERESS
     See the flags and streamers curling
     See the flags and streamers curling
     Anchors weighing, sails unfurling.
     Anchors weighing, sails unfurling.
Line 315: Line 318:
     The Queen's forsook, ho, ho!
     The Queen's forsook, ho, ho!
      
      
32- SORCERESS
32- SORCERESS
     Our next Motion
     Our next Motion
     Must be to storm her Lover on the Ocean!
     Must be to storm her Lover on the Ocean!
Line 321: Line 324:
     Elissa bleeds tonight, and Carthage flames tomorrow.
     Elissa bleeds tonight, and Carthage flames tomorrow.
      
      
33- CHORUS
33- CHORUS
     Destruction's our delight
     Destruction's our delight
     Delight our greatest sorrow!
     Delight our greatest sorrow!
Line 328: Line 331:
     their way among the Enchantresses.]  
     their way among the Enchantresses.]  
      
      
34- The Witches' Dance
34- The Witches' Dance
      
      
     [Enter Dido, Belinda and train]
     [Enter Dido, Belinda and train]
      
      
35- DIDO
35- DIDO
     Your counsel all is urged in vain
     Your counsel all is urged in vain
     To Earth and Heav'n I will complain!
     To Earth and Heav'n I will complain!
Line 395: Line 398:
     Death must come when he is gone.
     Death must come when he is gone.
      
      
36- CHORUS
36- CHORUS
     Great minds against themselves conspire
     Great minds against themselves conspire
     And shun the cure they most desire.
     And shun the cure they most desire.
      
      
37- DIDO
37- DIDO
     [Cupids appear in the clouds o're her tomb]
     [Cupids appear in the clouds o're her tomb]
     Thy hand, Belinda, darkness shades me,
     Thy hand, Belinda, darkness shades me,
Line 406: Line 409:
     Death is now a welcome guest.
     Death is now a welcome guest.


38- When I am laid in earth, May my wrongs create
38- When I am laid in earth, May my wrongs create
     No trouble in thy breast;
     No trouble in thy breast;
     Remember me, but ah! forget my fate.
     Remember me, but ah! forget my fate.
    
    
39- CHORUS
39- CHORUS
     With drooping wings you Cupids come,
     With drooping wings you Cupids come,
     To scatter roses on her tomb.
     To scatter roses on her tomb.
Line 416: Line 419:
     Keep here your watch, and never part.
     Keep here your watch, and never part.
      
      
40- CUPIDS DANCE - Grove Scene (missing from score)
40- CUPIDS DANCE - Grove Scene (missing from score)
</poem>


[[Category:Text pages]]
[[Category:Text pages]]

Revision as of 20:06, 4 May 2009

Musical settings

 

General information

An opera perform'd at Mr. Josias Priest's Boarding School at Chelsey by Young Gentlewomen.

The words made by Mr. NATHUM TATE

The music composed by Mr. HENRY PURCELL

Dramatis Personae

  • DIDO
  • BELINDA
  • TWO WOMEN
  • AENEAS
  • SORCERESS
  • ENCHANTRESSES
  • SPIRIT of the Sorceress (Mercury)

Dido's train, Aeneas' train, Fairies, Sailors

Original text

Overture

1 - OVERTURE

Act the First

     Scene: The Palace
     [enter Dido, Belinda and train]

2 - BELINDA
     Shake the cloud from off your brow,
     Fate your wishes does allow;
        Empire growing,
        Pleasures flowing,
     Fortune smiles and so should you.
     
     CHORUS
     Banish sorrow, banish care,
     Grief should ne'er approach the fair.
     
3 - DIDO
     Ah! Belinda, I am prest
     With torment not to be Confest,
     Peace and I are strangers grown.
     I languish till my grief is known,
     Yet would not have it guest.
     
     BELINDA
     Grief increases by concealing,
     
4 - DIDO
     Mine admits of no revealing.
     
     BELINDA
     Then let me speak; the Trojan guest
     Into your tender thoughts has prest;
     The greatest blessing Fate can give
     Our Carthage to secure and Troy revive.
     
5 - CHORUS
     When monarchs unite, how happy their state,
     They triumph at once o'er their foes and their fate.
     
6 - DIDO
     Whence could so much virtue spring?
     What storms, what battles did he sing?
     Anchises' valour mixt with Venus' charms
     How soft in peace, and yet how fierce in arms!
     
     BELINDA
     A tale so strong and full of woe
     Might melt the rocks as well as you.
     What stubborn heart unmov'd could see
     Such distress, such piety?
     
     DIDO
     Mine with storms of care opprest
     Is taught to pity the distrest.
     Mean wretches' grief can touch,
     So soft, so sensible my breast,
     But ah! I fear, I pity his too much.
     
7 - BELINDA AND SECOND WOMAN
     [Repeated by Chorus]
     Fear no danger to ensue,
     The Hero Loves as well as you,
     Ever gentle, ever smiling,
     And the cares of life beguiling,
     Cupid strew your path with flowers
     Gather'd from Elysian bowers.
     
     DANCE THIS CHORUS
     
     THE BASKE
     [Aeneas enters with his train]
     
8 - BELINDA
     See, your Royal Guest appears,
     How Godlike is the form he bears!
     
     AENEAS
     When, Royal Fair, shall I be blest
     With cares of love and state distrest?
     
     DIDO
     Fate forbids what you pursue.
     
     AENEAS
     Aeneas has no fate but you!
     Let Dido smile and I'll defy
     The feeble stroke of Destiny.
     
9 - CHORUS
     Cupid only throws the dart
     That's dreadful to a warrior's heart,
     And she that wounds can only cure the smart.
     
10- AENEAS
     If not for mine, for Empire's sake,
     Some pity on your lover take;
     Ah! make not, in a hopeless fire
     A hero fall, and Troy once more expire.
     
11- BELINDA
     Pursue thy conquest, Love; her eyes
     Confess the flame her tongue denies.
     
     A DANCE. GITTARS CHACONY. (missing from score)
     
12- CHORUS
     To the hills and the vales, to the rocks and the mountains
     To the musical groves and the cool shady fountains.
     Let the triumphs of love and of beauty be shown,
     Go revel, ye Cupids, the day is your own.
     
13- THE TRIUMPHING DANCE

Act the Second

     Scene [I]: The Cave
     [enter Sorceress]
     
14- PRELUDE FOR THE WITCHES
     
     SORCERESS
     Wayward sisters, you that fright
     The lonely traveller by night
     Who, like dismal ravens crying,
     Beat the windows of the dying,
     Appear! Appear at my call, and share in the fame
     Of a mischief shall make all Carthage flame.
     Appear!
     [enter Enchantresses]
     
     FIRST WITCH
     Say, Beldam, say what's thy will.
     
15- CHORUS
     Harm's our delight and mischief all our skill.
     
16- SORCERESS
     The Queen of Carthage, whom we hate,
     As we do all in prosp'rous state,
     Ere sunset, shall most wretched prove,
     Depriv'd of fame, of life and love!
     
17- CHORUS
     Ho, ho, ho, ho, ho, ho! [etc.]
     
18- TWO WITCHES
     Ruin'd ere the set of sun?
     Tell us, how shall this be done?
     
     SORCERESS
     The Trojan Prince, you know, is bound
     By Fate to seek Italian ground;
     The Queen and he are now in chase.
     
     FIRST WITCH
     Hark! Hark! the cry comes on apace.
     
     SORCERESS
     But, when they've done, my trusty Elf
     In form of Mercury himself
     As sent from Jove shall chide his stay,
     And charge him sail tonight with all his fleet away.
     
19- CHORUS
     Ho, ho, ho, ho, ho, ho! [etc.]
     [Enter a Drunken Sailor; a dance]
     
20- TWO WITCHES
     But ere we this perform,
     We'll conjure for a storm
     To mar their hunting sport
     And drive 'em back to court.
     
21- CHORUS [in the manner of an echo.]
     In our deep vaulted cell the charm we'll prepare,
     Too dreadful a practice for this open air.
     
22- ECHO DANCE [Enchantresses and Fairies]
     
     Scene [II]: The Grove
     [enter Aeneas, Dido, Belinda, and their train]
     
23- RITORNELLE [Orchestra]
     
24- BELINDA [Repeated by Chorus]
     Thanks to these lovesome vales,
     These desert hills and dales,
     So fair the game, so rich the sport,
     Diana's self might to these woods resort.
     
     GITTER GROUND A DANCE (missing from score)
     
25- SECOND WOMAN
     Oft she visits this lov'd mountain,
     Oft she bathes her in this fountain;
        Here Actaeon met his fate,
     Pursued by his own hounds,
     And after mortal wounds
        Discover'd, discover'd too late.
     [A Dance to entertain Aeneas by Dido's women]
     
26- AENEAS
     Behold, upon my bending spear
     A monster's head stands bleeding,
     With tushes far exceeding
     Those did Venus' huntsman tear.
     
     DIDO
     The skies are clouded, hark! how thunder
     Rends the mountain oaks a sunder.
     
27- BELINDA [Repeated by Chorus]
     Haste, haste to town, this open field
     No shelter from the storm can yield.
     [exeunt Dido and Belinda and train]
     
     [The Spirit of the Sorceress descends to Aeneas in the
     likeness of Mercury]
     
28- SPIRIT
     Stay, Prince and hear great Jove's command;
     He summons thee this Night away.
     
     AENEAS
     Tonight?
     
     SPIRIT
     Tonight thou must forsake this land,
     The Angry God will brook no longer stay.
     Jove commands thee, waste no more
     In Love's delights, those precious hours,
     Allow'd by th'Almighty Powers
     To gain th' Hesperian shore
     And ruined Troy restore.
     
     AENEAS
     Jove's commands shall be obey'd,
     Tonight our anchors shall be weighed.
     [Exit Spirit.]
     But ah! what language can I try
     My injur'd Queen to Pacify:
     No sooner she resigns her heart,
     But from her arms I'm forc'd to part.
     How can so hard a fate be took?
     One night enjoy'd, the next forsook.
     Yours be the blame, ye gods! For I
     Obey your will, but with more ease could die.
     
     THE SORCERESS AND HER ENCHANTRESSES (CHORUS)
     Then since our Charmes have sped,
     A Merry Dance be led
     By the Nymphs of Carthage to please us.
     They shall all Dance to ease us,
     A Dance that shall make the Spheres to wonder,
     Rending those fair Groves asunder.
     
     THE GROVES DANCE

Act the Third

     Scene: The Ships
     [enter the Sailors, the Sorceress, and her Enchantresses]
     
29- PRELUDE
     
     FIRST SAILOR [Repeated by Chorus]
     Come away, fellow sailors, your anchors be weighing.
     Time and tide will admit no delaying.
     Take a bouzy short leave of your nymphs on the shore,
     And silence their mourning
     With vows of returning
     But never intending to visit them more.
     
30- THE SAILORS' DANCE
     
31- SORCERESS
     See the flags and streamers curling
     Anchors weighing, sails unfurling.
     
     FIRST WITCH
     Phoebe's pale deluding beams
     Guilding more deceitful streams.
     
     SECOND WITCH
     Our plot has took,
     The Queen's forsook.
     
     TWO WITCHES
     Elissa's ruin'd, ho, ho!
     Our plot has took,
     The Queen's forsook, ho, ho!
     
32- SORCERESS
     Our next Motion
     Must be to storm her Lover on the Ocean!
     From the ruin of others our pleasures we borrow,
     Elissa bleeds tonight, and Carthage flames tomorrow.
     
33- CHORUS
     Destruction's our delight
     Delight our greatest sorrow!
     Elissa dies tonight and Carthage flames tomorrow.
     [Jack of the the Lanthorn leads the Spaniards out of
     their way among the Enchantresses.]
     
34- The Witches' Dance
     
     [Enter Dido, Belinda and train]
     
35- DIDO
     Your counsel all is urged in vain
     To Earth and Heav'n I will complain!
     To Earth and Heav'n why do I call?
     Earth and Heav'n conspire my fall.
     To Fate I sue, of other means bereft
     The only refuge for the wretched left.
     
     BELINDA
     See, Madam, see where the Prince appears;
     Such Sorrow in his looks he bears
     As would convince you still he's true.
     [enter Aeneas]
     
     AENEAS
     What shall lost Aeneas do?
     How, Royal Fair, shall I impart
     The God's decree, and tell you we must part?
     
     DIDO
     Thus on the fatal Banks of Nile,
     Weeps the deceitful crocodile
     Thus hypocrites, that murder act,
     Make Heaven and Gods the authors of the Fact.
     
     AENEAS
     By all that's good ...
     
     DIDO
     By all that's good, no more!
     All that's good you have forswore.
     To your promis'd empire fly
     And let forsaken Dido die.
     
     AENEAS
     In spite of Jove's command, I'll stay.
     Offend the Gods, and Love obey.
     
     DIDO
     No, faithless man, thy course pursue;
     I'm now resolv'd as well as you.
     No repentance shall reclaim
     The injur'd Dido's slighted flame.
     For 'tis enough, whate'er you now decree,
     That you had once a thought of leaving me.
     
     AENEAS
     Let Jove say what he will: I'll stay!
     
     DIDO
     Away, away! No, no, away!
     
     AENEAS
     No, no, I'll stay, and Love obey!
     
     DIDO
     To Death I'll fly
     If longer you delay;
     Away, away!.....
     [Exit Aeneas]
     But Death, alas! I cannot shun;
     Death must come when he is gone.
     
36- CHORUS
     Great minds against themselves conspire
     And shun the cure they most desire.
     
37- DIDO
     [Cupids appear in the clouds o're her tomb]
     Thy hand, Belinda, darkness shades me,
     On thy bosom let me rest,
     More I would, but Death invades me;
     Death is now a welcome guest.

38- When I am laid in earth, May my wrongs create
     No trouble in thy breast;
     Remember me, but ah! forget my fate.
  
39- CHORUS
     With drooping wings you Cupids come,
     To scatter roses on her tomb.
     Soft and Gentle as her Heart
     Keep here your watch, and never part.
     
40- CUPIDS DANCE - Grove Scene (missing from score)