O thou that art so cruel (Thomas Morley): Difference between revisions
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==Music files {{ | ==Music files== | ||
{{ | {{#Legend:}} | ||
*{{PostedDate|2016-11-26}} {{CPDLno|42088}} [[Media:Morley-O_thou_that_art.pdf|{{pdf}}]] [[Media:Morley-O_thou_that_art.mid|{{mid}}]] [[Media:Morley-O_thou_that_art.mxl|{{XML}}]] [[Media:Morley-O_thou_that_art.mus|{{mus}}]] (Finale 2012) | |||
{{Editor|André Vierendeels|2016-11-26}}{{ScoreInfo|A4|2|57}}{{Copy|CPDL}} | |||
:'''Edition notes:''' {{MXL}} | |||
* | *{{CPDLno|26064}} [[Media:O_thou_that_art_so_cruel.pdf|{{pdf}}]] [[Media:O_thou_that_art_so_cruel.mid|{{mid}}]] [[Media:O_thou_that_art_so_cruel.mxl|{{XML}}]] [[Media:O_thou_that_art_so_cruel.cap|{{Cap}}]] | ||
{{Editor| | {{Editor|James Gibb|2012-04-30}}{{ScoreInfo|A4|1|17}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' Reformatting of #14971, with corrections. {{MXL}} | ||
*''' | *{{CPDLno|14971}} [[Media:342.pdf|{{pdf}}]] [[Media:br-342.mid|{{mid}}]] [[Media:br-342.nwc|{{NWC}}]] | ||
{{Editor|Brian Russell|2007-09-11}}{{ScoreInfo|A4|2|22}}{{Copy|CPDL}} | |||
:'''Edition notes:''' {{NWCV}} | |||
{{ScoreError}} | |||
*{{CPDLno|602}} [{{website|conrad}}drupal7/?q=piecepage/48 {{net}}] | |||
{{Editor|Laura Conrad|1999-12-07}}{{ScoreInfo|Letter|7|465}}{{Copy|GnuGPL}} | {{Editor|Laura Conrad|1999-12-07}}{{ScoreInfo|Letter|7|465}}{{Copy|GnuGPL}} | ||
:'''Edition notes:''' In partbook format | :'''Edition notes:''' In partbook format | ||
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{{Composer|Thomas Morley}} | {{Composer|Thomas Morley}} | ||
{{Voicing|2|SS, ST, TT}}<br> | |||
{{Genre|Secular|Madrigals}} | {{Genre|Secular|Madrigals}} | ||
{{Language|English}} | {{Language|English}} | ||
{{Instruments|A cappella}} | |||
{{Published|1595|in ''Canzonets to Two Voices''.}} | |||
'''Description:''' | '''Description:''' | ||
| Line 25: | Line 33: | ||
==Original text and translations== | ==Original text and translations== | ||
{{Text|English | {{Text|English| | ||
O thou that art so cruel, | O thou that art so cruel, | ||
My dainty lovely jewel, | My dainty lovely jewel, | ||
Why thus in my tormenting, | Why thus in my tormenting, | ||
Dost thou still use relenting? | Dost thou still use relenting? | ||
Alas right out come slay me: | Alas, right out come slay me: | ||
Do not thus still from time to time delay me, | Do not thus still from time to time delay me, | ||
Alas right out come slay me. | Alas, right out come slay me.}} | ||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] | ||
Revision as of 21:19, 18 December 2018
Music files
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- (Posted 2016-11-26) CPDL #42088: (Finale 2012)
- Editor: André Vierendeels (submitted 2016-11-26). Score information: A4, 2 pages, 57 kB Copyright: CPDL
- Edition notes: MusicXML source file(s) in compressed .mxl format.
- CPDL #26064:
- Editor: James Gibb (submitted 2012-04-30). Score information: A4, 1 page, 17 kB Copyright: CPDL
- Edition notes: Reformatting of #14971, with corrections. MusicXML source file(s) in compressed .mxl format.
- CPDL #14971:
- Editor: Brian Russell (submitted 2007-09-11). Score information: A4, 2 pages, 22 kB Copyright: CPDL
- Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
- Possible error(s) identified. See the discussion page for full description.
- CPDL #00602:
- Editor: Laura Conrad (submitted 1999-12-07). Score information: Letter, 7 pages, 465 kB Copyright: GnuGPL
- Edition notes: In partbook format
General Information
Title: O thou that art so cruel
Composer: Thomas Morley
Number of voices: 2vv Voicings: SS, ST or TT
Genre: Secular, Madrigal
Language: English
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description:
External websites:
Original text and translations
English text
O thou that art so cruel,
My dainty lovely jewel,
Why thus in my tormenting,
Dost thou still use relenting?
Alas, right out come slay me:
Do not thus still from time to time delay me,
Alas, right out come slay me.