Missa In minen sin (Alexander Agricola): Difference between revisions

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==Music files==
==Music files==
===Agnus Dei===
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2020-02-09}} {{CPDLno|56993}} [[Media:RSU-055.4_Agricola_—_Missa_In_myne_zyn_a4_—_4._Agnus_Dei.pdf|{{pdf}}]] [[Media:Agricola_-_Missa_In_myne_zyn_(RSU-055)_-_4._Agnus_Dei.midi|{{mid}}]]
{{Editor|Andrew Fysh|2020-02-09}}{{ScoreInfo|A4|10|358}}{{Copy|Creative Commons Attribution Share Alike}}
:'''Edition notes:''' ''Agnus Dei I–II–III'' complete (other movements to be added when edited). At original pitch (for SATB, STTB, or ATTB); ''Agnus Dei II'' Alto (''Contratenor'') part notated as second Soprano (''Discantus'') due to its vocal range. Original note values retained. Transcribed and edited from both sources listed below.


*{{CPDLno|8380}} [[Media:ws-agri-ma3.pdf|{{Pdf}}]] [[Media:ws-agri-ma3.mid|{{Mid}}]] [[Media:ws-agri-ma3.mus|{{mus}}]]  (Finale 2004)
*{{CPDLno|8380}} [[Media:ws-agri-ma3.pdf|{{Pdf}}]] [[Media:ws-agri-ma3.mid|{{Mid}}]] [[Media:ws-agri-ma3.mus|{{mus}}]]  (Finale 2004)
{{Editor|Art Levine|2004-10-28}}{{ScoreInfo|Letter|4|228}}{{Copy|Personal}}
{{Editor|Art Levine|2004-10-28}}{{ScoreInfo|Letter|4|228}}{{Copy|Personal}}
:'''Edition notes:'''
:'''Edition notes:''' ''Agnus Dei III''


==General Information==
==General Information==
'''Title:''' ''Agnus Dei III (from 'Missa In minen sin')''<br>
'''Title:''' ''Missa In minen sin'' (variations ''In myne zyn'', ''In mynen zyn'')<br>
{{Composer|Alexander Agricola}}
{{Composer|Alexander Agricola}}


{{Voicing|4|ATBB}}<br>
{{Voicing|4|SATB,STTB,ATBB}}<br>
{{Genre|Sacred|Masses|9=Agricola, Alexander}}<br>
{{Genre|Sacred|Masses|9=Agricola, Alexander}}<br>
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|}}  
{{Pub|1|1498|in ''[[Chigi codex]]'' (incomplete)|no=20}}
{{Pub|2|1505|in Brussels, Bibliothèque Royal Albert 1er, MS 9126}}


'''Description:'''  
'''Description:''' This mass setting — one of eight surviving settings by Agricola — is based on his own three-part chanson ''In myne zyn''. Agricola makes widespread use of complex polyrhythmic structures, perhaps the most extraordinary of which is the ''Bassus'' part in ''Agnus Dei III'', which opens with a sequence based on a five-and-a-half-breve rhythm (alternating maxima and dotted-breve notes), followed by a similar sequence based on a three-and-a-half breve rhythm (alternating long and dotted-breve notes) against a dotted triple-time ornamentation in each of the other three voices.


'''External websites:'''  
'''External websites:'''  
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==Original text and translations==
==Original text and translations==


{{LinkText|Agnus Dei}}
{{MassText}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 06:50, 9 February 2020

Music files

Agnus Dei

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  • (Posted 2020-02-09)  CPDL #56993:     
Editor: Andrew Fysh (submitted 2020-02-09).   Score information: A4, 10 pages, 358 kB   Copyright: CC BY SA
Edition notes: Agnus Dei I–II–III complete (other movements to be added when edited). At original pitch (for SATB, STTB, or ATTB); Agnus Dei II Alto (Contratenor) part notated as second Soprano (Discantus) due to its vocal range. Original note values retained. Transcribed and edited from both sources listed below.
  • CPDL #08380:      (Finale 2004)
Editor: Art Levine (submitted 2004-10-28).   Score information: Letter, 4 pages, 228 kB   Copyright: Personal
Edition notes: Agnus Dei III

General Information

Title: Missa In minen sin (variations In myne zyn, In mynen zyn)
Composer: Alexander Agricola

Number of voices: 4vv   Voicings: SATB, STTB or ATBB

Genre: SacredMass

Language: Latin
Instruments: A cappella

First published: 1498 in Chigi codex (incomplete), no. 20
    2nd published: 1505 in Brussels, Bibliothèque Royal Albert 1er, MS 9126

Description: This mass setting — one of eight surviving settings by Agricola — is based on his own three-part chanson In myne zyn. Agricola makes widespread use of complex polyrhythmic structures, perhaps the most extraordinary of which is the Bassus part in Agnus Dei III, which opens with a sequence based on a five-and-a-half-breve rhythm (alternating maxima and dotted-breve notes), followed by a similar sequence based on a three-and-a-half breve rhythm (alternating long and dotted-breve notes) against a dotted triple-time ornamentation in each of the other three voices.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei