Nunc Dimittis Quarti Toni "Quia Viderunt" (Cristóbal de Morales): Difference between revisions
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'''Description:''' | '''Description:''' | ||
Adapted from the Morales Magnificat Quarti Toni "Anima Mea" | Adapted from the Morales [[Magnificat Quarti Toni 'Anima mea' (Cristóbal de Morales)|Magnificat Quarti Toni "Anima Mea"]]. | ||
Intended to be sung with the Morales Magnificat Quarti Toni "Et Exultavit" at Evensong. A suitable edition of the Magnificat | Intended to be sung with the Morales [[Magnificat Quarti Toni 'Et exultavit' (Cristóbal de Morales)|Magnificat Quarti Toni "Et Exultavit"]] at Evensong. A suitable edition of the Magnificat (c) David Wendell is available as CPDL #12013 under the same licence as this arrangement. | ||
(c) David Wendell is available as CPDL #12013 under the same licence as this arrangement. | |||
Word placing, ficta and intonations are suggestions only. | Word placing, ficta and intonations are suggestions only. | ||
The even verses in this arrangement come from some of the odd verses in the source. This has been done to make a better | The even verses in this arrangement come from some of the odd verses in the source. This has been done to make a better fit with the Magnificat "Et Exultavit". When these two are sung together, the whole of the Morales' music for the Gloria Patri will be heard over the course of the two works, albeit with a re-distribution of the words. | ||
fit with the Magnificat "Et Exultavit". When these two are sung together, the whole of the Morales' music for the Gloria Patri | |||
will be heard over the course of the two works, albeit with a re-distribution of the words. | |||
In all sections, some splits and merges of notes have been made to better fit the different words | In all sections, some splits and merges of notes have been made to better fit the different words. | ||
"Quia viderunt oculi mei" comes from the original "Et Misericordia Eius". This section is | "Quia viderunt oculi mei" comes from the original "Et Misericordia Eius". This section is cut in the middle to cope with the shorter words, while preserving the cantus firmus. | ||
cut in the middle to cope with the shorter words, while preserving the cantus firmus. | |||
"Lumen ad revelationem gentium" comes from the original "Suscepit Israel". | "Lumen ad revelationem gentium" comes from the original "Suscepit Israel". | ||
"Sicut Erat" comes from the original "Gloria Patri". The time in the last two bars has been doubled to make a suitable | "Sicut Erat" comes from the original "Gloria Patri". The time in the last two bars has been doubled to make a suitable ending for the piece. | ||
ending for the piece. | |||
'''External websites:'''<br> | '''External websites:'''<br> | ||
Sources :- | Sources :- | ||
* http://purl.org/rism/BI/1562/1 pp. 11-13 | |||
* [[imslp:16 Magnificats (Morales, Cristóbal de)]], pp. 20-26 | |||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 15:37, 29 October 2012
Music files
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CPDL #27517: [] [
] Capella
- Editor: Harrison Hackett (submitted 2012-10-29). Score information: A4, 5 pages, 1.01 MB Copyright: Personal
- Edition notes: This piece is an arrangement of the Morales Magnificat Quarti Toni "Anima Mea".
General Information
Title: Nunc Dimittis Quarti Toni "Quia Viderunt"
Composer: Cristóbal de Morales, arr. Hackett
Number of voices: 4vv Voicing: SATB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: a cappella
Published:
Description: Adapted from the Morales Magnificat Quarti Toni "Anima Mea".
Intended to be sung with the Morales Magnificat Quarti Toni "Et Exultavit" at Evensong. A suitable edition of the Magnificat (c) David Wendell is available as CPDL #12013 under the same licence as this arrangement.
Word placing, ficta and intonations are suggestions only. The even verses in this arrangement come from some of the odd verses in the source. This has been done to make a better fit with the Magnificat "Et Exultavit". When these two are sung together, the whole of the Morales' music for the Gloria Patri will be heard over the course of the two works, albeit with a re-distribution of the words.
In all sections, some splits and merges of notes have been made to better fit the different words.
"Quia viderunt oculi mei" comes from the original "Et Misericordia Eius". This section is cut in the middle to cope with the shorter words, while preserving the cantus firmus.
"Lumen ad revelationem gentium" comes from the original "Suscepit Israel".
"Sicut Erat" comes from the original "Gloria Patri". The time in the last two bars has been doubled to make a suitable ending for the piece.
External websites:
Sources :-
- http://purl.org/rism/BI/1562/1 pp. 11-13
- imslp:16 Magnificats (Morales, Cristóbal de), pp. 20-26
Original text and translations
Text (or link to a text page) needs to be added.