Te lucis ante terminum: Difference between revisions
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*[[Te lucis ante terminum (Gregorian chant)|Gregorian chant]] | *[[Te lucis ante terminum (Gregorian chant)|Gregorian chant]] | ||
*[[Te lucis ante terminum (Anonymous)|Anon. (Trent codices)]] a 3 (1 verse) | *[[Te lucis ante terminum (Anonymous)|Anon. (Trent codices)]] a 3 (1 verse) | ||
*[[Te lucis ante terminum (Cosmas Alder)|Cosmas Alder]] a 5 | *[[Te lucis ante terminum (Cosmas Alder)|Cosmas Alder]] 3 verses, a 5 | ||
*[[Evening Hymn (Henry Balfour Gardiner)|Henry Balfour Gardiner]] SATB div. & organ, in English | *[[Evening Hymn (Henry Balfour Gardiner)|Henry Balfour Gardiner]] SATB div. & organ, in English | ||
*[[Te lucis ante terminum (Severus Gastorius)|Severus Gastorius]] | *[[Te lucis ante terminum (Severus Gastorius)|Severus Gastorius]] 4 verses underlaid to same music SSA | ||
*[[Te lucis ante terminum (Orlando di Lasso)|Orlando di Lasso]] SATB, "Procul" plus an Amen | *[[Te lucis ante terminum (Orlando di Lasso)|Orlando di Lasso]] SATB, "Procul" plus an Amen | ||
*[[O Lord, the maker of all thing (William Mundy)|William Mundy]] "O Lord, the maker of all thing" a 5 | *[[Te lucis ante terminum (Giovanni Legrenzi)|Giovanni Legrenzi]] all verses, SATTB & bc | ||
*[[O Lord, the maker of all thing (William Mundy)|William Mundy]] "O Lord, the maker of all thing" a 4(5) | |||
*[[Te lucis ante terminum (Diego Ortiz)|Diego Ortiz]] a 4, alternatim | *[[Te lucis ante terminum (Diego Ortiz)|Diego Ortiz]] a 4, alternatim | ||
{{mdl}} | {{mdl}} | ||
*[[Te lucis ante terminum (Giovanni Pierluigi da Palestrina)|<span style="color:gray">attr. Giovanni Pierluigi da Palestrina</span>]] a 4 | *[[Te lucis ante terminum (Giovanni Pierluigi da Palestrina)|<span style="color:gray">attr. Giovanni Pierluigi da Palestrina</span>]] a 4: All editions withdrawn | ||
*[[Te lucis ante terminum (festal tone) (Thomas Tallis)|Thomas Tallis (festal tone)]] a 5 | *[[Te lucis ante terminum (festal tone) (Thomas Tallis)|Thomas Tallis (festal tone)]] alternatim, a 5 | ||
*[[Te lucis ante terminum (Thomas Tallis)|Thomas Tallis (ferial tone)]] a 5 | *[[Te lucis ante terminum (Thomas Tallis)|Thomas Tallis (ferial tone)]] alternatim, a 5, | ||
*[[Te lucis ante terminum (Francisco Valls)|Francisco Valls]] a 4, string accompaniment | *[[Te lucis ante terminum (Francisco Valls)|Francisco Valls]] a 4, string accompaniment | ||
* de Wert | * de Wert | ||
* Willaert | * Willaert | ||
*[[Te lucis ante terminum (Tomás Luis de Victoria)|<span style="color:gray">Tomás Luis de Victoria</span>]] a 4: All editions withdrawn | *[[Te lucis ante terminum (Tomás Luis de Victoria)|<span style="color:gray">Tomás Luis de Victoria</span>]] , alternatim a 4: All CPDL editions withdrawn, but see link | ||
*[[Te lucis ante terminum I (André Vierendeels)|André Vierendeels]] a 4 | *[[Te lucis ante terminum I (André Vierendeels)|André Vierendeels]] a 4 | ||
{{btm}} | {{btm}} |
Revision as of 08:28, 15 July 2018
General Information
Evening hymn (5th-6th cent., author anon.), sung liturgically as the Office hymn at Compline. See also O Lord, the maker of all thing for an English paraphrase.
Settings by composers
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Other settings possibly not included in the manual list above
- Sebastiano Cherici — Te lucis ante terminum
- Mariano Garau — Te lucis ante terminum
- Pietro Lappi — Te lucis ante terminum à 16
- Tanmoy Laskar — Te lucis ante terminum
- Caroline Lesemann-Elliott — Te lucis ante terminum
- Andrea Mattioli — Te lucis
- Christopher Upton — Te lucis ante terminum
- André Vierendeels — Te lucis ante terminum II
Text and translations
There are several versions of this text in Latin.
As found in the Monastic Breviary and the Roman Breviary:
Latin text Te lucis ante terminum, At Eastertide the last verse is replaced by: |
According to the Rev. E. J. Quigley in his book The Divine Office, the "unrevised" text is: Latin textTe lucis ante terminum, Tallis's settings of this hymn use the above "unrevised" version with an inserted second verse the same as the Monastic/Roman Breviary version listed first. The second verse is set in polyphony; the first and third verses use the plainsong setting. |
The version in Liturgia Horarum is four verses. The first and last are as in the "unrevised" text first above, while the second and third verses are as below.
Te corda nostra somnient, |
Translations
English translation 1. To thee before the close of day, |
German translation
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External links
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