Magnificat octavi toni (Nicolas Gombert): Difference between revisions

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*{{PostedDate|2016-04-05}} {{CPDLno|39198}} [[Media:Gombert-Magnificat-Tone8.pdf|{{pdf}}]] [[Media:Gombert-Magnificat-Tone8-midi.zip|{{mid}}]] [[Media:Gombert-Magnificat-Tone8-ly.zip|LilyPond]]  
*{{PostedDate|2016-04-05}} {{CPDLno|39198}} [[Media:Gombert-Magnificat-Tone8.pdf|{{pdf}}]] [[Media:Gombert-Magnificat-Tone8-midi.zip|{{Zip}}]](MIDI) [[Media:Gombert-Magnificat-Tone8-ly.zip|LilyPond]]  
{{Editor|Charles Young|2016-04-05}}{{ScoreInfo|Letter|16|288}}{{Copy|Creative Commons Attribution Share Alike}}
{{Editor|Charles Young|2016-04-05}}{{ScoreInfo|Letter|16|288}}{{Copy|Creative Commons Attribution Share Alike}}
:'''Edition notes:''' Transposed to sounding pitch at the lower fifth, note values have been halved. The ranges of the basses take a sudden dive in the final verse, so perhaps it's better to sing it at a slightly higher pitch if one does not posses exceptionally deep basses. Mensural barlines, original pitch and clef given in incipits at the start of each section. Editorial accidentals are placed above staff. For convenience of performance, the Liber Usualis chants are included between the even verses, their inclusion does not imply any authenticity in connection with the polyphonic magnificats.
:'''Edition notes:''' Transposed to sounding pitch at the lower fifth, note values have been halved. The ranges of the basses take a sudden dive in the final verse, so perhaps it's better to sing it at a slightly higher pitch if one does not posses exceptionally deep basses. Mensural barlines, original pitch and clef given in incipits at the start of each section. Editorial accidentals are placed above staff. For convenience of performance, the Liber Usualis chants are included between the even verses, their inclusion does not imply any authenticity in connection with the polyphonic magnificats.

Revision as of 08:06, 7 February 2017

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  • (Posted 2016-04-05)  CPDL #39198:    (MIDI) LilyPond
Editor: Charles Young (submitted 2016-04-05).   Score information: Letter, 16 pages, 288 kB   Copyright: CC BY SA
Edition notes: Transposed to sounding pitch at the lower fifth, note values have been halved. The ranges of the basses take a sudden dive in the final verse, so perhaps it's better to sing it at a slightly higher pitch if one does not posses exceptionally deep basses. Mensural barlines, original pitch and clef given in incipits at the start of each section. Editorial accidentals are placed above staff. For convenience of performance, the Liber Usualis chants are included between the even verses, their inclusion does not imply any authenticity in connection with the polyphonic magnificats.

General Information

Title: Magnificat octavi toni
Composer: Nicolas Gombert
Lyricist:

Number of voices: 4-6vv   Voicing: ATTBBB

Genre: SacredEvening Canticles

Language: Latin
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: Magnificat on the eigth tone, with even verses set to polyphony.

External websites:

Original text and translations

Original text and translations may be found at Magnificat.