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'''Description:''' An ambitious volume showing off [[Orlando di Lasso]]'s compositional and linguistic virtuosity. It contains six works each of Latin Motets, German Lieder, French Chansons, and Italian Madrigals, along with one 8-voice Dialog in each genre. | '''Description:''' An ambitious volume showing off [[Orlando di Lasso]]'s compositional and linguistic virtuosity. It contains six works each of Latin Motets, German Lieder, French Chansons, and Italian Madrigals, along with one 8-voice Dialog in each genre. | ||
'''First | '''First''' {{PubDatePlace|1573|in Munich: Adam Berg.| }} | ||
{{GenreLanguage||||}} | |||
'''Known editions:''' 1. | '''Known editions:''' 1. | ||
*1573 - ''Sex Cantiones latinae quatuor, adiuncto Dialogo octo vocum. Sechs Teutsche Lieder mit vier, sampt einen Dialogo mit 8. stimmen. Six Chansons françoises nouvelles a quatre voix, avec un Dialogue a huict. Sei Madrigali nuovi a quatro, con un Dialogo a otto voci. Summa diligentia compositae, correctae, et nunc primum in lucem aediae, authore Orlando di Lasso, illustriss. Bavariae ducis Alberti musici chori magistro. Monachij excudebat Adamus Berg. Cum gratia et privilegio caes. Maiestatis. 1573.'' | *1573 - ''Sex Cantiones latinae quatuor, adiuncto Dialogo octo vocum. Sechs Teutsche Lieder mit vier, sampt einen Dialogo mit 8. stimmen. Six Chansons françoises nouvelles a quatre voix, avec un Dialogue a huict. Sei Madrigali nuovi a quatro, con un Dialogo a otto voci. Summa diligentia compositae, correctae, et nunc primum in lucem aediae, authore Orlando di Lasso, illustriss. Bavariae ducis Alberti musici chori magistro. Monachij excudebat Adamus Berg. Cum gratia et privilegio caes. Maiestatis. 1573.'' | ||
'''Facsimile:''' [http://imslp.org/wiki/6_Cantiones_latin%C3%A6,_6_Teutsche_Lieder,_6_chansons_francoises,_6_Madrigali_nuovi_with_dialogues_%28Lassus,_Orlande_de%29 Original 1573 print] [[IMSLP]] | |||
'''Facsimile:''' [http://imslp.org/wiki/6_Cantiones_latin%C3%A6,_6_Teutsche_Lieder,_6_chansons_francoises,_6_Madrigali_nuovi_with_dialogues_%28Lassus,_Orlande_de%29 Original 1573 print] [[IMSLP]] | |||
==List of works== | ==List of works== | ||
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|- | |- | ||
<!-- # -->|align=center|1 | |||
<!-- # -->|1 | <!-- Title -->|''[[Quare tristis es anima mea a 4 (Orlando di Lasso)|Quare tristis es anima mea]]'' | ||
<!-- Title -->|''[[Quare tristis es anima mea a | |||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Poet -->| | <!-- Poet -->| | ||
|- | |- | ||
<!-- # -->|2 | <!-- # -->|align=center|2 | ||
<!-- Title -->|''[[Quid estis pusillanimes (Orlando di Lasso)|Quid estis pusillanimes et contristamini]]'' | <!-- Title -->|''[[Quid estis pusillanimes (Orlando di Lasso)|Quid estis pusillanimes et contristamini]]'' | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
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|- | |- | ||
<!-- # -->|3 | <!-- # -->|align=center|3 | ||
<!-- Title -->|''[[Domine secundum actum meum (Orlando di Lasso)|Domine secundum actum meum noli me iudicare]]'' | <!-- Title -->|''[[Domine secundum actum meum (Orlando di Lasso)|Domine secundum actum meum noli me iudicare]]'' | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
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|- | |- | ||
<!-- # -->|4 | <!-- # -->|align=center|4 | ||
<!-- Title -->|[[Fallax gratia (Orlando di Lasso)|''Fallax gratia et vana pulchritudo'']] | <!-- Title -->|[[Fallax gratia (Orlando di Lasso)|''Fallax gratia et vana pulchritudo'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
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|- | |- | ||
<!-- # -->|5 | <!-- # -->|align=center|5 | ||
<!-- Title -->|''[[Eripe me a 4 (Orlando di Lasso)|Eripe me de inimicis meis]]'' | <!-- Title -->|''[[Eripe me a 4 (1573) (Orlando di Lasso)|Eripe me de inimicis meis]]'' | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|6 | <!-- # -->|align=center|6 | ||
<!-- Title -->|''[[Honorabile est (Orlando di Lasso)|Honorabile est inter omnes]]'' | <!-- Title -->|''[[Honorabile est (Orlando di Lasso)|Honorabile est inter omnes]]'' | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
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|- | |- | ||
<!-- # -->|7 | <!-- # -->|align=center|7 | ||
<!-- Title -->| | <!-- Title -->|[[Ein Esel und das Nussbaumholz (Orlando di Lasso)|''Ein Esel und das Nussbaumholtz'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|8 | <!-- # -->|align=center|8 | ||
<!-- Title -->| | <!-- Title -->|[[Annelein, du singst fein (Orlando di Lasso)|''Annelein du singst fein'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|9 | <!-- # -->|align=center|9 | ||
<!-- Title -->| | <!-- Title -->|[[Aus gutem Grund (Orlando di Lasso)|''Auss gutem grundt von Mund'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|10 | <!-- # -->|align=center|10 | ||
<!-- Title -->| | <!-- Title -->|[[Es tut sich als verkehren (Orlando di Lasso)|''Es thut sich als verkeren'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|11 | <!-- # -->|align=center|11 | ||
<!-- Title -->| | <!-- Title -->|[[Wem soll man jetzund trauen (Orlando di Lasso)|''Wem sol man jetzund trawen'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|12 | <!-- # -->|align=center|12 | ||
<!-- Title -->|''[[Audite Nova! (Orlando di Lasso)|Audite nova: Der Bawr]]'' | <!-- Title -->|''[[Audite Nova! (Orlando di Lasso)|Audite nova: Der Bawr]]'' | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
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|- | |- | ||
<!-- # -->|13 | <!-- # -->|align=center|13 | ||
<!-- Title -->|{{NoComp|Un jeune moine est sorti du couvent|Orlando di Lasso}} | <!-- Title -->|{{NoComp|Un jeune moine est sorti du couvent|Orlando di Lasso}} | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
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|- | |- | ||
<!-- # -->|14 | <!-- # -->|align=center|14 | ||
<!-- Title -->| | <!-- Title -->|[[Si du malheur (Orlando di Lasso)|''Si du mal'heur vous avies cognaissance'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|15 | <!-- # -->|align=center|15 | ||
<!-- Title -->| | <!-- Title -->|[[Si je suis brun (Orlando di Lasso)|''Si je suis brun et ma couleur trop noire'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->| | ||
<!-- Title -->| | <!-- Title -->|[[Si je suis brun (Orlando di Lasso)|''Ne vous soit étrange si je suis noir'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->|'' | <!-- Comments -->|''Seconde partie'' | ||
<!-- Poet -->| | <!-- Poet -->| | ||
|- | |- | ||
<!-- # -->|16 | <!-- # -->|align=center|16 | ||
<!-- Title -->| | <!-- Title -->|[[Quand un cordier (Orlando di Lasso)|''Quant un cordier cordant veut cordier une corde'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|17 | <!-- # -->|align=center|17 | ||
<!-- Title -->| | <!-- Title -->|[[Qui bien se mire (Orlando di Lasso)|''Qui bien se mire bien se voit'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|18 | <!-- # -->|align=center|18 | ||
<!-- Title -->| | <!-- Title -->|[[Sais-tu dir l'ave (Orlando di Lasso)|''Sces tu dir l'ave, disoit il'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->|19 | <!-- # -->|align=center|19 | ||
<!-- Title -->| | <!-- Title -->|[[Di persona era tanto ben formata (Orlando di Lasso)|''Di persona era tanto ben formata'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|20 | ||
<!-- Title -->| | <!-- Title -->|[[Sotto duo negri e sottilissimi archi (Orlando di Lasso)|''Sotto duo negri e sottilissimi archi'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Poet -->|{{ss|Ludovico|Ariosto}} | <!-- Poet -->|{{ss|Ludovico|Ariosto}} | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|21 | ||
<!-- Title -->| | <!-- Title -->|[[Sotto quel sta (Orlando di Lasso)|''Sotto quel sta quasi fra due vallette'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Poet -->|{{ss|Ludovico|Ariosto}} | <!-- Poet -->|{{ss|Ludovico|Ariosto}} | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|22 | ||
<!-- Title -->| | <!-- Title -->|[[Bianca neve è il bel collo (Orlando di Lasso)|''Bianca neve è il bel collo'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Poet -->|{{ss|Ludovico|Ariosto}} | <!-- Poet -->|{{ss|Ludovico|Ariosto}} | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|23 | ||
<!-- Title -->| | <!-- Title -->|[[Mostran le braccia sue (Orlando di Lasso)|''Mostran le braccia sue misura giusta'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
<!-- Poet -->|{{ss|Ludovico|Ariosto}} | <!-- Poet -->|{{ss|Ludovico|Ariosto}} | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|24 | ||
<!-- Title -->| | <!-- Title -->|[[Spesso in poveri alberghi (Orlando di Lasso)|''Spesso in poveri alberghi e in picciol tetti'']] | ||
<!-- Voices -->|align=center|4 | <!-- Voices -->|align=center|4 | ||
<!-- Comments -->| | <!-- Comments -->| | ||
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|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|25 | ||
<!-- Title -->| | <!-- Title -->|''[[Unde revertimini (Orlando di Lasso)|Unde revertimini pax religioque sorores]]'' | ||
<!-- Voices -->|align=center|8 | <!-- Voices -->|align=center|8 | ||
<!-- Comments -->|'' | <!-- Comments -->|''Dialogus 8 vocum'' | ||
<!-- Poet -->| | <!-- Poet -->| | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|26 | ||
<!-- Title -->|{{NoComp|Nun | <!-- Title -->|{{NoComp|Nun grüß dich Gott|Orlando di Lasso}} | ||
<!-- Voices -->|align=center|8 | <!-- Voices -->|align=center|8 | ||
<!-- Comments -->|'' | <!-- Comments -->|''Dialogus 8 vocum'' | ||
<!-- Poet -->| | <!-- Poet -->| | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|27 | ||
<!-- Title -->|{{NoComp|Di moi mon coeur quelle sera ma vie|Orlando di Lasso}} | <!-- Title -->|{{NoComp|Di moi mon coeur quelle sera ma vie|Orlando di Lasso}} | ||
<!-- Voices -->|align=center|8 | <!-- Voices -->|align=center|8 | ||
<!-- Comments -->|'' | <!-- Comments -->|''Dialogus 8 vocum'' | ||
<!-- Poet -->| | <!-- Poet -->| | ||
|- | |- | ||
<!-- # -->| | <!-- # -->|align=center|28 | ||
<!-- Title -->|{{NoComp|S'una fede | <!-- Title -->|{{NoComp|S'una fede amorosa|Orlando di Lasso}} | ||
<!-- Voices -->|align=center|8 | <!-- Voices -->|align=center|8 | ||
<!-- Comments -->|'' | <!-- Comments -->|''Dialogus 8 vocum'' | ||
<!-- Poet -->|{{ss|Francesco|Petrarca}} | <!-- Poet -->|{{ss|Francesco|Petrarca}} | ||
|} | |} | ||
==Works at CPDL== | |||
{{MultiPubList|yr,seq,gen,subg,vo,voices|1573}} | |||
[[Category:Music publications]] | [[Category:Music publications]] | ||
[[Category:Lasso publications|0470 ]] |
Revision as of 03:35, 18 May 2019
General information
Description: An ambitious volume showing off Orlando di Lasso's compositional and linguistic virtuosity. It contains six works each of Latin Motets, German Lieder, French Chansons, and Italian Madrigals, along with one 8-voice Dialog in each genre.
First Publication date and place: 1573 in Munich: Adam Berg.
Known editions: 1.
- 1573 - Sex Cantiones latinae quatuor, adiuncto Dialogo octo vocum. Sechs Teutsche Lieder mit vier, sampt einen Dialogo mit 8. stimmen. Six Chansons françoises nouvelles a quatre voix, avec un Dialogue a huict. Sei Madrigali nuovi a quatro, con un Dialogo a otto voci. Summa diligentia compositae, correctae, et nunc primum in lucem aediae, authore Orlando di Lasso, illustriss. Bavariae ducis Alberti musici chori magistro. Monachij excudebat Adamus Berg. Cum gratia et privilegio caes. Maiestatis. 1573.
Facsimile: Original 1573 print IMSLP
List of works
Works at CPDL
Title | Year | No. | Genre | Subgenre | Vo. | Voices |
---|---|---|---|---|---|---|
Annelein, du singst fein | 1573 | 8 | Secular | Lieder | 4 | SATB |
Audite nova! | 1573 | 12 | Secular | Lieder | 4 | SATB |
Aus gutem Grund | 1573 | 9 | Secular | Lieder | 4 | SATB |
Bianca neve è il bel collo | 1573 | 22 | Secular | Madrigals | 4 | SATB |
Di persona era tanto ben formata | 1573 | 19 | Secular | Madrigals | 4 | SATB |
Domine secundum actum meum | 1573 | 3 | Sacred | Motets | 4 | SATB |
Ein Esel und das Nussbaumholz | 1573 | 7 | Secular | Lieder | 4 | SATB |
Eripe me a 4 (1573) | 1573 | 5 | Sacred | Motets | 4 | SATB |
Es tut sich als verkehren | 1573 | 10 | Secular | Lieder | 4 | SATB |
Fallax gratia | 1573 | 4 | Sacred | Motets | 4 | SATB |
Honorabile est | 1573 | 6 | Sacred | Motets | 4 | SATB |
Mostran le braccia sue | 1573 | 23 | Secular | Madrigals | 4 | SATB |
Quand un cordier | 1573 | 16 | Secular | Chansons | 4 | SATB |
Quare tristis es anima mea a 4 | 1573 | 1 | Sacred | Motets | 4 | SATB |
Qui bien se mire | 1573 | 17 | Secular | Chansons | 4 | SATB |
Quid estis pusillanimes | 1573 | 2 | Sacred | Motets | 4 | SATB |
S'una fede amorosa | 1573 | 28 | Secular | Madrigals | 8 | SATB.SATB |
Sais-tu dir l'ave | 1573 | 18 | Secular | Chansons | 4 | SATB |
Si du malheur | 1573 | 14 | Secular | Chansons | 4 | SATB |
Si je suis brun | 1573 | 15 | Secular | Chansons | 4 | SATB |
Sotto duo negri e sottilissimi archi | 1573 | 20 | Secular | Madrigals | 4 | SATB |
Sotto quel sta | 1573 | 21 | Secular | Madrigals | 4 | SATB |
Spesso in poveri alberghi | 1573 | 24 | Secular | Madrigals | 4 | SATB |
Un jeune moine est sorti du couvent | 1573 | 13 | Secular | Chansons | 4 | SATB,TTBB |
Unde revertimini | 1573 | 25 | Secular | Motets | 8 | SATB.SATB |
Wem soll man jetzund trauen | 1573 | 11 | Secular | Lieder | 4 | SATB |