Missa Repleatur os meum laude tua (Giovanni Pierluigi da Palestrina): Difference between revisions
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
'''Published:''' 1570, | '''Published:''' 1570, ''Missarum liber tertius'', 4–6vv, Rome | ||
'''Description:''' Based on [[Repleatur os meum laude tua (Jacquet de Mantua)|Jachet de Mantua's motet]]. Features {{cat|Canons|canons}} between the Tenor and Quintus throughout (except in the ''Benedictus'' and the central section of the ''Credo''), starting with a canon at the octave, 8 beats apart, and then canons at decreasing intervals (of pitch and time), until we reach a canon (in augmentation) at the unison, beginning 1 beat apart. In the second petition of the Agnus Dei, a 6th voice is added and there is a canon between the Tenor, Quintus and Sextus. | '''Description:''' Based on [[Repleatur os meum laude tua (Jacquet de Mantua)|Jachet de Mantua's motet]]. Features {{cat|Canons|canons}} between the Tenor and Quintus throughout (except in the ''Benedictus'' and the central section of the ''Credo''), starting with a canon at the octave, 8 beats apart, and then canons at decreasing intervals (of pitch and time), until we reach a canon (in augmentation) at the unison, beginning 1 beat apart. In the second petition of the Agnus Dei, a 6th voice is added and there is a canon between the Tenor, Quintus and Sextus. | ||
Revision as of 23:48, 23 December 2014
Music files
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- CPDL #28257:
- Editor: Adrian Wall (submitted 2013-02-11). Score information: A4, 40 pages, 3.56 MB Copyright: Personal
- Edition notes: Note values halved. Transposed up a minor 3rd. Based on Haberl's edition (some textual underlay adjusted)
- Individual mass movements:
General Information
Title: Missa Repleatur os meum laude tua
Composer: Giovanni Pierluigi da Palestrina
Number of voices: 5vv Voicing: SAATB
Genre: Sacred, Mass
Language: Latin
Instruments: A cappella
Published: 1570, Missarum liber tertius, 4–6vv, Rome
Description: Based on Jachet de Mantua's motet. Features canons between the Tenor and Quintus throughout (except in the Benedictus and the central section of the Credo), starting with a canon at the octave, 8 beats apart, and then canons at decreasing intervals (of pitch and time), until we reach a canon (in augmentation) at the unison, beginning 1 beat apart. In the second petition of the Agnus Dei, a 6th voice is added and there is a canon between the Tenor, Quintus and Sextus.
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: