Royal 8 G. vii: Difference between revisions

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| Attributed in the large number of other manuscripts to Craen, Morales, Mouton, Costanzo Festa and Josquin; several contain a 6vv arrangment by Arnold von Bruck; the sources for the Févin ascription leave no possible doubt that it is by him
| Attributed in the large number of other manuscripts to [[Craen]], [[Morales]], [[Mouton]], [[Costanzo Festa]] and [[Josquin]]; several contain a 6vv arrangment by Arnold von Bruck; the sources for the [[Antoine de Févin|Févin]] ascription leave no possible doubt that it is by him
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|align=right| ''8.  
|align=right| ''8.  

Revision as of 09:13, 20 August 2012

Royal 8 G. vii is a manuscript now housed in the British Library, which contains four-voice music largely by French composers. Although the entire contents lack ascriptions to the relevant composers, many conjectural ascriptions can be supported e.g. by the presence of the work in question in another manuscript. Despite this, a large number of the contents still lack ascriptions and are, as yet, anonymous.

In the table below, the following key may be used to identify the composers:

  • ?Name - The ascription is present, but for some reason doubted
  • [Name] - The ascription is not present but can be confirmed, e.g. via a connection with another source
  • ?[Name] - The ascription is not present and even the likeliest composer in question doubted

The manuscript seems to have come from the workshop of Alamire, and scholars have identified the manuscript as being partly by "Scribe C" (as labelled in Grove). The manuscript is said to have been put together in the years 1513-25.

Contents

No. Title Composer Parts Notes
1.   Honi soit qui mal y pense Morel, ?Clement?Clement Morel 4 A roughly drawn canon, shown on the first few pages before the other more elaborately illuminated pieces begin. According to Grove, this piece is for 8 voices and not 4.
2.   Celeste beneficium [Mouton, JeanJean Mouton] 4
3.   Adiutorium nostrum [De Févin, AntoineAntoine de Févin] 4 Ascribed to Févin in GB-Cmc 1760 and elsewhere as the 2nd part of Mouton’s Celeste beneficium and perhaps by him
4.   Nesciens mater virgo virum AnonymousAnonymous 4
5.   Ave regina caelorum [De la Rue, PierrePierre de la Rue] 4 Also known as Ave apertor caelorum
6.   Descendi in ortum meum ?[Desprez, JosquinJosquin Desprez] 4 Perhaps by Jean le Brung
7.   Sancta Trinitas unus Deus a4 [De Févin, AntoineAntoine de Févin] 4 Attributed in the large number of other manuscripts to Craen, Morales, Mouton, Costanzo Festa and Josquin; several contain a 6vv arrangment by Arnold von Bruck; the sources for the Févin ascription leave no possible doubt that it is by him
8.   Vexilla Regis prodeunt [De la Rue, PierrePierre de la Rue] 4
9.   Fama malum [Desprez, JosquinJosquin Desprez] 4 Text from Aeneid IV.174–7
10.   Doleo super te frater mi Jonatha [De la Rue, PierrePierre de la Rue] 4
11.   O Domine Jesu Christe AnonymousAnonymous 4
12.   Maxsimilla Christo amabilis AnonymousAnonymous 4
13.   Sancta Maria succurre miseris [Strus, FranciscusFranciscus Strus] 4
14.   Sancta et immaculata AnonymousAnonymous 4
15.   Missus est Gabriel angelus [Desprez, JosquinJosquin Desprez] 4
16.   Dulcissima virgo Maria AnonymousAnonymous 4
17.   Tota pulchra es AnonymousAnonymous 4
18.   O sancta Maria virgo virginum AnonymousAnonymous 4
19.   Verbum bonum et suave [De Thérache, PierrequinPierrequin de Thérache] 4
20.   Recordamini quomodo predixit AnonymousAnonymous 4
21.   O beatissime Domine AnonymousAnonymous 4
22.   Ave sanctissima Maria AnonymousAnonymous 4
23.   Ecce Maria genuit I [Mouton, JeanJean Mouton] 4 The first of two four-part settings
24.   Congratulamini omnes AnonymousAnonymous 4 Perhaps by Jean le Brung
25.   Egregrie Christi martir [De Févin, AntoineAntoine de Févin] 4 Also attributed to Mouton
26.   Alma redemptoris mater AnonymousAnonymous 4
27.   Dulces exuvie AnonymousAnonymous 4 Text from Aeneid IV.651–4
28.   Dulces exuvie ?[Agricola, AlexanderAlexander Agricola] 4 Text from Aeneid IV.651–4
29.   Dulces exuvie [Desprez, JosquinJosquin Desprez] 4 Text from Aeneid IV.651–4. The uppermost voice of the motet is also that of Mouton’s motet on the same text
30.   Dulces exuvie [Mouton, JeanJean Mouton] 4 Text from Aeneid IV.651–4
31.   Dulces exuvie [Ghiselin, JohannesJohannes Ghiselin] 4 Text from Aeneid IV.651–4
32.   Absalon, fili mi ?[Desprez, JosquinJosquin Desprez] 4 Also attributed to de la Rue
33.   Jesus autem transiens AnonymousAnonymous 4
34.   Anima mea liquefacta est [Isaac, HeinrichHeinrich Isaac] 4
35.   Tribulatio et angustia [Verdelot, PhilippePhilippe Verdelot] 4 Also attributed to Josquin

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