Le quatoirsiesme livre a 4 parties (Orlando di Lasso): Difference between revisions
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!width=100 style-"border-bottom: 1px solid"|Genre | !width=100 style-"border-bottom: 1px solid"|Genre | ||
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|align="right"|1 ||{{NoComp|Del freddo Rheno|Orlando di Lasso}}||Prima | |align="right"|1 ||{{NoComp|Del freddo Rheno|Orlando di Lasso}}||''Prima parte''||{{ss|Orlando di|Lasso}}||Madrigal | ||
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|align="right"|1 ||{{NoComp|Ch'il credera|Orlando di Lasso}}|| | |align="right"|1 ||{{NoComp|Ch'il credera|Orlando di Lasso}}||''Seconda parte''||{{ss|Orlando di|Lasso}}||Madrigal | ||
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|align="right"|1 ||{{NoComp|Rotava et e pur ver|Orlando di Lasso}}|| | |align="right"|1 ||{{NoComp|Rotava et e pur ver|Orlando di Lasso}}||''Terza parte''||{{ss|Orlando di|Lasso}}||Madrigal | ||
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|align="right"|1 ||{{NoComp|Si fe cristallo|Orlando di Lasso}}||Quarta | |align="right"|1 ||{{NoComp|Si fe cristallo|Orlando di Lasso}}||''Quarta parte''||{{ss|Orlando di|Lasso}}||Madrigal | ||
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|align="right"|1 ||{{NoComp|Et io qual fui|Orlando di Lasso}}||Quinta | |align="right"|1 ||{{NoComp|Et io qual fui|Orlando di Lasso}}||''Quinta parte''||{{ss|Orlando di|Lasso}}||Madrigal | ||
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|align="right"|1 ||[[Hor su la nuda terra (Orlando di Lasso)|''Hor su la nuda terra'']]|| | |align="right"|1 ||[[Hor su la nuda terra (Orlando di Lasso)|''Hor su la nuda terra'']]||''Sesta parte''||{{ss|Orlando di|Lasso}}||Madrigal | ||
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|align="right"|2 ||{{NoComp|Per pianto la mia carne|Orlando di Lasso}}|| ||{{ss|Orlando di|Lasso}}||Madrigal | |align="right"|2 ||{{NoComp|Per pianto la mia carne|Orlando di Lasso}}|| ||{{ss|Orlando di|Lasso}}||Madrigal |
Revision as of 20:42, 4 April 2014
General information
Published: Anvers, 1555, by Susato.
Misc.: The first publication devoted entirely to Orlando di Lasso, commonly referred to as "Opus 1." In line with Lasso's somewhat cosmopolitan compositional predilections, it contains works in several languages and genres, including twelve Italian madrigals (a six-part sestina and six individual madrigals), six Villanesche, six French chansons, and six Latin motets.
In addition to being the first of a series of books that would soon launch Lasso to Europe-wide fame, this publication also has the notable distinction of containing the first known print of Cipriano de Rore's shockingly chromatic motet Calami sonum ferentes, placed by Lasso just after his own unusually chromatic Alma Nemes.
The book went through three editions, first in 1555, then c. 1558, then finally in 1560. The original 1555 edition has two variants, the second variant (apparently the result of a stop-the-press fix during the first printing) featuring slightly improved text-setting. An Italian variant of this edition (entitled "D'Orlando di Lassus il Libro Primo") also exists, although it is only extant in a single Superius part-book. The 1558 edition further improved the text placement, and the 1560 edition added the chanson Susanne un jour.
Facsimile The original 1555 edition, with uncorrected text placement. Berlin Digitization Center