The Sacred Harp (1844): Difference between revisions
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!width=200|Composer, Year | !width=200|Composer, Year | ||
!width=250|Lyricist, Year | !width=250|Lyricist, Year | ||
!|Notes | |||
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||27||Bethel||Anonymous, 1841||William Cowper, 1779|| | ||27||Bethel||Anonymous, 1841||William Cowper, 1779|| | ||
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||28a||Aylesbury||John Chetham, 1717||Isaac Watts, 1717|| | ||28a||Aylesbury||John Chetham, 1717||Isaac Watts, 1717|| | ||
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||28b||Wells||Israel Holdroyd, 1722||Isaac Watts, 1709|| | ||28b||Wells||Israel Holdroyd, 1722||Isaac Watts, 1709|| | ||
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||29a||Fairfield||Hitchcock, 1791||Edmund Jones, 1787|| | ||29a||Fairfield||Hitchcock, 1791||Edmund Jones, 1787|| | ||
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||29b||Tribulation||Amzi Chapin, 1813||Isaac Watts, 1707||Possibly by Amzi Chapin. | ||29b||Tribulation||Amzi Chapin, 1813||Isaac Watts, 1707||Possibly by Amzi Chapin. | ||
|- | |- | ||
||30a||Rochester||Israel Holdroyd, 1722||Isaac Watts, 1707|| | ||30a||Rochester||Israel Holdroyd, 1722||Isaac Watts, 1707|| | ||
|- | |- | ||
||30b||Prospect||Graham, 1835||Isaac Watts, 1707||Alto by William Walker, 1866. | ||30b||Prospect||Graham, 1835||Isaac Watts, 1707||Alto by William Walker, 1866. | ||
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||31b||Webster||Ananias Davisson, 1820||Isaac Watts, 1707||Music as arranged in Christian Harmony, 1835. | ||31b||Webster||Ananias Davisson, 1820||Isaac Watts, 1707||Music as arranged in Christian Harmony, 1835. | ||
|- | |- | ||
||32a||Corinth||John Massengale, 1844||Joseph Grigg, 1765|| | ||32a||Corinth||John Massengale, 1844||Joseph Grigg, 1765|| | ||
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||32b||Peterborough||Anonymous, 1803||John Newton, 1779|| | ||32b||Peterborough||Anonymous, 1803||John Newton, 1779|| | ||
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||33a||Weeping Savior||Elisha J. King, 1844||Benjamin Beddome, 1787||Alto in Christian Harmony, 1867. | ||33a||Weeping Savior||Elisha J. King, 1844||Benjamin Beddome, 1787||Alto in Christian Harmony, 1867. | ||
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||33b||Abbeville||[[The General Doom (Jeremiah Ingalls)|Jeremiah Ingalls]], 1805||Benjamin Beddome, 1800||Music arranged by E. J. King, 1844, based on arrangement by Chapin, 1813. | ||33b||Abbeville||[[The General Doom (Jeremiah Ingalls)|Jeremiah Ingalls]], 1805||Benjamin Beddome, 1800||Music arranged by E. J. King, 1844, based on arrangement by Chapin, 1813. | ||
|- | |- | ||
||34a||Hamilton||B. F. White, 1844||Anonymous, <i>ante</i> 1800|| | ||34a||Hamilton||B. F. White, 1844||Anonymous, <i>ante</i> 1800|| | ||
|- | |- | ||
||34b||Bleeding Savior||Z. Chambless, 1844||Isaac Watts, 1707|| | ||34b||Bleeding Savior||Z. Chambless, 1844||Isaac Watts, 1707|| | ||
|- | |- | ||
||35||Augusta||Thomas W. Carter, 1844||Isaac Watts, 1717|| | ||35||Augusta||Thomas W. Carter, 1844||Isaac Watts, 1717|| | ||
|- | |- | ||
||36a||America||Truman S. Wetmore, 1798||Isaac Watts, 1719|| | ||36a||America||Truman S. Wetmore, 1798||Isaac Watts, 1719|| | ||
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||36b||Ninety-Fifth||Anonymous, 1800||Isaac Watts, 1707||Attributed to Colton or Chapin. | ||36b||Ninety-Fifth||Anonymous, 1800||Isaac Watts, 1707||Attributed to Colton or Chapin. | ||
|- | |- | ||
||37a||China||[[China (Timothy Swan)|Timothy Swan]], 1801||Isaac Watts, 1707|| | ||37a||China||[[China (Timothy Swan)|Timothy Swan]], 1801||Isaac Watts, 1707|| | ||
|- | |- | ||
||37b||Liverpool||Boyd, 1818||Anonymous, 1803||Music arranged by M. C. H. Davis in Southern Harmony, 1835 | ||37b||Liverpool||Boyd, 1818||Anonymous, 1803||Music arranged by M. C. H. Davis in Southern Harmony, 1835 | ||
|- | |- | ||
||38a||Winter||[[Winter (Daniel Read)|Daniel Read]], 1785||Isaac Watts, 1719|| | ||38a||Winter||[[Winter (Daniel Read)|Daniel Read]], 1785||Isaac Watts, 1719|| | ||
|- | |- | ||
||38b||Windham||[[Windham (Daniel Read)|Daniel Read]], 1785||Isaac Watts, 1709|| | ||38b||Windham||[[Windham (Daniel Read)|Daniel Read]], 1785||Isaac Watts, 1709|| | ||
|- | |- | ||
||39a||Detroit||Anonymous, 1820||Philip Doddridge, 1755||As arranged by William Bradshaw in 1820. | ||39a||Detroit||Anonymous, 1820||Philip Doddridge, 1755||As arranged by William Bradshaw in 1820. | ||
|- | |- | ||
||39b||Watchman||James Leach, 1794||Charles Wesley, 1762|| | ||39b||Watchman||James Leach, 1794||Charles Wesley, 1762|| | ||
|- | |- | ||
||40||Lenox||[[Lenox (Lewis Edson)|Lewis Edson]], 1782||Charles Wesley, 1750|| | ||40||Lenox||[[Lenox (Lewis Edson)|Lewis Edson]], 1782||Charles Wesley, 1750|| | ||
|- | |- | ||
||41||Invitation||Anonymous, 1793||Edmund Jones, 1787|| | ||41||Invitation||Anonymous, 1793||Edmund Jones, 1787|| | ||
|- | |- | ||
||42||Clamanda||Anonymous, 1820||Anonymous, 1806||Tune based on an eighteenth-century song. Alto after W. M. Cooper, 1902. | ||42||Clamanda||Anonymous, 1820||Anonymous, 1806||Tune based on an eighteenth-century song. Alto after W. M. Cooper, 1902. | ||
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||43||Primrose Hill||Stephen Jenks, 1806||Isaac Watts, 1707||Tune as arranged in The Sacred Harp, 1844; also in Walker's Southern Harmony, 1840 Apppendix. | ||43||Primrose Hill||Stephen Jenks, 1806||Isaac Watts, 1707||Tune as arranged in The Sacred Harp, 1844; also in Walker's Southern Harmony, 1840 Apppendix. | ||
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||44||The Converted Thief||William Moore, 1825||Samuel Stennett, 1787|| | ||44||The Converted Thief||William Moore, 1825||Samuel Stennett, 1787|| | ||
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||45a||New Britain||Anonymous, 1829||John Newton, 1779||Tune as arranged in Walker, Southern Harmony, 1835. | ||45a||New Britain||Anonymous, 1829||John Newton, 1779||Tune as arranged in Walker, Southern Harmony, 1835. | ||
|- | |- | ||
||45b||Supplication||Lucius Chapin, 1810||Isaac Watts, 1717|| | ||45b||Supplication||Lucius Chapin, 1810||Isaac Watts, 1717|| | ||
|- | |- | ||
||46a||Dublin||William Smith, 1698||Isaac Watts, 1717|| | ||46a||Dublin||William Smith, 1698||Isaac Watts, 1717|| | ||
|- | |- | ||
||46b||Hanover||William Walker, 1835||Edmund Jones, 1787|| | ||46b||Hanover||William Walker, 1835||Edmund Jones, 1787|| | ||
|- | |- | ||
||47a||Primrose||Amzi Chapin, 1812||Isaac Watts, 1707|| | ||47a||Primrose||Amzi Chapin, 1812||Isaac Watts, 1707|| | ||
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||47b||Idumea||Ananias Davisson, 1816||Charles Wesley, 1763|| | ||47b||Idumea||Ananias Davisson, 1816||Charles Wesley, 1763|| | ||
|- | |- | ||
||48a||Devotion||[[Devotion (Alexander Johnson)|Alexander Johnson]], 1818||Isaac Watts, 1719|| | ||48a||Devotion||[[Devotion (Alexander Johnson)|Alexander Johnson]], 1818||Isaac Watts, 1719|| | ||
|- | |- | ||
||48b||Kedron||Amos Pilsbury, 1799||Charles Wesley, 1762||Alto in Walker, Christian Harmony, 1867. | ||48b||Kedron||Amos Pilsbury, 1799||Charles Wesley, 1762||Alto in Walker, Christian Harmony, 1867. | ||
|- | |- | ||
||49a||Old Hundred||[[All people that on earth do dwell (Louis Bourgeois)|Louis Bourgeois]], 1551||Nahum Tate and Nicholas Brady, 1698|| | ||49a||Old Hundred||[[All people that on earth do dwell (Louis Bourgeois)|Louis Bourgeois]], 1551||Nahum Tate and Nicholas Brady, 1698|| | ||
|- | |- | ||
||49b||Mear||Anonymous, 1720||Isaac Watts, 1719|| | ||49b||Mear||Anonymous, 1720||Isaac Watts, 1719|| | ||
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||50a||Consolation||Lucius Chapin, 1812||Isaac Watts, 1707|| | ||50a||Consolation||Lucius Chapin, 1812||Isaac Watts, 1707|| | ||
|- | |- | ||
||50b||Distress||Anonymous, 1835||Anne Steele, 1760|| | ||50b||Distress||Anonymous, 1835||Anne Steele, 1760|| | ||
|- | |- | ||
||51||Tennessee||Chapin, 1825||John Newton, 1779|| | ||51||Tennessee||Chapin, 1825||John Newton, 1779|| | ||
|- | |- | ||
||52a||Albion||Robert Boyd, 1816||Isaac Watts, 1707|| | ||52a||Albion||Robert Boyd, 1816||Isaac Watts, 1707|| | ||
|- | |- | ||
||52b||Charlestown||Amos Pilsbury, 1799||John Newton, 1779|| | ||52b||Charlestown||Amos Pilsbury, 1799||John Newton, 1779|| | ||
|- | |- | ||
||53||Jerusalem||William Moore, 1820||John Cennick, 1743||Tune as arranged by William Walker, Southern Harmony, 1835. Alto in Christian Harmony, 1867. | ||53||Jerusalem||William Moore, 1820||John Cennick, 1743||Tune as arranged by William Walker, Southern Harmony, 1835. Alto in Christian Harmony, 1867. | ||
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||54a||Georgia||Anonymous, 1786||Isaac Watts, 1707|| | ||54a||Georgia||Anonymous, 1786||Isaac Watts, 1707|| | ||
|- | |- | ||
||54b||Imandra New||Anonymous, 1835||Anonymous, 1807||Alto after Walker, Christian Harmony, 1867. | ||54b||Imandra New||Anonymous, 1835||Anonymous, 1807||Alto after Walker, Christian Harmony, 1867. | ||
|- | |- | ||
||55a||Paris||[[Paris (William Billings)|William Billings]], 1779||Isaac Watts, 1717|| | ||55a||Paris||[[Paris (William Billings)|William Billings]], 1779||Isaac Watts, 1717|| | ||
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||55b||Vernon||[[Farewell Hymn (Jeremiah Ingalls)|Jeremiah Ingalls]], 1805||Charles Wesley, 1742||Tune as arranged by Lucius Chapin, 1813. | ||55b||Vernon||[[Farewell Hymn (Jeremiah Ingalls)|Jeremiah Ingalls]], 1805||Charles Wesley, 1742||Tune as arranged by Lucius Chapin, 1813. | ||
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||56||Salem||Anonymous, 1835||John Newton, 1779|| | ||56||Salem||Anonymous, 1835||John Newton, 1779|| | ||
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||57||Christian Soldier||[[Christian Soldier (James P. Carrell)|James P. Carrell]], 1821||Isaac Watts, 1724|| | ||57||Christian Soldier||[[Christian Soldier (James P. Carrell)|James P. Carrell]], 1821||Isaac Watts, 1724|| | ||
|- | |- | ||
||58||Pisgah||[[Pisgah (James C. Lowry)|James C. Lowry]], 1817||Richard Burnham, 1783||Second treble from Alexander Johnson, Tennessee Harmony, 1818. | ||58||Pisgah||[[Pisgah (James C. Lowry)|James C. Lowry]], 1817||Richard Burnham, 1783||Second treble from Alexander Johnson, Tennessee Harmony, 1818. | ||
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||59||Holy Manna||William Moore, 1825||George Askins, 1817||Alto after W. M. Cooper, 1902. | ||59||Holy Manna||William Moore, 1825||George Askins, 1817||Alto after W. M. Cooper, 1902. | ||
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||60||Portugal||Thomas Thorley, 1778||Isaac Watts, 1717|| | ||60||Portugal||Thomas Thorley, 1778||Isaac Watts, 1717|| | ||
|- | |- | ||
||61||Sweet Rivers||William Moore, 1825||John A. Granade, 1804||Alto by William Hauser, 1848. | ||61||Sweet Rivers||William Moore, 1825||John A. Granade, 1804||Alto by William Hauser, 1848. | ||
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||62||Parting Hand||[[Tranquility (Jeremiah Ingalls)|Jeremiah Ingalls]], 1805||Anonymous, 1820||Tune as arranged by William Walker in Southern Harmony, 1835. | ||62||Parting Hand||[[Tranquility (Jeremiah Ingalls)|Jeremiah Ingalls]], 1805||Anonymous, 1820||Tune as arranged by William Walker in Southern Harmony, 1835. | ||
|- | |- | ||
||63||Coronation||[[Coronation (Oliver Holden)|Oliver Holden]], 1793||Edward Perronet, 1779|| | ||63||Coronation||[[Coronation (Oliver Holden)|Oliver Holden]], 1793||Edward Perronet, 1779|| | ||
|- | |- | ||
||64||Nashville||Alexander Johnson, 1821||Anonymous, 1803|| | ||64||Nashville||Alexander Johnson, 1821||Anonymous, 1803|| | ||
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||65||Sweet Prospect||Anonymous, 1835||Samuel Stennett, 1787|| | ||65||Sweet Prospect||Anonymous, 1835||Samuel Stennett, 1787|| | ||
|- | |- | ||
||66||Kingwood||R. D. Humphreys, 1820||Thomas Greene, 1780||From a song or dance tune | ||66||Kingwood||R. D. Humphreys, 1820||Thomas Greene, 1780||From a song or dance tune | ||
|- | |- | ||
||67||Columbus||Anonymous, 1835||Anonymous, <i>ante</i> 1810|| | ||67||Columbus||Anonymous, 1835||Anonymous, <i>ante</i> 1810|| | ||
|- | |- | ||
||68a||Salem||Stephen Bovelle, 1817||Isaac Watts, 1709||Words amend. Martin Madan, 1760 | ||68a||Salem||Stephen Bovelle, 1817||Isaac Watts, 1709||Words amend. Martin Madan, 1760 | ||
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||68b||Middlebury||Anonymous, 1835||Charles Wesley, 1767|| | ||68b||Middlebury||Anonymous, 1835||Charles Wesley, 1767|| | ||
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||69||Minister's Farewell||Anonymous, <i>ante</i> 1813||Joshua Smith, 1797||Words revised in Hymns and Spiritual Songs, 1803 | ||69||Minister's Farewell||Anonymous, <i>ante</i> 1813||Joshua Smith, 1797||Words revised in Hymns and Spiritual Songs, 1803 | ||
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||70||Rhode Island||Amos Pilsbury, 1799||Charles Wesley, 1747|| | ||70||Rhode Island||Amos Pilsbury, 1799||Charles Wesley, 1747|| | ||
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||71||Leander||Anonymous, 1818||Isaac Watts, 1707|| | ||71||Leander||Anonymous, 1818||Isaac Watts, 1707|| | ||
|- | |- | ||
||72a||The Weary Souls||Anonymous, <i>ante</i> 1844||John A. Granade, 1804||Arranged by J. T. White in 1844. Alto after William Walker, 1866 | ||72a||The Weary Souls||Anonymous, <i>ante</i> 1844||John A. Granade, 1804||Arranged by J. T. White in 1844. Alto after William Walker, 1866 | ||
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||72b||Bellevue||Anonymous, 1832||K., 1787||Arranged by Z. Chambliss, 1844 | ||72b||Bellevue||Anonymous, 1832||K., 1787||Arranged by Z. Chambliss, 1844 | ||
|- | |- | ||
||73a||Cusseta||John Massengale, 1844||Isaac Watts, 1718|| | ||73a||Cusseta||John Massengale, 1844||Isaac Watts, 1718|| | ||
|- | |- | ||
||73b||Arlington||Thomas Arne, 1762||Isaac Watts, 1707||Arramged by Ralph Harrison, 1784 | ||73b||Arlington||Thomas Arne, 1762||Isaac Watts, 1707||Arramged by Ralph Harrison, 1784 | ||
|- | |- | ||
||74a||The Enquirer||Benjamin F. White, 1844||Isaac Watts, 1707|| | ||74a||The Enquirer||Benjamin F. White, 1844||Isaac Watts, 1707|| | ||
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||74b||King of Peace||Anonymous, 1831||John Newton, 1779||Arranged by F. Price, 1835 | ||74b||King of Peace||Anonymous, 1831||John Newton, 1779||Arranged by F. Price, 1835 | ||
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||75||Paradise||Anonymous, 1811||Isaac Watts, 1707|| | ||75||Paradise||Anonymous, 1811||Isaac Watts, 1707|| | ||
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||76a||Holiness||Elisha J. King, 1844||John Cennick, <i>ante</i> 1755|| | ||76a||Holiness||Elisha J. King, 1844||John Cennick, <i>ante</i> 1755|| | ||
|- | |- | ||
||76b||Desire for Piety||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1811|| | ||76b||Desire for Piety||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1811|| | ||
|- | |- | ||
||77a||The Child of Grace||Amos Pilsbury, 1799||Charles Wesley, 1759||Arranged by James Carrell 1821, as Pilgrim; re-arranged by Elisha J. King, 1844 | ||77a||The Child of Grace||Amos Pilsbury, 1799||Charles Wesley, 1759||Arranged by James Carrell 1821, as Pilgrim; re-arranged by Elisha J. King, 1844 | ||
|- | |- | ||
||77b||Talbotton||Elisha J. King, 1844||William Cowper, 1768|| | ||77b||Talbotton||Elisha J. King, 1844||William Cowper, 1768|| | ||
|- | |- | ||
||78||The Hebrew Children||Anonymous, <i>ante</i> 1844||Anonymous, 1844||Arranged by B. F. White, 1844 | ||78||The Hebrew Children||Anonymous, <i>ante</i> 1844||Anonymous, 1844||Arranged by B. F. White, 1844 | ||
|- | |- | ||
||79||The Old Ship of Zion||Thomas W. Carter, 1844||Anonymous, <i>ante</i> 1837|| | ||79||The Old Ship of Zion||Thomas W. Carter, 1844||Anonymous, <i>ante</i> 1837|| | ||
|- | |- | ||
||80a||Shouting Song||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1793|| | ||80a||Shouting Song||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1793|| | ||
|- | |- | ||
||80b||Service of the Lord||Elisha J. King, 1844||Anonymous, <i>ante</i> 1801|| | ||80b||Service of the Lord||Elisha J. King, 1844||Anonymous, <i>ante</i> 1801|| | ||
|- | |- | ||
||81a||Beach Spring||Benjamin F. White, 1844||Joseph Hart, 1759|| | ||81a||Beach Spring||Benjamin F. White, 1844||Joseph Hart, 1759|| | ||
|- | |- | ||
||81b||Cookham||Anonymous, 1754||Charles Wesley, 1739||Words altered by George Whitefield, 1753 | ||81b||Cookham||Anonymous, 1754||Charles Wesley, 1739||Words altered by George Whitefield, 1753 | ||
|- | |- | ||
||82a||Bound for Canaan||Elisha J. King, 1844||John Leland, 1793|| | ||82a||Bound for Canaan||Elisha J. King, 1844||John Leland, 1793|| | ||
|- | |- | ||
||82b||Edgefield||Anonymous, 1804||John Newton, 1779|| | ||82b||Edgefield||Anonymous, 1804||John Newton, 1779|| | ||
|- | |- | ||
||83a||Vale of Sorrow||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1814|| | ||83a||Vale of Sorrow||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1814|| | ||
|- | |- | ||
||83b||Harris||Jesse T. White, 1844||John Newton, 1779||Alto by S. M. Denson, 1911 | ||83b||Harris||Jesse T. White, 1844||John Newton, 1779||Alto by S. M. Denson, 1911 | ||
|- | |- | ||
||84||Mountville||Anonymous, <i>ante</i> 1830||Anonymous, <i>ante</i> 1830|| | ||84||Mountville||Anonymous, <i>ante</i> 1830||Anonymous, <i>ante</i> 1830|| | ||
|- | |- | ||
||85||The Morning Trumpet||Benjamin F. White, 1844||John Leland, 1793|| | ||85||The Morning Trumpet||Benjamin F. White, 1844||John Leland, 1793|| | ||
|- | |- | ||
||86||Little Children||Thomas W. Carter, 1844||Anonymous, 1835|| | ||86||Little Children||Thomas W. Carter, 1844||Anonymous, 1835|| | ||
|- | |- | ||
||87||Sweet Canaan||Anonymous, <i>ante</i> 1842||Anonymous, <i>ante</i> 1807||Arranged by Elisha J. King, 1844. | ||87||Sweet Canaan||Anonymous, <i>ante</i> 1842||Anonymous, <i>ante</i> 1807||Arranged by Elisha J. King, 1844. | ||
|- | |- | ||
||88a||Done with the World||Benjamin F. White, 1844||John Cennick, 1743|| | ||88a||Done with the World||Benjamin F. White, 1844||John Cennick, 1743|| | ||
|- | |- | ||
||88b||Mount Zion||John Massengale, 1844||Charles Wesley, 1740|| | ||88b||Mount Zion||John Massengale, 1844||Charles Wesley, 1740|| | ||
|- | |- | ||
||89||The Church's Desolation||Jeremiah Ingalls, 1805||Anonymous, 1810||Attanged by J. T. White, 1844 | ||89||The Church's Desolation||Jeremiah Ingalls, 1805||Anonymous, 1810||Attanged by J. T. White, 1844 | ||
|- | |- | ||
||90||Look Out||Benjamin F. White, 1844||Anonymous, 1805|| | ||90||Look Out||Benjamin F. White, 1844||Anonymous, 1805|| | ||
|- | |- | ||
||91||Church Triumphant||Thomas W. Carter, 1844||Charles Wesley, 1745|| | ||91||Church Triumphant||Thomas W. Carter, 1844||Charles Wesley, 1745|| | ||
|- | |- | ||
||92||Burk||Benjamin F. White, 1844||John P. Campbell, <i>ante</i> 1815|| | ||92||Burk||Benjamin F. White, 1844||John P. Campbell, <i>ante</i> 1815|| | ||
|- | |- | ||
||93||Frozen Heart||Anonymous, <i>ante</i> 1820||Joseph Hart, 1762||Words greatly altered | ||93||Frozen Heart||Anonymous, <i>ante</i> 1820||Joseph Hart, 1762||Words greatly altered | ||
|- | |- | ||
||94||Oak Bowery||Thomas W. Carter, 1844||Charles Wesley, 1741|| | ||94||Oak Bowery||Thomas W. Carter, 1844||Charles Wesley, 1741|| | ||
|- | |- | ||
||95||Aithlone||Heinrich Isaac, 1744||Augustus Toplady, 1759||Arranged and Alto written by S. M. Denson, 1911 | ||95||Aithlone||Heinrich Isaac, 1744||Augustus Toplady, 1759||Arranged and Alto written by S. M. Denson, 1911 | ||
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||98||Dull Care||Anonymous, <i>ante</i> 1825||Anonymous, <i>ante</i> 1806||Music arranged bt Elisha J. King, 1844. Words adapted from a secular song | ||98||Dull Care||Anonymous, <i>ante</i> 1825||Anonymous, <i>ante</i> 1806||Music arranged bt Elisha J. King, 1844. Words adapted from a secular song | ||
|- | |- | ||
||99||Gospel Trumpet||Amos Pilsbury, 1799||Anonymous, <i>ante</i> 1790|| | ||99||Gospel Trumpet||Amos Pilsbury, 1799||Anonymous, <i>ante</i> 1790|| | ||
|- | |- | ||
||100||The Bower of Prayer||Anonymous, <i>ante</i> 1835||John Osborn, <i>circa</i> 1815||Music arranged by Elisha J. King, from a song tune | ||100||The Bower of Prayer||Anonymous, <i>ante</i> 1835||John Osborn, <i>circa</i> 1815||Music arranged by Elisha J. King, from a song tune | ||
|- | |- | ||
||101a||Canaan's Land||Elisha J. King, 1844||Anonymous, <i>ante</i> 1811|| | ||101a||Canaan's Land||Elisha J. King, 1844||Anonymous, <i>ante</i> 1811|| | ||
|- | |- | ||
||101b||Holy City||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1807||Alto after W. F. Cooper, 1902 | ||101b||Holy City||Benjamin F. White, 1844||Anonymous, <i>ante</i> 1807||Alto after W. F. Cooper, 1902 | ||
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||103||Animation||Anonymous, 1844||Charles Wesley, 1759||Alto by S. M. Denson, 1911 | ||103||Animation||Anonymous, 1844||Charles Wesley, 1759||Alto by S. M. Denson, 1911 | ||
|- | |- | ||
||104||The Lovely Story||Ananias Davisson, 1826||Anonymous, <i>ante</i> 1810|| | ||104||The Lovely Story||Ananias Davisson, 1826||Anonymous, <i>ante</i> 1810|| | ||
|- | |- | ||
||105a||Redemption||Leonard P. Breedlove, 1844||Anonymous, <i>ante</i> 1793|| | ||105a||Redemption||Leonard P. Breedlove, 1844||Anonymous, <i>ante</i> 1793|| | ||
|- | |- | ||
||105b||Turn, Sinner, Turn||Anonymous, <i>ante</i> 1820||Anonymous, <i>ante</i> 1811||Arranged by Elisha J. King, 1844 | ||105b||Turn, Sinner, Turn||Anonymous, <i>ante</i> 1820||Anonymous, <i>ante</i> 1811||Arranged by Elisha J. King, 1844 | ||
|- | |- | ||
||106||Ecstasy||Thomas W. Carter, 1844||John Leland, 1793|| | ||106||Ecstasy||Thomas W. Carter, 1844||John Leland, 1793|| | ||
|- | |- | ||
||107||Pleasant Grove||Jesse T. White, 1844||James Montgomery, 1825|| | ||107||Pleasant Grove||Jesse T. White, 1844||James Montgomery, 1825|| | ||
|- | |- | ||
||108||Night Watchman||Jacob French, 1802||John Bowring, 1825||Arranged by Thomas W. Carter, 1844 | ||108||Night Watchman||Jacob French, 1802||John Bowring, 1825||Arranged by Thomas W. Carter, 1844 | ||
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||110||Mount Vernon||Stephen Jenks, 1799||Anonymous, 1799||Words attributed to Theodore Dwight | ||110||Mount Vernon||Stephen Jenks, 1799||Anonymous, 1799||Words attributed to Theodore Dwight | ||
|- | |- | ||
||111||Concord||Thomas W. Carter, 1844||Anonymous, <i>ante</i> 1844|| | ||111||Concord||Thomas W. Carter, 1844||Anonymous, <i>ante</i> 1844|| | ||
|- | |- | ||
||112||Sandtown||Thomas W. Carter, 1844||Anonymous, 1834|| | ||112||Sandtown||Thomas W. Carter, 1844||Anonymous, 1834|| | ||
|- | |- | ||
||113||The Prodigal Son||Anonymous, <i>ante</i> 1830||John Newton, 1779||Music arranged by Elisha J. King | ||113||The Prodigal Son||Anonymous, <i>ante</i> 1830||John Newton, 1779||Music arranged by Elisha J. King | ||
|- | |- | ||
||114a||Suffield||Anonymous, <i>ante</i> 1835||Isaac Watts, 1719|| | ||114a||Suffield||Anonymous, <i>ante</i> 1835||Isaac Watts, 1719|| | ||
|- | |- | ||
||114b||The Midnight Cry||Anonymous, 1835||Anonymous, 1834|| | ||114b||The Midnight Cry||Anonymous, 1835||Anonymous, 1834|| | ||
|- | |- | ||
||115||Creation||Zechariah Chambless, 1844||Anonymous, <i>ante</i> 1820|| | ||115||Creation||Zechariah Chambless, 1844||Anonymous, <i>ante</i> 1820|| | ||
|- | |- | ||
||116||Union||Elisha J. King, 1844||Anonymous, <i>ante</i> 1815|| | ||116||Union||Elisha J. King, 1844||Anonymous, <i>ante</i> 1815|| | ||
|- | |- | ||
||117||Jordan's Shore||Jesse T. White, 1844||Samuel Stennett, 1787|| | ||117||Jordan's Shore||Jesse T. White, 1844||Samuel Stennett, 1787|| | ||
|- | |- | ||
||118||Ball Hill||J. W. Davis, 1844||Robert Robinson, 1759|| | ||118||Ball Hill||J. W. Davis, 1844||Robert Robinson, 1759|| | ||
|- | |- | ||
||119||The Many Wants||Jesse T. White, 1844||Anonymous, <i>ante</i> 1829|| | ||119||The Many Wants||Jesse T. White, 1844||Anonymous, <i>ante</i> 1829|| | ||
|- | |- | ||
||120||Lumpkin||Jesse T. White, 1844||John Newton, 1779|| | ||120||Lumpkin||Jesse T. White, 1844||John Newton, 1779|| | ||
|- | |- | ||
||121||Florence||William Caldwell, 1837||Philip Doddridge, 1755||Stanza 2 is by John Granade, 1804 | ||121||Florence||William Caldwell, 1837||Philip Doddridge, 1755||Stanza 2 is by John Granade, 1804 | ||
Line 798: | Line 799: | ||
||130||Millenium||William Walker, 1835||Anonymous, <i>ante</i> 1818||Alto after Walker, Christian Harmony, 1867 | ||130||Millenium||William Walker, 1835||Anonymous, <i>ante</i> 1818||Alto after Walker, Christian Harmony, 1867 | ||
|- | |- | ||
||131a||Messiah||[[Messiah (James P. Carrell)|James P. Carrell]], 1821||Samuel Stennett, 1787|| | ||131a||Messiah||[[Messiah (James P. Carrell)|James P. Carrell]], 1821||Samuel Stennett, 1787|| | ||
|- | |- | ||
||131b||Invocation||William Walker, 1835||Robert Seagrave, 1742||Alto by Anna Blackshear, 1902 | ||131b||Invocation||William Walker, 1835||Robert Seagrave, 1742||Alto by Anna Blackshear, 1902 | ||
Line 814: | Line 815: | ||
||137||Liberty||Stephen Jenks, 1800||Anonymous, 1800||Words "perhaps by Stephen Jenks" (Steel) | ||137||Liberty||Stephen Jenks, 1800||Anonymous, 1800||Words "perhaps by Stephen Jenks" (Steel) | ||
|- | |- | ||
||138||Solitude in the Grove||Ananias Davisson, 1817||Isaac Watts, 1717|| | ||138||Solitude in the Grove||Ananias Davisson, 1817||Isaac Watts, 1717|| | ||
|- | |- | ||
||139||Elysian||[[Elysian (James P. Carrell)|James P. Carrell]], 1821||Richard Kempenfelt, 1777||Alto in Walker, Christian Harmony, 1867 | ||139||Elysian||[[Elysian (James P. Carrell)|James P. Carrell]], 1821||Richard Kempenfelt, 1777||Alto in Walker, Christian Harmony, 1867 | ||
Line 822: | Line 823: | ||
||141||Complainer||William Walker, 1835||Anonymous, 1835||Alto after Walker, Christian Harmony, 1867 | ||141||Complainer||William Walker, 1835||Anonymous, 1835||Alto after Walker, Christian Harmony, 1867 | ||
|- | |- | ||
||142||Stratfield||Ezra Goff, 1786||Isaac Watts, 1719|| | ||142||Stratfield||Ezra Goff, 1786||Isaac Watts, 1719|| | ||
|- | |- | ||
||143||Pleyel's Hymn Second||Ignaz Pleyel, 1786||Helen Williams, 1790||Arranged by Costellow, ca. 1801 | ||143||Pleyel's Hymn Second||Ignaz Pleyel, 1786||Helen Williams, 1790||Arranged by Costellow, ca. 1801 | ||
|- | |- | ||
||144||Jubilee||Anonymous, 1820||Anonymous, <i>ante</i> 1801|| | ||144||Jubilee||Anonymous, 1820||Anonymous, <i>ante</i> 1801|| | ||
|- | |- | ||
||145a||Warrenton||Anonymous, 1822||Robert Robinson, 1758||Treble by William Walker, 1837. Stanza 3 by Martin Madan, 1769 | ||145a||Warrenton||Anonymous, 1822||Robert Robinson, 1758||Treble by William Walker, 1837. Stanza 3 by Martin Madan, 1769 | ||
Line 842: | Line 843: | ||
||150||The Spiritual Sailor||I. Neighbours, 1835||Anonymous, <i>ante</i> 1810||Alto by S. M. Denson, 1911 | ||150||The Spiritual Sailor||I. Neighbours, 1835||Anonymous, <i>ante</i> 1810||Alto by S. M. Denson, 1911 | ||
|- | |- | ||
||151||Symphony||Justin Morgan, 1790||Isaac Watts, 1719|| | ||151||Symphony||Justin Morgan, 1790||Isaac Watts, 1719|| | ||
|- | |- | ||
||152||Bruce's Address||Anonymous | ||152||Bruce's Address||Anonymous ||Anonymous||Tune 17th-cent. Scottish ballad, arr. William Walker 1835. Alto S. M. Denson 1911. From a poem by Robert Burns, adapt. by Jared Waterbury before 1831 | ||
|- | |- | ||
||153||Salutation||Anonymous, <i>ante</i> 1800||Anonymous, <i>ante</i> 1810||Tune from English folk song, arranged by William Walker, 1835. | ||153||Salutation||Anonymous, <i>ante</i> 1800||Anonymous, <i>ante</i> 1810||Tune from English folk song, arranged by William Walker, 1835. | ||
Line 850: | Line 851: | ||
||154||The Saints' Delight||Frederick Price, 1835||Isaac Watts, 1707||Alto by S. M. Denson, 1911, after Walker, Christian Harmony, 1867 | ||154||The Saints' Delight||Frederick Price, 1835||Isaac Watts, 1707||Alto by S. M. Denson, 1911, after Walker, Christian Harmony, 1867 | ||
|- | |- | ||
||155||Northfield||[[Northfield (Jeremiah Ingalls)|Jeremiah Ingalls]], 1800||Isaac Watts, 1707|| | ||155||Northfield||[[Northfield (Jeremiah Ingalls)|Jeremiah Ingalls]], 1800||Isaac Watts, 1707|| | ||
|- | |- | ||
||156||The Pilgrim's Lot||William A. Grambling, 1835||Charles Wesley, 1747|| | ||156||The Pilgrim's Lot||William A. Grambling, 1835||Charles Wesley, 1747|| | ||
|- | |- | ||
||157||Essay||Alexander C. Clark, 1835||Anonymous, <i>ante</i> 1820||From a Scots folk song tune. Alto by S. M. Denson, 1911 | ||157||Essay||Alexander C. Clark, 1835||Anonymous, <i>ante</i> 1820||From a Scots folk song tune. Alto by S. M. Denson, 1911 | ||
|- | |- | ||
||158||Funeral Thought||William Caldwell, 1837||Reginald Heber, 1818|| | ||158||Funeral Thought||William Caldwell, 1837||Reginald Heber, 1818|| | ||
|- | |- | ||
||159||Wondrous Love||James Christopher, 1840||Anonymous, <i>ante</i> 1811|| | ||159||Wondrous Love||James Christopher, 1840||Anonymous, <i>ante</i> 1811|| | ||
|- | |- | ||
||160a||War Department||Anonymous, 1835||Anonymous, 1801|| | ||160a||War Department||Anonymous, 1835||Anonymous, 1801|| | ||
|- | |- | ||
||160b||Marysville||Ananias Davisson, 1817||John Cennick, 1740|| | ||160b||Marysville||Ananias Davisson, 1817||John Cennick, 1740|| | ||
|- | |- | ||
|} | |} |
Revision as of 03:43, 8 August 2017
Description
The Sacred Harp, compiled by Benjamin F. White and Elisha J. King in 1844, was the continuation of an American singing tradition already more than a century old. At the same time, it marks the beginning of a singing tradition that is now world-wide in scope.
History
Editions
- 1844. White, Benjamin F.; and Elisha J. King. The Sacred Harp, a Collection of Psalm and Hymn Tunes, Odes, and Anthems, Selected from the Most Eminent Authors, Together with Nearly One Hundred Pieces Never Before Published; Suited to Most Metres, And Well Adapted to Churches of Every Denomination, Singing Schools, and Private Societies. Philadelphia, Pennsylvania: S. C. Collins. 262 pp.
- 1850. White, Benjamin F.; and Elisha J. King. The Sacred Harp, a Collection of Psalm and Hymn Tunes, Odes, and Anthems ... To Which is Added Appendix I., Containing a Variety of Favorite Tunes not Comprised in the Body of the Work. Philadelphia, Pennsylvania: S. C. Collins. 366 pp. Appendix edited by a committee: B. F. White, Joel King, Leonard P. Breedlove, A. Ogletree, S. R. Penick, J. R. Turner, R. F. M. Mann, and E. L. King.
- 1859-1860. White, Benjamin F.; and Elisha J. King. The Sacred Harp, a Collection of Psalm and Hymn Tunes, Odes, and Anthems ... To Which is Added Appendix I., Containing a Variety of Favorite Tunes not Comprised in the Body of the Work ... Also, Appendix II., Containing 77 Pieces of New Composition by Distinguished Writers Never Before Published. Philadelphia, Pennsylvania: S. C. Collins. "New Appendix" edited by B. F. White, E. T. Pound, J. P. Rees, R. F. Ball, A. Ogletree, T. Waller, J. T. Edmunds, and A. S. Webster. 432 pp. Indexes, pp. 430-432.
- 1869-1870. White, James L., "and others." Compilers. 1869. The Sacred Harp: B. F. White and E. J. King: A collection of tunes, odes, hymns and anthems: Fourth edition, with supplement. Together with over one hundred pieces never before used for this work. Arranged and compiled by J. L. White and others. Atlanta, Georgia: Compiler. 607 pp. Reprinted by J. L. White, Atlanta, in 1911; and by The J. L. White Sacred Harp, Valdosta, Georgia, in 2007.
References
- Jackson, George P. 1944. The Story of the Sacred Harp, 1844-1944. Nashville, Tennessee: Vanderbilt University Press. 46 pp.
- Steel, David Warren, and Richard H. Hulan. 2010. The Makers of the Sacred Harp. Urbana, Illinois: University of Illinois Press. 322 pp.
External Links
Contents of 1844 Edition
The tables below were derived from the 1859-1860 edition, since it is exactly the same as the 1844 edition except for the title page, introduction, and appendices.
TABLE 1. LIST OF WORKS IN 1844 EDITION
- (First Notes in the style of The Hymn Tune Index.)
Page | Title | Key | Text Meter | First Line | First Notes | Parts | Ed. 2 | Ed. 3 | Ed.4 | 1911 | 1991 |
27 | Bethel | f | C.M. | O for a closer walk with God | 135143(2)12 | 3 | 27 | 27 | 27 | 27 | 27 |
28a | Aylesbury | a | S.M. | The God we worship now | 154321 | 4 | 28a | 28a | 28a | 28a | 28a |
28b | Wells | G | L.M. | Life is the time to serve the Lord | 135U1D7U1D65 | 4 | 28b | 28b | 28b | 28b | 28b |
29a | Fairfield | a | C.M. | Come, humble sinner, in whose breast | 131D57U11(2)3 | 3 | 29a | 29a | 29a | 29a | 29a |
29b | Tribulation | d | C.M. | Death, 'tis a melancholy day | 3(4)55(4)5U1D754 | 3 | 29b | 29b | 29b | 29b | 29b |
30a | Rochester | A | C.M. | Come let us join our cheerful songs | 112312D7U1 | 4 | 30a | 30a | 30a | 30a | |
30b | Prospect | C | L.M. | Why should we start, or fear to die | 5(6)U11D6U2132(1)D6 | 3 | 30b | 30b | 30b | 30b | 30b |
31a | Ninety-Third Psalm | C | S.M. | Grace first contrived the way | 5(6)U1D6U21(D6)5 | 3 | 31a | 31a | 31a | 31a | 31a |
31b | Webster | G | S.M. | Come, we that love the Lord | 132351 | 3 | 31b | 31b | 31b | 31b | 31b |
32a | Corinth | G | L.M. | Jesus, and shall it ever be | 13211(3)555 | 3 | 32a | 32a | 32a | 32a | 32a |
32b | Peterborough | A | C.M. | Approach, my soul, the mercy seat | 13334321 | 3 | 32b | 32b | 32b | 32b | |
33a | Weeping Savior | f# | S.M. | Did Christ o'er sinners weep | 1353D7U1 | 3 | 33a | 33a | 33a | 33a | 33a |
33b | Abbeville | G | S.M. | Come, Holy Spirit, Come | 131(3)2D67U1 | 3 | 33b | 33b | 33b | 33b | 33b |
34a | Hamilton | A | L.M. | Come, all who love the Lord indeed | 5U1323(4)55(4)3 | 3 | 34a | 34a | 34a | 34a | |
34b | Bleeding Savior | a | C.M. | Alas! and did my Savior bleed | 5(7)U11(D7)55(7)U11(D7)5 | 3 | 34b | 34b | 34b | 34b | |
35 | Augusta | F | C.M.D. | O for a shout of sacred joy | 15516551 | 3 | 35 | 35 | 35 | 35 | |
36a | America | a | S.M. | My soul, repeat his praise | 113215 | 4 | 36a | 36a | 36a | 36a | 36a |
36b | Ninety-Fifth | A | C.M. | When I can read by title clear | 11234321 | 4 | 36b | 36b | 36b | 36b | 36b |
37a | China | D | C.M. | Why should we mourn departing friends | 322113(D6)63 | 4 | 37a | 37a | 37a | 37a | 163b |
37b | Liverpool | F | C.M. | Young people all, attention give | 11(2)35653(2)1 | 3 | 37b | 37b | 37b | 37b | 37b |
38a | Winter | F | C.M. | His hoary frost, his fleecy snow | 15565U1D5(3)1 | 4 | 38a | 38a | 38a | 38a | |
38b | Windham | f | L.M. | Broad is the road that leads to death | 13455321 | 4 | 38b | 38b | 38b | 38b | 38b |
39a | Detroit | e | C.M. | Do not I love thee, O my Lord | 57U12D7U1(D7)5(4)5 | 3 | 39a | 39a | 39a | 39a | 39a |
39b | Watchman | E♭ | S.M. | A charge to keep I have | 135U1D32 | 3 | 39b | 39b | 39b | 39b | |
40 | Lenox | C | 66.66.88. | Blow ye the trumpet, blow | 111D565 | 4 | 40 | 40 | 40 | 40 | 40 |
41 | Invitation | e | C.M. | Come, humble sinner, in whose breast | 53155777 | 3 | 41 | 41 | 41 | 41 | |
42 | Clamanda | e | L.M.D. | Say, now, ye lovely social band | 5311D7U3(4)54 | 3 | 42 | 42 | 42 | 42 | 42 |
43 | Primrose Hill | G | C.M. | When I can read my title clear | 53311444 | 3 | 43 | 43 | 43 | 43 | 43 |
44 | The Converted Thief | C | C.M.D. | As on the cross the Savior hung | 3565(6)U122D6 | 3 | 44 | 44 | 44 | 44 | 44 |
45a | New Britain | C | C.M. | Amazing grace! how sweet the sound | 5U13(1)321D65 | 3 | 45a | 45a | 45a | 45a | 45a |
45b | Supplication | a | L.M. | O thou who hears when sinners cry | 5U11(D7)U1D7U21(D7)5 | 3 | 45b | 45b | 45b | 45b | |
46a | Dublin | a | C.M. | Lord, what is man, poor, feeble man | 11D7U3D7U11D5 | 4 | 46a | 46a | 46a | 46a | |
46b | Hanover | a | C.M. | Come, humble sinner, in whose breast | 13211D77(6)5 | 3 | 46b | 46b | 46b | 46b | |
47a | Primrose | A | C.M. | Salvation! O the joyful sound | 5U12321D65 | 3 | 47a | 47a | 47a | 47a | 47a |
47b | Idumea | a | S.M. | And am I born to die | 11D7(U1)34(3)1 | 3 | 47b | 47b | 47b | 47b | 47b |
48a | Devotion | C | L.M. | Sweet is the day of sacred rest | 56U1D656U11 | 3 | 48a | 48a | 48a | 48a | 48a |
48b | Kedron | e | L.M. | Thou man of grief, remember me | 3(2)1155432 | 3 | 48b | 48b | 48b | 48b | 48b |
49a | Old Hundred | A | L.M. | O come, loud anthems let us sing | 11D765U123 | 4 | 49a | 49a | 49a | 49a | 49a |
49b | Mear | G | C.M. | Will God forever cast us off | 155331(2)32 | 3 | 49b | 49b | 49b | 49b | 49b |
50a | Consolation | a | C.M. | Once more, my soul, the rising day | 5U1234(3)21(D7)5 | 3 | 50a | 50a | 50a | 50a | |
50b | Distress | e | L.M. | So fades the lovely blooming flower | 1345431(D7)U1 | 3 | 50b | 50b | 50b | 50b | 32b |
51 | Tennessee | F | C.M.D. | Afflictions, though they seem severe | 3555355(6)1 | 4 | 51 | 51 | |||
52a | Albion | G | S.M. | Come, ye that love the Lord | 135312 | 4 | 52a | 52a | 52a | 52a | 52a |
52b | Charlestown | F | 87.87. | Mercy, O thou son of David | 12325321 | 3 | 52b | 52b | 52b | 52b | 52b |
53 | Jerusalem | a | L.M. | Jesus. my all, to heaven is gone | 5U12(1)D7U2(3)44(3)2 | 3 | 53 | 53 | 53 | 53 | 53 |
54a | Georgia | e | C.M. | Return, O God of love, return | 1345(65)4321 | 4 | 54a | 54a | 54a | 54a | |
54b | Imandra New | F | 11 11.11 11. | Farewell, my dear brethre, the time is at hand | 1(3)5365313521 | 3 | 54b | 54b | 54b | 54b | 45b |
55a | Paris | A | L.M. | This spacious earth is all the Lord's | 1123(43)54(3)21 | 4 | 55a | 55a | 55a | 55a | |
55b | Vernon | e | 88.88.88. | Come, O thou traveler unknown | 35554(3)54(3)1 | 4 | 55b | 55b | 55b | 55b | 95b |
56 | Salem | F | C.M. | How sweet the name of Jesus sounds | 3(4)56535(6)U11 | 3 | 56 | 56 | 56 | 56 | |
57 | Christian Soldier | G | C.M.D. | Am I a soldier of the cross | 1(2)332(1)D6U113(5) | 3 | 57 | 57 | 57 | 57 | 57 |
58 | Pisgah | B♭ | C.M. | Jesus, thou art the sinner's friend | 5(6)U111(2)3(1)666(5) | 4 | 58 | 58 | 58 | 58 | 58 |
59 | Holy Manna | C | 87.87.D | Bethren, we have met to worship | 55(6)U1122(1)3(2)1(D6) | 3 | 59 | 59 | 59 | 59 | 59 |
60 | Portugal | G | L.M. | How pleasant, how divinely fair | 5U123(1)3(5)4(3)21 | 4 | 60 | 60 | 60 | ||
61 | Sweet Rivers | F | C.M.D. | Sweet rivers of redeeming love | 133(1)22(3)55(2)3 | 3 | 61 | 61 | 61 | 61 | 61 |
62 | Parting Hand | G | L.M.D. | My Christian friends, in bonds of love | 13(2)111212 | 3 | 62 | 62 | 62 | 62 | 62 |
63 | Coronation | A♭ | C.M. | All hail the power of Jesus' name | 5U1133212 | 4 | 63 | 63 | 63 | 63 | 63 |
64 | Nashville | A | 886.886. | The Lord into his garden come | 5U111(D7)U1222(1) | 3 | 64 | 64 | 64 | 64 | 64 |
65 | Sweet Prospect | e | C.M.D. | On Jordan's stormy banks I stand | 3(5)3(2)D76557U2 | 3 | 65 | 65 | 65 | 65 | 65 |
66 | Kingwood | A | 886.886. | My days, my weeks, my months, my years | 5U111(D7)1222(1) | 4 | 66 | 66 | 66 | 66 | 266 |
67 | Columbus | f# | C.M.D. | O, once I had a glorious view | 1333(2)1332(1) | 3 | 67 | 67 | 67 | 67 | 67 |
68a | Salem | b | L.M. | He dies, the friend of sinners dies | 1D765U1(3)221 | 4 | 68a | 68a | 68a | 68a | 68a |
68b | Middlebury | A | 669.669. | Come away to the skies | 55U1111(3) | 3 | 68b | 68b | 68b | 68b | |
69 | Minister's Farewell | G | C.M.D. | Dear friends, farewell! I do you tell | 133313(2)1D6 | 4 | 69 | 69 | 69 | 69 | 69a |
70 | Rhode Island | c | 886.886. | Thou great, mysterious God unknown | 35553(5)777 | 3 | 70 | 70 | 480 | ||
71 | Leander | a | C.M.D. | My soul forsakes her vain delight | 5U1111D765 | 3 | 71 | 71 | 71 | 71 | 71 |
72a | The Weary Souls | F | C.M.D. | Ye weary, heavy-laden souls | 15551552 | 3 | 72a | 72a | 72a | 72a | 72a |
72b | Bellevue | B♭ | 11 11.11 11. | How firm a foundation, ye saints of the Lord | 5U1D6U1D5U11323D5 | 3 | 72b | 72b | 72b | 72b | 72b |
73a | Cusseta | B♭ | L.M. | Show pity, Lord; O Lord, forgive | 56(5)6(U1)2D5U11(D6)5 | 3 | 73a | 73a | 73a | 73a | 73a |
73b | Arlington | F | C.M. | Jesus, with all thy saints above | 13332111 | 3 | 73b | 73b | 73b | 73b | 73b |
74a | The Enquirer | g | C.M.D. | I'm not ashamed to own my Lord | 1D57U112(1)24 | 3 | 74a | 74a | 74a | 74a | 74a |
74b | King of Peace | a | 77.77. | Lord, I cannot let thee go | 121D757U1 | 3 | 74b | 74b | 74b | 74b | 74b |
75 | Paradise | A | C.M. | There is a land of pure delight | 1113(45)322(342)1 | 4 | 75 | 75 | |||
76a | Holiness | G | 77.77.77. | Daniel's wisdom may I know | 1355323 | 3 | 76a | 76a | 76a | 76a | 76a |
76b | Desire for Piety | C | 8 11.8 11. | Tis my desire with God to walk | 1D666U1D55(6)5 | 3 | 76b | 76b | 76b | 76b | 76b |
77a | The Child of Grace | a | C.M.D. | How happy's every child of grace | 1D75U321(D7)57 | 3 | 77a | 77a | 77a | 77a | 77a |
77b | Talbotton | G | 77.77. | Hark! my soul, it is the Lord | 5533U1D65 | 3 | 77b | 77b | 77b | 77b | |
78 | The Hebrew Children | d | 76.8886. | Where are the Hebrew children | 554(5)755(4)3 | 3 | 78 | 78 | 481 | 133 | |
79 | The Old Ship of Zion | F | 10 7.10 7. | What ship is that that will take us all home | 3(2)13(5)5(3)5565U1D5 | 3 | 79 | 79 | 79 | 79 | 79 |
80a | Shouting Song | f# | 87.87. | Jesus, grant us all a blessing | 556544(3)2(3)4 | 3 | 80a | 80a | 80a | 80a | 80a |
80b | Service of the Lord | F | 89.89. | Farewell, vain world, I'm going home | 56U1D53553 | 3 | 80b | 80b | 80b | 80b | 80b |
81a | Beach Spring | A | 87.87.D. | Come, ye sinners, poor and wretched | 1121332(1)D6 | 3 | 81a | 81a | 81a | 81a | 81a |
81b | Cookham | G | 77.77. | Hark! the herald angels sing | 121232(4)3 | 3 | 81b | 81b | 81b | 81b | 81b |
82a | Bound for Canaan | B♭ | 76.76. | O when shall I see Jesus | 5556U122 | 3 | 82a | 82a | 82a | 82a | 82a |
82b | Edgefield | f# | L.M. | How tedious and tasteless the hours | 6U1332D756 | 3 | 82b | 82b | 82b | 82b | 82b |
83a | Vale of Sorrow | a | 76.76.86.76. | While in this vale of sorrow | 132131D5 | 3 | 83a | 83a | 83a | 83a | 83a |
83b | Harris | F | C.M. | In evil long I took delight | 13553343 | 3 | 83b | 83b | 538 | ||
84 | Mountville | A | 76.76.D | Throughout our wide-spread union | 5U115343 | 3 | 84 | 84 | 84 | ||
85 | The Morning Trumpet | f# | 76 11.76 11. | O when shall I see Jesus | 1(2)32343(2)1 | 3 | 85 | 85 | 85 | 85 | 85 |
86 | Little Children | E | 87.87.D. | Come, little children, now we may | 556U12312 | 3 | 86 | 86 | 86 | 86 | |
87 | Sweet Canaan | F | 89.89. | O who will come and go with me | 3(2)1122452 | 3 | 87 | 87 | 87 | 87 | 87 |
88a | Done with the World | F | 8 11.8 11. | Jesus, my all, to heaven has gone | 556U1216(5)5 | 3 | 88a | 88a | 88a | 88a | 88a |
88b | Mount Zion | F | C.M. | O for a thousand tongues to sing | 1355355(5)1 | 3 | 88b | 88b | 88b | 88b | 88b |
89 | The Church's Desolation | B♭ | 87.87.D | Well may thy servants mourn, my God | 556U1D6(5)6U12 | 3 | 89 | 89 | 89 | 89 | 89 |
90 | Look Out | A | 87.87.D. | My brethren all, on you I call | 5U1121352 | 3 | 90 | 90 | 90 | 90 | 90 |
91 | Church Triumphant | F | 77.87.D | Head of the church triumphant | 53111D7(U1)2 | 3 | 91 | 91 | |||
92 | Burk | G | 76.76.787. | The glorious light of Zion | 11D5U1356 | 3 | 92 | 92 | 92 | 92 | 92 |
93 | Frozen Heart | F | L.M. | Lord, shed a beam of heavenly day | 1135653(2)1 | 3 | 93 | 93 | 93 | 93 | 93 |
94 | Oak Bowery | G | 88.88.88. | Would Jesus have the sinner die | 5U111(3)5(3)2(1)2(3)2 | 3 | 94 | 94 | 483 | ||
95 | Aithlone | G | 886.886. | O thou, that hears the prayer of faith | 3(2)123(4)565(4)3 | 4 | 95 | 95 | 485 | ||
96 | Happy Matches | A | 886.886. | When thou, my righteous judge, shall come | 5U1113(1)222 | 3 | 96 | 96 | 96 | 96 | 96 |
97 | Will You Go? | a | 86.86.8886. | We're traveling home to heaven above | 5U11321(D7)65 | 3 | 97 | 97 | 97 | 97 | |
98 | Dull Care | B♭ | 86.86.54.686. | Why should we at our lots complain | 5U1355452 | 3 | 98 | 98 | 98 | 98 | 98 |
99 | Gospel Trumpet | A | 86.88.84. | Hark how the gospel trumpet sounds | 5U1(23)12(34)4321 | 3 | 99 | 99 | 99 | 99 | 99 |
100 | The Bower of Prayer | A | 11 11.11 11.6. | To leave my dear friends, and with neighbors to part | 1(D6)56U12321113 | 3 | 100 | 100 | 100 | 100 | 100 |
101a | Canaan's Land | A | C.M.D. | O for a breeze of heavenly love | 331132(1)2(3)2 | 3 | 101a | 101a | 101a | 101a | 101a |
101b | Holy City | f# | 76.76.D | There is a holy city | 567554(3)1 | 3 | 101b | 101b | 101b | 101b | 101b |
102 | Fulfillment | e | 98.98.D. | See how the scriptures are fulfilling | 564534521 | 3 | 102 | 102 | 102 | 102 | 102 |
103 | Animation | G | C.M. | And let this feeble body fail | 5U113(2)1453 | 3 | 103 | 103 | 103 | 103 | 103 |
104 | The Lovely Story | A | L.M.D. | A story most lovely I'll tell | 3111D56U13 | 3 | 104 | 104 | 104 | 104 | 104 |
105a | Redemption | g | 65.65.D. | Come friends and relations | 1323D75 | 3 | 105a | 105a | 501b | ||
105b | Turn, Sinner, Turn | d | L.M. | Today, if you will hear his voice | 1332211(D7)5 | 3 | 105b | 105b | 160b | 160b | 160b |
106 | Ecstasy | f# | 76.76. | O when shall I see Jesus | 5757U1D55 | 3 | 106 | 106 | 106 | 106 | 106 |
107 | Pleasant Grove | a | L.M.D. | Here, in thy name, eternal God | 1331322D7 | 3 | 107 | 107 | 107 | 107 | |
108 | Night Watchman | F | 77.77.D. | Watchman! tell us of the night | 1232345 | 3 | 108 | 108 | |||
109 | Carnsville | B♭ | 76.76.77.76. | I love my blessed Savior | 5U111D56U1 | 3 | 109 | 109 | 109 | 109 | 109 |
110 | Mount Vernon | e | L.M.D. | What solemn sound the ear invades | 133(4)55U1D7U1 | 3 | 110 | 110 | 110 | 110 | 110 |
111 | Concord | A | 88.88.99. | With thankfulness we will adore | 11114311 | 3 | 111 | 111 | |||
112 | Sandtown | A | C.M.D. | Urged by compassion, I look round | 11155553 | 3 | 112 | 112 | 487 | ||
113 | The Prodigal Son | A | C.M. | Affection, though they seem severe | 5U111D5U111 | 3 | 113 | 113 | 113 | 113 | 113 |
114a | Suffield | e | C.M. | Teach me the measure of my days | 132353(2)1(D7)U1 | 4 | 114a | 114a | 114a | 114a | |
114b | The Midnight Cry | A | 76.76.76.77. | When the midnight cry began | 1121332 | 3 | 114b | 114b | 114b | 114b | 495 |
115 | Creation | F | 76.76.D. | When Adam was created | 112356(7)U1 | 3 | 115 | 115 | |||
116 | Union | a | 12 8.12 8.12 8. | Come brothers and sisters who love one another | 11211D7577U1D54 | 3 | 116 | 116 | 116 | 116 | 116 |
117 | Jordan's Shore | a | 86.84.D | On Jordan's stormy banks I stand | 1D5U11121D7 | 3 | 117 | 117 | 486 | ||
118 | Ball Hill | A | 87.87. | Come, thou fount of every blessing | 111(D7)U1234(3)2 | 3 | 118 | 118 | |||
119 | The Many Wants | a | 11 11.11 11. | How happy, how joyful, how lovely I feel | 321(7)577U211(D7)45 | 3 | 119 | 119 | |||
120 | Lumpkin | F | 76.76.D. | Sometimes a light surprises | 3555(7)653 | 3 | 120 | 120 | |||
121 | Florence | F | C.M.D. | Not many years their rounds shall roll | 1(3)5566(3)5(6)5(3)2(1) | 3 | 121 | 121 | 121 | 121 | 121 |
122 | All Is Well | A | 10 6.10 6.88.86. | What's this that steals, that steals upon my frame | 1D7U121D7U1234(2) | 3 | 122 | 122 | 122 | 122 | 122 |
123a | The Dying Christian | A | 11 8.11 8. | Ye objects of sense and enjoyments of time | 5U1123215543 | 3 | 123a | 123a | 123a | 123a | 123a |
123b | Cross of Christ | g | C.M.D. | The cross of Christ inspires my heart | 13524(2)11(D7)5 | 3 | 123b | 123b | 123b | 123b | 123b |
124 | Irwinton | F | C.M.D. | What poor, despised company | 1(3)53(2)35U1D6(5)3 | 3 | 124 | 124 | 229 | ||
125 | Expression | d | 11 11.11 11. | O Jesus, my Savior, I know thou art mine | 3(4)5556(5)57U11D75 | 3 | 125 | 125 | 125 | 125 | 125 |
126 | Babel's Streams | e | C.M.D. | By Babel's streams we sat and wept | 11D7(6)54345 | 3 | 126 | 126 | 126 | 126 | 126 |
127 | Green Fields | A | L.M.D. | How tedious and tasteless the hours | 11D5U13135 | 4 | 127 | 127 | 127 | 127 | 127 |
128 | The Promised Land | f# | 86.86.87.88. | On Jordan's stormy banks I stand | 1333(4)5444 | 3 | 128 | 128 | 128 | 128 | 128 |
129 | Heavenly Armor | C | 76.76.D. | And if you meet with troubles | 5(6)U111(2)32(3)2(1) | 3 | 129 | 129 | 129 | 129 | 129 |
130 | Millenium | F | 12 12.12 13. | The time is soon coming, by the prophets foretold | 3(2)1(2)3453553111 | 3 | 130 | 130 | 130 | 130 | 130 |
131a | Messiah | f# | C.M.D. | He comes! He comes! to judge the world | 534(3)13D7(U1)34 | 4 | 131a | 131a | 131a | 131a | 131a |
131b | Invocation | G | 76.76.77.76. | Rise, my soul, and stretch thy wings | 1D65U1213 | 3 | 131b | 131b | 131b | 131b | 131b |
132 | Exultation | a | 669.669. | Come away to the skies | 55U1116(5) | 4 | 132 | 132 | 132 | 132 | |
133 | Missionary Hymn | F | 76.76.D. | From Greenland's icy mountains | 1355653 | 3 | 133 | 133 | 133 | 133 | |
134 | The Christian's Hope | A | 88.86.D | A few more days on earth to spend | 5U1233565(43) | 3 | 134 | 134 | 134 | 134 | 134 |
135 | Olney | G | 87.87.D. | Come, thou fount of every blessing | 11D6U1D55(6)U1(2)3 | 3 | 135 | 135 | 135 | 135 | 135 |
136 | Morality | G | 10 11.11 12. | While beauty and youth are in their full prime | 553456(5)4222 | 3 | 136 | 136 | 136 | 136 | 136 |
137 | Liberty | F | C.M. | No more beneath the oppressive hand | 555U1D65(3)3(1)2 | 3 | 137 | 137 | 137 | 137 | 137 |
138 | Solitude in the Grove | e | C.M.D. | O, were I like a feathered dove | 11242547 | 4 | 138 | 138 | |||
139 | Elysian | G | 76.76.77.77. | Burst, ye emerald gates, and bring | 123(2)135U1 | 4 | 139 | 139 | 139 | 139 | 139 |
140 | Sweet Solitude | A | L.M. | Hail, solitude! thou gentle queen | 5U111(D5)U5333(1) | 3 | 140 | 140 | 140 | 140 | 140 |
141 | Complainer | G | 76.76.D | I am a great complainer | 5U113565 | 3 | 141 | 141 | 141 | 141 | 141 |
142 | Stratfield | f# | L.M. | Through every age, eternal God | 5U11D753(45)65 | 4 | 142 | 142 | 142 | 142 | 142 |
143 | Pleyel's Hymn Second | F | C.M.D. | While thee I seek, protecting power | 55U1D53442 | 4 | 143 | 143 | 143 | 143 | 143 |
144 | Jubilee | A | 87.87.D. | Hark! the jubilee is sounding | 1D5U11(2)3432 | 4 | 144 | 144 | 144 | 144 | 144 |
145a | Warrenton | G | 87.87. | Come, thou fount of every blessing | 55556(7)U1(D6)6(5)5 | 3 | 145a | 145a | 145a | 145a | 145a |
145b | Sweet Affliction | F | 87.87.D | In the floods of tribulation | 3211223(2)1 | 3 | 145b | 145b | 145b | 145b | 145b |
146 | Hallelujah | B♭ | C.M. | And let this feeble body fail | 5U11D5(6)U1232(1) | 3 | 146 | 146 | 146 | 146 | 146 |
147 | Washington | a | L.M.D. | Dismiss us with thy blessing, Lord | 3D7U1D5(4)3555 | 4 | 147 | 147 | 147 | 147 | |
148 | Jefferson | a | 87.87.D. | Glorious things of thee are spoken | 11(D7)5U1(2)32(1)21 | 3 | 148 | 148 | 148 | 148 | 148 |
149 | The Trumpet | D | 11 12.12 12. | The chariot! the chariot! its wheels roll in fire | 555U333121D7U1 | 3 | 149 | 149 | 149 | 149 | 149 |
150 | The Spiritual Sailor | a | 76.76.D. | The people called Christians | 1D5U11232 | 3 | 150 | 150 | 150 | 150 | |
151 | Symphony | E♭ | 10 10.10 10.10 10. | Behold the Judge descends, his guards are nigh | 135U1D543215 | 4 | 151 | 151 | 151 | 151 | 151 |
152 | Bruce's Address | C | 77.75.D. | Soldiers of the cross, arise | 555356U1 | 3 | 152 | 152 | 152 | 152 | |
153 | Salutation | d | 76.86.76. | Good morning, brother pilgrim | 1D754377 | 3 | 153 | 153 | 153 | 153 | |
154 | The Saints' Delight | f# | C.M. | When I can read my title clear | 13545332(1) | 3 | 154 | 154 | 498 | 114 | |
155 | Northfield | C | C.M. | How long, dear Savior, O how long | 1D5435U132 | 4 | 155 | 155 | 155 | 155 | 155 |
156 | The Pilgrim's Lot | G | 886.886. | How happy is the pilgrim's lot | 4(5)U11D4(5)U13(4)52(1) | 3 | 156 | 156 | 156 | 156 | |
157 | Essay | D | 76.76.D. | See how the wicked kingdom | 3555(3)5U13 | 3 | 157 | 157 | 157 | 157 | 157 |
158 | Funeral Thought | F | 12 11.12 12. | Thou art gone to the grave, we willnot deplore thee | 331335531232 | 4 | 158 | 158 | 158 | 158 | 158 |
159 | Wondrous Love | g | 12 9.12 12 9. | What wondrous love is this | 11D7U2454211D7U2 | 3 | 159 | 159 | 159 | 159 | 159 |
160a | War Department | e | 11 11.11 11. | No more shall the sound of the war-whoop be heard | 11456452121 | 3 | 160a | 160a | 160a | 160a | 160a |
160b | Marysville | a | L.M. | Jesus, my all, to heaven is gone | 1D5U112(1)D7U12 | 3 | 160b | 160b | 160b | 160b | |
161 | Sweet Home | F | 11 11.11 11. | Mid scenes of confusion and creature complaints | 13465354(3)423 | 3 | 161 | 161 | 161 | 161 | 161 |
162 | Plenary | G | C.M. | Hark! from the tombs a doleful sound | 5U1113212 | 3 | 162 | 162 | 162 | 162 | 162 |
163 | Morning | e | L.M. | He dies, the friend of sinners dies | 111534(3)21 | 3 | 163 | 163 | 163 | 163 | 163a |
164 | Duane Street | A | L.M.D. | A poor wayfaring man of grief | 5U1331244 | 3 | 164 | 164 | 164 | 164 | 164 |
165 | Family Bible | a | 12 11.12 11.D. | How painfully pleasing the fond recollection | 5U1345(6)543221(D7)5 | 3 | 165 | 165 | 165 | 165 | 165 |
166 | Joyful | B♭ | C.M.D. | Am I a soldier of the cross | 5U1111311 | 3 | 166 | 166 | 166 | 166 | 513 |
168 | Cowper | g | L.M. | Forgive the song that falls so low | 133551D7U1 | 4 | 168 | 168 | 168 | 168 | 168 |
169 | Dartmouth | G | S.M.D. | Come sound his praise abroad | 15(3)1(3)5(3)6(7)U1 | 3 | 169 | 169 | 169 | 169 | 169 |
170 | Exhilaration | F | 888.888. | O! may I worthy prove to be | 1(3)5(3)2(5)66(5)U11D5 | 3 | 170 | 170 | 170 | 170 | 170 |
171 | Exhortation | F | C.M. | Lord, in the morning thou shalt hear | 13(5)453(4)5(43)21 | 4 | 171 | 171 | 171 | 171 | 171 |
172 | Harmony | G | 886.886. | Wake, all ye soaring throngs, and sing | 5321D5U1(2)3(4)5 | 3 | 172 | 172 | 172 | 172 | 172 |
173 | Phoebus | f# | C.M.D. | Lord, in the morning thou shalt hear | 155(4)3455(6)7 | 4 | 173 | 173 | 173 | 173 | 173 |
174 | Petersburg | D | L.M.D. | Thus saith the high and lofty one | 5U111D535U1 | 3 | 174 | 174 | 174 | 174 | 174 |
175 | Star in the East | C | 11 10.11 10. | Hail the blest morn when the great mediator | 5535(6)U123211(D6)5 | 3 | 175 | 175 | 175 | 175 | |
176 | The Goodly Land | F | 66.84.D. | Though nature's strength decay | 155(67)U1D65 | 3 | 176 | 176 | |||
177 | Banquet of Mercy | F | 11 11.11 11.3 11. | Mid scenes of confusion and creature complaints | 13135354243 | 3 | 177 | 177 | 177 | ||
178 | Hosanna | G | 76.76.D. | When, his salvation bringing | 5U135U1D53 | 3 | 178 | 178 | 178 | 178 | |
179 | The Christian Warfare | C | 12 11.12 11.11 11. | I find myself placed in a state of probation | 1D56U123211D56U1 | 3 | 179 | 179 | 179 | 179 | 179 |
180 | Vermont | e | C.M.D. | In vain we lavish out our lives | 5315U1D7(U1)D7(6)5 | 4 | 180 | 180 | 180 | 180 | 180 |
181 | Exit | e | L.M. | Death, like an overflowing stream | 5531(23)565(4)5 | 4 | 181 | 181 | 181 | 181 | 181 |
182 | Newburgh | C | S.M.D. | Let every creature join | 535U121 | 4 | 182 | 182 | 182 | 182 | 182 |
183 | Greenwich | e | L.M.D. | Lord, what a thoughtless wretch was I | 55U1D75U1D7(U12)1 | 4 | 183 | 183 | 183 | 183 | 183 |
184 | Enfield | E | C.M.D. | Before the rosy dawn of day | 13332(1)555 | 4 | 184 | 184 | 184 | 184 | 184 |
185 | Pilgrim's Farewell | G | 12 8.88.12 12 12. | Farewell, farewell, farewell, my friends, I must be gone | 5(43)4U1(D65)41(23)21565(4)3(2)1 | 3 | 185 | 185 | 185 | 185 | 185 |
186 | Sherburne | D | C.M. | While shepherds watched their flocks by night | 53166656 | 4 | 186 | 186 | 186 | 186 | 186 |
187 | Protection | F | C.M. | God, my supporter, and my hope | 5U11D6656(7)U1 | 4 | 187 | 187 | 187 | 187 | 187 |
188 | Spring | G | 88.88.77. | The scattered clouds are fled at last | 5U11(23)22(34)3(1)1(23)2 | 4 | 188 | 188 | 188 | 188 | 188 |
189 | Montgomery | C | C.M.D. | Early, my God, without delay | 133312(1)D7(6)5 | 4 | 189 | 189 | 189 | 189 | 189 |
191 | Virginia | e | C.M. | Thy words the raging winds control | 155U1D76(47)65 | 4 | 191 | 191 | 191 | 191 | 191 |
192 | Schenectady | E♭ | L.M.D. | From all that dwell below the skies | 535113(4)55 | 4 | 192 | 192 | 192 | 192 | 192 |
193 | Huntington | A | L.M.D. | Lord, what a thoughtless wretch was I | 5U1(23)155315 | 4 | 193 | 193 | 193 | 193 | 193 |
195 | Worcester | F | S.M.D. | How beauteous are their feet | 132(1)D56(7)U1 | 4 | 195 | 195 | 195 | 195 | 195 |
196 | Alabama | e | C.M.D. | Angels in shining order stand | 1345(6)7U11D3 | 4 | 196 | 196 | 196 | 196 | 196 |
198 | Star of Columbia | a | 11 11.11 11.D. | Columbia! Columbia! to glory arise | 3(2)1121(D7)55U3(4)534 | 3 | 198 | 198 | 198 | 198 | |
200 | Edom | F | C.M.D. | With songs and honors sounding loud | 53(45)6(7)U1D6535 | 3 | 200 | 200 | 200 | 200 | 200 |
201 | Pilgrim | f# | 86.86.76.86. | Come, all ye mourning pilgrims dear | 54311345 | 3 | 201 | 201 | 201 | 201 | 201 |
202 | New Lebanon | E♭ | 88.88.88. | Great God, the heavens' well-ordered frame | 53565U1(D7)65 | 4 | 202 | 202 | 202 | 202 | 202 |
203 | Florida | e | S.M. | Let sinners take their course | 531D7U15 | 4 | 203 | 203 | 203 | 203 | 203 |
204 | Mission | G | L.M.D. | Young people, all attention give | 13(2)11(D6)5U113 | 3 | 204 | 204 | 204 | 204 | 204 |
205 | Pleasant Hill | E | C.M.D. | Religion is the chief concern | 1333(2)3553 | 4 | 205 | 205 | 205 | 205 | 205 |
206 | Consolation New | a | 886.886. | Come on, my partners in distress | 5U11D7(6)5U332(1) | 3 | 206 | 206 | 206 | 206 | |
207 | Louisiana | B♭ | 87.87.D. | Come, little children, now we may | 55(6)U121(2)332(1) | 3 | 207 | 207 | 207 | 207 | 207 |
208 | The Turtle Dove | D | L.M.D. | Hark! don't you hear the turtle dove | 56(5)45(6)7U1D54 | 3 | 208 | 208 | 208 | 208 | |
209 | Evening Shade | e | S.M. | The day is past and gone | 13(45)7U1D7U1 | 3 | 209 | 209 | 209 | 209 | 209 |
210 | Lena | f# | 887.887. | See the Lord of glory dying | 12323455 | 3 | 210 | 210 | 210 | 210 | 210 |
211 | Whitestown | e | L.M.D. | Where nothing dwelt but beasts of prey | 15555(6)754 | 4 | 211 | 211 | 211 | 211 | 211 |
212 | Sharon | D | 668.668. | How pleasant tis to see | 1D5U1D7U12 | 3 | 212 | 212 | 212 | 212 | 212 |
213 | The Good Old Way | F | 87.87.D. | Lift up your heads, Immanuel's friends | 1322(1)1322(1) | 3 | 213 | 213 | 213a | 213a | 213a |
214 | Repentance | f# | C.M.D. | O, if my soul was formed for woe | 5U11D753(54)32 | 3 | 214 | 214 | 214 | 214 | 214 |
215 | New Topia | e | C.M.D. | Young people all, attention give | 15555(4)755 | 4 | 215 | 215 | 215 | 215 | 215 |
216 | Delight | e | 66.66.88. | No burning heats by day | 1D543(2)14 | 4 | 216 | 216 | 216 | 216 | 216 |
217 | Ballstown | F | L.M. | Great God, attend while Zion sings | 5555(3)121(2)3 | 4 | 217 | 217 | 217 | 217 | 217 |
218 | Mount Pleasant | F | C.M. | There is a house not made with hands | 13323(4)565 | 4 | 218 | 218 | 218 | 218 | 218 |
220 | Mount Zion | C | S.M.D. | The hill of Zion yields | 5U12335(321) | 3 | 220 | 220 | 220 | 220 | 220 |
222 | Ocean | F | C.M.D. | Thy works of glory, mighty Lord | 55(6543)5U111D7(6)5 | 4 | 222 | 222 | 222 | 222 | 222 |
223 | Portuguese Hymn | A | 11 11 11.77 10. | Hither, ye faithful, haste with songs of triumph | 1D5U12D5U1D7U121D7 | 3 | 223 | 223 | 223 | 223 | 223 |
224 | The Saints Bound for Heaven | B♭ | 12 9.67.13 10. | Our bondage it shall end, by and by, by and by | 3(2)3111D6(5)6U12232 | 3 | 224 | 224 | 489 | ||
225 | Christmas Anthem | G | Anthem | O how charming | 13(4)554533(2) | 3 | 225 | 225 | 225 | 225 | 225 |
227 | Ode of Life's Journey | A | SetPiece | I began life's journey when young | 12321D5U11 | 3 | 227 | 227 | 227 | 227 | 227 |
228 | Masonic Ode | D | Anthem | Sacred to heaven, behold the dome appears | 555U11D6677U1 | 3 | 228 | 228 | 228 | 228 | |
232 | Baptismal Anthem | B♭ | Anthem | In those days came John the Baptist | 55U112231 | 3 | 232 | 232 | 232 | 232 | 232 |
234 | Reverential Anthem | C | Anthem | Give unto the Lord the glory | 12345(6)5434 | 3 | 234 | 234 | 234 | 234 | 234 |
235 | Easter Anthem | A | Anthem | The Lord is risen indeed | 1D5(67)51(D7U1)23(21) | 4 | 235 | 235 | 235 | 235 | 236 |
239 | David's Lamentation | a | Anthem | David the King was grieved and moved | 112323235(3)1 | 4 | 239 | 239 | 239 | 239 | 268 |
240 | Christian Song | d | SetPiece | Mine eyes are now closing to rest | 5U1D7U1(2)3132 | 3 | 240 | 240 | 240 | 240 | 240 |
242 | Ode on Science | G | SetPiece | The morning sun shines from the east | 1D5(3)2(1)266(56)7U1 | 3 | 242 | 242 | 242 | 242 | 242 |
245 | Claremont | a | Anthem | Vital spark of heavenly flame | 5555777 | 4 | 245 | 245 | 245 | 245 | 245 |
250 | Heavenly Vision | G | Anthem | I beheld, and lo, a great multitude | 1234543222 | 4 | 250 | 250 | 250 | 250 | 250 |
254 | Rose of Sharon | A | Anthem | I am the rose of Sharon | 5U121231 | 4 | 254 | 254 | 254 | 254 | 254 |
260 | Farewell Anthem | a | Anthem | My friends, I am going a long and tedious journey | 15554435U1(2)3(2)1D5 | 4 | 260 | 260 | 260 | 260 | 260 |
TABLE 2. COMPOSERS AND AUTHORS OF 1844 EDITION
Works at CPDL.org are linked by the Composer's name.
- (incomplete)
Page | Title | Composer, Year | Lyricist, Year | Notes |
---|---|---|---|---|
27 | Bethel | Anonymous, 1841 | William Cowper, 1779 | |
28a | Aylesbury | John Chetham, 1717 | Isaac Watts, 1717 | |
28b | Wells | Israel Holdroyd, 1722 | Isaac Watts, 1709 | |
29a | Fairfield | Hitchcock, 1791 | Edmund Jones, 1787 | |
29b | Tribulation | Amzi Chapin, 1813 | Isaac Watts, 1707 | Possibly by Amzi Chapin. |
30a | Rochester | Israel Holdroyd, 1722 | Isaac Watts, 1707 | |
30b | Prospect | Graham, 1835 | Isaac Watts, 1707 | Alto by William Walker, 1866. |
31a | Ninety-Third Psalm | Jeremiah Ingalls, 1805 | Philip Doddridge, 1755 | Music as arranged by Lucius Chapin, 1812. |
31b | Webster | Ananias Davisson, 1820 | Isaac Watts, 1707 | Music as arranged in Christian Harmony, 1835. |
32a | Corinth | John Massengale, 1844 | Joseph Grigg, 1765 | |
32b | Peterborough | Anonymous, 1803 | John Newton, 1779 | |
33a | Weeping Savior | Elisha J. King, 1844 | Benjamin Beddome, 1787 | Alto in Christian Harmony, 1867. |
33b | Abbeville | Jeremiah Ingalls, 1805 | Benjamin Beddome, 1800 | Music arranged by E. J. King, 1844, based on arrangement by Chapin, 1813. |
34a | Hamilton | B. F. White, 1844 | Anonymous, ante 1800 | |
34b | Bleeding Savior | Z. Chambless, 1844 | Isaac Watts, 1707 | |
35 | Augusta | Thomas W. Carter, 1844 | Isaac Watts, 1717 | |
36a | America | Truman S. Wetmore, 1798 | Isaac Watts, 1719 | |
36b | Ninety-Fifth | Anonymous, 1800 | Isaac Watts, 1707 | Attributed to Colton or Chapin. |
37a | China | Timothy Swan, 1801 | Isaac Watts, 1707 | |
37b | Liverpool | Boyd, 1818 | Anonymous, 1803 | Music arranged by M. C. H. Davis in Southern Harmony, 1835 |
38a | Winter | Daniel Read, 1785 | Isaac Watts, 1719 | |
38b | Windham | Daniel Read, 1785 | Isaac Watts, 1709 | |
39a | Detroit | Anonymous, 1820 | Philip Doddridge, 1755 | As arranged by William Bradshaw in 1820. |
39b | Watchman | James Leach, 1794 | Charles Wesley, 1762 | |
40 | Lenox | Lewis Edson, 1782 | Charles Wesley, 1750 | |
41 | Invitation | Anonymous, 1793 | Edmund Jones, 1787 | |
42 | Clamanda | Anonymous, 1820 | Anonymous, 1806 | Tune based on an eighteenth-century song. Alto after W. M. Cooper, 1902. |
43 | Primrose Hill | Stephen Jenks, 1806 | Isaac Watts, 1707 | Tune as arranged in The Sacred Harp, 1844; also in Walker's Southern Harmony, 1840 Apppendix. |
44 | The Converted Thief | William Moore, 1825 | Samuel Stennett, 1787 | |
45a | New Britain | Anonymous, 1829 | John Newton, 1779 | Tune as arranged in Walker, Southern Harmony, 1835. |
45b | Supplication | Lucius Chapin, 1810 | Isaac Watts, 1717 | |
46a | Dublin | William Smith, 1698 | Isaac Watts, 1717 | |
46b | Hanover | William Walker, 1835 | Edmund Jones, 1787 | |
47a | Primrose | Amzi Chapin, 1812 | Isaac Watts, 1707 | |
47b | Idumea | Ananias Davisson, 1816 | Charles Wesley, 1763 | |
48a | Devotion | Alexander Johnson, 1818 | Isaac Watts, 1719 | |
48b | Kedron | Amos Pilsbury, 1799 | Charles Wesley, 1762 | Alto in Walker, Christian Harmony, 1867. |
49a | Old Hundred | Louis Bourgeois, 1551 | Nahum Tate and Nicholas Brady, 1698 | |
49b | Mear | Anonymous, 1720 | Isaac Watts, 1719 | |
50a | Consolation | Lucius Chapin, 1812 | Isaac Watts, 1707 | |
50b | Distress | Anonymous, 1835 | Anne Steele, 1760 | |
51 | Tennessee | Chapin, 1825 | John Newton, 1779 | |
52a | Albion | Robert Boyd, 1816 | Isaac Watts, 1707 | |
52b | Charlestown | Amos Pilsbury, 1799 | John Newton, 1779 | |
53 | Jerusalem | William Moore, 1820 | John Cennick, 1743 | Tune as arranged by William Walker, Southern Harmony, 1835. Alto in Christian Harmony, 1867. |
54a | Georgia | Anonymous, 1786 | Isaac Watts, 1707 | |
54b | Imandra New | Anonymous, 1835 | Anonymous, 1807 | Alto after Walker, Christian Harmony, 1867. |
55a | Paris | William Billings, 1779 | Isaac Watts, 1717 | |
55b | Vernon | Jeremiah Ingalls, 1805 | Charles Wesley, 1742 | Tune as arranged by Lucius Chapin, 1813. |
56 | Salem | Anonymous, 1835 | John Newton, 1779 | |
57 | Christian Soldier | James P. Carrell, 1821 | Isaac Watts, 1724 | |
58 | Pisgah | James C. Lowry, 1817 | Richard Burnham, 1783 | Second treble from Alexander Johnson, Tennessee Harmony, 1818. |
59 | Holy Manna | William Moore, 1825 | George Askins, 1817 | Alto after W. M. Cooper, 1902. |
60 | Portugal | Thomas Thorley, 1778 | Isaac Watts, 1717 | |
61 | Sweet Rivers | William Moore, 1825 | John A. Granade, 1804 | Alto by William Hauser, 1848. |
62 | Parting Hand | Jeremiah Ingalls, 1805 | Anonymous, 1820 | Tune as arranged by William Walker in Southern Harmony, 1835. |
63 | Coronation | Oliver Holden, 1793 | Edward Perronet, 1779 | |
64 | Nashville | Alexander Johnson, 1821 | Anonymous, 1803 | |
65 | Sweet Prospect | Anonymous, 1835 | Samuel Stennett, 1787 | |
66 | Kingwood | R. D. Humphreys, 1820 | Thomas Greene, 1780 | From a song or dance tune |
67 | Columbus | Anonymous, 1835 | Anonymous, ante 1810 | |
68a | Salem | Stephen Bovelle, 1817 | Isaac Watts, 1709 | Words amend. Martin Madan, 1760 |
68b | Middlebury | Anonymous, 1835 | Charles Wesley, 1767 | |
69 | Minister's Farewell | Anonymous, ante 1813 | Joshua Smith, 1797 | Words revised in Hymns and Spiritual Songs, 1803 |
70 | Rhode Island | Amos Pilsbury, 1799 | Charles Wesley, 1747 | |
71 | Leander | Anonymous, 1818 | Isaac Watts, 1707 | |
72a | The Weary Souls | Anonymous, ante 1844 | John A. Granade, 1804 | Arranged by J. T. White in 1844. Alto after William Walker, 1866 |
72b | Bellevue | Anonymous, 1832 | K., 1787 | Arranged by Z. Chambliss, 1844 |
73a | Cusseta | John Massengale, 1844 | Isaac Watts, 1718 | |
73b | Arlington | Thomas Arne, 1762 | Isaac Watts, 1707 | Arramged by Ralph Harrison, 1784 |
74a | The Enquirer | Benjamin F. White, 1844 | Isaac Watts, 1707 | |
74b | King of Peace | Anonymous, 1831 | John Newton, 1779 | Arranged by F. Price, 1835 |
75 | Paradise | Anonymous, 1811 | Isaac Watts, 1707 | |
76a | Holiness | Elisha J. King, 1844 | John Cennick, ante 1755 | |
76b | Desire for Piety | Benjamin F. White, 1844 | Anonymous, ante 1811 | |
77a | The Child of Grace | Amos Pilsbury, 1799 | Charles Wesley, 1759 | Arranged by James Carrell 1821, as Pilgrim; re-arranged by Elisha J. King, 1844 |
77b | Talbotton | Elisha J. King, 1844 | William Cowper, 1768 | |
78 | The Hebrew Children | Anonymous, ante 1844 | Anonymous, 1844 | Arranged by B. F. White, 1844 |
79 | The Old Ship of Zion | Thomas W. Carter, 1844 | Anonymous, ante 1837 | |
80a | Shouting Song | Benjamin F. White, 1844 | Anonymous, ante 1793 | |
80b | Service of the Lord | Elisha J. King, 1844 | Anonymous, ante 1801 | |
81a | Beach Spring | Benjamin F. White, 1844 | Joseph Hart, 1759 | |
81b | Cookham | Anonymous, 1754 | Charles Wesley, 1739 | Words altered by George Whitefield, 1753 |
82a | Bound for Canaan | Elisha J. King, 1844 | John Leland, 1793 | |
82b | Edgefield | Anonymous, 1804 | John Newton, 1779 | |
83a | Vale of Sorrow | Benjamin F. White, 1844 | Anonymous, ante 1814 | |
83b | Harris | Jesse T. White, 1844 | John Newton, 1779 | Alto by S. M. Denson, 1911 |
84 | Mountville | Anonymous, ante 1830 | Anonymous, ante 1830 | |
85 | The Morning Trumpet | Benjamin F. White, 1844 | John Leland, 1793 | |
86 | Little Children | Thomas W. Carter, 1844 | Anonymous, 1835 | |
87 | Sweet Canaan | Anonymous, ante 1842 | Anonymous, ante 1807 | Arranged by Elisha J. King, 1844. |
88a | Done with the World | Benjamin F. White, 1844 | John Cennick, 1743 | |
88b | Mount Zion | John Massengale, 1844 | Charles Wesley, 1740 | |
89 | The Church's Desolation | Jeremiah Ingalls, 1805 | Anonymous, 1810 | Attanged by J. T. White, 1844 |
90 | Look Out | Benjamin F. White, 1844 | Anonymous, 1805 | |
91 | Church Triumphant | Thomas W. Carter, 1844 | Charles Wesley, 1745 | |
92 | Burk | Benjamin F. White, 1844 | John P. Campbell, ante 1815 | |
93 | Frozen Heart | Anonymous, ante 1820 | Joseph Hart, 1762 | Words greatly altered |
94 | Oak Bowery | Thomas W. Carter, 1844 | Charles Wesley, 1741 | |
95 | Aithlone | Heinrich Isaac, 1744 | Augustus Toplady, 1759 | Arranged and Alto written by S. M. Denson, 1911 |
96 | Happy Matches | Crane, 1788 | Anonymous, 1774 | Music arranged by Benjamin F. White and Elisha J. King, 1834 |
97 | Will You Go? | Benjamin F. White, 1844 | Selina, Countess of Huntingdon, 1772 | Different words in 1911 |
98 | Dull Care | Anonymous, ante 1825 | Anonymous, ante 1806 | Music arranged bt Elisha J. King, 1844. Words adapted from a secular song |
99 | Gospel Trumpet | Amos Pilsbury, 1799 | Anonymous, ante 1790 | |
100 | The Bower of Prayer | Anonymous, ante 1835 | John Osborn, circa 1815 | Music arranged by Elisha J. King, from a song tune |
101a | Canaan's Land | Elisha J. King, 1844 | Anonymous, ante 1811 | |
101b | Holy City | Benjamin F. White, 1844 | Anonymous, ante 1807 | Alto after W. F. Cooper, 1902 |
102 | Fulfillment | Elisha J. King, 1844 | John A. Granade, 1804 | Alto by S. M. Denson, 1911 |
103 | Animation | Anonymous, 1844 | Charles Wesley, 1759 | Alto by S. M. Denson, 1911 |
104 | The Lovely Story | Ananias Davisson, 1826 | Anonymous, ante 1810 | |
105a | Redemption | Leonard P. Breedlove, 1844 | Anonymous, ante 1793 | |
105b | Turn, Sinner, Turn | Anonymous, ante 1820 | Anonymous, ante 1811 | Arranged by Elisha J. King, 1844 |
106 | Ecstasy | Thomas W. Carter, 1844 | John Leland, 1793 | |
107 | Pleasant Grove | Jesse T. White, 1844 | James Montgomery, 1825 | |
108 | Night Watchman | Jacob French, 1802 | John Bowring, 1825 | Arranged by Thomas W. Carter, 1844 |
109 | Carnsville | Elisha J. King, 1844 | Anonymous, ante 1840 | Second Treble by William Hauser. 1848 |
110 | Mount Vernon | Stephen Jenks, 1799 | Anonymous, 1799 | Words attributed to Theodore Dwight |
111 | Concord | Thomas W. Carter, 1844 | Anonymous, ante 1844 | |
112 | Sandtown | Thomas W. Carter, 1844 | Anonymous, 1834 | |
113 | The Prodigal Son | Anonymous, ante 1830 | John Newton, 1779 | Music arranged by Elisha J. King |
114a | Suffield | Anonymous, ante 1835 | Isaac Watts, 1719 | |
114b | The Midnight Cry | Anonymous, 1835 | Anonymous, 1834 | |
115 | Creation | Zechariah Chambless, 1844 | Anonymous, ante 1820 | |
116 | Union | Elisha J. King, 1844 | Anonymous, ante 1815 | |
117 | Jordan's Shore | Jesse T. White, 1844 | Samuel Stennett, 1787 | |
118 | Ball Hill | J. W. Davis, 1844 | Robert Robinson, 1759 | |
119 | The Many Wants | Jesse T. White, 1844 | Anonymous, ante 1829 | |
120 | Lumpkin | Jesse T. White, 1844 | John Newton, 1779 | |
121 | Florence | William Caldwell, 1837 | Philip Doddridge, 1755 | Stanza 2 is by John Granade, 1804 |
122 | All Is Well | Anonymous, ante 1842 | Anonymous, ante 1836 | Arrnged by Jesse T. White, 1844. Alto by W. M. Cooper, 1902 |
123a | The Dying Christian | William Caldwell, 1837 | Benjamin Francis, 1795 | Alto by S. M. Denson, 1911 |
123b | Cross of Christ | Leonard P. Breedlove, 1844 | Anonymous, 1835 | Alto by William Walker, 1866. Stanza 2 of words by Reginald Heber, 1827 |
124 | Irwinton | Anonymous, 1828 | Anonymous, 1759 | Arranged by Thomas W. Carter, 1844 |
125 | Expression | Anonymous, ante 1840 | Caleb J. Taylor, 1804 | Arranged in The Sacred Harp, 1844 |
126 | Babel's Streams | Stephen Jenks, 1811 | Scottish Psalter, 1635 | Stanza 2 perhaps by Stephen Jenks |
127 | Green Fields | Samuel Metcalf, 1818 | John Newton, 1779 | Tune from a folk melody. Written in 2 parts by Metcalf, arranged to 4 parts by Allen Carden in Missouri Harmony, 1820 |
128 | The Promised Land | Matilda T. Durham, 1835 | Samuel Stennett, 1787 | Alto after Anna Blackshear, 1902 |
129 | Heavenly Armor | William Walker, 1835 | John Leland, 1793 | Alto by Anna Blackshear, 1902 |
130 | Millenium | William Walker, 1835 | Anonymous, ante 1818 | Alto after Walker, Christian Harmony, 1867 |
131a | Messiah | James P. Carrell, 1821 | Samuel Stennett, 1787 | |
131b | Invocation | William Walker, 1835 | Robert Seagrave, 1742 | Alto by Anna Blackshear, 1902 |
132 | Exultation | R. D. Humphreys, 1820 | Charles Wesley, 1767 | Words written by Charles Wesley for his wife, Sarah's birthday |
133 | Missionary Hymn | Lowell Mason, 1823 | Reginald Heber, 1819 | Alto by S. M. Denson, 1911 |
134 | The Christian's Hope | William Walker, 1835 | Anonymous, ante 1825 | Alto in Walker, Christian Harmony, 1867 |
135 | Olney | Alexander Johnson, 1818 | Robert Robinson, 1758 | Counter (Alto) by William Boyd, 1818. Stanza 3 by Martin Madan, 1760 |
136 | Morality | Anonymous, 1813 | Hannah More, 1762 | Alto in Walker, Christian Harmony, 1867; from a folk song tune |
137 | Liberty | Stephen Jenks, 1800 | Anonymous, 1800 | Words "perhaps by Stephen Jenks" (Steel) |
138 | Solitude in the Grove | Ananias Davisson, 1817 | Isaac Watts, 1717 | |
139 | Elysian | James P. Carrell, 1821 | Richard Kempenfelt, 1777 | Alto in Walker, Christian Harmony, 1867 |
140 | Sweet Solitude | Anonymous, 1835 | Hannah More, 1762 | Arranged from a folk song tune. Alto by S. M. Denson, 1911 |
141 | Complainer | William Walker, 1835 | Anonymous, 1835 | Alto after Walker, Christian Harmony, 1867 |
142 | Stratfield | Ezra Goff, 1786 | Isaac Watts, 1719 | |
143 | Pleyel's Hymn Second | Ignaz Pleyel, 1786 | Helen Williams, 1790 | Arranged by Costellow, ca. 1801 |
144 | Jubilee | Anonymous, 1820 | Anonymous, ante 1801 | |
145a | Warrenton | Anonymous, 1822 | Robert Robinson, 1758 | Treble by William Walker, 1837. Stanza 3 by Martin Madan, 1769 |
145b | Sweet Affliction | Jean-Jacques Rousseau, 1752 | Samuel Pearce, 1800 | Arranged by J. B. Cramer 1820, Lowell Mason 1823, and in Walker's Southern Harmony, 1840 |
146 | Hallelujah | William Walker, 1835 | Charles Wesley, 1759 | Alto in Walker's Christian Harmony, 1867 |
147 | Washington | Reubin Monday, 1813 | Zerubbabel Wyvill, 1802 | Arranged in Davisson, Supplement to the Kentucky Harmony, 1829 |
148 | Jefferson | Alexander Johnson, 1818 | John Newton, 1779 | Alto by Anna Blackshear, 1902 |
149 | The Trumpet | J. Williams, 1831 | Henry Milman, 1827 | Treble by William Walker, 1835; alto by William Walker, 1866 |
150 | The Spiritual Sailor | I. Neighbours, 1835 | Anonymous, ante 1810 | Alto by S. M. Denson, 1911 |
151 | Symphony | Justin Morgan, 1790 | Isaac Watts, 1719 | |
152 | Bruce's Address | Anonymous | Anonymous | Tune 17th-cent. Scottish ballad, arr. William Walker 1835. Alto S. M. Denson 1911. From a poem by Robert Burns, adapt. by Jared Waterbury before 1831 |
153 | Salutation | Anonymous, ante 1800 | Anonymous, ante 1810 | Tune from English folk song, arranged by William Walker, 1835. |
154 | The Saints' Delight | Frederick Price, 1835 | Isaac Watts, 1707 | Alto by S. M. Denson, 1911, after Walker, Christian Harmony, 1867 |
155 | Northfield | Jeremiah Ingalls, 1800 | Isaac Watts, 1707 | |
156 | The Pilgrim's Lot | William A. Grambling, 1835 | Charles Wesley, 1747 | |
157 | Essay | Alexander C. Clark, 1835 | Anonymous, ante 1820 | From a Scots folk song tune. Alto by S. M. Denson, 1911 |
158 | Funeral Thought | William Caldwell, 1837 | Reginald Heber, 1818 | |
159 | Wondrous Love | James Christopher, 1840 | Anonymous, ante 1811 | |
160a | War Department | Anonymous, 1835 | Anonymous, 1801 | |
160b | Marysville | Ananias Davisson, 1817 | John Cennick, 1740 |