Le quatoirsiesme livre a 4 parties (Orlando di Lasso): Difference between revisions
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'''Misc.:''' The first publication devoted entirely to [[Orlando di Lasso]], commonly referred to as "Opus 1." In line with Lasso's somewhat cosmopolitan compositional predilections, it contains works in several languages and genres, including twelve Italian madrigals, six Villanesche, six French chansons, and six Latin motets. | '''Misc.:''' The first publication devoted entirely to [[Orlando di Lasso]], commonly referred to as "Opus 1." In line with Lasso's somewhat cosmopolitan compositional predilections, it contains works in several languages and genres, including twelve Italian madrigals, six Villanesche, six French chansons, and six Latin motets. | ||
In addition to being the first of a series of books that would soon launch Lasso to Europe-wide fame, this publication also has the notable distinction of containing the only known print of [[Cipriano de Rore]]'s shockingly chromatic motet {{NoComp|Calami sonum ferentes|Cipriano de Rore}}, placed by Lasso just after his own unusually chromatic {{NoComp|Alma | In addition to being the first of a series of books that would soon launch Lasso to Europe-wide fame, this publication also has the notable distinction of containing the only known print of [[Cipriano de Rore]]'s shockingly chromatic motet {{NoComp|Calami sonum ferentes|Cipriano de Rore}}, placed by Lasso just after his own unusually chromatic {{NoComp|Alma Nemes|Orlando di Lasso}}. | ||
The book went through three editions, first in 1555, then c. 1558, then finally in 1560. The original 1555 edition has two variants, the second variant (apparently the result of a stop-the-press fix during the first printing) featuring slightly improved text-setting. An Italian variant of this edition (entitled "D'Orlando di Lassus il Libro Primo") also exists, although it is only extant in a single Superius part-book. The 1558 edition further improved the text placement, and the 1560 edition added the chanson {{NoComp|Susanne un jour|Orlando di Lasso}}. | The book went through three editions, first in 1555, then c. 1558, then finally in 1560. The original 1555 edition has two variants, the second variant (apparently the result of a stop-the-press fix during the first printing) featuring slightly improved text-setting. An Italian variant of this edition (entitled "D'Orlando di Lassus il Libro Primo") also exists, although it is only extant in a single Superius part-book. The 1558 edition further improved the text placement, and the 1560 edition added the chanson {{NoComp|Susanne un jour|Orlando di Lasso}}. | ||
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!width-150 style= | !width-150 style="border-bottom: 1px solid"|Composer | ||
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|align="right"|1 ||{{NoComp|Del freddo Rheno|Orlando di Lasso}}||Prima pars||{{ss|Orlando di|Lasso}} | |align="right"|1 ||{{NoComp|Del freddo Rheno|Orlando di Lasso}}||Prima pars||{{ss|Orlando di|Lasso}} |
Revision as of 19:58, 19 September 2013
General information
Published: Anvers, 1555, by Susato.
Misc.: The first publication devoted entirely to Orlando di Lasso, commonly referred to as "Opus 1." In line with Lasso's somewhat cosmopolitan compositional predilections, it contains works in several languages and genres, including twelve Italian madrigals, six Villanesche, six French chansons, and six Latin motets.
In addition to being the first of a series of books that would soon launch Lasso to Europe-wide fame, this publication also has the notable distinction of containing the only known print of Cipriano de Rore's shockingly chromatic motet Calami sonum ferentes, placed by Lasso just after his own unusually chromatic Alma Nemes.
The book went through three editions, first in 1555, then c. 1558, then finally in 1560. The original 1555 edition has two variants, the second variant (apparently the result of a stop-the-press fix during the first printing) featuring slightly improved text-setting. An Italian variant of this edition (entitled "D'Orlando di Lassus il Libro Primo") also exists, although it is only extant in a single Superius part-book. The 1558 edition further improved the text placement, and the 1560 edition added the chanson Susanne un jour.
Facsimile The original 1555 edition, with uncorrected text placement. Berlin Digitization Center