Missa In minen sin (Alexander Agricola): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | ===Agnus Dei=== | ||
{{#Legend:}} | |||
*{{PostedDate|2020-02-09}} {{CPDLno|56993}} [[Media:RSU-055.4_Agricola_—_Missa_In_myne_zyn_a4_—_4._Agnus_Dei.pdf|{{pdf}}]] [[Media:Agricola_-_Missa_In_myne_zyn_(RSU-055)_-_4._Agnus_Dei.midi|{{mid}}]] | |||
{{Editor|Andrew Fysh|2020-02-09}}{{ScoreInfo|A4|10|358}}{{Copy|Creative Commons Attribution Share Alike}} | |||
:'''Edition notes:''' ''Agnus Dei I–II–III'' complete (other movements to be added when edited). At original pitch (for SATB, STTB, or ATTB); ''Agnus Dei II'' Alto (''Contratenor'') part notated as second Soprano (''Discantus'') due to its vocal range. Original note values retained. Transcribed and edited from both sources listed below. | |||
* | *{{CPDLno|8380}} [[Media:ws-agri-ma3.pdf|{{Pdf}}]] [[Media:ws-agri-ma3.mid|{{Mid}}]] [[Media:ws-agri-ma3.mus|{{mus}}]] (Finale 2004) | ||
{{Editor|Art Levine|2004-10-28}}{{ScoreInfo|Letter|4|228}}{{Copy|Personal}} | |||
:'''Edition notes:''' ''Agnus Dei III'' | |||
:'''Edition notes:''' | |||
==General Information== | ==General Information== | ||
'''Title:''' ' | '''Title:''' ''Missa In minen sin'' (variations ''In myne zyn'', ''In mynen zyn'')<br> | ||
''' | {{Composer|Alexander Agricola}} | ||
{{Voicing|4|SATB,STTB,ATBB}}<br> | |||
{{Genre|Sacred|Masses|9=Agricola, Alexander}}<br> | |||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | |||
{{Pub|1|1498|in ''[[Chigi codex]]'' (incomplete)|no=20}} | |||
{{Pub|2|1505|in Brussels, Bibliothèque Royal Albert 1er, MS 9126}} | |||
'''Description:''' | '''Description:''' This mass setting — one of eight surviving settings by Agricola — is based on his own three-part chanson ''In myne zyn''. Agricola makes widespread use of complex polyrhythmic structures, perhaps the most extraordinary of which is the ''Bassus'' part in ''Agnus Dei III'', which opens with a sequence based on a five-and-a-half-breve rhythm (alternating maxima and dotted-breve notes), followed by a similar sequence based on a three-and-a-half breve rhythm (alternating long and dotted-breve notes) against a dotted triple-time ornamentation in each of the other three voices. | ||
'''External websites:''' | '''External websites:''' | ||
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==Original text and translations== | ==Original text and translations== | ||
{{ | {{MassText}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 06:50, 9 February 2020
Music files
Agnus Dei
ICON | SOURCE |
---|---|
Midi | |
Finale | |
File details | |
Help |
- Editor: Andrew Fysh (submitted 2020-02-09). Score information: A4, 10 pages, 358 kB Copyright: CC BY SA
- Edition notes: Agnus Dei I–II–III complete (other movements to be added when edited). At original pitch (for SATB, STTB, or ATTB); Agnus Dei II Alto (Contratenor) part notated as second Soprano (Discantus) due to its vocal range. Original note values retained. Transcribed and edited from both sources listed below.
- Editor: Art Levine (submitted 2004-10-28). Score information: Letter, 4 pages, 228 kB Copyright: Personal
- Edition notes: Agnus Dei III
General Information
Title: Missa In minen sin (variations In myne zyn, In mynen zyn)
Composer: Alexander Agricola
Number of voices: 4vv Voicings: SATB, STTB or ATBB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
First published: 1498 in Chigi codex (incomplete), no. 20
2nd published: 1505 in Brussels, Bibliothèque Royal Albert 1er, MS 9126
Description: This mass setting — one of eight surviving settings by Agricola — is based on his own three-part chanson In myne zyn. Agricola makes widespread use of complex polyrhythmic structures, perhaps the most extraordinary of which is the Bassus part in Agnus Dei III, which opens with a sequence based on a five-and-a-half-breve rhythm (alternating maxima and dotted-breve notes), followed by a similar sequence based on a three-and-a-half breve rhythm (alternating long and dotted-breve notes) against a dotted triple-time ornamentation in each of the other three voices.
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: