Missa Repleatur os meum laude tua (Giovanni Pierluigi da Palestrina): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
*{{CPDLno|28257}} [[Media:pal-mrep.pdf|{{pdf}}]]  
*{{CPDLno|28257}} [{{filepath:pal-mrep.pdf}} {{pdf}}]  
{{Editor|Adrian Wall|2013-02-11}}{{ScoreInfo|A4|40|3650}}{{Copy|Personal}}
{{Editor|Adrian Wall|2013-02-11}}{{ScoreInfo|A4|40|3650}}{{Copy|Personal}}
:'''Edition notes:''' Note values halved. Transposed up a minor 3rd. Based on Haberl's edition (some textual underlay adjusted)
:'''Edition notes:''' Note values halved. Transposed up a minor 3rd. Based on Haberl's edition (some textual underlay adjusted)


: '''Individual mass movements:'''
: '''Individual mass movements:'''
:: '''Kyrie''' [{{filepath:pal-mrep-K.pdf}} {{pdf}}] [{{filepath:pal-mrep-K.mid}} {{mid}}] ({{cat|SSATB}})
:: '''Kyrie''' [[Media:pal-mrep-K.pdf|{{pdf}}]] [[Media:pal-mrep-K.mid|{{mid}}]] ({{cat|SSATB}})
:: '''Gloria''' [{{filepath:pal-mrep-G.pdf}} {{pdf}}] [{{filepath:pal-mrep-G.mid}} {{mid}}] ({{cat|SAATB}})
:: '''Gloria''' [[Media:pal-mrep-G.pdf|{{pdf}}]] [[Media:pal-mrep-G.mid|{{mid}}]] ({{cat|SAATB}})
:: '''Credo''' [{{filepath:pal-mrep-C.pdf}} {{pdf}}] [{{filepath:pal-mrep-C.mid}} {{mid}}] ({{cat|SAATB}})
:: '''Credo''' [[Media:pal-mrep-C.pdf|{{pdf}}]] [[Media:pal-mrep-C.mid|{{mid}}]] ({{cat|SAATB}})
:: '''Sanctus & Benedictus''' [{{filepath:pal-mrep-S.pdf}} {{pdf}}] [{{filepath:pal-mrep-S.mid}} {{mid}}] ({{cat|SAATB}})
:: '''Sanctus & Benedictus''' [[Media:pal-mrep-S.pdf|{{pdf}}]] [[Media:pal-mrep-S.mid|{{mid}}]] ({{cat|SAATB}})
:: '''Agnus Dei''' [{{filepath:pal-mrep-A.pdf}} {{pdf}}] [{{filepath:pal-mrep-A.mid}} {{mid}}] ({{cat|SSAATB}})
:: '''Agnus Dei''' [[Media:pal-mrep-A.pdf|{{pdf}}]] [[Media:pal-mrep-A.mid|{{mid}}]] ({{cat|SSAATB}})


==General Information==
==General Information==
Line 20: Line 19:
{{Genre|Sacred|Masses}}
{{Genre|Sacred|Masses}}
{{Language|Latin}}
{{Language|Latin}}
'''Instruments:''' {{acap}}<br>
{{Instruments|A cappella}}
'''Published:''' 1570, in Palestrina's ''Missarum - Liber Tertius''
{{Published|1570|in ''Missarum liber tertius'', 4–6vv, Rome.}}


'''Description:''' Based on [[Repleatur os meum laude tua (Jacquet de Mantua)|Jachet de Mantua's motet]]. Features {{cat|Canons|canons}} between the Tenor and Quintus throughout (except in the ''Benedictus'' and the central section of the ''Credo''), starting with a canon at the octave, 8 beats apart, and then canons at decreasing intervals (of pitch and time), until we reach a canon (in augmentation) at the unison, beginning 1 beat apart. In the second petition of the Agnus Dei, a 6th voice is added and there is a canon between the Tenor, Quintus and Sextus.
'''Description:''' Based on [[Repleatur os meum laude tua (Jacquet de Mantua)|Jachet de Mantua's motet]]. Features {{cat|Canons|canons}} between the Tenor and Quintus throughout (except in the ''Benedictus'' and the central section of the ''Credo''), starting with a canon at the octave, 8 beats apart, and then canons at decreasing intervals (of pitch and time), until we reach a canon (in augmentation) at the unison, beginning 1 beat apart. In the second petition of the Agnus Dei, a 6th voice is added and there is a canon between the Tenor, Quintus and Sextus.

Revision as of 06:46, 19 November 2018

Music files

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  • CPDL #28257:   
Editor: Adrian Wall (submitted 2013-02-11).   Score information: A4, 40 pages, 3.56 MB   Copyright: Personal
Edition notes: Note values halved. Transposed up a minor 3rd. Based on Haberl's edition (some textual underlay adjusted)
Individual mass movements:
Kyrie   (SSATB)
Gloria   (SAATB)
Credo   (SAATB)
Sanctus & Benedictus   (SAATB)
Agnus Dei   (SSAATB)

General Information

Title: Missa Repleatur os meum laude tua
Composer: Giovanni Pierluigi da Palestrina

Number of voices: 5vv   Voicing: SAATB

Genre: Sacred, Mass

Language: Latin
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: Based on Jachet de Mantua's motet. Features canons between the Tenor and Quintus throughout (except in the Benedictus and the central section of the Credo), starting with a canon at the octave, 8 beats apart, and then canons at decreasing intervals (of pitch and time), until we reach a canon (in augmentation) at the unison, beginning 1 beat apart. In the second petition of the Agnus Dei, a 6th voice is added and there is a canon between the Tenor, Quintus and Sextus.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

Kyrie • Gloria • Credo • Sanctus & Benedictus • Agnus Dei     
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