Vexilla Regis: Difference between revisions
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[[Image:Croce.jpg|200px|thumb]]'''''Vexilla Regis''''' was written by Venantius Fortunatus (530-609) and is considered one of the greatest hymns of the liturgy. Fortunatus wrote it in honor of the arrival of a large relic of the True Cross which had been sent to Queen Radegunda by the Emperor Justin II and his Empress Sophia. Queen Radegunda had retired to a convent she had built near Poitiers and was seeking out relics for the church there. To help celebrate the arrival of the relic, the Queen asked Fortunatus to write a hymn for the procession of the relic to the church. | [[Image:Croce.jpg|200px|thumb]] | ||
{{Author|Venantius Fortunatus|Vexilla Regis|yr=569|page=text|pub=}} | |||
'''''Vexilla Regis''''' was written by [[Venantius Fortunatus]] (530-609) and is considered one of the greatest hymns of the liturgy. Fortunatus wrote it in honor of the arrival of a large relic of the True Cross which had been sent to Queen Radegunda by the Emperor Justin II and his Empress Sophia. Queen Radegunda had retired to a convent she had built near Poitiers and was seeking out relics for the church there. To help celebrate the arrival of the relic, the Queen asked Fortunatus to write a hymn for the procession of the relic to the church. | |||
The hymn has, thus, a strong connection with the Cross and is fittingly sung at Vespers from Passion Sunday to Holy Thursday and on the Feast of the Triumph of the Cross. The hymn was also formerly sung on Good Friday when the Blessed Sacrament is taken from the repository to the altar. The text given below is the full text of Fortunatus' hymn, but verses 2, 4, and 7 are omitted when the hymn is used liturgically. The last two verses which form the concluding doxology are not by Fortunatus, but is rather the work of some later poet. | The hymn has, thus, a strong connection with the Cross and is fittingly sung at Vespers from Passion Sunday to Holy Thursday and on the Feast of the Triumph of the Cross. The hymn was also formerly sung on Good Friday when the Blessed Sacrament is taken from the repository to the altar. The text given below is the full text of Fortunatus' hymn, but verses 2, 4, and 7 are omitted when the hymn is used liturgically. The last two verses which form the concluding doxology are not by Fortunatus, but is rather the work of some later poet. | ||
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The Latin text below is from ''Analecta Hymnica''. Translation to English by Walter Kirkham Blount (d. 1717). This translation, which is considered the best ever done of ''Vexilla Regis'', appeared in his ''Office of Holy Week'' (Paris, 1670). | The Latin text below is from ''Analecta Hymnica''. Translation to English by Walter Kirkham Blount (d. 1717). This translation, which is considered the best ever done of ''Vexilla Regis'', appeared in his ''Office of Holy Week'' (Paris, 1670). | ||
{{WikipediaLink}} | {{WikipediaLink}} | ||
==Settings by composer== | ==Settings by composer== | ||
{{Top}} | {{Top}} | ||
*Anonymous | *Anonymous | ||
**[[Vexilla regis prodeunt (Gregorian chant)|Gregorian chant]] | **[[Vexilla regis prodeunt (Gregorian chant)|Gregorian chant]] | ||
**[[Vexilla regis (Anonymous)|4-part organ hymn in 19c style]] | **[[Vexilla regis (Anonymous)|4-part organ hymn in 19c style]] | ||
*[[Vexilla Regis (Anton Bruckner)|Anton Bruckner]] SATB; 3 verses: "Vexilla", "O crux ave" & "Te, summa" | *[[Vexilla Regis (Anton Bruckner)|Anton Bruckner]] SATB; 3 verses: "Vexilla", "O crux ave" & "Te, summa" | ||
*[[The royal banners forward go (Percy Buck)|Percy Buck]] Unison hymn tune | |||
*[[Vexilla regis (Christoph Dalitz)|Christoph Dalitz]] SATB or SAT or SSA or TTB; strophic | |||
*[[Vexilla Regis (Jan Le Febure)|Jan Le Febure]] SATB | |||
*[[Vexilla regis (Francesco Feroci)|Francesco Feroci]] TTB; 4 alternatim verses (1-7) | *[[Vexilla regis (Francesco Feroci)|Francesco Feroci]] TTB; 4 alternatim verses (1-7) | ||
*[[Vexilla regis (Carlotta Ferrari)|Carlotta Ferrari]] a 2; verse 1 | |||
*[[Vexilla regis (Juan Francés de Iribarren)|Juan Francés de Iribarren]] SATB; (v. 1 only) | *[[Vexilla regis (Juan Francés de Iribarren)|Juan Francés de Iribarren]] SATB; (v. 1 only) | ||
*[[Vexilla Regis - Passio Domini (Pierre de | *[[Vexilla Regis - Passio Domini (Pierre de la Rue)|Pierre de la Rue]] a 4 (v. 1 & "Passio Domini…") | ||
*[[Vexilla regis prodeunt (Orlando di Lasso)|Orlando di Lasso]] a 6; 4 ''parte'' comprising 7 verses | *[[Vexilla regis prodeunt (Orlando di Lasso)|Orlando di Lasso]] a 6; 4 ''parte'' comprising 7 verses | ||
*[[Via Crucis (Franz Liszt)|Franz Liszt]] ''Via crucis''; the 2 movements based on ''Vexilla regis'' are unison & organ and solo mezzo with TTBB & organ | *[[Via Crucis (Franz Liszt)|Franz Liszt]] ''Via crucis''; the 2 movements based on ''Vexilla regis'' are unison & organ and solo mezzo with TTBB & organ | ||
*[[Vexilla Regis (Antonio Lotti)|Antonio Lotti]] SATB one verse used for 4 odd stanzas | |||
*[[Tres cantus sacri in Parasceve (Juozas Naujalis)|Juozas Naujalis, Op. 7]] SATB; strophic | *[[Tres cantus sacri in Parasceve (Juozas Naujalis)|Juozas Naujalis, Op. 7]] SATB; strophic | ||
{{Middle}} | |||
*[[Vexilla Regis (José Maurício Nunes Garcia)|José Maurício Nunes Garcia]] (one verse) SATB | *[[Vexilla Regis (José Maurício Nunes Garcia)|José Maurício Nunes Garcia]] (one verse) SATB | ||
*[[Hymni vespertini (Josef Ohnewald)|Josef Ohnewald]] | *[[Hymni vespertini (Josef Ohnewald)|Josef Ohnewald]] | ||
*[[Vexilla Regis (Giovanni Pierluigi da Palestrina)|Giovanni Pierluigi da Palestrina]] | *[[Vexilla Regis … fulget (Giovanni Pierluigi da Palestrina)|Giovanni Pierluigi da Palestrina]] SAATB | ||
*[[Vexilla Regis (Horatio W. Parker)|Horatio W. Parker]] strophic hymn tune for J M Neale's translation | *[[Vexilla Regis (Horatio W. Parker)|Horatio W. Parker]] strophic hymn tune for J M Neale's translation | ||
*[[Vexilla regis prodeunt (Michael Praetorius)|Michael Praetorius]] a 4; verse 1 | *[[Vexilla regis prodeunt (Michael Praetorius)|Michael Praetorius]] a 4; verse 1 | ||
*[[Vexilla Regis prodeunt (Giacomo Puccini)|Giacomo Puccini]] TB with organ | |||
*[[Vexilla regis, op. 66/7 (Oreste Ravanello)|Oreste Ravanello]] SSA (vv. 1,3,5 & 7) | *[[Vexilla regis, op. 66/7 (Oreste Ravanello)|Oreste Ravanello]] SSA (vv. 1,3,5 & 7) | ||
*[[4 Hymni vespertini (Josef Ignaz Schnabel)|Josef Ignaz Schnabel]] SATB with organ | *[[4 Hymni vespertini (Josef Ignaz Schnabel)|Josef Ignaz Schnabel]] SATB with organ | ||
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**[[Vexilla Regis 'more hispano' (Tomás Luis de Victoria)|'more hispano']] vv. 2 & 6 (SATB), 4 (SAT), 7 (SSAATB) | **[[Vexilla Regis 'more hispano' (Tomás Luis de Victoria)|'more hispano']] vv. 2 & 6 (SATB), 4 (SAT), 7 (SSAATB) | ||
**[[Vexilla Regis (Tomás Luis de Victoria)|a 4]] vv. 2,4,6 | **[[Vexilla Regis (Tomás Luis de Victoria)|a 4]] vv. 2,4,6 | ||
*[[Vexilla Regis I (André Vierendeels)|André Vierendeels]] | *André Vierendeels | ||
**[[Vexilla Regis I (André Vierendeels)|Vexilla Regis I]] SATB | |||
**[[Vexilla Regis II (André Vierendeels)|Vexilla Regis II]] TTTB | |||
*[[Vexilla Regis (Scott Villard)|Scott Villard]] SATB | *[[Vexilla Regis (Scott Villard)|Scott Villard]] SATB | ||
{{Bottom}} | {{Bottom}} | ||
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*[[O crux, ave! (Anonymous)|Anonymous (19c?)]] SATB | *[[O crux, ave! (Anonymous)|Anonymous (19c?)]] SATB | ||
*[[O crux, ave, spes unica (Antoine Brumel)|Antoine Brumel]] a 4 | *[[O crux, ave, spes unica (Antoine Brumel)|Antoine Brumel]] a 4 | ||
*[[O Crux ave (Carlotta Ferrari)|Carlotta Ferrari]] SATB | *[[O crux ave (Michael J. Drake, Jr.)|Michael J. Drake, Jr.]] SATB | ||
*[[O Crux ave (Carlotta Ferrari)|Carlotta Ferrari]] SATB | |||
*[[O crux (Juan Ginés Pérez)|Juan Ginés Pérez]] a 4 | *[[O crux (Juan Ginés Pérez)|Juan Ginés Pérez]] a 4 | ||
*[[O Crux, ave, spes unica (Cristóbal de Morales)|Cristóbal de Morales]] a 5 | *[[O Crux, ave, spes unica (Cristóbal de Morales)|Cristóbal de Morales]] a 5 | ||
*[[ | *[[Vexilla Regis … fulget (Giovanni Pierluigi da Palestrina)|Giovanni Pierluigi da Palestrina]] a 4 | ||
*[[O crux (Ginés Pérez de la Parra)|Ginés Pérez de la Parra]] SATB | |||
*[[Crux fidelis / Ecce lignum / O Crux ave (Ludwig Senfl)|Ludwig Senfl]] SATB | |||
*[[O crux ave, spes unica (Giaches de Wert)|Giaches de Wert]] SAATB (NB. The text is different from the one given below). | *[[O crux ave, spes unica (Giaches de Wert)|Giaches de Wert]] SAATB (NB. The text is different from the one given below). | ||
{{TextAutoList}} | {{TextAutoList}} | ||
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Hail Cross, of hopes the most sublime! | Hail Cross, of hopes the most sublime! | ||
In the mournful Passion-time; | In the mournful Passion-time; [viz. ''on this triumphant day''] | ||
grant to the just increase of grace, | grant to the just increase of grace, | ||
and every sinner's crimes efface. | and every sinner's crimes efface. | ||
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{{mdl|3}} | {{mdl|3}} | ||
{{Translation|English| | {{Translation|English| | ||
The Royal Banner forward goes, | The Royal Banner forward goes, | ||
The mystic Cross refulgent glows: | The mystic Cross refulgent glows: | ||
Where He, in Flesh, flesh who made, | Where He, in Flesh, flesh who made, | ||
Upon the Tree of pain is laid. | Upon the Tree of pain is laid. | ||
Behold! The nails with anguish fierce, | Behold! The nails with anguish fierce, | ||
His outstretched arms and vitals pierce: | His outstretched arms and vitals pierce: | ||
Here our redemption to obtain, | Here our redemption to obtain, | ||
The Mighty Sacrifice is slain. | The Mighty Sacrifice is slain. | ||
Here the fell spear his wounded side | Here the fell spear his wounded side | ||
With ruthless onset opened wide: | With ruthless onset opened wide: | ||
To wash us in that cleansing flood, | To wash us in that cleansing flood, | ||
Thence mingled Water flowed, and Blood. | Thence mingled Water flowed, and Blood. | ||
Fulfilled is all that David told | Fulfilled is all that David told | ||
In true prophetic song, of old: | In true prophetic song, of old: | ||
Unto the nations, lo! saith he, | Unto the nations, lo! saith he, | ||
Our God hath reignèd from the Tree. | Our God hath reignèd from the Tree. | ||
O Tree! In radiant beauty bright! | O Tree! In radiant beauty bright! | ||
With regal purple meetly dight! | With regal purple meetly dight! | ||
Thou chosen stem! divinely graced, | Thou chosen stem! divinely graced, | ||
Which hath those Holy Limbs embraced! | Which hath those Holy Limbs embraced! | ||
How blest thine arms, beyond compare, | How blest thine arms, beyond compare, | ||
Which Earth's Eternal Ransom bare! | Which Earth's Eternal Ransom bare! | ||
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- | - | ||
- | - | ||
Hail wondrous Altar! Victim hail! | Hail wondrous Altar! Victim hail! | ||
Thy Glorious Passion shall avail! | Thy Glorious Passion shall avail! | ||
Where death Life's very Self endured, | Where death Life's very Self endured, | ||
Yet life by that same Death secured. | Yet life by that same Death secured. | ||
O Cross! all hail! sole hope, abide | O Cross! all hail! sole hope, abide | ||
With us now in this Passion-tide: | With us now in this Passion-tide: | ||
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1. The royal banners forward go, | 1. The royal banners forward go, | ||
the cross shines forth in mystic glow; | the cross shines forth in mystic glow; | ||
where he in flesh, our flesh who made, | where he in flesh, our flesh who made, | ||
our sentence bore, our ransom paid. | our sentence bore, our ransom paid. | ||
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let homage meet by all be done, | let homage meet by all be done, | ||
as by the cross thou dost restore, | as by the cross thou dost restore, | ||
so rule and guide us evermore. Amen.}} | so rule and guide us evermore. Amen. | ||
Translation by J M Neale}} | |||
{{mdl|3}} | {{mdl|3}} |
Latest revision as of 01:05, 10 September 2023
Author: Venantius Fortunatus, 569.
Vexilla Regis was written by Venantius Fortunatus (530-609) and is considered one of the greatest hymns of the liturgy. Fortunatus wrote it in honor of the arrival of a large relic of the True Cross which had been sent to Queen Radegunda by the Emperor Justin II and his Empress Sophia. Queen Radegunda had retired to a convent she had built near Poitiers and was seeking out relics for the church there. To help celebrate the arrival of the relic, the Queen asked Fortunatus to write a hymn for the procession of the relic to the church.
The hymn has, thus, a strong connection with the Cross and is fittingly sung at Vespers from Passion Sunday to Holy Thursday and on the Feast of the Triumph of the Cross. The hymn was also formerly sung on Good Friday when the Blessed Sacrament is taken from the repository to the altar. The text given below is the full text of Fortunatus' hymn, but verses 2, 4, and 7 are omitted when the hymn is used liturgically. The last two verses which form the concluding doxology are not by Fortunatus, but is rather the work of some later poet.
The Latin text below is from Analecta Hymnica. Translation to English by Walter Kirkham Blount (d. 1717). This translation, which is considered the best ever done of Vexilla Regis, appeared in his Office of Holy Week (Paris, 1670).
View the Wikipedia article on Vexilla Regis.
Settings by composer
|
|
Verse 9 "O crux, ave" only
- Anonymous (19c?) SATB
- Antoine Brumel a 4
- Michael J. Drake, Jr. SATB
- Carlotta Ferrari SATB
- Juan Ginés Pérez a 4
- Cristóbal de Morales a 5
- Giovanni Pierluigi da Palestrina a 4
- Ginés Pérez de la Parra SATB
- Ludwig Senfl SATB
- Giaches de Wert SAATB (NB. The text is different from the one given below).
Other settings possibly not included in the manual list above
- Anonymous — Vexilla Regis prodeunt
- Mariano Garau — O crux ave II
- Juozas Naujalis — Vexilla regis
Text and translations
Latin text Vexilla Regis prodeunt; |
English translation Abroad the regal banners fly, |
English translation The Royal Banner forward goes,
|
- Notes
Changes made by Pope Urban VIII in 1632 to the Roman Breviary:
1 qua vita mortem pertulit, / et morte vitam protulit
2 Quae vulnerata lanceae / mucrone diro criminum
3 tulitque praedam tartari.
4 quibus Crucis victoriam / largiris, adde praemium.
German translation Des Königs Banner wallt hervor, |
Spanish translation Las banderas del Rey avanzan: 1. The royal banners forward go, |