Magnificat Primi toni (Giovanni Matteo Asola): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2019-06-26}} {{CPDLno|54628}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.ly|{{Ly}}]]
*{{PostedDate|2019-06-26}} {{CPDLno|54628}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.mxl|{{XML}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.ly|{{Ly}}]]
{{Editor|Andreas Stenberg|2019-06-26}}{{ScoreInfo|A4|96|600}}{{Copy|CPDL}}
{{Editor|Andreas Stenberg|2019-06-26}}{{ScoreInfo|A4|96|600}}{{Copy|CPDL}}
:'''Edition notes:''' A semidiplomatoric edition. The original note values are retained. As the setting is in the standard cleffing (C1, C3, C4, F4 and C1, C3, C4, F4) no transposition is needed. Musica ficta are added sparingly and indicated in the usual way by printing above the notes. A score for both choirs thogether and separate scores for each choir is included as separate parts. To simplify two-sided printing of the PDF blanco pages are inserted in apropriate places. To save paper for one-sided printing, Download the ly-source file, comment-out the pagebreak markup {} pagebreak sections and run it through Lilypond.    
:{{EdNotes|A semidiplomatic edition with original note values and untransposed pitch (clefs are C1, C3, C4, F4 and C1, C3, C4, F4). Musica ficta are added sparingly and indicated in the usual way by printing above the notes. Includes a full score (pp 1-39), separate scores for each choir (pp. 41-), and individual voice parts (pp. 61-). To simplify two-sided printing of the PDF blanco pages are inserted in apropriate places. To save paper for one-sided printing, Download the ly-source file, comment-out the \pagebreak \markup {} \pagebreak sections and run it through Lilypond.}}


==General Information==
==General Information==
'''Title:''' ''Magnificat Primi toni''<br>
{{Title|''Magnificat Primi toni''}}
{{Composer|Giovanni Matteo Asola}}
{{Composer|Giovanni Matteo Asola}}
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|8|SATB.SATB}}<br>
{{Voicing|8|SATB.SATB}}
{{Genre|Sacred|Motets}}
{{Genre|Sacred|Motets|Evening Canticles}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|1573}}
{{Pub|1|1574|in ''{{NoCo|Psalmodia ad vespertinas}}''|no=18}}
 
{{Descr|The setting is for two choirs and largely in a Falsobordoni style.}}
'''Description:''' A setting of the Magnificat from "Psalmodia ad Vespertinas..." printed 1574 by Hieronymus Scotus.
{{#ExtWeb:
The setting is for two choirs and largely in a Falsobordoni style.
*{{IMSLP2|Psalmodia ad vespertinas (Asola, Giammateo)|1574 print}}}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{NoText}}
{{LinkText|Magnificat}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 06:48, 25 August 2022

Music files

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  • (Posted 2019-06-26)  CPDL #54628:         
Editor: Andreas Stenberg (submitted 2019-06-26).   Score information: A4, 96 pages, 600 kB   Copyright: CPDL
Edition notes: A semidiplomatic edition with original note values and untransposed pitch (clefs are C1, C3, C4, F4 and C1, C3, C4, F4). Musica ficta are added sparingly and indicated in the usual way by printing above the notes. Includes a full score (pp 1-39), separate scores for each choir (pp. 41-), and individual voice parts (pp. 61-). To simplify two-sided printing of the PDF blanco pages are inserted in apropriate places. To save paper for one-sided printing, Download the ly-source file, comment-out the \pagebreak \markup {} \pagebreak sections and run it through Lilypond.

General Information

Title: Magnificat Primi toni
Composer: Giovanni Matteo Asola
Lyricist:

Number of voices: 8vv   Voicing: SATB.SATB
Genre: SacredMotetEvening Canticles

Language: Latin
Instruments: A cappella

First published: 1574 in Psalmodia ad vespertinas, no. 18
Description: The setting is for two choirs and largely in a Falsobordoni style.

External websites:

Original text and translations

Original text and translations may be found at Magnificat.