https://www.cpdl.org/wiki/api.php?action=feedcontributions&user=Fysh&feedformat=atomChoralWiki - User contributions [en]2024-03-29T01:25:09ZUser contributionsMediaWiki 1.39.4https://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760882Pierre de Manchicourt2023-11-10T08:17:06Z<p>Fysh: /* Publications */</p>
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<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
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Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
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====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*? Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum) – <small>attributed to [[Jachet de Mantua]] in a contemporaneous source </small><br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} … Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)}} (2.p. Quanti mercenarii)<br />
*? {{NoCo|Pater peccavi (4vv)}} (2.p. Quanti mercenarii) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
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====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
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====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
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===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
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====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
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====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet (attributed to Gosse) </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets (of which one is attributed to Clemens and another doubtfully to Hesdin) </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet (attributed to Gombert)</small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet (attributed to Crecquillon)</small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
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{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760879Pierre de Manchicourt2023-11-10T08:12:03Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
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Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
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====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*? Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum) – <small>attributed to [[Jachet de Mantua]] in a contemporaneous source </small><br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} … Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)}} (2.p. Quanti mercenarii)<br />
*? {{NoCo|Pater peccavi (4vv)}} (2.p. Quanti mercenarii) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets (of which one is attributed to Clemens and another doubtfully to Hesdin) </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet (attributed to Gombert)</small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet (attributed here to Crecquillon)</small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760878Pierre de Manchicourt2023-11-10T07:57:52Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*? Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum) – <small>attributed to [[Jachet de Mantua]] in a contemporaneous source </small><br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} … Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)}} (2.p. Quanti mercenarii)<br />
*? {{NoCo|Pater peccavi (4vv)}} (2.p. Quanti mercenarii) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet (attributed here to Gombert)</small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet (attributed here to Crecquillon)</small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760876Pierre de Manchicourt2023-11-10T07:50:17Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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{{WikipediaLink}}<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*? Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum) – <small>attributed to [[Jachet de Mantua]] in a contemporaneous source </small><br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} … Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)}} (2.p. Quanti mercenarii)<br />
*? {{NoCo|Pater peccavi (4vv)}} (2.p. Quanti mercenarii) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet (attributed here to Crecquillon)</small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
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{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760584Pierre de Manchicourt2023-11-09T08:54:14Z<p>Fysh: /* Latin sacred motets */ updating attributions</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
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Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*? Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum) – <small>attributed to [[Jachet de Mantua]] in a contemporaneous source </small><br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} … Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)}} (2.p. Quanti mercenarii)<br />
*? {{NoCo|Pater peccavi (4vv)}} (2.p. Quanti mercenarii) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760583Pierre de Manchicourt2023-11-09T08:36:55Z<p>Fysh: /* Latin sacred motets */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), four with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)}} (2.p. Quanti mercenarii)<br />
*? {{NoCo|Pater peccavi (4vv)}} (2.p. Quanti mercenarii) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
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{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760543Pierre de Manchicourt2023-11-09T08:13:55Z<p>Fysh: /* Latin sacred motets */ updating attributions</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), four with doubtful attribution to another composer (^), four with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*^ {{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis) — <small> attributed to [[Thomas Crecquillon| Crecquillon]] in one later source </small><br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*^ Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum) — <small> attributed to [[Nicolle des Celliers de Hesdin|Hesdin]] in much later sources </small><br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} … per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} … quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
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==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760539Pierre de Manchicourt2023-11-09T07:58:13Z<p>Fysh: /* Latin sacred motets */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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{{WikipediaLink}}<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), two with doubtful attribution to another composer (^), four with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in a contemporaneous source </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in contemporaneous sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1760538Pierre de Manchicourt2023-11-09T07:48:41Z<p>Fysh: /* Latin sacred motets */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
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*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), two with doubtful attribution to another composer (^), four with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
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*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*^ Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] and [[Thomas Crecquillon| Crecquillon]] in much later sources </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Cantionum_sacrarum_liber_4&diff=1758993Cantionum sacrarum liber 42023-11-05T11:20:31Z<p>Fysh: /* List of works */</p>
<hr />
<div>==General description==<br />
<br />
'''Title:''' LIBER QUARTUS CAN- / TIONUM SACRARUM (VULGO MOTETA / VOCANT) QUINQUE ET SEX VOCUM EX / OPTIMIS QUIBUSQUE MUSICIS / SELECTARUM.<br />
<br />
{{PubDatePlace|1553|Louvain: [[Pierre Phalèse]], reprinted in 1554, 1557, 1559, and 1567|&nbsp;}}<br />
{{GenreLanguage|Sacred|Motets|Latin|}}<br />
<br />
{{Descr|15 pieces for five or six voices}}<br />
==List of works==<br />
{{top}}<br />
'''Quinque vocum'''<br />
:1. [[Ego me diligentes diligo (Jacobus Clemens non Papa)]]<br />
:2. [[Concussum est mare (Jacobus Clemens non Papa)]]<br />
:3. [[Tu es Petrus (Simon Moreau)]]<br />
:4. [[Deus virtutum (Thomas Crecquillon)]]<br />
:5. [[Misit me vivens pater (Jacobus Clemens non Papa)]]<br />
:6. [[Expurgate vetus fermentum (Thomas Crecquillon)]]<br />
:7. [[O quam moesta dies (Jacobus Clemens non Papa)]]<br />
:8. [[Surge aquilo (Benedictus Appenzeller)]]<br />
{{mdl}}<br />
:9. [[Dixerunt discipuli a B. Martinum (Jacobus Clemens non Papa)]]<br />
:10. ^ [[Quo abiit dilectus tuus (Pierre de Manchicourt)]]<br />
:11. [[Plaude superna Syon (Jacobus Clemens non Papa)]]<br />
'''Sex vocum'''<br />
:12. [[Ave martyr gloriosa Barbara (Jacobus Clemens non Papa)]]<br />
:13. [[O domine multi dicunt (Jacobus Clemens non Papa)]]<br />
:14. [[Vigilate (Eustache Barbion)]]<br />
:15. [[Clemens et benigna (Jacobus Clemens non Papa)]]<br />
:16. [[Quae est ista quae processit (Nicolas de Wismes)]]<br />
{{btm}}<br />
^ Though this is a four-voice motet, it is indexed in the source among the five-voice works — it is even indexed thus in the ''Quinta et Sexta Pars'' partbook, which contains none of the four voice parts.<br />
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==Works at CPDL==<br />
{{MultiPubList|com,seq,genre,subg,vo,voices|1553}}<br />
<br />
==External websites==<br />
*[https://imslp.org/wiki/Cantionum_sacrarum%2C_Liber_4_(Phalèse%2C_Pierre) Corresponding page at IMSLP]<br />
*[https://stimmbuecher.digitale-sammlungen.de/view?id=bsb00079564 Facsimile at the Bavarian State Library] – 1554 edition<br />
*[https://opac.rism.info/search?id=993120056&View=rism RISM 1553<sup>11</sup>]<br />
*[https://opac.rism.info/search?id=993120118&View=rism RISM 1554<sup>4</sup>]<br />
*[https://opac.rism.info/search?id=993120197&View=rism RISM 1557<sup>5</sup>]<br />
*[https://opac.rism.info/search?id=993120241&View=rism RISM 1559<sup>3</sup>]<br />
<br />
{{DEFAULTSORT:{{WorkSorter}}}}<br />
[[Category:Music publications]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758992Pierre de Manchicourt2023-11-05T11:15:04Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent music publishers of the mid-16th century each devoted a volume solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two significant manuscripts of his works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758974Pierre de Manchicourt2023-11-05T04:20:43Z<p>Fysh: /* Publications */ adding Berg & Neuber tomus quintus</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
* ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quintus]]'' (Berg & Neuber, 1556) — <small> contains two 5vv motets (of which one is incorrectly attributed to Francesco Portinaro) </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Emendemus_in_melius_(Pierre_de_Manchicourt)&diff=1758973Emendemus in melius (Pierre de Manchicourt)2023-11-05T04:16:35Z<p>Fysh: /* General Information */ Adding hyperlink to 1556 publication</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate| 2020-08-08}} {{CPDLno|60063}} [[Media:RSU-062B_Manchicourt_—_Emendemus_in_melius_a5_(-2.5).pdf|{{pdf}}]] [[Media:Manchicourt_-_Emendemus_in_melius_a5_(RSU-062B_-2.5).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-08-08}}{{ScoreInfo|A4|13|474}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed a fourth lower (for STTTB, ATTTB or ATTBarB), otherwise identical to CPDL #60061 below. '''''Revised edition uploaded 30 March 2022.'''''}}<br />
<br />
* {{PostedDate| 2020-08-08}} {{CPDLno|60062}} [[Media:RSU-062A_Manchicourt_—_Emendemus_in_melius_a5_(-1.0).pdf|{{pdf}}]] [[Media:Manchicourt_-_Emendemus_in_melius_a5_(RSU-062A_-1.0).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-08-08}}{{ScoreInfo|A4|13|490}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed a whole tone lower (for SAATB), otherwise identical to CPDL #60061 below. '''''Revised edition uploaded 30 March 2022.'''''}}<br />
<br />
* {{PostedDate| 2020-08-08}} {{CPDLno|60061}} [[Media:RSU-062_Manchicourt_—_Emendemus_in_melius_a5.pdf|{{pdf}}]] [[Media:Manchicourt_-_Emendemus_in_melius_a5_(RSU-062).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-08-08}}{{ScoreInfo|A4|13|481}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SAATB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Revised edition uploaded 30 March 2022.'''''}}<br />
<br />
==General Information==<br />
'''Title:''' ''Emendemus in melius'' (2.p. ''Peccavimus cum patribus'')<br><br />
{{Composer|Pierre de Manchicourt}}<br />
<br />
{{Voicing|5|SAATB, STTTB, ATTTB}}<br />
{{Genre|Sacred|Motets|Responsories}} for {{Cat|Ash Wednesday}} or {{Cat|Lent I|the First Sunday of Lent}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1554| in Phalèse, ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)]]'' [Leuven]|no=9}}<br />
{{Pub|2|1556| in Berg & Neuber, ''[[Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus quintus]]'' [Nürnberg] (RISM 1556/8)|no=6}}<br />
{{Pub|0|c.1560|in ''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''… (Montserrat, Biblioteca del Monestir, MS 772)|ms=ms|no=39}}<br />
{{Pub|0|c.1560–70|in Universitätsbibliothek Kassel, 4° Ms. Mus. 91 (hand copied by Johannes Heugel, court composer for Philip of Hesse)|ms=ms|no=9}}<br />
<br />
{{Descr|This extended responsorial motet — one of Manchicourt's finest — weaves musical quotes from the original chant setting of the text into the polyphony.}}<br />
<br />
==Original text and translations==<br />
{{LinkText|Emendemus in melius}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Evangelia_dominicorum_et_festorum_dierum_tomus_quintus_(Berg_and_Neuber)&diff=1758972Evangelia dominicorum et festorum dierum tomus quintus (Berg and Neuber)2023-11-05T04:13:56Z<p>Fysh: /* List of works */ Correcting attribution of Manchicourt Ememdemus</p>
<hr />
<div>==General information==<br />
{{Title|Evangelia dominicorum et festorum dierum tomus quintus}}<br />
<br />
'''Full Title:''' Quintus tomus evangeliorum, et piarum sententiarum: quinque vocum. Continens historias & doctrinam, quae in Ecclesia proponi solet: de Poenitentia.<br />
<br />
{{GenreLanguage|Sacred|Motets|Latin|5}}<br />
<br />
{{PubDatePlace|1556|in Nuremberg by [[Johann vom Berg]] and Ulrich Neuber|&nbsp;}}<br />
{{Descr|A fifth collection of gospel motets for four to six voices. The first of two volumes containing works appropriate for [[:Category:Lent|Lent]], this collection comprises works for five voices while [[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|the other]] contains works for four, six, and eight voices.}}<br />
'''Facsimile:''' [https://stimmbuecher.digitale-sammlungen.de/view?id=bsb00074202 Bavarian State Library]<br />
===References===<br />
{{#ExtWeb:<br />
*[https://opac.rism.info/search?id=993120177&View=rism 1556<sup>8</sup>]}}<br />
<br />
==List of works==<br />
{|class="sortable wikitable" cellspacing="0" cellpadding="3px" style="border: solid 1px"<br />
!style="border-bottom: 1px solid"|No.<br />
!style="border-bottom: 1px solid"|Title<br />
!style="border-bottom: 1px solid"|Composer<br />
!style="border-bottom: 1px solid"|Voices<br />
!style="border-bottom: 1px solid"|Comment<br />
|-<br />
|||'''De Poenitentia'''<br />
|-<br />
|align=center|1||{{NoCo|Pater peccavi (5vv)|Pater peccavi|comp=Pierre de Manchicourt}}||{{ss|Pierre de Manchicourt}}||align=center|5||<br />
|-<br />
|align=center|2||{{NoCo|Pater peccavi|comp=Dominique Phinot}}||{{ss|Dominique Phinot}}||align=center|5||<br />
|-<br />
|align=center|3||{{NoCo|Quanti mercenarii|comp=Cipriano de Rore}}||{{ss|Cipriano de Rore}}||align=center|5||<br />
|-<br />
|align=center|4||Quanti mercenarii||{{ss|Francesco Portinaro}}||align=center|6||<br />
|-<br />
|align=center|5||Emendemus in melius||{{ss|Arnold Feys}}||align=center|5||<br />
|-<br />
|align=center|6|| {{NoCo|Emendemus in melius|comp=Pierre de Manchicourt}}||{{ss|Pierre de Manchicourt}}||align=center|5||attributed here to [[Francesco Portinaro]]<br />
|-<br />
|align=center|7||Emendemus in melius||[[Jacquet de Mantua]]||align=center|5||<br />
|-<br />
|align=center|8||{{NoCo|Emendemus in melius|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|9||[[Emendemus in melius (Bartholomeus le Conte)|Emendemus in melius]]||{{ss|Bartholomeus |le Conte}}||align=center|5||<br />
|-<br />
|align=center|10||{{NoCo|Adesto dolori meo|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||align=center|5||<br />
|-<br />
|align=center|11||{{NoCo|Respice domine|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|12||{{NoCo|Aspice Domine de sede|comp=Joannes Pionnier}}||{{ss|Joannes Pionnier}}||align=center|5||<br />
|-<br />
|align=center|13||Heu mihi Domine||Anonymous||align=center|5||<br />
|-<br />
|align=center|14||{{NoCo|Miserere mei Deus|comp=Jacobus Vaet}}||{{ss|Jacobus Vaet}}||align=center|5||<br />
|-<br />
|align=center|15||Miserere mei Domine||{{ss|Jean Louys}}||align=center|5||<br />
|-<br />
|align=center|16||Ego Dominus||{{ss|Jean Louys}}||align=center|5||<br />
|-<br />
|align=center|17||[[Sana me (Jacobus Clemens non Papa)|Sana me Domine]]||{{ss|Jacobus |Clemens non Papa}}||align=center|5||<br />
|-<br />
|align=center|18||Scindite corda vestra||[[Jacquet de Mantua]]||align=center|5||<br />
|-<br />
|align=center|19||{{NoCo|Tribulatio cordis mei|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|20||{{NoCo|Peccavi super numerum arenae|comp=Joannes Pionnier}}||{{ss|Joannes Pionnier}}||align=center|5||<br />
|-<br />
|align=center|21||{{NoCo|Tribularer si nescirem|comp=Cipriano de Rore}}||{{ss|Cipriano de Rore}}||align=center|5||<br />
|-<br />
|align=center|22||[[Tribularer si nescirem (Francesco Portinaro)|Tribularer si nescirem]]||{{ss|Francesco Portinaro}}||align=center|5||<br />
|-<br />
|align=center|23||Tribularer si nescirem||{{ss|Ernoul Caussin}}||align=center|5||<br />
|-<br />
|align=center|24||{{NoCo|Tribulatio et angustia|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|25||[[Tu Deus noster (Nicolas Gombert)|Tu Deus noster suavis]]||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|26||{{NoCo|Tu Deus noster|comp=Johannes Lupi}}||{{ss|Johannes Lupi}}||align=center|5||<br />
|-<br />
|align=center|27||{{NoCo|Ne reminiscaris|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|28||[[Ne reminiscaris (Pieter Maessens)|Ne reminiscaris]]||{{ss|Bartholomeus |le Conte}}||align=center|5||also attributed here to [[Pieter Maessens]]<br />
|-<br />
|align=center|29||{{NoCo|In die tribulationis|comp=Jacquet de Mantua}}||[[Jacquet de Mantua]]||align=center|5||<br />
|-<br />
|align=center|30||Convertimini ad me omnes||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|31||Spem in alium||{{ss|Nicolas Gombert}}||align=center|5||<br />
|-<br />
|align=center|32||Domine secundum actum meum||[[Jacquet de Mantua]]||align=center|5||<br />
|-<br />
|align=center|33||Peccavi super numerum||{{ss|Adrian Willaert}}||align=center|5||<br />
|-<br />
|align=center|34||Miser ubi parebo||[[Henricus Schaffen]]||align=center|5||<br />
|-<br />
|align=center|35||Iuxta vestibulum et altare||{{ss|Christoph Potier}}||align=center|5||<br />
|-<br />
|align=center|36||Peto Domine ut de vinculo||{{ss|Ernoul Caussin}}||align=center|5||<br />
|-<br />
|align=center|37||Scindite corda vestra||{{ss|Ernoul Caussin}}||align=center|5||<br />
|-<br />
|align=center|38||{{NoCo|O bone Jesu|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||align=center|5||<br />
|-<br />
|align=center|40||[[Recordare Domine (Pierre Colin)|Recordare Domine]]||{{ss|Pierre Colin}}||align=center|5||<br />
|-<br />
|align=center|41||Qui consolabatur me||{{ss|Jacobus |Clemens non Papa}}||align=center|5||<br />
|-<br />
|align=center|42||Tota die constritatus sum||{{ss|Jean Louys}}||align=center|5||<br />
|-<br />
|align=center|43||Noli me Domine iudicare||{{ss|Petrus Hailland}}||align=center|5||<br />
|-<br />
|align=center|44||Peccata mea Domine||{{ss|Tielman Susato}}||align=center|5||<br />
|-<br />
|align=center|45||Omnia quae fecisti||{{ss|Francesco Viola}}||align=center|5||<br />
|-<br />
|align=center|46||{{NoCo|Domine Jesu Christe|comp=Pieter Maessens}}||{{ss|Pieter Maessens}}||align=center|5||<br />
|-<br />
{{btm}}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|com,yr,seq,subg,vo,voices|1556}}<br />
<br />
[[Category:Music publications]]<br />
[[Category:Music facsimiles]]<br />
{{DEFAULTSORT:{{WorkSorter}}}}</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758971Pierre de Manchicourt2023-11-05T04:03:13Z<p>Fysh: /* Publications */ Adding Susato Liber primus missarum</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two 4vv mass settings, one of which is the opening work the first of the seven volumes of this collection </small><br />
*''[[Liber primus missarum quinque vocum (Tielman Susato)| Liber primus missarum quinque vocum]]'' (Susato, 1546) — <small> contains one 5vv mass setting </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758970Pierre de Manchicourt2023-11-05T03:55:25Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
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Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
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*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
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{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
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====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
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*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
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====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
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*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
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====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
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===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
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====Latin dedicatory motets====<br />
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*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
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====''Chansons''====<br />
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*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
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====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
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==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in at least seventy printed collections published between 1532 and 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
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{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758923Pierre de Manchicourt2023-11-04T13:32:30Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
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Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
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===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
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====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet, marked ‘incertus autor’ </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758922Pierre de Manchicourt2023-11-04T13:30:40Z<p>Fysh: /* Publications */ Adding Berg & Neuber tomus quartus 1555</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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{{WikipediaLink}}<br />
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==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus quartus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Evangelia_dominicorum_et_festorum_dierum_tomus_quartus_(Berg_and_Neuber)&diff=1758921Evangelia dominicorum et festorum dierum tomus quartus (Berg and Neuber)2023-11-04T13:28:30Z<p>Fysh: /* List of works */ Correcting attribution of O crux viride lignum</p>
<hr />
<div>==General information==<br />
{{Title|Evangelia dominicorum et festorum dierum tomus quartus}}<br />
<br />
'''Full title:''' Quartus tomus Evangeliorum, quatuor, quinque, sex, et plurium vocum. Continens historias & doctrinam, quae in Ecclesia proponi solet: de Baptisato Christo a Ioanne. De Transfiguratione Christi. De Passione et Cruce Christi.<br />
<br />
{{GenreLanguage|Sacred|Motets|Latin|}}<br />
<br />
{{PubDatePlace|1555|in Nuremberg by [[Johann vom Berg]] and [[Ulrich Neuber]]|&nbsp;}}<br />
{{Descr|A fourth collection of gospel motets for four to six voices. This volume contains works appropriate for [[:Category:Baptism|Baptism]], [[:Category:Transfiguration|Transfiguration]] and [[:Category:Holy Cross|Holy Cross]]. See also [[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)|volume 1]], [[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|volume 2]], and [[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|volume 3]].}}<br />
===References===<br />
{{#ExtWeb:<br />
*[https://opac.rism.info/search?id=993120127&View=rism RISM 1555<sup>12</sup>]}}<br />
<br />
==List of works==<br />
{|class="sortable wikitable" cellspacing="0" cellpadding="3px" style="border: solid 1px"<br />
!style="border-bottom: 1px solid"|No.<br />
!style="border-bottom: 1px solid"|Title<br />
!style="border-bottom: 1px solid"|Composer<br />
!style="border-bottom: 1px solid"|Voices<br />
!style="border-bottom: 1px solid"|Comment<br />
|-<br />
|||'''In Festo de Baptisato Christo a Ioanne in Iordane'''<br />
|-<br />
|align=center|1||In columbae specie||Anonymous||5||<br />
|-<br />
|align=center|2||Super ripam Jordanis||{{ss|Jacobus |Clemens non Papa}}||5||<br />
|-<br />
|align=center|3||Hodie in Jordane||[[Jacquet de Berchem]]||6||<br />
|-<br />
|align=center|4||{{NoCo|Hodie in Jordane|comp=Maistre Jhan}}||[[Maistre Jhan]]||6||<br />
|-<br />
|||'''In Transfiguratione Christi in Monte Excelso'''<br />
|-<br />
|align=center|5||{{NoCo|Domine bonum est|comp=Jacquet de Mantua}}||[[Jacquet de Mantua]]||4||<br />
|-<br />
|align=center|6||In illo tempore assumpsit Jesus||{{ss|Andreas Schwartz}}||4||<br />
|-<br />
|align=center|7||Assumpsit Jesus Petrum||{{ss|Jacobus |Clemens non Papa}}||5||<br />
|-<br />
|align=center|8||[[Assumpsit Jesus Petrum et Jacobum (Bartholomeus le Conte)|Assumpsit Jesus Petrum]]||{{ss|Bartholomeus |le Conte}}||5||<br />
|-<br />
|||'''In Die Parascenes, De Passione Domini Nostri Jesu Christi'''<br />
|-<br />
|align=center|9||{{NoCo|In illo tempore stabant autem|comp=Cristóbal de Morales}}||{{ss|Cristóbal de Morales}}||4||<br />
|-<br />
|align=center|10||{{NoCo|In illo tempore stabant autem|comp=Jacquet de Mantua}}||[[Jacquet de Mantua]]||4||<br />
|-<br />
|align=center|11||{{NoCo|In illo tempore|In illo tempore stabant autem|comp=Adrian Willaert}}||{{ss|Adrian Willaert}}||4||<br />
|-<br />
|align=center|12||[[Agnus Christus (Anonymous)|Agnus Christus in cruce immolatur]]||{{ss|Bartholomeus |le Conte}}||4||<br />
|-<br />
|align=center|13||{{NoCo|Circumdederunt me viri mendaces|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|14||{{NoCo|Domine quis credidit|comp=Jean Guyot}}||{{ss|Jean Guyot}}||4||<br />
|-<br />
|align=center|15||Patris sapientia||{{ss|Jacobus Vaet}}||4||<br />
|-<br />
|align=center|16||O crux gloriosa||{{ss|Johannes de Cleve}}||4||<br />
|-<br />
|align=center|17||Dulce lignum dulce clavos||{{ss|Simon Boyleau}}||4||<br />
|-<br />
|align=center|18||{{NoCo|Salve crux sancta, arbor digna|comp=Adrian Willaert}}||{{ss|Adrian Willaert}}||4||<br />
|-<br />
|align=center|19||{{NoCo|Signum crucis mirabile|comp=Cristóbal de Morales}}||{{ss|Cristóbal de Morales}}||4||<br />
|-<br />
|align=center|20||{{NoCo|O vos omnes|comp=Jacquet de Mantua}}||[[Jacquet de Mantua]]||4||<br />
|-<br />
|align=center|21||Dum fabricator mundi||{{ss|Francesco Lupino}}||5||<br />
|-<br />
|align=center|22||Christus factus est||Anonymous||5||<br />
|-<br />
|align=center|23||{{NoCo|Haec est arbor dignissima|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||5||<br />
|-<br />
|align=center|24||Dixerunt impii apud se||{{ss|Cornelius Canis}}||5||<br />
|-<br />
|align=center|25||Locuti sunt adversum me||{{ss|Adrian Willaert}}||5||<br />
|-<br />
|align=center|26||O crux viride lignum||[[Pierre de Manchicourt]]||5||<br />
|-<br />
|align=center|27||O crux splendidior||{{ss|Nicolas Gombert}}||6||<br />
|-<br />
|align=center|28||O vos omnes||[[Maître Gosse]]||6||<br />
|-<br />
{{btm}}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|yr,com,seq,subg,vo,voices|1555}}<br />
<br />
[[Category:Music publications]]<br />
{{DEFAULTSORT:{{WorkSorter}}}}</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1758903Pierre de Manchicourt2023-11-04T11:14:42Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains four 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Sacrarum_cantionum,_liber_3_(Tielman_Susato)&diff=1758902Sacrarum cantionum, liber 3 (Tielman Susato)2023-11-04T11:11:32Z<p>Fysh: Updating Ecce odor filii composer details</p>
<hr />
<div>'''Title:''' ''LIBER TERTIVS / Sacrarum Cantionum, / QUATVOR VOCVM, / Vulgo Moteta Vocant, ex / optimis quibus[que] huius / aetatis musicis / Selectaru[m]. / SVPERIVS.''.<br />
<br />
{{PubDatePlace|1547|by [[Tielman Susato]] in Antwerp.|&nbsp;}}<br />
<br />
{{top}}<br />
* [[Adiutor in opportunitatibus (Pierre de Rocourt)]] (secunda pars: Adiutor meus & liberator meus)<br />
* [[Audiam domine vocis laudis tuae (Anonymous)]]<br />
* [[Clamantium ad te dues (Joannes de Latre)]]<br />
* [[Congratulamini mihi omnes (Jacobus Clemens non Papa)]]<br />
* [[Domine Jesu Christe (Pierre de Manchicourt)]]<br />
* [[Dulcis exuvie dum fata dues (Adrian Willaert)]]<br />
* [[Dum deambularet dominus (Thomas Crecquillon)]] (secunda pars: Vocem tuam audiui)<br />
* [[Ecce odor filii mei (Pierre de Manchicourt)]] (secunda pars: Esto dominus fratrum tuorum) — <small>attributed to [[Nicolle des Celliers de Hesdin]]</small><br />
* [[Ergo ne conticuit (Johannes Lupi)]] (secunda pars: Quid facis inuida mors?) [headed:] In Ioannem Okegi. Musicorum principem, Naenia.<br />
* [[Fili, quid fecisti (Tielman Susato)]] (secunda pars: Et ait ad illos)<br />
* [[Ingemuit Susanna et ait (Thomas Crecquillon)]] (secunda pars: Sed melius est absque opere)<br />
* [[Iob tonso capite corruens in terram (Thomas Crecquillon)]]<br />
* [[Iubilate deo omnis terra (Antonius Trojano)]] (secunda pars: Populus eius & oves pascuae eius)<br />
{{mdl}}<br />
* [[Laudemus omnes dominum (Jean Lecocq)]] (secunda pars: Hec est mater misericordiae)<br />
* [[Mane surgens Iacob (Lupus Hellinck)]] (secunda pars: Quumque evigilascet Iacob)<br />
* [[Non intres in iudicium tuum (Anonymous)]] (secunda pars: Non avertas faciem tuam a me)<br />
* [[Nunc enim si centum lingue sint (Pierre de Manchicourt)]] (secunda pars: Ne dubitatis letusque; tertia pars: Innumeras unus potis es)<br />
* [[O rex gloriae (Jean Guyot)]] (secunda pars: Ne derelinquas orphanos)<br />
* [[O magnum mysterium (Anonymous)]] (secunda pars: Ave Maria gratia plena)<br />
* [[Pater peccavi II (4vv) (Pierre de Manchicourt)|Pater peccavi in caelum (Pierre de Manchicourt)]] (secunda pars: Quanti mercenarii) — <small>attributed to [[Jacobus Clemens non Papa]]</small><br />
* [[Quid gloriaris in malicia (Jean Courtois)]] (secunda pars: Videbunt iusti & timebunt)<br />
* [[Quid gloriaris in malicia? (Thomas Crecquillon)]] (Secunda pars: Dilexisti omnia uerba)<br />
* [[Tribulationem nostram (Joannes de Latre)]]<br />
* [[Verbum caro factum est (Thomas Crecquillon)]]<br />
* [[Versa est in luctum cithara mea (Anonymous)]] (secunda pars: Cutis mea denigrata est)<br />
{{btm}}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|seq,yr,com,gen,subg,vo,voices|1547}}<br />
<br />
==External websites==<br />
[http://purl.org/rism/BI/1547/5 Facsimile at repository.royalholloway.ac.uk]<br />
<br />
[[Category:Music publications]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1751401Pierre de Manchicourt2023-10-15T09:37:54Z<p>Fysh: /* Publications */</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
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==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Evangelia_dominicorum_et_festorum_dierum_tomus_sextus_(Berg_and_Neuber)&diff=1745480Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)2023-09-30T05:05:22Z<p>Fysh: /* List of works */</p>
<hr />
<div>==General information==<br />
{{Title|Evangelia dominicorum et festorum dierum tomus sextus}}<br />
<br />
'''Full Title:''' Sextus tomus evangeliorum, et piarum sententiarum: quatuor, sex, et octo vocum. Continens historias & doctrinam, quae in Ecclesia proponi solet: de Poenitentia.<br />
<br />
{{GenreLanguage|Sacred|Motets|Latin|}}<br />
<br />
{{PubDatePlace|1556|in Nuremberg by [[Johann vom Berg]] and Ulrich Neuber|&nbsp;}}<br />
{{Descr|A sixth collection of gospel motets for four to eight voices. This volume is the second to contain works appropriate for [[:Category:Lent|Lent]], this time for four, six, and eight voices.}}<br />
'''Facsimile:''' [https://stimmbuecher.digitale-sammlungen.de/view?id=bsb00074203 Bavarian State Library]<br />
===References===<br />
{{#ExtWeb:<br />
*[https://opac.rism.info/search?id=993122160&View=rism RISM 1556<sup>9</sup>]}}<br />
<br />
==List of works==<br />
{|class="sortable wikitable" cellspacing="0" cellpadding="3px" style="border: solid 1px"<br />
!style="border-bottom: 1px solid"|No.<br />
!style="border-bottom: 1px solid"|Title<br />
!style="border-bottom: 1px solid"|Composer<br />
!style="border-bottom: 1px solid"|Voices<br />
!style="border-bottom: 1px solid"|Comment<br />
|-<br />
|||'''De Poenitentia Quatuor Vocum'''<br />
|-<br />
|align=center|1||{{NoCo|Pater peccavi (4vv)|Pater peccavi|comp=Pierre de Manchicourt}}||{{ss|Pierre de Manchicourt}}|| 4||<br />
|-<br />
|align=center|2||[[Pater peccavi a 4 (Adrian Willaert)|Pater peccavi]]||{{ss|Adrian Willaert}}|| 4||<br />
|-<br />
|align=center|3||Domine peccavi||{{ss|Pierre de Manchicourt}}||4||<br />
|-<br />
|align=center|4||Heu me Domine||{{ss|Jean Lestainnier}}||4||<br />
|-<br />
|align=center|5||{{NoCo|Heu mihi Domine|Heu me Domine|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}|| 4||<br />
|-<br />
|align=center|6||Erravi sicut ovis||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|7||O bone Jesu||{{ss|Cornelius Canis}}||4||<br />
|-<br />
|align=center|8||{{NoCo|Exaudi Domine orationem meam|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|9||Peccantem me||{{ss|Benedictus Appenzeller}}||4||<br />
|-<br />
|align=center|10||Peccantem me||{{ss|Jhan Gero}}||4||<br />
|-<br />
|align=center|11||{{NoCo|Tristitia et anxietas|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|12||[[Tristitia obsedit me (Jacobus Clemens non Papa)|Tristitia obsedit me]]||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|13||{{NoCo|Spem in alium|comp=Jacquet de Mantua}}||[[Jacquet de Mantua]]||4||<br />
|-<br />
|align=center|14||Cognoscimus Domine||{{ss|Thomas Crecquillon}}||4||<br />
|-<br />
|align=center|15||{{NoCo|Cerne meos ergo gemitus|comp=Maistre Jhan}}||[[Maistre Jhan]]||4||<br />
|-<br />
|align=center|16||Timor et tremor||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|17||Domine ne longe facias||{{ss|Simon Boyleau}}||4||<br />
|-<br />
|align=center|18||Domine Jesu Christe respicere digneris||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|19||Domine Jesu Christe memento||{{ss|Adrian Willaert}}||4||<br />
|-<br />
|align=center|20||{{NoCo|O Domine adiuva me|comp=Joannes de Latre}}||{{ss|Joannes de Latre}}||4||<br />
|-<br />
|align=center|21||{{NoCo|Domine non secundum peccata nostra|comp=Pierre de Manchicourt}}||{{ss|Nicolas Gombert}}||4||attributed elsewhere to [[Pierre de Manchicourt]]<br />
|-<br />
|align=center|22||Domine non secundum||{{ss|Jacob Buus}}||4||<br />
|-<br />
|align=center|23||Contristamur Domine||{{ss|Andreas |de Silva}}||4||<br />
|-<br />
|align=center|24||Immutemur habitu||{{ss|Cristóbal de Morales}}||4||<br />
|-<br />
|align=center|25||Remeniscere||{{ss|Nicolas Gombert}}||4||<br />
|-<br />
|align=center|26||Omnia quae fecisti||{{ss|Giovanni Giacomo Lucario}}||4||<br />
|-<br />
|align=center|27||Confitemur delicta nostra||{{ss|Nicolas Payen}}||4||<br />
|-<br />
|align=center|28||[[Vide Domine quoniam tribulor (Jacobus Clemens non Papa)|Vide Domine quoniam tribulor]]||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|29||[[Ego Dominus (Pieter Maessens)|Ego Dominus hoc est nomen meum]]||{{ss|Pieter Maessens}}||4||<br />
|-<br />
|align=center|30||Tribulationes civitatum||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|31||Domine Deus salutis||{{ss|Nicolas Payen}}||4||<br />
|-<br />
|align=center|32||{{NoCo|Convertimini ad me in toto corde|comp=Nicolas Payen}}||{{ss|Nicolas Payen}}||4||<br />
|-<br />
|align=center|33||[[O bone Jesu (Pieter Maessens)|O bone Jesu salvator mundi]]||{{ss|Pieter Maessens}}||4||This work is attributed here to Maessens on the music pages, but to [[Jacobus Clemens non Papa|Clemens]] in the Index, and elsewhere to [[Pierre de Manchicourt]]<br />
|-<br />
|||'''De Poenitentia Sex Vocum'''<br />
|-<br />
|align=center|34||{{NoCo|Infelix ego|comp=Adrian Willaert}}||{{ss|Adrian Willaert}}||6||<br />
|-<br />
|align=center|35||O Domine multi dicunt animae meae||{{ss|Jacobus |Clemens non Papa}}||6||<br />
|-<br />
|align=center|36||{{NoCo|Media vita|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||6||<br />
|-<br />
|align=center|37||{{NoCo|O Domine Jesu Christe|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||6||<br />
|-<br />
|align=center|38||{{NoCo|Sustinuimus pacem|comp=Dominique Phinot}}||{{ss|Dominique Phinot}}||6||<br />
|-<br />
|align=center|40||Cerne meos ergo gemitus||{{ss|Dominique Phinot}}||6||<br />
|-<br />
|align=center|41||{{NoCo|Veni Domine|comp=Cristóbal de Morales}}||{{ss|Cristóbal de Morales}}||6||<br />
|-<br />
|align=center|42||{{NoCo|Sustinuimus pacem|comp=Pierre de Manchicourt}}||{{ss|Pierre de Manchicourt}}||6||<br />
|-<br />
|align=center|43||Domine Deus omnipotens||{{ss|Thomas Crecquillon}}||6||<br />
|-<br />
|align=center|44||Deus in adjutorium||{{ss|Jacobus |Clemens non Papa}}||6||<br />
|-<br />
|||'''De Poenitentia Octo Vocum'''<br />
|-<br />
|align=center|45||Pater peccavi in caelum||{{ss|Jacobus |Clemens non Papa}}||8||<br />
|-<br />
{{btm}}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|com,yr,seq,subg,vo,voices|1556}}<br />
<br />
[[Category:Music publications]]<br />
[[Category:Music facsimiles]]<br />
{{DEFAULTSORT:{{WorkSorter}}}}</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1745460Pierre de Manchicourt2023-09-30T04:38:26Z<p>Fysh: /* Publications */ Updating Berg & Neuber tomus sextus</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains four 4vv motets (of which one is attributed here to Gombert and another to Clemens) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=O_Virgo_Virginum_(Pierre_de_Manchicourt)&diff=1734925O Virgo Virginum (Pierre de Manchicourt)2023-08-24T01:36:12Z<p>Fysh: /* General Information */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2019-11-17}} {{CPDLno|55938}} [[Media:RSU-045_Manchicourt_—_O_Virgo_virginum_a6.pdf|{{pdf}}]] [[Media:Manchicourt_-_O_Virgo_virginum_a6_(RSU-045).midi|{{mid}}]]<br />
{{Editor|Andrew Fysh|2019-11-17}}{{ScoreInfo|A4|12|404}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SAATTB). Original note values retained. Transcribed and edited from the only surviving source, listed below, including correction of an error as noted herein. Part names are as per the source: ''Primus Tenor'' is notated below ''Secundus Tenor'' due to their relative vocal ambitus. Revised edition uploaded 22 September 2020.}}<br />
<br />
*{{PostedDate|2017-03-03}} {{CPDLno|43402}} [[Media:Man_Ovir.pdf|{{pdf}}]] [[Media:Man_Ovir.mxl|{{XML}}]]<br />
{{Editor|Mick Swithinbank|2017-03-03}}{{ScoreInfo|A4|13|114}}{{Copy|CPDL}}<br />
:{{EdNotes|This edition is based on the edition by Arnaud Saint-Antonin, with a few changes of ficta (although incorporated in the score rather than being indicated as editorial) and many changes of underlay. It is also pitched a tone lower than the Saint-Antonin edition.}}<br />
<br />
*{{PostedDate|2015-09-06}} {{CPDLno|36701}} [[Media:Manchicourt_O_virgo_virginum.pdf|{{pdf}}]] [[Media:Manchicourt_O_virgo_virginum_midi.mp3|{{mp3}}]] [[Media:Manchicourt_O_virgo_virginum.mxl|{{XML}}]]<br />
{{Editor|Arnaud Saint-Antonin|2015-09-06}}{{ScoreInfo|A4|12|125}}{{Copy|Creative Commons Attribution Non-Commercial}}<br />
:{{EdNotes|This work was requested by a CPDL member (see [[Request:O virgo virginum (Pierre de Manchicourt)|here]])}}<br />
<br />
==General Information==<br />
{{Title|''O Virgo Virginum''}}<br />
{{Composer|Pierre de Manchicourt}}<br />
<br />
{{Voicing|6|SAATTB}}<br />
{{Genre|Sacred|Magnificat antiphons|Motets}} for {{Cat|Advent}} (specifically, for the Feast of the Expectation of the BVM on 18 or 23 December)<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1534|in ''[[Motettorum, Book 7 (Pierre Attaingnant)]]''|no=18}}<br />
{{Descr|Manchicourt uses the plainchant of the antiphon, in slightly modified form, as a ''cantus firmus'' in canon between ''Secundus Contratenor'' and ''Primus Tenor''.}}<br />
{{#ExtWeb:<br />
*{{IMSLP2|O Virgo Virginum (Manchicourt, Pierre de)}}}}<br />
<br />
==Original text and translations==<br />
{{LinkText|O Virgo virginum}}<br />
{{Top}}<br />
{{Text|Latin|<br />
O Virgo Virginum<br />
quomodo fiet istud<br />
quia nec primam similem visa est<br />
nec habere sequentem<br />
filiae Hierusalem<br />
quid me admiramini<br />
divinum est mysterium<br />
hoc quod cernitis.}}<br />
{{Middle}}<br />
{{Text|French|<br />
Ô Vierge des vierges<br />
Comment est-il possible<br />
que tu apparaisses comme nulle autre avant toi<br />
ni comme nulle autre après toi ?<br />
Filles de Jérusalem,<br />
pourquoi me regardez-vous ?<br />
C'est un mystère divin<br />
qu'ici vous contemplez.}}<br />
{{Bottom}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1734910Pierre de Manchicourt2023-08-24T00:00:22Z<p>Fysh: /* Masses, mass section, Magnificat */ Adding link to L’Heritier Nisi Dominus</p>
<hr />
<div>{{Aliases|Pierre de Mancicourt|Pierre de Manchicurti}}<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
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*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Nisi Dominus (Jehan L'Heritier)|L’Héritier’s motet]]</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
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*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains three 4vv motets (one of which is attributed here to Gombert) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
*''[[Theatrum musicum]]'' (unknown publisher, 1580) – <small> contains one 5vv motet </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Sacrarum_cantionum,_liber_2_(Tielman_Susato)&diff=1682042Sacrarum cantionum, liber 2 (Tielman Susato)2022-11-21T12:28:42Z<p>Fysh: </p>
<hr />
<div>'''Title:''' ''LIBER SECVNDVS / Sacrarum Cantionum, / QVINQVE VOCVM, / Vulgo Moteta Vocant, ex / optimis quibus[que] huius / aetatis musicis / Selectaru[m], / SVPERIVS''.<br />
<br />
{{PubDatePlace|1546|by [[Tielman Susato]] in Antwerp.|&nbsp;}}<br />
<br />
{{top}}<br />
* [[Ave byssus (Thomas Crecquillon)]]<br />
* [[Beata es Maria (Johannes Lupi)]]<br />
* [[Domine non es exaltatus (Jacobus Clemens non Papa)]]<br />
* [[Decipimur votis (Anonymous)]]<br />
* [[O veneranda (Lupus Hellinck)]]<br />
* [[Pontificus sublime (Lupus Hellinck)]]<br />
* [[Pater peccavi (5vv) (Pierre de Manchicourt)]]<br />
* [[Quam pulchra es (Benedictus Appenzeller)]]<br />
* [[Quem dicunt homines (Cornelius Canis)]]<br />
{{mdl}}<br />
* [[Resurrectio Christi (Nicolas Payen)]]<br />
* [[Surge propera (Anonymous)]]<br />
* [[Sicut lilium (Anonymous)]]<br />
* [[Sub tuum presidium (Thomas Crecquillon)]]<br />
* [[Surgens Iesus (Jean Guyot)]]<br />
* [[Tu es Petrus (Cristóbal de Morales)]]<br />
* [[Tu Deus noster (Johannes Lupi)]]<br />
* [[Usquequo Domine (Anonymous)]]<br />
* [[Verbum caro factus est (Benedictus Appenzeller)]]<br />
{{btm}}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|seq,yr,com,gen,subg,vo,voices|1546}}<br />
<br />
==External websites==<br />
[https://repository.royalholloway.ac.uk/items/1e804846-a7f3-4ff5-aa35-c829190ce44a/1/ Facsimile at repository.royalholloway.ac.uk]<br />
<br />
[[Category:Music publications]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Evangelia_dominicorum_et_festorum_dierum_tomus_sextus_(Berg_and_Neuber)&diff=1682041Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)2022-11-21T12:19:48Z<p>Fysh: Correcting title and composer hyperlink for No.20</p>
<hr />
<div>==General information==<br />
{{Title|Evangelia dominicorum et festorum dierum tomus sextus}}<br />
<br />
'''Full Title:''' Sextus tomus evangeliorum, et piarum sententiarum: quatuor, sex, et octo vocum. Continens historias & doctrinam, quae in Ecclesia proponi solet: de Poenitentia.<br />
<br />
{{GenreLanguage|Sacred|Motets|Latin|}}<br />
<br />
{{PubDatePlace|1556|in Nuremberg by [[Johann vom Berg]] and Ulrich Neuber|&nbsp;}}<br />
{{Descr|A sixth collection of gospel motets for four to eight voices. This volume is the second to contain works appropriate for [[:Category:Lent|Lent]], this time for four, six, and eight voices.}}<br />
'''Facsimile:''' [https://stimmbuecher.digitale-sammlungen.de/view?id=bsb00074203 Bavarian State Library]<br />
===References===<br />
{{#ExtWeb:<br />
*[https://opac.rism.info/search?id=993122160&View=rism RISM 1556<sup>9</sup>]}}<br />
<br />
==List of works==<br />
{|class="sortable wikitable" cellspacing="0" cellpadding="3px" style="border: solid 1px"<br />
!style="border-bottom: 1px solid"|No.<br />
!style="border-bottom: 1px solid"|Title<br />
!style="border-bottom: 1px solid"|Composer<br />
!style="border-bottom: 1px solid"|Voices<br />
!style="border-bottom: 1px solid"|Comment<br />
|-<br />
|||'''De Poenitentia Quatuor Vocum'''<br />
|-<br />
|align=center|1||{{NoCo|Pater peccavi (4vv)|Pater peccavi|comp=Pierre de Manchicourt}}||{{ss|Pierre de Manchicourt}}||4||<br />
|-<br />
|align=center|2||Pater peccavi||{{ss|Adrian Willaert}}||4||<br />
|-<br />
|align=center|3||Domine peccavi||{{ss|Pierre de Manchicourt}}||4||<br />
|-<br />
|align=center|4||Heu me Domine||{{ss|Jean Lestainnier}}||4||<br />
|-<br />
|align=center|5||{{NoCo|Heu mihi Domine|Heu me Domine|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|6||Erravi sicut ovis||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|7||O bone Jesu||{{ss|Cornelius Canis}}||4||<br />
|-<br />
|align=center|8||Exaudi Domine orationem||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|9||Peccantem me||{{ss|Benedictus Appenzeller}}||4||<br />
|-<br />
|align=center|10||Peccantem me||{{ss|Jhan Gero}}||4||<br />
|-<br />
|align=center|11||{{NoCo|Tristitia et anxietas|comp=Jacobus Clemens non Papa}}||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|12||Tristitia et obsedit me||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|13||{{NoCo|Spem in alium|comp=Jacquet de Mantua}}||[[Jacquet de Mantua]]||4||<br />
|-<br />
|align=center|14||Cognoscimus Domine||{{ss|Thomas Crecquillon}}||4||<br />
|-<br />
|align=center|15||Cerne meos ergo gemitus||[[Maistre Jhan]]||4||<br />
|-<br />
|align=center|16||Timor et tremor||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|17||Domine ne longe facias||{{ss|Simon Boyleau}}||4||<br />
|-<br />
|align=center|18||Domine Jesu Christe respicere digneris||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|19||Domine Jesu Christe memento||{{ss|Adrian Willaert}}||4||<br />
|-<br />
|align=center|20||O Domine adjuva me||{{ss|Joannes de Latre}}||4||<br />
|-<br />
|align=center|21||{{NoCo|Domine non secundum peccata nostra|comp=Pierre de Manchicourt}}||{{ss|Nicolas Gombert}}||4||attributed elsewhere to [[Pierre de Manchicourt]]<br />
|-<br />
|align=center|22||Domine non secundum||{{ss|Jacob Buus}}||4||<br />
|-<br />
|align=center|23||Contristamur Domine||{{ss|Andreas |de Silva}}||4||<br />
|-<br />
|align=center|24||Immutemur habitu||{{ss|Cristóbal de Morales}}||4||<br />
|-<br />
|align=center|25||Remeniscere||{{ss|Nicolas Gombert}}||4||<br />
|-<br />
|align=center|26||Omnia quae fecisti||{{ss|Giovanni Giacomo Lucario}}||4||<br />
|-<br />
|align=center|27||Confitemur delicta nostra||{{ss|Nicolas Payen}}||4||<br />
|-<br />
|align=center|28||Vide Domine quoniam tribulor||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|29||Ego Dominus hoc est nomen meum||{{ss|Pieter Maessens}}||4||<br />
|-<br />
|align=center|30||Tribulationes civitatum||{{ss|Jacobus |Clemens non Papa}}||4||<br />
|-<br />
|align=center|31||Domine Deus salutis||{{ss|Nicolas Payen}}||4||<br />
|-<br />
|align=center|32||{{NoCo|Convertimini ad me in toto corde|comp=Nicolas Payen}}||{{ss|Nicolas Payen}}||4||<br />
|-<br />
|align=center|33||O bone Jesu salvator mundi||{{ss|Pieter Maessens}}||4||<br />
|-<br />
|||'''De Poenitentia Sex Vocum'''<br />
|-<br />
|align=center|34||{{NoCo|Infelix ego|comp=Adrian Willaert}}||{{ss|Adrian Willaert}}||6||<br />
|-<br />
|align=center|35||O Domine multi dicunt animae meae||{{ss|Jacobus |Clemens non Papa}}||6||<br />
|-<br />
|align=center|36||{{NoCo|Media vita|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||6||<br />
|-<br />
|align=center|37||{{NoCo|O Domine Jesu Christe|comp=Nicolas Gombert}}||{{ss|Nicolas Gombert}}||6||<br />
|-<br />
|align=center|38||{{NoCo|Sustinuimus pacem|comp=Dominique Phinot}}||{{ss|Dominique Phinot}}||6||<br />
|-<br />
|align=center|40||Cerne meos ergo gemitus||{{ss|Dominique Phinot}}||6||<br />
|-<br />
|align=center|41||{{NoCo|Veni Domine|comp=Cristóbal de Morales}}||{{ss|Cristóbal de Morales}}||6||<br />
|-<br />
|align=center|42||{{NoCo|Sustinuimus pacem|comp=Pierre de Manchicourt}}||{{ss|Pierre de Manchicourt}}||6||<br />
|-<br />
|align=center|43||Domine Deus omnipotens||{{ss|Thomas Crecquillon}}||6||<br />
|-<br />
|align=center|44||Deus in adjutorium||{{ss|Jacobus |Clemens non Papa}}||6||<br />
|-<br />
|||'''De Poenitentia Octo Vocum'''<br />
|-<br />
|align=center|45||Pater peccavi in caelum||{{ss|Jacobus |Clemens non Papa}}||8||<br />
|-<br />
{{btm}}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|com,yr,seq,subg,vo,voices|1556}}<br />
<br />
[[Category:Music publications]]<br />
[[Category:Music facsimiles]]<br />
{{DEFAULTSORT:{{WorkSorter}}}}</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Motettorum,_Book_13_(Pierre_Attaingnant)&diff=1682040Motettorum, Book 13 (Pierre Attaingnant)2022-11-21T12:10:35Z<p>Fysh: /* List of Works */ Removing erroneous reference to a canon in Manchicourt Caro mea</p>
<hr />
<div>==General information==<br />
'''Title:''' ''Lib. decimus tertius xviii. musicales habet''<br />
<br />
'''Full Title:''' ''Lib. decimus tertius xviii. musicales habet modulos quatuor quinque vel sex vocibus editos. opus sane totius armonie flos nuncupandum: ut indice sequenti palam est''<br />
<br />
'''Editors / Compilers:''' [[Pierre Attaingnant]]<br />
<br />
'''Description:''' The thirteenth in a series of fourteen motet collections published by Attaingnant in 1534, 1535, and 1539. This collection has eighteen motets for four, five, and six voices by French composers. It was published as four part books in May, 1535.<br />
<br />
{{PubDatePlace|1535|by [[Pierre Attaingnant]] in Paris|&nbsp;}}<br><br />
<br />
==External Links==<br />
*[https://opac.rism.info/search?id=993104135&View=rism RISM 1535<sup>5</sup>]<br />
<br />
==List of Works==<br />
{|class="wikitable sortable" cellspacing="0" cellpadding="1px" style="border: solid 1px"<br />
!style="border-bottom: 1px solid"|No.<br />
!style="border-bottom: 1px solid"|Title<br />
!style="border-bottom: 1px solid"|Composer<br />
!style="border-bottom: 1px solid"|Voices<br />
!style="border-bottom: 1px solid"|Comment<br />
|-<br />
|1||O altitudo divitiarum||[[Rogier Pathie]]||4||{{CC|Trinity|De trinitate}}; attributed here to [[Rogier Pathie|Roger]], elsewhere to [[Dominique Phinot|Phinot]]<br />
|-<br />
|2||Tempus meum ad revertar ad eum||[[Corneille Joris]]||4||{{CC|Ascension|De ascensione}}<br />
|-<br />
|3||{{NoCo|Virgo salutiferi|comp=Jodon}}||[[Jodon]]||4||De beata Maria<br />
|-<br />
|4||Factus est repente de celo sonus||[[Joris Corneille]]||4||{{CC|Pentecost|In die pentecostes}}<br />
|-<br />
|5||{{NoCo|Virtute magna reddebant Apostoli|comp=Matthieu Lasson}}||[[Matthieu Lasson]]||4||{{CC|Common of Apostles|De apostolis}}<br />
|-<br />
|6||{{NoCo|Benedicat te Dominus|comp=Jehan L'Heritier}}||[[Jehan L'Heritier]]||4||<br />
|-<br />
|7||Sancti spiritus adsit nobis gratia||[[Claudin de Sermisy]]||4||{{CC|Pentecost|In festo pentecostes}}<br />
|-<br />
|8||Ave verbum incarnatum||[[Johannes Lupi]]||6||Canon in the Tenor and Bassus parts<br />
|-<br />
|9||Beata dei genitrix Maria||[[Colin Margot]]||6||De beata Maria; canon in the Tenor and Bassus parts<br />
|-<br />
|10||Gaude tu baptista Christi||[[Johannes Lupi]]||5||{{CC|John the Baptist|De Sancta Johannes Baptista}}; canon in the Tenor part<br />
|-<br />
|11||Non conturbetur cor vestrum||[[Florentius Villain]]||5||Canon in the Countertenor part<br />
|-<br />
|12||{{NoCo|Caro mea vere est cibus|comp=Pierre de Manchicourt}}||[[Pierre de Manchicourt]]||5||In festo sacramenti<br />
|-<br />
|13||Surge Petre et indue te||[[Jacquet de Mantua]]||6||{{CC|St. Peter in Chains|De sancto Petro apostolo}}; canon in the Tenor and Bassus parts<br />
|-<br />
|14||{{NoCo|Salvator mundi|comp=Nicolas Gombert}}||[[Nicolas Gombert]]||6||{{CC|All Saints|De omnibus sanctis}}; canon in the Tenor and Countertenor parts<br />
|-<br />
|15||Respexit Helyas ad caput suum||[[G. Harsius]]||6||Canon in the Superius and Tenor parts<br />
|-<br />
|16||Fundata est domus Domini||[[Pierre Cadéac]]||6||Canon in the Superius and Tenor parts<br />
|-<br />
|17||Salus populi ego sum dixit dominus||Anonymous||5||Canon in the Tenor part; attributed here to [[Pierre Cadéac|Cadéac]], elsewhere to [[Nicolle des Celliers de Hesdin|Hesdin]]<br />
|-<br />
|18||Sancta Maria mater dei ora pro nobis||[[Claudin de Sermisy]]||4||canon '4 super 1'<br />
|-<br />
|}<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|yr,seq,com,gen,subg,vo,voices|1535}}<br />
<br />
[[Category:Music publications]]<br />
{{DEFAULTSORT:{{WorkSorter}}}}</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Sustinuimus_pacem_(Pierre_de_Manchicourt)&diff=1681971Sustinuimus pacem (Pierre de Manchicourt)2022-11-20T23:35:48Z<p>Fysh: </p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate|2020-10-14}} {{CPDLno|60887}} [[Media:RSU-040_Manchicourt_—_Sustinuimus_pacem_a6_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-10-14}}{{ScoreInfo|A4|15|447}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SAATTB, SATTTB or STTTTB), otherwise identical to CPDL #55626 below. '''''Revised edition uploaded 20 November 2022. '''''}}<br />
<br />
*{{PostedDate|2019-10-16}} {{CPDLno|55626}} [[Media:RSU-040A_Manchicourt_—_Sustinuimus_pacem_a6_(+1.0)_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040A_+1.0).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2019-10-16}}{{ScoreInfo|A4|15|445}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher (for SAATTB). Original note values retained. Transcribed and edited from all three sources listed below. '''''Revised edition uploaded 20 November 2022.'''''}}<br />
<br />
==General Information==<br />
'''Title:''' ''Sustinuimus pacem'' (2.p. ''Nos alium deum nescimus'')<br><br />
{{Composer|Pierre de Manchicourt}}<br />
'''Source of text:''' adapted from Jeremiah 14:19–20, Judith 8:19, Psalm 121:7(V)<br />
<br />
{{Voicing|6|SAATTB,SATTTB,STTTTB}}<br />
{{Genre|Sacred|Motets|Responsories}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1554|in Phalèse, [[Cantionum sacrarum liber 2|''Liber secundus cantionum sacrarum … quinque et sex vocum …'']] (RISM 1554/2)|no=14}}<br />
{{Pub|2|1556|in Berg (Montanus) & Neuber, {{NoComp|Evangelia dominicorum et festorum dierum tomus sextus|Berg and Neuber}} (RISM 1556/9)|no=42}}<br />
{{Pub|0|c.1560–70|in Universitätsbibliothek Kassel, 4° Ms. Mus. 91 (hand copied by [[Johannes Heugel]], court composer for Philip of Hesse)|ms=ms|no=34}}<br />
{{Descr|Among Manchicourt's more than seventy motets, this is the only one with a partial signature (an additional flat in the ''Bassus'' part only), a technique from the earlier generation of Renaissance composers. This motet exemplifies Manchicourt's word-painting skills at their best: he has set the ''Quinta Pars'' to a slow-moving, ostinato-like ''cantus firmus'' — using the opening line of the chant setting of the [[Da pacem, Domine|Votive Antiphon for Peace]] — that stands in stark (and peaceful) contrast to the frenetic movement of the freely composed counterpoint in the other five voices, depicting their relentless and fruitless search for peace.}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{Top}}<br />
{{Text|Latin|<br />
Sustinúimus pacem, et non venit;<br />
:quaesívimus bona, et ecce turbátio.<br />
Cognóscimus, Dómine, peccáta nostra:<br />
:non in perpétuum obliviscáris nos.<br />
<br />
Nos álium deum nescímus praeter Dóminum,<br />
:in quo sperámus, qui non despíciet nos,<br />
:nec amovébit salútem a génere nostro.<br />
Fiat pax in virtúte tua.<br />
<br />
'''''Cantus firmus''''': Da pacem, Dómine, in diébus nostris.}}<br />
{{Middle}}<br />
{{Translation|English|<br />
We have waited for peace, and it has not come;<br />
:we have sought what is good, and behold trouble.<br />
We acknowledge our sins, O Lord:<br />
:do not forget us forever.<br />
<br />
We know no other god but the Lord,<br />
:in whom we trust, who will not despise us,<br />
:nor withhold salvation from our people.<br />
Let peace be within thy strength.<br />
<br />
Give peace in our time, O Lord.}}<br />
{{Bottom}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Sustinuimus_pacem_(Pierre_de_Manchicourt)&diff=1681814Sustinuimus pacem (Pierre de Manchicourt)2022-11-20T03:32:13Z<p>Fysh: /* Music files */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate|2022-11-20}} {{CPDLno|60887}} [[Media:RSU-040_Manchicourt_—_Sustinuimus_pacem_a6_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2022-11-20}}{{ScoreInfo|A4|15|447}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SAATTB, SATTTB or STTTTB), otherwise identical to CPDL #55626 below. New edition as of 20 November 2022.}}<br />
<br />
*{{PostedDate|2022-11-20}} {{CPDLno|55626}} [[Media:RSU-040A_Manchicourt_—_Sustinuimus_pacem_a6_(+1.0)_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040A_+1.0).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2022-11-20}}{{ScoreInfo|A4|15|445}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher (for SAATTB). Original note values retained. Transcribed and edited from all three sources listed below. New edition as of 20 November 2022.}}<br />
<br />
==General Information==<br />
'''Title:''' ''Sustinuimus pacem'' (2.p. ''Nos alium deum nescimus'')<br><br />
{{Composer|Pierre de Manchicourt}}<br />
'''Source of text:''' adapted from Jeremiah 14:19–20, Judith 8:19, Psalm 121:7(V)<br />
<br />
{{Voicing|6|SAATTB,SATTTB,STTTTB}}<br />
{{Genre|Sacred|Motets|Responsories}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1554|in Phalèse, [[Cantionum sacrarum liber 2|''Liber secundus cantionum sacrarum … quinque et sex vocum …'']] (RISM 1554/2)|no=14}}<br />
{{Pub|2|1556|in Berg (Montanus) & Neuber, {{NoComp|Evangelia dominicorum et festorum dierum tomus sextus|Berg and Neuber}} (RISM 1556/9)|no=42}}<br />
{{Pub|0|c.1560–70|in Universitätsbibliothek Kassel, 4° Ms. Mus. 91 (hand copied by Johannes Heugel, court composer for Philip of Hesse)|ms=ms|no=34}}<br />
<br />
{{Descr|Among Manchicourt's more than seventy motets, this is the only one with a partial signature (an additional flat in the ''Bassus'' part only), a technique from the earlier generation of Renaissance composers. This motet exemplifies Manchicourt's word-painting skills at their best: he has set the ''Quinta Pars'' to a slow-moving, ostinato-like ''cantus firmus'' — using the opening line of the chant setting of the [[Da pacem, Domine|Votive Antiphon for Peace]] — that stands in stark (and peaceful) contrast to the frenetic movement of the freely composed counterpoint in the other five voices, depicting their relentless and fruitless search for peace.}}<br />
<br />
==Original text and translations==<br />
{{Top}}<br />
{{Text|Latin|<br />
Sustinúimus pacem, et non venit;<br />
:quaesívimus bona, et ecce turbátio.<br />
Cognóscimus, Dómine, peccáta nostra:<br />
:non in perpétuum obliviscáris nos.<br />
<br />
Nos álium deum nescímus praeter Dóminum,<br />
:in quo sperámus, qui non despíciet nos,<br />
:nec amovébit salútem a génere nostro.<br />
Fiat pax in virtúte tua.<br />
<br />
'''''Cantus firmus''''': Da pacem, Dómine, in diébus nostris.}}<br />
{{Middle}}<br />
{{Translation|English|<br />
We have waited for peace, and it has not come;<br />
:we have sought what is good, and behold trouble.<br />
We acknowledge our sins, O Lord:<br />
:do not forget us forever.<br />
<br />
We know no other god but the Lord,<br />
:in whom we trust, who will not despise us,<br />
:nor withhold salvation from our people.<br />
Let peace be within thy strength.<br />
<br />
Give peace in our time, O Lord.}}<br />
{{Bottom}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Sustinuimus_pacem_(Pierre_de_Manchicourt)&diff=1681812Sustinuimus pacem (Pierre de Manchicourt)2022-11-20T03:29:04Z<p>Fysh: /* General Information */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate|2022-11-20}} {{CPDLno|60887}} [[Media:RSU-040_Manchicourt_—_Sustinuimus_pacem_a6_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2022-11-20}}{{ScoreInfo|A4|15|447}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SAATTB, SATTTB or STTTTB), otherwise identical to CPDL #55626 below. New edition as of 20 November 2022.}}<br />
<br />
*{{PostedDate|2022-11-20}} {{CPDLno|55626}} [[Media:RSU-040A_Manchicourt_—_Sustinuimus_pacem_a6_(+1.0)_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040A_+1.0).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2022-11-20}}{{ScoreInfo|A4|15|445}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher (for SAATTB). Original note values retained. Transcribed and edited from both sources listed below. New edition as of 20 November 2022.}}<br />
<br />
==General Information==<br />
'''Title:''' ''Sustinuimus pacem'' (2.p. ''Nos alium deum nescimus'')<br><br />
{{Composer|Pierre de Manchicourt}}<br />
'''Source of text:''' adapted from Jeremiah 14:19–20, Judith 8:19, Psalm 121:7(V)<br />
<br />
{{Voicing|6|SAATTB,SATTTB,STTTTB}}<br />
{{Genre|Sacred|Motets|Responsories}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1554|in Phalèse, [[Cantionum sacrarum liber 2|''Liber secundus cantionum sacrarum … quinque et sex vocum …'']] (RISM 1554/2)|no=14}}<br />
{{Pub|2|1556|in Berg (Montanus) & Neuber, {{NoComp|Evangelia dominicorum et festorum dierum tomus sextus|Berg and Neuber}} (RISM 1556/9)|no=42}}<br />
{{Pub|0|c.1560–70|in Universitätsbibliothek Kassel, 4° Ms. Mus. 91 (hand copied by Johannes Heugel, court composer for Philip of Hesse)|ms=ms|no=34}}<br />
<br />
{{Descr|Among Manchicourt's more than seventy motets, this is the only one with a partial signature (an additional flat in the ''Bassus'' part only), a technique from the earlier generation of Renaissance composers. This motet exemplifies Manchicourt's word-painting skills at their best: he has set the ''Quinta Pars'' to a slow-moving, ostinato-like ''cantus firmus'' — using the opening line of the chant setting of the [[Da pacem, Domine|Votive Antiphon for Peace]] — that stands in stark (and peaceful) contrast to the frenetic movement of the freely composed counterpoint in the other five voices, depicting their relentless and fruitless search for peace.}}<br />
<br />
==Original text and translations==<br />
{{Top}}<br />
{{Text|Latin|<br />
Sustinúimus pacem, et non venit;<br />
:quaesívimus bona, et ecce turbátio.<br />
Cognóscimus, Dómine, peccáta nostra:<br />
:non in perpétuum obliviscáris nos.<br />
<br />
Nos álium deum nescímus praeter Dóminum,<br />
:in quo sperámus, qui non despíciet nos,<br />
:nec amovébit salútem a génere nostro.<br />
Fiat pax in virtúte tua.<br />
<br />
'''''Cantus firmus''''': Da pacem, Dómine, in diébus nostris.}}<br />
{{Middle}}<br />
{{Translation|English|<br />
We have waited for peace, and it has not come;<br />
:we have sought what is good, and behold trouble.<br />
We acknowledge our sins, O Lord:<br />
:do not forget us forever.<br />
<br />
We know no other god but the Lord,<br />
:in whom we trust, who will not despise us,<br />
:nor withhold salvation from our people.<br />
Let peace be within thy strength.<br />
<br />
Give peace in our time, O Lord.}}<br />
{{Bottom}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Sustinuimus_pacem_(Pierre_de_Manchicourt)&diff=1681803Sustinuimus pacem (Pierre de Manchicourt)2022-11-20T03:09:47Z<p>Fysh: New edition, replacing old PDFs and replacing MIDIs with MP3s; updated description.</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
* {{PostedDate|2022-11-20}} {{CPDLno|60887}} [[Media:RSU-040_Manchicourt_—_Sustinuimus_pacem_a6_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2022-11-20}}{{ScoreInfo|A4|15|447}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SAATTB, SATTTB or STTTTB), otherwise identical to CPDL #55626 below. New edition as of 20 November 2022.}}<br />
<br />
*{{PostedDate|2022-11-20}} {{CPDLno|55626}} [[Media:RSU-040A_Manchicourt_—_Sustinuimus_pacem_a6_(+1.0)_(new).pdf|{{pdf}}]] [[Media:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040A_+1.0).mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2022-11-20}}{{ScoreInfo|A4|15|445}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher (for SAATTB). Original note values retained. Transcribed and edited from both sources listed below. New edition as of 20 November 2022.}}<br />
<br />
==General Information==<br />
'''Title:''' ''Sustinuimus pacem'' (2.p. ''Nos alium deum nescimus'')<br><br />
{{Composer|Pierre de Manchicourt}}<br />
'''Source of text:''' adapted from Jeremiah 14:19–20, Judith 8:19, Psalm 121:7(V)<br />
<br />
{{Voicing|6|SAATTB,SATTTB,STTTTB}}<br />
{{Genre|Sacred|Motets|Responsories}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1554|in Phalèse, [[Cantionum sacrarum liber 2|''Liber secundus cantionum sacrarum … quinque et sex vocum …'']] (RISM 1554/2)|no=14}}<br />
{{Pub|2|1556|in Berg (Montanus) & Neuber, {{NoComp|Evangelia dominicorum et festorum dierum tomus sextus|Berg and Neuber}} (RISM 1556/9)|no=42}}<br />
{{Pub|0|c.1560–70|in Universitätsbibliothek Kassel, 4° Ms. Mus. 91 (hand copied by Johannes Heugel, court composer for Philip of Hesse)|ms=ms|no=34}}<br />
<br />
{{Descr|Among Manchicourt's more than seventy motets, this is the only one with a partial signature (an additional flat in the ''Bassus'' part only), a technique from the earlier generation of Renaissance composers. This motet exemplifies Manchicourt's word-painting skills at their best: he has set the ''Quinta Pars'' to a slow-moving, ostinato-like ''cantus firmus'' — using the opening line of the chant ''[[Da pacem, Domine]]'' — that stands in stark (and calm) contrast to the frenetic movement of the freely composed counterpoint in the other five voices, depicting their relentless and fruitless search for peace.}}<br />
==Original text and translations==<br />
{{Top}}<br />
{{Text|Latin|<br />
Sustinúimus pacem, et non venit;<br />
:quaesívimus bona, et ecce turbátio.<br />
Cognóscimus, Dómine, peccáta nostra:<br />
:non in perpétuum obliviscáris nos.<br />
<br />
Nos álium deum nescímus praeter Dóminum,<br />
:in quo sperámus, qui non despíciet nos,<br />
:nec amovébit salútem a génere nostro.<br />
Fiat pax in virtúte tua.<br />
<br />
'''''Cantus firmus''''': Da pacem, Dómine, in diébus nostris.}}<br />
{{Middle}}<br />
{{Translation|English|<br />
We have waited for peace, and it has not come;<br />
:we have sought what is good, and behold trouble.<br />
We acknowledge our sins, O Lord:<br />
:do not forget us forever.<br />
<br />
We know no other god but the Lord,<br />
:in whom we trust, who will not despise us,<br />
:nor withhold salvation from our people.<br />
Let peace be within thy strength.<br />
<br />
Give peace in our time, O Lord.}}<br />
{{Bottom}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=File:RSU-040A_Manchicourt_%E2%80%94_Sustinuimus_pacem_a6_(%2B1.0)_(new).pdf&diff=1681801File:RSU-040A Manchicourt — Sustinuimus pacem a6 (+1.0) (new).pdf2022-11-20T02:58:30Z<p>Fysh: PDF file of Manchicourt, Sustinuimus pacem (transposed up a tone)</p>
<hr />
<div>== Summary ==<br />
PDF file of Manchicourt, Sustinuimus pacem (transposed up a tone)</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=File:RSU-040_Manchicourt_%E2%80%94_Sustinuimus_pacem_a6_(new).pdf&diff=1681800File:RSU-040 Manchicourt — Sustinuimus pacem a6 (new).pdf2022-11-20T02:57:54Z<p>Fysh: PDF file of Manchicourt, Sustinuimus pacem (at original notated pitch)</p>
<hr />
<div>== Summary ==<br />
PDF file of Manchicourt, Sustinuimus pacem (at original notated pitch)</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=File:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040A_%2B1.0).mp3&diff=1681797File:Manchicourt - Sustinuimus pacem a6 (RSU-040A +1.0).mp32022-11-20T02:50:21Z<p>Fysh: MP3 file of Manchicourt, Sustinuimus pacem (transposed up a tone)</p>
<hr />
<div>== Summary ==<br />
MP3 file of Manchicourt, Sustinuimus pacem (transposed up a tone)</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=File:Manchicourt_-_Sustinuimus_pacem_a6_(RSU-040).mp3&diff=1681796File:Manchicourt - Sustinuimus pacem a6 (RSU-040).mp32022-11-20T02:49:47Z<p>Fysh: MP3 file of Manchicourt, Sustinuimus pacem (at original notated pitch)</p>
<hr />
<div>== Summary ==<br />
MP3 file of Manchicourt, Sustinuimus pacem (at original notated pitch)</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1666494Pierre de Manchicourt2022-10-03T11:07:05Z<p>Fysh: /* Masses, mass section, Magnificat */</p>
<hr />
<div>'''Aliases:''' Mancicourt, Manchicurti<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Jehan L'Heritier|L’Héritier]]’s motet</small><br />
{{middle}}<br />
*[[Missa Noe, noe (Pierre de Manchicourt)|Missa ''Noe, noe'']] 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*[[Missa Reges terrae a 4 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*[[Missa Reges terrae a 6 (Pierre de Manchicourt)|Missa ''Reges terrae'']] 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*[[Missa Veni Sancte Spiritus (Pierre de Manchicourt)|Missa ''Veni Sancte Spiritus'']] 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains three 4vv motets (one of which is attributed here to Gombert) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1666491Pierre de Manchicourt2022-10-03T10:35:44Z<p>Fysh: /* Summary of secular works in French available at CPDL (listed automatically) */</p>
<hr />
<div>'''Aliases:''' Mancicourt, Manchicurti<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
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*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Jehan L'Heritier|L’Héritier]]’s motet</small><br />
{{middle}}<br />
*{{NoCo|Missa Noe noe|Missa Noe, noe}} 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*{{NoCo|Missa Reges terrae a 4|Missa Reges terrae I}} 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*{{NoCo|Missa Reges terrae a 6|Missa Reges terrae II}} 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*Missa ''Veni Sancte Spiritus'' 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
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====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
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*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
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====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
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*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
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====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
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===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
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====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
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====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
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====Summary of French ''chansons'' available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
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==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains three 4vv motets (one of which is attributed here to Gombert) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
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{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1666490Pierre de Manchicourt2022-10-03T10:34:41Z<p>Fysh: /* Summary of secular works available at CPDL (listed automatically) */</p>
<hr />
<div>'''Aliases:''' Mancicourt, Manchicurti<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
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'''Died:''' 5 October 1564, Madrid<br />
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'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
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The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
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==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
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====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Jehan L'Heritier|L’Héritier]]’s motet</small><br />
{{middle}}<br />
*{{NoCo|Missa Noe noe|Missa Noe, noe}} 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*{{NoCo|Missa Reges terrae a 4|Missa Reges terrae I}} 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*{{NoCo|Missa Reges terrae a 6|Missa Reges terrae II}} 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*Missa ''Veni Sancte Spiritus'' 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
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<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of secular works in French available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music&&Works in French|cols=3}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains three 4vv motets (one of which is attributed here to Gombert) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1666489Pierre de Manchicourt2022-10-03T10:10:05Z<p>Fysh: /* Masses, mass section, Magnificat */</p>
<hr />
<div>'''Aliases:''' Mancicourt, Manchicurti<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
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===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
{{top}}<br />
*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Jehan L'Heritier|L’Héritier]]’s motet</small><br />
{{middle}}<br />
*{{NoCo|Missa Noe noe|Missa Noe, noe}} 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*{{NoCo|Missa Reges terrae a 4|Missa Reges terrae I}} 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*{{NoCo|Missa Reges terrae a 6|Missa Reges terrae II}} 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*Missa ''Veni Sancte Spiritus'' 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''NOTES:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
{{top}}<br />
*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
{{top}}<br />
*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
{{btm}}<br />
<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
{{top}}<br />
*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
{{top}}<br />
*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of secular works available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music|cols=3}}<br />
{{ArrangementsList}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains three 4vv motets (one of which is attributed here to Gombert) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Pierre_de_Manchicourt&diff=1666488Pierre de Manchicourt2022-10-03T10:05:54Z<p>Fysh: /* Life */</p>
<hr />
<div>'''Aliases:''' Mancicourt, Manchicurti<br />
==Life==<br />
'''Born:''' c. 1510, Béthune (then County of Artois, Habsburg Netherlands; now Pas-de-Calais, France)<br />
<br />
'''Died:''' 5 October 1564, Madrid<br />
<br />
'''Biography'''<br />
<br />
Few records of Manchicourt's life survive: what we know of his life and work is obtained primarily from publications of his works. The earliest known information indicates that in 1525 he was a choirboy at Arras. By 1539, he was provost at the cathedral in Tours, where he would have had access to a considerable library of the works of the great master, and previous incumbent, [[Johannes Ockeghem]]. For at least nine years, from 1545 to 1554, he held the post of ''maître de chapelle'' at Nôtre-Dame Cathedral in Tournai; [[Nicolas Gombert]], whose compositional influence is clearly evident in much of Manchicourt’s output, was a canon of the Cathedral throughout Manchicourt’s tenure. On the death of the incumbent, [[Nicolas Payen]], in 1559, Manchicourt was appointed ''maestro de capilla flamenca'' (master of the Flemish chapel) at the court of Philip II in Madrid, which post he held until his death five years later. He was succeeded in 1565 by [[Jean de Bonmarché]], continuing an unbroken line of Flemish incumbents stretching back to [[Marbrianus de Orto]] in 1512. <br><br />
<br />
The fact that Pierre Attaingnant, publisher of the French Royal Court, devoted his fourteenth and final volume of motets in 1539 entirely to Manchicourt's work (an honour emulated by Flemish publishers Susato and Phalèse in 1545 and 1554 respectively) bears testament to the composer's reputation in his day. Around the time of his death, Manchicourt's highly polyphonic style of composition rapidly went out of fashion — a fate shared with his contemporaries [[Nicolas Gombert|Gombert]], [[Jacobus Clemens non Papa|Jacobus Clemens]] and [[Thomas Crecquillon]] — as the liturgical reforms of the Council of Trent took hold, marking the transition from the High Renaissance to the less florid Late-Renaissance style of Victoria and Palestrina.<br />
<br />
{{Whatlinkshere}}<br />
{{WikipediaLink}}<br />
<br />
==List of choral works==<br />
<br />
===Sacred works===<br />
Manchicourt’s sacred works appear in more than fifty printed collections and at least twenty hand-copied manuscripts, dating from 1532 through to the late 16th century. His surviving sacred output consists of nineteen masses, a mass section, a ''Magnificat'', 71 motets and two ''chansons spirituelles''. A further nine sacred works — polychoral psalm settings — are contained in a degraded manuscript in Zaragoza ([http://www.diamm.ac.uk/jsp/Descriptions?op=SOURCE&sourceKey=2491 E–Zvp Armario C-3, MS 14]) whose contents are not documented.<br />
<br />
====Masses, mass section, Magnificat====<br />
Manchicourt’s surviving complete masses consist of eighteen settings of the Mass Ordinary and a setting of the Ordinary and Propers of the Mass for the Dead. Most of the former are parody masses, based either on his own motet (three settings) or on sacred or secular works by other Franco-Flemish composers (eleven settings). Two mass settings are based on unidentified models, and the remaining two use Gregorian chant as their basis (likewise the ''Missa de Requiem''). As was common practice, the final ''Agnus Dei'' of many of the mass settings includes one or two additional voice parts: such cases are indicated by a number in parentheses.<br />
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*Missa ''Ceste une dure departie'' 4vv — <small>on [[Cest une dure departie (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Congratulamini'' 4(6)vv — <small>on [[Congratulamini mihi omnes (Claudin de Sermisy)|Sermisy’s motet]]? (see Note 1.)</small><br />
*Missa ''Cuidez vous que Dieu'' 5(6)vv — <small>on [[Cuidez vous que Dieu nous faille (Jean Richafort)|Richafort’s ''chanson'']]</small><br />
*Missa ''De retourner'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/6]</small><br />
*Missa ''Deus in adjutorium'' 4(5)vv — <small>on [[Claudin de Sermisy|Sermisy]]’s motet</small><br />
*''Missa de Domina Virgine Maria'' 5(6)vv — <small>on Mass IV, IX as in ''[[Liber Usualis]]''</small><br />
*Missa ''Ego flos campi'' 4vv — <small> on [[Guillaume Le Heurteur|Le Heurteur]]’s motet? (see Note 2.)</small><br />
*Missa ''Gris et tannet'' 4(5)vv — <small>on [[Gris et tenné (Claudin de Sermisy)|Sermisy’s ''chanson'']]</small><br />
*Missa ''Nisi Dominus'' 4(5)vv — <small>on [[Jehan L'Heritier|L’Héritier]]’s motet</small><br />
{{middle}}<br />
*{{NoCo|Missa Noe noe|Missa Noe, noe}} 4(6)vv — <small>on [[Noe, noe psallite (Jean Mouton)|Mouton’s motet]]</small><br />
*Missa ''Non conturbetur cor vestrum'' 4(5)vv — <small>on [[Non conturbetur cor vestrum (Pierre de Manchicourt)|his own (or Gosse’s?) motet]]</small><br />
*Missa ''Povre cuer'' 4vv — <small>on an anon. ''chanson'' [in Attaingnant, RISM 1528/4]</small><br />
*Missa ''Quo abiit dilectus tuus'' 4(5)vv — <small>on [[Quo abiit dilectus tuus (Pierre de Manchicourt)|his own motet]]</small><br />
*{{NoCo|Missa Reges terrae a 4|Missa Reges terrae I}} 4(5)vv <small>[E-Mo 768, c.1545–55]</small> — <small>on [[Reges terrae congregati sunt (Jean Mouton)|Mouton’s motet]]</small><br />
*{{NoCo|Missa Reges terrae a 6|Missa Reges terrae II}} 6vv <small>[B-Bcx 27087, c.1549]</small> — <small>on [[Reges terrae (Pierre de Manchicourt)|his own motet]]</small><br />
*Missa ''Se dire je losoie'' 4(5)vv — <small>on [[Benedictus Appenzeller|Appenzeller]]'s ''chanson''? (see Note 3.)</small><br />
*Missa ''Surge et illuminare'' 4(5)vv — <small>on an unidentified model</small><br />
*Missa ''Veni Sancte Spiritus'' 6vv — <small>on [[Veni Sancte Spiritus|the Sequence for Pentecost]]</small><br />
{{btm}}<br />
{{top}}<br />
*''{{NoCo|Missa de Requiem}}'' 5vv — <small>using chant settings of the Ordinary and Propers of the Mass for the Dead (Parisian Rite) as a ''cantus firmus'', similar to [[Missa pro defunctis (Jean Richafort)|Richafort's ''Requiem'']]</small><br />
*''Domine Deus'' 2vv — <small>mass fragment published in a collection of 2vv works [Gardano, RISM 1543/19] that includes mass fragments from other composers</small><br />
*''Magnificat secundi toni'' 4(5)vv — <small>alternating verses of polyphony and Tone II chant, published in a collection of Magnificat settings [Attaingnant, RISM 1534/7]</small><br />
{{btm}}<br />
<br />
<small>''Notes:''</br><br />
1. Grove identifies no model, but there is very clear motivic correlation with Sermisy’s motet that was first published in 1539 and thus pre-dates the mass (which is annotated ‘1547’ in its source). Manchicourt based three other mass settings on works by Sermisy. </br><br />
2. Despite Grove’s attribution, there appears to be no such motet by [[Guillaume Le Heurteur]] among his known works, nor any other surviving setting of ''Ego flos campi'' that predates the mass (whose only surviving source dates from c.1545–55) and resembles its motifs. </br><br />
3. Although Grove states that [[Se dire je losoye (Nicolas Gombert)|Nicolas Gombert’s five-voice ''chanson'']] of the same name is the model, the motifs in the mass more closely resemble [[Benedictus Appenzeller]]'s four-voice setting: most notably, the opening phrase of the ''Kyrie'' — where direct quoting of the model is to be expected — is identical to the opening phrase of Appenzeller’s <i>chanson</i>. [[Thomas Crecquillon]] wrote a five-voice mass setting on the same Appenzeller <i>chanson</i>. </small><br />
<br />
====Latin sacred motets====<br />
The 71 sacred motets attributed to Manchicourt include one with doubtful attribution (^^), one with doubtful attribution to another composer (^), five with unresolved conflicting attribution (?), and two ''contrafacta'' of other Manchicourt motets (°).<br />
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*{{NoCo|Accessit ad Jesum}} 5vv (2.p. Respondens autem Jesus)<br />
*Adorna thalamum tuum, Sion 4vv (2.p. Suscipiens Simeon Jesus)<br />
*{{NoCo|Audi, filia, et vide}} 5vv (2.p. Pro patribus tuis)<br />
*{{NoCo|Audivi vocem de caelo}} 6vv (2.p. Et vox de throno)<br />
*{{NoCo|Ave stella matutina}} 5vv (2.p. Tu es area compluta)<br />
*Ave virgo Cecilia 4vv (2.p. Ave virgo prudens)<br />
*{{NoCo|Ave virgo gloriosa}} 4vv<br />
*° Ave virgo prudentissima 4vv (2.p. Quae est ista) — <small>''contrafactum'' of Ave virgo Cecilia</small><br />
*{{NoCo|Benedic anima mea}} 4vv (2.p. Miserator et misericors Dominus)<br />
*{{NoCo|Cantantibus organis}} 4vv (2.p. Caecilia virgo gloriosa)<br />
*{{NoCo|Caro mea vere est cibus}} 5vv (2.p. Hic est panis)<br />
*{{NoCo|Congratulamini mihi — Tulerunt Dominum|Congratulamini mihi}} 5vv (2.p. Tulerunt Dominum)<br />
*{{NoCo|Congratulamini mihi — Et beatam me dicent|Congratulamini mihi}} 5vv (2.p. Et beatam me dicent)<br />
*De profundis clamavi 5vv (2.p. Sustinuit anima mea)<br />
*{{NoCo|Dilectus meus descendit in hortum suum}} 4vv (2.p. Revertere dilecte mi)<br />
*{{NoCo|Domine Jesu Christe}} 4vv<br />
*? {{NoCo|Domine non secundum peccata nostra|Domine, non secundum peccata}} 4vv (2.p. Quare memento) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*Domine, peccavi 4vv<br />
*{{NoCo|Dulcis mater, dulci nato}} 6vv (2.p. Inclina, mater misericordiae)<br />
*Ecce nos reliquimus omnia 5vv (2.p. Et omnis qui reliquerit)<br />
*Ecce odor filii mei 4vv (2.p. Esto Dominus fratrum tuorum)<br />
*{{NoCo|Ego sum panis vivus}} 5vv (2.p. Caro enim mea)<br />
*{{NoCo|Emendemus in melius}} 5vv (2.p. Peccavimus cum patribus)<br />
*Exaudiat te Dominus 5vv (2.p. Impleat Dominus)<br />
*Fundata est domus Domini 5vv (2.p. Benedic Domine domum)<br />
*{{NoCo|Homo quidam fecit}} 6vv (2.p. Gaudeamus et exultemus)<br />
*{{NoCo|Illuminare, Jerusalem}} 6vv (2.p. Filii tui de longe venient)<br />
*In omnibus requiem 5vv (2.p. Et radicavi in populo)<br />
*Interrogabat magos Herodes 5vv (2.p. Et ecce stella)<br />
*^^ ''[[Ite in orbem (Jacobus Clemens non Papa)|Ite in orbem]]'' 5vv (2.p. Signa eos) — <small>attributed to [[Jacobus Clemens non Papa|Clemens]] in fifteen of sixteen sources</small><br />
*{{NoCo|Jubilate Deo|Jubilate Deo adjutori meo}} 6vv (2.p. Si dormiero)<br />
*{{NoCo|Laudate Dominum}} 6vv (2.p. Plaudite ergo, omnes gentes)<br />
*Laudem dicite Deo nostro 5vv (2.p. Laudate Dominum Deum)<br />
*Lux de caelo adveniens 4vv (2.p. Te expectat chorus angelorum)<br />
*? {{NoCo|Maria Magdalene}} 5vv (2.p. Cito euntes dicite discipulis) – <small>attributed to [[Nicolas Gombert|Gombert]] in later sources </small><br />
*{{NoCo|Media vita in morte sumus}} 4vv (2.p. Sancte Deus, sancte fortis)<br />
{{middle}}<br />
*{{NoCo|Ne derelinquas me, Domine}} 4vv (2.p. Propterea confitebor tibi, Domine)<br />
*{{NoCo|Ne reminiscaris|Ne reminiscaris, Domine}} 4vv<br />
*? {{NoCo|Non conturbetur cor vestrum}} 4vv (2.p. Ego rogabo Patrem meum) — <small>attributed to [[Maître Gosse]] in earlier sources</small><br />
*{{NoCo|O bone Jesu|O bone Jesu, salvator mundi}} 4vv — <small>''‘incertus autor’'' in its [[Ecclesiasticarum cantionum quatuor vocum, liber 4|original source]]</small><br />
*{{NoCo|O crux splendidior}} 5vv (2.p. Nobile lignum exalta)<br />
*O crux viride lignum 5vv (2.p. Salus omnium populorum)<br />
*{{NoCo|O Emmanuel}} …Rex et legifer noster 4vv<br />
*{{NoCo|O intemerata}} 4vv (2.p. O virgo gloriosa)<br />
*{{NoCo|O Thoma didyme}} …per Christum meruisti tangere 5vv<br />
*{{NoCo|O Virgo Virginum}} …quomodo fiet istud 6vv<br />
*{{NoCo|Osculetur me}} 6vv (2.p. Trahe me post te)<br />
*Paratum cor meum 4vv (2.p. Exaltare in virtute)<br />
*{{NoCo|Pater peccavi (5vv)|Pater peccavi}} 5vv (2.p. Quanti mercenarii) <small>[[Sacrarum cantionum, liber 2 (Tielman Susato)|[Susato, 1546]]]</small><br />
*? {{NoCo|Pater peccavi (4vv)|Pater peccavi}} 4vv (2.p. Quanti mercenarii) <small>[Berg & Neuber, 1546]</small> — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in later sources </small><br />
*{{NoCo|Peccantem me quotidie}} 4vv (2.p. Commissa mea pavesco)<br />
*Peccata mea, Domine 5vv (2.p. Quoniam iniquitatem)<br />
*{{NoCo|Proba me domine|Proba me, Domine}} 4vv (2.p. Respice in me, Deus)<br />
*Puer qui natus est 5vv (2.p. Hic praecursor dilectus)<br />
*{{NoCo|Quae est ista quae ascendit}} 6vv (2.p. Ista est speciosa)<br />
*{{NoCo|Quo abiit dilectus tuus}} 4vv (2.p. Qualis est dilectus tuus)<br />
*Quousque Domine 5vv (2.p. Et ne negligas)<br />
*{{NoCo|Recordare, Domine, testamenti tui}} 5vv (2.p. Quiescat, Domine, ira tua)<br />
*{{NoCo|Reges terrae|Reges terrae congregati sunt}} 6vv (2.p. Et venientes invenerunt)<br />
*{{NoCo|Regina caeli laetare}} 6vv (2.p. Resurrexit, sicut dixit)<br />
*^° Salva nos, Christe 8vv (2.p. Dulce lignum) — <small>''contrafactum'' of {{NoCo|Vidi speciosam}}, attributed to [[Jacobus Clemens non Papa|Clemens]]</small><br />
*{{NoCo|Si bona suscepimus}} 5vv (2.p. Tribularer si nescirem)<br />
*? Super montem excelsum 4vv (2.p. Judaea et Jerusalem) — <small> attributed to [[Jacobus Clemens non Papa|Clemens]] in a much later source </small><br />
*{{NoCo|Sustinuimus pacem}} 6vv (2.p. Nos alium deum nescimus)<br />
*Tanto tempore vobiscum sum 5vv (2.p. Si cognovissetis me)<br />
*{{NoCo|Tota pulchra es, amica mea}} 6vv (2.p. Flores apparuerunt)<br />
*{{NoCo|Usquequo piger dormies}} 4vv (2.p. Vade ad formicam)<br />
*{{NoCo|Veniat dilectus meus}} 6vv (2.p. Qualis est dilectus tuus)<br />
*Vere Dominus est in loco isto 5vv (2.p. Haec est domus Domini)<br />
*{{NoCo|Vias tuas Domine demonstra mihi}} 4vv (2.p. Eripe me de inimicis meis)<br />
*{{NoCo|Vidi speciosam}} 8vv (2.p. Quae est ista quae processit)<br />
{{btm}}<br />
<br />
====''Chansons spirituelles''====<br />
These two ''chansons'' are a French paraphrase of [[Psalm 130]], and appear in one printed source as two ''partes'' of a single work:<br />
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*{{NoCo|Du fond de ma pensee|Du fond de ma pensée}} 4vv<br />
*{{NoCo|En Dieu me consolle|En Dieu [je] me consolle}} 4vv<br />
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<br />
====Summary of sacred works available at CPDL (listed automatically)====<br />
{{#SortWorks:Sacred music|cols=3}}<br />
<br />
===Secular works===<br />
Manchicourt's surviving secular output includes three dedicatory motets, and fifty French ''chansons'' that appear in at least sixteen publications (including one devoted entirely to Manchicourt's works).<br />
<br />
====Latin dedicatory motets====<br />
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*Nunc enim si centum 4vv (2.p. Ne dubitatis; 3.p. Innumeras unus) – <small>in praise of Charles V</small><br />
*Nil pace est melius 5vv (2.p. Vive igitur felix) – <small>in celebration of a treaty restoring possessions to Duke Moritz of Saxony</small><br />
*O decus, o patrie lux 5vv (2.p. Salve, pontificum) — <small>in praise of Cardinal Granvelle, patron of the arts, to whom Manchicourt dedicated his 1554 volume of motets</small><br />
{{btm}}<br />
<br />
====''Chansons''====<br />
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*{{NoCo|A Dieu celle|A Dieu celle qui t’ay servi}} 4vv<br />
*{{NoCo|Allons, allons gay|Allons gay gaiement ma mignonne}} 6vv<br />
*Amour cruel de sa nature 2vv<br />
*{{NoCo|Ayme qui vouldra}} 4vv<br />
*{{NoCo|Celle qui a facheux|Celle qui a facheulx mari}} 4vv<br />
*{{NoCo|Damours me vient|D’amour me vient tout a rebours}} 4vv<br />
*Deux cueurs voulans 2vv<br />
*{{NoCo|Dictes pourquoy|Dictes pourquoy vostre amitié s’efface}} 4vv<br />
*{{NoCo|Doulce mémoire}} 2vv<br />
*{{NoCo|Elle a mon cueur}} 4vv<br />
*{{NoCo|En esperant souvent|En espérant souvent espoir m’asseure}} 4vv<br />
*{{NoCo|Faulte d'argent|Faulte d’argent}} 8vv<br />
*{{NoCo|Hellas amour|Héllas amour puis que tu m’as attaint}} 4vv<br />
*{{NoCo|Jamais ung cueur|Jamais ung cueur qui d’amour est navré}} 4vv<br />
*{{NoCo|Jay veu le cerf|Jay veu le cerf du bois sallir}} 4vv<br />
*{{NoCo|Je changeray|Je changeray quoy qu’il m’en doibt advenir}} 4vv<br />
*Je ne puys pas mon grand douel 2vv<br />
*Je veulx tousiours obeir 2vv<br />
*{{NoCo|Jeune gallant|Jeune gallant qui d’envieulx effort}} 4vv<br />
*{{NoCo|L'Homme qui est|L’homme qui est en ce monde présent}} 4vv<br />
*{{NoCo|Loeul donne au cueur|L’oeul donne au cueur par son aspect adresse}} 4vv<br />
*{{NoCo|Las ne fauldra|Las ne fauldra c’est chose toutte seure}} 4vv<br />
*{{NoCo|Las qu'on congnust|Las qu’on cognoist mon voloir sans le dire}} 4vv<br />
*{{NoCo|Loing de tes yeulx}} 4vv<br />
*{{NoCo|Long temps mon cueur|Long temps mon cueur languissoit}} 4vv<br />
{{middle}}<br />
*{{NoCo|Mon bon vouloir}} 4vv<br />
*Mon cueur voulut 2vv<br />
*{{NoCo|Mon seul espoir|Mon seul espoir le plaisir de ma vie}} 4vv<br />
*{{NoCo|O cruaulté|O cruaulté logée en grand beaulté}} 4vv<br />
*{{NoCo|O mille fois|O mille fois la liberté heureuse}} 4vv<br />
*Par trop aymer ma dame 4vv<br />
*Pauvre martyrs qui voz femmes guettes 4vv<br />
*{{NoCo|Petit Jacquet|Petit Jacquet estoit en la cuisinne}} 4vv<br />
*{{NoCo|Pour parvenir|Pour parvenir a la fin désirée}} 4vv<br />
*{{NoCo|Pourquoy m'es tu|Pourquoy m’es tu tant ennemye}} 4vv<br />
*Pren de bon cueur 4vv<br />
*Prenez pitiez du grand mal 5vv<br />
*{{NoCo|Que puis ie lors|Que puis je lors quant mon malheur}} 4vv<br />
*{{NoCo|Reposons nous|Reposons nous entre nous amoureulx}} 4vv<br />
*{{NoCo|Si franchement declaires}} 4vv<br />
*{{NoCo|Si mon plaisir|Si mon plaisir s’est tournée en desplaisir}} 4vv<br />
*{{NoCo|Si mon traveil|Si mon traveil vous peult donner plaisir}} 5vv<br />
*{{NoCo|Si pour aymer|Si pour aymer et désirer}} 4vv<br />
*{{NoCo|Sortes mes pleurs|Sortes mes pleurs hastes vous de descendre}} 4vv<br />
*Sy mon malheur 2vv<br />
*Tout mon espoir, confort et jouyssance 4vv<br />
*{{NoCo|Ung diable blanc|Ung diable blanc come le jour poindoit}} 4vv<br />
*{{NoCo|Ung doulx regard|Ung doulx regard ung parler amoureulx}} 4vv<br />
*{{NoCo|Voyant souffrir celle|Voyant souffrir celle qui me tourmente}} 4vv<br />
*{{NoCo|Voyez le iour|Voyez le jour et nuict tourne}} 4vv<br />
{{btm}}<br />
<br />
====Summary of secular works available at CPDL (listed automatically)====<br />
{{#SortWorks:Secular music|cols=3}}<br />
{{ArrangementsList}}<br />
{{CheckMissing}}<br />
<br />
==Publications==<br />
Three of the pre-eminent publishers of the mid-16th century each devoted one of their volumes solely to Manchicourt’s works:<br />
* ''[[Motettorum, Book 14 (Pierre Attaingnant)|Motettorum, Book 14]]'' (Pierre Attaingnant, Paris, 1539, reprinted 1545) — <small> contains thirteen 4vv, four 5vv and two 6vv motets </small><br />
* {{NoCo|Neufiesme livre des chansons a quatre parties}} (Tielman Susato, Antwerp, 1545) — <small> contains twenty-eight 4vv and one 5vv ''chansons'' </small><br />
* ''[[Cantionum sacrarum liber 5 (Pierre de Manchicourt)|Cantionum sacrarum liber 5]]'' (Pierre Phalèse, Leuven, 1554, reprinted 1558 and 1560) — <small> contains nine 5vv and five 6vv motets </small><br />
Two manuscripts that contain only Manchicourt’s works are held in the library of the Benedictine monastery in Montserrat, Catalunya:<br />
*Montserrat, Biblioteca del Monestir, MS 768 ‘''Douze messe musicales composees par M.P. de Manchicourt''’ (Brussels, c.1545–55) — <small> from the court of Mary of Hungary (daughter of Philip the Fair and Juana of Spain, and Regent of the Netherlands 1531–55); contains twelve of his nineteen mass settings </small><br />
*Montserrat, Biblioteca del Monestir, MS 772 ‘''Liber quatuor missarum musicalium nec non aliquot carminum ecclesiasticorum Petre de Manchicourt''’ (Madrid, c.1560) — <small> possibly copied by the composer himself during his tenure in the Court of Philip II; contains four mass settings, one 6vv motet, seven 5vv motets and three 4vv motets </small><br />
Manchicourt's works also appear in numerous printed collections from 1532 to 1580, including the following that are catalogued at CPDL:<br />
;Masses<br />
*''[[Viginti missarum musicalium (Pierre Attaingnant)|Viginti missarum musicalium]]'' (Attaingnant, 1532) — <small> contains two mass settings, one of which opens the first of the seven volumes of this collection </small><br />
;Motets<br />
*''[[Motteti del Fiore secundus liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore secundus liber cum quatuor vocibus]]'' (Jacques Moderne, Lyon, 1532) — <small> contains two 4vv motets </small><br />
*''[[Motettorum, Book 7 (Pierre Attaingnant)|Motettorum, Book 7]]'' (Attaingnant, 1534) — <small> contains one each 4vv, 5vv and 6vv Magnificat antiphons for Advent </small><br />
*''[[Motettorum, Book 13 (Pierre Attaingnant)|Motettorum, Book 13]]'' (Attaingnant, 1535) — <small> contains one 5vv motet</small><br />
*''[[Quartus liber mottetorum ad quinque et sex voces (Jacques Moderne)|Quartus liber mottetorum ad quinque et sex voces]]'' (Moderne, 1539) — <small> contains two 5vv motets </small><br />
*''[[Fior de mottetti secundus liber cum quinque vocibus (Antonio Gardano)|Fior de mottetti secundus liber cum quinque vocibus]]'' (Antonio Gardano, Venice, 1539) — <small> contains two 5vv motets </small><br />
*''[[Musica quinque vocum liber primus (Nicolas Gombert)]]'' (Girolamo Scotto, Venice, 1539) — <small> contains one 5vv motet (attributed to Gombert) </small><br />
*''[[Motteti del Fiore tertius liber cum quatuor vocibus (Jacques Moderne)|Motteti del fiore tertius liber cum quatuor vocibus]]'' (Moderne, 1539) — <small> contains one 4vv motet </small><br />
*''[[Excellentiss. autorum liber primus quatuor vocum|Primus liber cum quatuor vocibus … Mottetti del frutto a quatro]]'' (Gardano, 1539, reprinted 1549) — <small> contains one 4vv motet </small><br />
*''[[Motectorum liber secundus quatuor vocum (Nicolas Gombert)|Motectorum Nicolai Gomberti liber secundus, quatuor vocum]]'' (Scotto, 1541) — <small> contains one 4vv motet (attributed to Gombert) </small><br />
*''[[Sacrarum cantionum, liber 2 (Tielman Susato)|Sacrarum cantionum, liber 2]]'' (Susato, 1546) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum, liber 3 (Tielman Susato)|Sacrarum cantionum, liber 3]]'' (Susato, 1547) — <small> contains two 4vv motets </small><br />
*''[[Sacrarum cantionum, liber 4 (Tielman Susato)|Sacrarum cantionum, liber 4]]'' (Susato, 1547) — <small> contains one 4vv motet </small><br />
*''[[Psalmorum selectorum, tomus 1-4 (Johann vom Berg)|Tomus secundus psalmorum selectorum quatuor et plurimum vocum]]'' (Johann vom Berg & Ulrich Neuber, Nürnberg, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 2]]'' (Susato, 1553) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 3]]'' (Susato, 1553) — <small> contains two 4vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 5]]'' (Susato, 1553) — <small> contains three 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 7]]'' (Susato, 1553) — <small> contains one 5vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 14]]'' (Susato, 1553, reprinted 1557 and 1558) — <small> contains four 5vv motets </small><br />
*''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]'' (Susato, 1554) — <small> contains one 4vv motet </small><br />
*''[[Ecclesiasticarum cantionum quinque vocum, liber 9]]'' (Susato, 1554) — <small> contains one 5vv motet </small><br />
*''[[Sacrarum cantionum … quinque et sex vocum, liber 1|Sacrarum cantionum quinque et sex vocum, liber 1]]'' (Hubert Waelrant & Jan de Laet, Antwerp, 1554) — <small> contains one 5vv and one 6vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus primus (Berg and Neuber)| Evangelia dominicorum et festorum dierum tomus primus]]'' (Berg & Neuber, 1554) — <small> contains one 5vv motet </small><br />
*''[[Motetti del laberinto libro secondo (Girolamo Scotto)|Motetti del laberinto libro secondo]]'' (Scotto, 1554) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 1]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 5vv motet </small><br />
*''[[Cantionum sacrarum liber 2]]'' (Phalèse, 1554, reprinted 1555) — <small> contains one 6vv motet </small><br />
*''[[Cantionum sacrarum liber 3]]'' (Phalèse, 1554) — <small> contains one 5vv and two 6vv motets </small><br />
*''[[Cantionum sacrarum liber 4]]'' (Phalèse, 1554, reprinted 1555 and 1557) — <small> contains one 4vv motet </small><br />
*''[[Cantionum sacrarum liber 8]]'' (Phalèse, 1555, reprinted 1556 and 1558) — <small> contains one 5vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus secundus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus secundus]]'' (Berg & Neuber, 1555) — <small> contains one 4vv motet </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus tertius (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus tertius]]'' (Berg & Neuber, 1555) — <small> contains two 5vv motets </small><br />
*''[[Evangelia dominicorum et festorum dierum tomus sextus (Berg and Neuber)|Evangelia dominicorum et festorum dierum tomus sextus]]'' (Berg & Neuber, 1556) — <small> contains three 4vv motets (one of which is attributed here to Gombert) and one 6vv motet </small><br />
*''[[Sacrarum cantionum … quatuor vocum, liber 2]]'' (Waelrant & Laet, 1556) — <small> contains one 4vv motet </small><br />
*''[[Novum et insigne opus musicum (Berg and Neuber)|Novum et insigne opus musicum … cantionum sex vocum]]'' (Berg & Neuber, 1558) — <small> contains one 6vv motet </small><br />
*''[[Thesaurus Musicus (1564)|Thesaurus musicus, tomi primi]]'' (Berg & Neuber, 1564) — <small> contains his only 8vv motet (and its ''contrafactum'' dubiously attributed to Clemens) </small><br />
;''Chansons''<br />
*''[[Vingt et sept chansons musicales à quatre parties (Pierre Attaingnant)|Vingt et sept chansons musicales à quatre parties]]'' (Attaingnant, 1533) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Le Parangon des chansons, livre 2 (Jacques Moderne)|Le parangon des chansons. Second livre contenant XXXI chansons … ]]'' (Moderne, 1538, reprinted 1540) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 13: 19 chansons a 4 (Pierre Attaingnant)|Tresiesme livre contenant XIX chansons nouvelles a quatre parties … ]]'' (Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 14: 29 chansons a 4 (Pierre Attaingnant)|Quatorsiesme livre contenant XXIX chansons nouvelles a quatre parties … ]]''(Attaingnant, 1543) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Second livre des chansons a quatre parties (Tielman Susato)|Second livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains five 4vv ''chansons'' </small><br />
*''[[Quatrieme livre des chansons a quatre parties (Tielman Susato)|Quatrieme livre des chansons a quatre parties]]'' (Susato, 1544) — <small> contains three 4vv ''chansons'' </small><br />
*''[[Sixiesme livre contenant trente et une chansons nouvelles a cinq et six parties (Tielman Susato)|Sixiesme livre contenant XXXI chansons nouvelles a cinq et six parties]]'' (Susato, 1545) — <small> contains his only 6vv ''chanson'' </small><br />
*''[[Bicinia gallica, latina et germanica 2 (Georg Rhau)|Secundus tomus biciniorum … gallica, latina, germanica]]'' (Georg Rhau, Wittenberg, 1545) — <small> contains all seven 2vv ''chansons'' </small><br />
*''[[Livre 16: 29 chansons a 4 (Pierre Attaingnant)|Seysiesme livre contenant XXIX chansons … a quatre parties]]'' (Attaingnant, 1545) — <small> contains one 4vv ''chanson'' </small><br />
*''[[Livre 20: 28 chansons a 4 (Pierre Attaingnant)|Vingtiesme livre contenant XXVIII chansons … a quatre parties]]'' (Attaingnant, 1546) — <small> contains two 4vv ''chansons'' </small><br />
*''[[Treziesme livre contenant vingt et deux chansons (Tielman Susato)|Treziesme livre contenant XXII chansons nouvelles a six et a huyt parties]]'' (Susato, 1550) — <small> contains his only 8vv ''chanson'' </small><br />
*''[[Quatriesme livre des chansons a quatre parties (Pierre Phalèse)|Quatriesme livre des chansons a quatre parties]]'' (Phalèse, 1552) – <small> contains two 4vv ''chansons'' </small><br />
*''[[Secund livre des chansons a cinq et six parties (Pierre Phalèse)|Second livre des chansons a cinq et six parties]]'' (Phalèse, 1553) – <small> contains one 5vv ''chanson'' </small><br />
<br />
==External links==<br />
{{IMSLP}}<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:Unknown births]]<br />
[[Category:1510 births]]<br />
[[Category:1564 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Franco-Flemish composers]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Missa_pro_defunctis_(Jean_Richafort)&diff=1665316Missa pro defunctis (Jean Richafort)2022-09-27T09:33:56Z<p>Fysh: /* Music files */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70948}} [[Media:RSU-057B_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(-1.0).pdf|{{pdf}}]]<br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1083}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone lower, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70947}} [[Media:RSU-057A_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(+1.0).pdf|{{pdf}}]]<br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1068}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate| 2020-04-19}} {{CPDLno|58061}} [[Media:RSU-057_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6.pdf|{{pdf}}]]<br />
:&bull; '''MP3 files''' ''I. Introitus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_1_Introitus.mp3|{{mp3}}]] ''II. Kyrie:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_2_Kyrie.mp3|{{mp3}}]] ''III. Graduale:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_3_Graduale.mp3|{{mp3}}]] ''IV. Offertorium:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_4_Offertorium.mp3|{{mp3}}]] ''V. Sanctus & Benedictus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_5_Sanctus.mp3|{{mp3}}]] ''VI. Agnus Dei:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_6_Agnus_Dei.mp3|{{mp3}}]] ''VII. Communio:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_7_Communio.mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-04-19}}{{ScoreInfo|A4|64|1003}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|At original notated pitch (for SATTTB, SATTBB or ATTTBB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Completely revised edition and MP3 files uploaded 25 September 2022.'''''}}<br />
<br />
==General Information==<br />
{{Title|''Missa pro defunctis (Requiem in memoriam Josquin des Prez)''}}<br />
{{Composer|Jean Richafort}}<br />
{{Voicing|6|SATTTB,SATTBB,ATTTBB}}<br />
{{Genre|Sacred|Requiems|Masses}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 6|no=1}}<br />
{{Pub|0|c.1520–30,|Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, MS Mus. X|ms=ms}}<br />
{{Pub|0|c.1555–63,|Bayerische Staatsbibliothek, München, Mus. MS 46|ms=ms}}<br />
{{Pub|0|1559,|Leiden, Archieven van de Kerken, Ms. 1440 (Koorboek III / Codex C) <small> — misattributed to [[Josquin des Prez]]</small>|ms=ms}}<br />
<br />
{{Descr|One of the most ingenious and complex settings of the Requiem mass from the High Renaissance. Richafort combines chant paraphrase and freely composed counterpoint with a canon that quotes from two of [[Josquin des Prez]]'s secular works — ''[[Faulte d'argent (Josquin des Prez)|Faulte d'argent]]'' and ''[[Nimphes nappes (Josquin des Prez)|Nimphes, nappés]]''. Although no historical evidence supports any direct linkage between this work and Josquin's death in 1521, Richafort's setting was nonetheless clearly intended as a memorial to the great master who was also believed to be his mentor or teacher. See Editorial Notes to CPDL #58061 above for further discussion.}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{MassText|Requiem|Gr=Si ambulem|T=|Seq=}}<br />
Richafort's setting follows the Parisian Rite, which contains minor variances in the text of the ''Introitus'' and ''Offertorium'' (see CPDL #58061 above for full texts and translations), and includes the ''Graduale'' ‘Si ambulem’ between the ''Kyrie'' and ''Offertorium''.<br />
In addition, two motifs from works by [[Josquin]] are sung throughout by the canonic voices: <br/><br />
*''[[Circumdederunt me]]'' (from the [[Office of the Dead]] but also a cantus firmus in [[Nimphes nappes (Josquin des Prez)|''Nimphes, nappés'']]) ...<br />
{{Top}}{{Text|Latin|<br />
Circumdederunt me gemitus mortis,<br />
dolores inferni circumdederunt me.}}<br />
{{Mdl}}{{Translation|English|<br />
The groanings of death have surrounded me:<br />
the sorrows of hell have encircled me.}}<br />
{{btm}}<br />
*... and a line from [[Faulte d'argent (Josquin des Prez)|''Faulte d'argent'']]:<br />
{{Top}}{{Text|French|<br />
C'est douleur non pareille.}}<br />
{{Mdl}}{{Translation|English|<br />
… 'tis a sorrow without equal.}}<br />
{{btm}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Missa_pro_defunctis_(Jean_Richafort)&diff=1665315Missa pro defunctis (Jean Richafort)2022-09-27T09:32:50Z<p>Fysh: </p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70948}} [[Media:RSU-057B_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(-1.0).pdf|{{pdf}}]]<br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1083}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone lower, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70947}} [[Media:RSU-057A_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(+1.0).pdf|{{pdf}}]]<br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1068}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate| 2020-04-19}} {{CPDLno|58061}} [[Media:RSU-057_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6.pdf|{{pdf}}]]<br />
:&bull; '''MP3 files''' ''I. Introitus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_1_Introitus.mp3|{{mp3}}]] ''II. Kyrie:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_2_Kyrie.mp3|{{mp3}}]] ''III. Graduale:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_3_Graduale.mp3|{{mp3}}]] ''IV. Offertorium:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_4_Offertorium.mp3|{{mp3}}]] ''V. Sanctus & Benedictus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_5_Sanctus.mp3|{{mp3}}]] ''VI. Agnus Dei:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_6_Agnus_Dei.mp3|{{mp3}}]] ''VII. Communio:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_7_Communio.mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-04-19}}{{ScoreInfo|A4|64|1003}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Complete setting, at original pitch (for SATTTB, SATTBB or ATTTBB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Completely revised edition and MP3 files uploaded 25 September 2022.'''''}}<br />
<br />
==General Information==<br />
{{Title|''Missa pro defunctis (Requiem in memoriam Josquin des Prez)''}}<br />
{{Composer|Jean Richafort}}<br />
{{Voicing|6|SATTTB,SATTBB,ATTTBB}}<br />
{{Genre|Sacred|Requiems|Masses}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 6|no=1}}<br />
{{Pub|0|c.1520–30,|Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, MS Mus. X|ms=ms}}<br />
{{Pub|0|c.1555–63,|Bayerische Staatsbibliothek, München, Mus. MS 46|ms=ms}}<br />
{{Pub|0|1559,|Leiden, Archieven van de Kerken, Ms. 1440 (Koorboek III / Codex C) <small> — misattributed to [[Josquin des Prez]]</small>|ms=ms}}<br />
<br />
{{Descr|One of the most ingenious and complex settings of the Requiem mass from the High Renaissance. Richafort combines chant paraphrase and freely composed counterpoint with a canon that quotes from two of [[Josquin des Prez]]'s secular works — ''[[Faulte d'argent (Josquin des Prez)|Faulte d'argent]]'' and ''[[Nimphes nappes (Josquin des Prez)|Nimphes, nappés]]''. Although no historical evidence supports any direct linkage between this work and Josquin's death in 1521, Richafort's setting was nonetheless clearly intended as a memorial to the great master who was also believed to be his mentor or teacher. See Editorial Notes to CPDL #58061 above for further discussion.}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{MassText|Requiem|Gr=Si ambulem|T=|Seq=}}<br />
Richafort's setting follows the Parisian Rite, which contains minor variances in the text of the ''Introitus'' and ''Offertorium'' (see CPDL #58061 above for full texts and translations), and includes the ''Graduale'' ‘Si ambulem’ between the ''Kyrie'' and ''Offertorium''.<br />
In addition, two motifs from works by [[Josquin]] are sung throughout by the canonic voices: <br/><br />
*''[[Circumdederunt me]]'' (from the [[Office of the Dead]] but also a cantus firmus in [[Nimphes nappes (Josquin des Prez)|''Nimphes, nappés'']]) ...<br />
{{Top}}{{Text|Latin|<br />
Circumdederunt me gemitus mortis,<br />
dolores inferni circumdederunt me.}}<br />
{{Mdl}}{{Translation|English|<br />
The groanings of death have surrounded me:<br />
the sorrows of hell have encircled me.}}<br />
{{btm}}<br />
*... and a line from [[Faulte d'argent (Josquin des Prez)|''Faulte d'argent'']]:<br />
{{Top}}{{Text|French|<br />
C'est douleur non pareille.}}<br />
{{Mdl}}{{Translation|English|<br />
… 'tis a sorrow without equal.}}<br />
{{btm}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Missa_pro_defunctis_(Jean_Richafort)&diff=1664876Missa pro defunctis (Jean Richafort)2022-09-25T02:39:21Z<p>Fysh: /* Original text and translations */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70948}} [[Media:RSU-057B_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(-1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1083}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone lower, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70947}} [[Media:RSU-057A_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(+1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1068}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate| 2020-04-19}} {{CPDLno|58061}} [[Media:RSU-057_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6.pdf|{{pdf}}]]<br />
:&bull; '''MP3 files''' ''I. Introitus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_1_Introitus.mp3|{{mp3}}]] ''II. Kyrie:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_2_Kyrie.mp3|{{mp3}}]] ''III. Graduale:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_3_Graduale.mp3|{{mp3}}]] ''IV. Offertorium:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_4_Offertorium.mp3|{{mp3}}]] ''V. Sanctus & Benedictus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_5_Sanctus.mp3|{{mp3}}]] ''VI. Agnus Dei:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_6_Agnus_Dei.mp3|{{mp3}}]] ''VII. Communio:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_7_Communio.mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-04-19}}{{ScoreInfo|A4|64|1003}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Complete setting, at original pitch (for SATTTB, SATTBB or ATTTBB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Completely revised edition uploaded 25 September 2022.'''''}}<br />
<br />
==General Information==<br />
{{Title|''Missa pro defunctis (Requiem in memoriam Josquin des Prez)''}}<br />
{{Composer|Jean Richafort}}<br />
{{Voicing|6|SATTTB,SATTBB,ATTTBB}}<br />
{{Genre|Sacred|Requiems|Masses}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 6|no=1}}<br />
{{Pub|0|c.1520–30,|Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, MS Mus. X|ms=ms}}<br />
{{Pub|0|c.1555–63,|Bayerische Staatsbibliothek, München, Mus. MS 46|ms=ms}}<br />
{{Pub|0|1559,|Leiden, Archieven van de Kerken, Ms. 1440 (Koorboek III / Codex C) <small> — misattributed to [[Josquin des Prez]]</small>|ms=ms}}<br />
<br />
{{Descr|One of the most ingenious and complex settings of the Requiem mass from the High Renaissance. Richafort combines chant paraphrase and freely composed counterpoint with a canon that quotes from two of [[Josquin des Prez]]'s secular works — ''[[Faulte d'argent (Josquin des Prez)|Faulte d'argent]]'' and ''[[Nimphes nappes (Josquin des Prez)|Nimphes, nappés]]''. Although no historical evidence supports any direct linkage between this work and Josquin's death in 1521, Richafort's setting was nonetheless clearly intended as a memorial to the great master who was also believed to be his mentor or teacher. See Editorial Notes to CPDL #58061 above for further discussion.}}<br />
<br />
==Original text and translations==<br />
{{MassText|Requiem|Gr=Si ambulem|T=|Seq=}}<br />
Richafort's setting follows the Parisian Rite, which contains minor variances in the text of the ''Introitus'' and ''Offertorium'' (see CPDL #58061 above for full texts and translations), and includes the ''Graduale'' ‘Si ambulem’ between the ''Kyrie'' and ''Offertorium''.<br />
In addition, two motifs from works by [[Josquin]] are sung throughout by the canonic voices: <br/><br />
*''[[Circumdederunt me]]'' (from the [[Office of the Dead]] but also a cantus firmus in [[Nimphes nappes (Josquin des Prez)|''Nimphes, nappés'']]) ...<br />
{{Top}}{{Text|Latin|<br />
Circumdederunt me gemitus mortis,<br />
dolores inferni circumdederunt me.}}<br />
{{Mdl}}{{Translation|English|<br />
The groanings of death have surrounded me:<br />
the sorrows of hell have encircled me.}}<br />
{{btm}}<br />
*... and a line from [[Faulte d'argent (Josquin des Prez)|''Faulte d'argent'']]:<br />
{{Top}}{{Text|French|<br />
C'est douleur non pareille.}}<br />
{{Mdl}}{{Translation|English|<br />
… 'tis a sorrow without equal.}}<br />
{{btm}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Missa_pro_defunctis_(Jean_Richafort)&diff=1664875Missa pro defunctis (Jean Richafort)2022-09-25T02:39:04Z<p>Fysh: /* General Information */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70948}} [[Media:RSU-057B_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(-1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1083}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone lower, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70947}} [[Media:RSU-057A_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(+1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1068}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate| 2020-04-19}} {{CPDLno|58061}} [[Media:RSU-057_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6.pdf|{{pdf}}]]<br />
:&bull; '''MP3 files''' ''I. Introitus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_1_Introitus.mp3|{{mp3}}]] ''II. Kyrie:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_2_Kyrie.mp3|{{mp3}}]] ''III. Graduale:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_3_Graduale.mp3|{{mp3}}]] ''IV. Offertorium:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_4_Offertorium.mp3|{{mp3}}]] ''V. Sanctus & Benedictus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_5_Sanctus.mp3|{{mp3}}]] ''VI. Agnus Dei:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_6_Agnus_Dei.mp3|{{mp3}}]] ''VII. Communio:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_7_Communio.mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-04-19}}{{ScoreInfo|A4|64|1003}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Complete setting, at original pitch (for SATTTB, SATTBB or ATTTBB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Completely revised edition uploaded 25 September 2022.'''''}}<br />
<br />
==General Information==<br />
{{Title|''Missa pro defunctis (Requiem in memoriam Josquin des Prez)''}}<br />
{{Composer|Jean Richafort}}<br />
{{Voicing|6|SATTTB,SATTBB,ATTTBB}}<br />
{{Genre|Sacred|Requiems|Masses}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 6|no=1}}<br />
{{Pub|0|c.1520–30,|Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, MS Mus. X|ms=ms}}<br />
{{Pub|0|c.1555–63,|Bayerische Staatsbibliothek, München, Mus. MS 46|ms=ms}}<br />
{{Pub|0|1559,|Leiden, Archieven van de Kerken, Ms. 1440 (Koorboek III / Codex C) <small> — misattributed to [[Josquin des Prez]]</small>|ms=ms}}<br />
<br />
{{Descr|One of the most ingenious and complex settings of the Requiem mass from the High Renaissance. Richafort combines chant paraphrase and freely composed counterpoint with a canon that quotes from two of [[Josquin des Prez]]'s secular works — ''[[Faulte d'argent (Josquin des Prez)|Faulte d'argent]]'' and ''[[Nimphes nappes (Josquin des Prez)|Nimphes, nappés]]''. Although no historical evidence supports any direct linkage between this work and Josquin's death in 1521, Richafort's setting was nonetheless clearly intended as a memorial to the great master who was also believed to be his mentor or teacher. See Editorial Notes to CPDL #58061 above for further discussion.}}<br />
<br />
==Original text and translations==<br />
{{MassText|Requiem|Gr=Si ambulem|T=|Seq=}}<br />
Richafort's setting follows the Parisian Rite, which contains minor variances in the text of the ''Introitus'' and ''Offertorium'' (see CPDL #58061 above for full texts and translations), and includes the ''Graduale'' ‘Si ambulem’ between the ''Kyrie'' and ''Offertorium''.<br />
In addition, two motifs from works by [[Josquin]] are sung throughout by the canonic voices: <br/><br />
*''[[Circumdederunt me]]'' (from the [[Office of the Dead]] but also a cantus firmus in [[Nimphes nappes (Josquin des Prez)|''Nymphes, nappés'']]) ...<br />
{{Top}}{{Text|Latin|<br />
Circumdederunt me gemitus mortis,<br />
dolores inferni circumdederunt me.}}<br />
{{Mdl}}{{Translation|English|<br />
The groanings of death have surrounded me:<br />
the sorrows of hell have encircled me.}}<br />
{{btm}}<br />
*... and a line from [[Faulte d'argent (Josquin des Prez)|''Faulte d'argent'']]:<br />
{{Top}}{{Text|French|<br />
C'est douleur non pareille.}}<br />
{{Mdl}}{{Translation|English|<br />
… 'tis a sorrow without equal.}}<br />
{{btm}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Missa_pro_defunctis_(Jean_Richafort)&diff=1664874Missa pro defunctis (Jean Richafort)2022-09-25T02:38:44Z<p>Fysh: /* General Information */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70948}} [[Media:RSU-057B_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(-1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1083}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone lower, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70947}} [[Media:RSU-057A_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(+1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1068}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate| 2020-04-19}} {{CPDLno|58061}} [[Media:RSU-057_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6.pdf|{{pdf}}]]<br />
:&bull; '''MP3 files''' ''I. Introitus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_1_Introitus.mp3|{{mp3}}]] ''II. Kyrie:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_2_Kyrie.mp3|{{mp3}}]] ''III. Graduale:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_3_Graduale.mp3|{{mp3}}]] ''IV. Offertorium:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_4_Offertorium.mp3|{{mp3}}]] ''V. Sanctus & Benedictus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_5_Sanctus.mp3|{{mp3}}]] ''VI. Agnus Dei:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_6_Agnus_Dei.mp3|{{mp3}}]] ''VII. Communio:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_7_Communio.mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-04-19}}{{ScoreInfo|A4|64|1003}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Complete setting, at original pitch (for SATTTB, SATTBB or ATTTBB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Completely revised edition uploaded 25 September 2022.'''''}}<br />
<br />
==General Information==<br />
{{Title|''Missa pro defunctis (Requiem in memoriam Josquin des Prez)''}}<br />
{{Composer|Jean Richafort}}<br />
{{Voicing|6|SATTTB,SATTBB,ATTTBB}}<br />
{{Genre|Sacred|Requiems|Masses}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 6|no=1}}<br />
{{Pub|0|c.1520–30,|Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, MS Mus. X|ms=ms}}<br />
{{Pub|0|c.1555–63,|Bayerische Staatsbibliothek, München, Mus. MS 46|ms=ms}}<br />
{{Pub|0|1559,|Leiden, Archieven van de Kerken, Ms. 1440 (Koorboek III / Codex C) <small> — misattributed to [[Josquin des Prez]]</small>|ms=ms}}<br />
<br />
{{Descr|One of the most ingenious and complex settings of the Requiem mass from the High Renaissance. Richafort combines chant paraphrase and freely composed counterpoint with a canon that quotes from two of [[Josquin des Prez]]'s secular works — ''[[Faulte d'argent (Josquin des Prez)|Faulte d'argent]]'' and ''[[Nimphes nappes (Josquin des Prez)|Nimphes, nappés]]''. Although no historical evidence supports any direct linkage between this work and Josquin's death in 1521, Richafort's setting was nonetheless clearly intended as a memorial to the great master who was also believed to be his mentor or teacher. See Editorial Notes to CPDL #58061 above for further discussion.}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{MassText|Requiem|Gr=Si ambulem|T=|Seq=}}<br />
Richafort's setting follows the Parisian Rite, which contains minor variances in the text of the ''Introitus'' and ''Offertorium'' (see CPDL #58061 above for full texts and translations), and includes the ''Graduale'' ‘Si ambulem’ between the ''Kyrie'' and ''Offertorium''.<br />
In addition, two motifs from works by [[Josquin]] are sung throughout by the canonic voices: <br/><br />
*''[[Circumdederunt me]]'' (from the [[Office of the Dead]] but also a cantus firmus in [[Nimphes nappes (Josquin des Prez)|''Nymphes, nappés'']]) ...<br />
{{Top}}{{Text|Latin|<br />
Circumdederunt me gemitus mortis,<br />
dolores inferni circumdederunt me.}}<br />
{{Mdl}}{{Translation|English|<br />
The groanings of death have surrounded me:<br />
the sorrows of hell have encircled me.}}<br />
{{btm}}<br />
*... and a line from [[Faulte d'argent (Josquin des Prez)|''Faulte d'argent'']]:<br />
{{Top}}{{Text|French|<br />
C'est douleur non pareille.}}<br />
{{Mdl}}{{Translation|English|<br />
… 'tis a sorrow without equal.}}<br />
{{btm}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Circumdederunt_me&diff=1664873Circumdederunt me2022-09-25T02:38:18Z<p>Fysh: /* Settings by composers */</p>
<hr />
<div>==General information==<br />
{{CiteCat|Antiphons|Antiphon}} for the {{CiteCat|Office of the Dead}}.<br><br />
Text based on [[Psalm 18|Psalm 17:5-6 (Vulgate)]] or [[Psalm 116|Psalm 114:3 (Vulgate)]].<br />
==Settings by composers==<br />
*[[Circumdederunt me (William Byrd)|William Byrd]] AATTB<br />
*[[Circumdederunt me (prima pars) (Sigismondo d'India)|Sigismondo d'India]] SATB<br />
*[[Circumdederunt me dolores mortis (Juan Gutierrez de Padilla)|Juan Gutierrez de Padilla]] SSAATB<br />
*[[Circumdederunt me (Giovanni Girolamo Kapsperger)|Giovanni Girolamo Kapsperger]] S + continuo<br />
*[[Circumdederunt me (Cristóbal de Morales)|Cristóbal de Morales]] SATTB<br />
*[[Nimphes nappes (Josquin des Prez)|Josquin des Prez's ''Nimphes, nappés'']] uses this text as a ''cantus firmus''<br />
*[[Missa pro defunctis (Jean Richafort)|Jean Richafort's ''Missa pro defunctis'']] uses Josquin's ''cantus firmus'' as a recurring canon<br />
{{TextAutoList}}<br />
<br />
==Text and translations== <br />
{{Top}}<br />
{{Text|Latin|<br />
'''Byrd text'''<br />
{{Vs|114:3}} Circumdederunt me dolores mortis, et pericula inferni invenerunt me.<br />
Tribulationem et dolorem inveni,<br />
{{Vs|114:4}} Et nomen Domini invocavi. O Domine, libera animam meam.<br />
'''Gutierrez text'''<br />
{{Vs|114:3}} Circumdederunt me dolores mortis, et pericula inferni invenerunt me.<br />
In tribulatione mea invocavi Dominum et ad Deum meum clamavi.<br />
'''Josquin and Morales text'''<br />
Circumdederunt me gemitus mortis: dolores inferni circumdederunt me.<br />
}}<br />
{{Translation|Hungarian|<br />
'''Morales text'''<br />
Körülvettek engem a halál gyötrelmei, és az alvilág kínjai körülvettek engem.}}<br />
{{Middle}}<br />
{{Translation|English|<br />
'''Byrd text'''<br />
{{Vs|116:3}} The sorrows of death have compassed me: and the perils of hell have found me.<br />
I met with trouble and sorrow:<br />
{{Vs|116:4}} And I called upon the name of the Lord. O Lord, deliver my soul.<br />
'''Gutierrez text'''<br />
{{Vs|116:3}} The sorrows of death have compassed me: and the perils of hell have found me.<br />
In my trouble, I called upon the name of the Lord and cried out to my God.<br />
'''Morales text'''<br />
The groanings of death have encircled me: the sorrows of hell have enclosed me.}}<br />
{{Translation|Spanish|<br />
'''Byrd text'''<br />
Me rodearon los dolores de la muerte y me hallaron los peligros del infierno.<br />
Encontré tribulación y dolor, e invoqué el nombre del Señor. ¡Oh, Señor, libra mi alma!<br />
'''Gutierrez text'''<br />
Me rodearon los dolores de la muerte y me hallaron los peligros del infierno.<br />
En mi tribulación invoqué al Señor y a mi Dios clamé.<br />
'''Morales text'''<br />
Me envolvieron los gemidos de la muerte. Los dolores del infierno me rodearon.<br />
{{Translator|Alejandro Borrego Pérez}}}}<br />
{{Bottom}}<br />
<br />
==External links==<br />
[[Category:Text pages]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Circumdederunt_me&diff=1664872Circumdederunt me2022-09-25T02:35:05Z<p>Fysh: Adding reference to Josquin's and Richafort's usage</p>
<hr />
<div>==General information==<br />
{{CiteCat|Antiphons|Antiphon}} for the {{CiteCat|Office of the Dead}}.<br><br />
Text based on [[Psalm 18|Psalm 17:5-6 (Vulgate)]] or [[Psalm 116|Psalm 114:3 (Vulgate)]].<br />
==Settings by composers==<br />
*[[Circumdederunt me (William Byrd)|William Byrd]] AATTB<br />
*[[Circumdederunt me (prima pars) (Sigismondo d'India)|Sigismondo d'India]] SATB<br />
*[[Circumdederunt me dolores mortis (Juan Gutierrez de Padilla)|Juan Gutierrez de Padilla]] SSAATB<br />
*[[Circumdederunt me (Giovanni Girolamo Kapsperger)|Giovanni Girolamo Kapsperger]] S + continuo<br />
*[[Circumdederunt me (Cristóbal de Morales)|Cristóbal de Morales]] SATTB<br />
*[[Nimphes nappes (Josquin des Prez)|Josquin des Prez's ''Nymphes, nappés'']] uses this text as a ''cantus firmus''<br />
*[[Missa pro defunctis (Jean Richafort)|Jean Richafort's ''Missa pro defunctis'']] uses Josquin's ''cantus firmus'' as a recurring canon<br />
{{TextAutoList}}<br />
<br />
==Text and translations== <br />
{{Top}}<br />
{{Text|Latin|<br />
'''Byrd text'''<br />
{{Vs|114:3}} Circumdederunt me dolores mortis, et pericula inferni invenerunt me.<br />
Tribulationem et dolorem inveni,<br />
{{Vs|114:4}} Et nomen Domini invocavi. O Domine, libera animam meam.<br />
'''Gutierrez text'''<br />
{{Vs|114:3}} Circumdederunt me dolores mortis, et pericula inferni invenerunt me.<br />
In tribulatione mea invocavi Dominum et ad Deum meum clamavi.<br />
'''Josquin and Morales text'''<br />
Circumdederunt me gemitus mortis: dolores inferni circumdederunt me.<br />
}}<br />
{{Translation|Hungarian|<br />
'''Morales text'''<br />
Körülvettek engem a halál gyötrelmei, és az alvilág kínjai körülvettek engem.}}<br />
{{Middle}}<br />
{{Translation|English|<br />
'''Byrd text'''<br />
{{Vs|116:3}} The sorrows of death have compassed me: and the perils of hell have found me.<br />
I met with trouble and sorrow:<br />
{{Vs|116:4}} And I called upon the name of the Lord. O Lord, deliver my soul.<br />
'''Gutierrez text'''<br />
{{Vs|116:3}} The sorrows of death have compassed me: and the perils of hell have found me.<br />
In my trouble, I called upon the name of the Lord and cried out to my God.<br />
'''Morales text'''<br />
The groanings of death have encircled me: the sorrows of hell have enclosed me.}}<br />
{{Translation|Spanish|<br />
'''Byrd text'''<br />
Me rodearon los dolores de la muerte y me hallaron los peligros del infierno.<br />
Encontré tribulación y dolor, e invoqué el nombre del Señor. ¡Oh, Señor, libra mi alma!<br />
'''Gutierrez text'''<br />
Me rodearon los dolores de la muerte y me hallaron los peligros del infierno.<br />
En mi tribulación invoqué al Señor y a mi Dios clamé.<br />
'''Morales text'''<br />
Me envolvieron los gemidos de la muerte. Los dolores del infierno me rodearon.<br />
{{Translator|Alejandro Borrego Pérez}}}}<br />
{{Bottom}}<br />
<br />
==External links==<br />
[[Category:Text pages]]</div>Fyshhttps://www.cpdl.org/wiki/index.php?title=Missa_pro_defunctis_(Jean_Richafort)&diff=1664871Missa pro defunctis (Jean Richafort)2022-09-25T02:27:08Z<p>Fysh: /* Original text and translations */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70948}} [[Media:RSU-057B_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(-1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1083}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone lower, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate|2022-09-25}} {{CPDLno|70947}} [[Media:RSU-057A_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6_(+1.0).pdf|{{pdf}}]] <br />
{{Editor|Andrew Fysh|2022-09-25}}{{ScoreInfo|A4|64|1068}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Transposed one tone higher, otherwise identical to CPDL #58061 below.}}<br />
<br />
*{{PostedDate| 2020-04-19}} {{CPDLno|58061}} [[Media:RSU-057_Richafort_—_Missa_pro_defunctis_(in_memoriam_Josquin_des_Prez)_a6.pdf|{{pdf}}]]<br />
:&bull; '''MP3 files''' ''I. Introitus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_1_Introitus.mp3|{{mp3}}]] ''II. Kyrie:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_2_Kyrie.mp3|{{mp3}}]] ''III. Graduale:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_3_Graduale.mp3|{{mp3}}]] ''IV. Offertorium:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_4_Offertorium.mp3|{{mp3}}]] ''V. Sanctus & Benedictus:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_5_Sanctus.mp3|{{mp3}}]] ''VI. Agnus Dei:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_6_Agnus_Dei.mp3|{{mp3}}]] ''VII. Communio:'' [[Media:Richafort_-_Missa_pro_defunctis_(RSU-057)_-_7_Communio.mp3|{{mp3}}]]<br />
{{Editor|Andrew Fysh|2020-04-19}}{{ScoreInfo|A4|64|1003}}{{Copy|Creative Commons Attribution Share Alike}}<br />
:{{EdNotes|Complete setting, at original pitch (for SATTTB, SATTBB or ATTTBB). Original note values retained. Transcribed and edited from all four sources listed below. '''''Completely revised edition uploaded 25 September 2022.'''''}}<br />
<br />
==General Information==<br />
{{Title|''Missa pro defunctis (Requiem in memoriam Josquin des Prez)''}}<br />
{{Composer|Jean Richafort}}<br />
{{Voicing|6|SATTTB,SATTBB,ATTTBB}}<br />
{{Genre|Sacred|Requiems|Masses}}<br />
{{Language|Latin}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1532|in {{NoComp|Viginti missarum musicalium|Pierre Attaingnant}} (Pierre Attaingnant)|vol=Volume 6|no=1}}<br />
{{Pub|0|c.1520–30,|Duomo, Biblioteca e Archivio Capitolare di Modena, Modena, MS Mus. X|ms=ms}}<br />
{{Pub|0|c.1555–63,|Bayerische Staatsbibliothek, München, Mus. MS 46|ms=ms}}<br />
{{Pub|0|1559,|Leiden, Archieven van de Kerken, Ms. 1440 (Koorboek III / Codex C) <small> — misattributed to [[Josquin des Prez]]</small>|ms=ms}}<br />
<br />
{{Descr|One of the most ingenious and complex settings of the Requiem mass from the High Renaissance. Richafort combines chant paraphrase and freely composed counterpoint with a canon that quotes from two of [[Josquin des Prez]]'s secular works — ''[[Faulte d'argent (Josquin des Prez)|Faulte d'argent]]'' and ''[[Nimphes nappes (Josquin des Prez)|Nymphes, nappés]]''. Although no historical evidence supports any direct linkage between this work and Josquin's death in 1521, Richafort's setting was nonetheless clearly intended as a memorial to the great master who was also believed to be his mentor or teacher. See Editorial Notes to CPDL #58061 above for further discussion.}}<br />
{{#ExtWeb:}}<br />
<br />
==Original text and translations==<br />
{{MassText|Requiem|Gr=Si ambulem|T=|Seq=}}<br />
Richafort's setting follows the Parisian Rite, which contains minor variances in the text of the ''Introitus'' and ''Offertorium'' (see CPDL #58061 above for full texts and translations), and includes the ''Graduale'' ‘Si ambulem’ between the ''Kyrie'' and ''Offertorium''.<br />
In addition, two motifs from works by [[Josquin]] are sung throughout by the canonic voices: <br/><br />
*''[[Circumdederunt me]]'' (from the [[Office of the Dead]] but also a cantus firmus in [[Nimphes nappes (Josquin des Prez)|''Nymphes, nappés'']]) ...<br />
{{Top}}{{Text|Latin|<br />
Circumdederunt me gemitus mortis,<br />
dolores inferni circumdederunt me.}}<br />
{{Mdl}}{{Translation|English|<br />
The groanings of death have surrounded me:<br />
the sorrows of hell have encircled me.}}<br />
{{btm}}<br />
*... and a line from [[Faulte d'argent (Josquin des Prez)|''Faulte d'argent'']]:<br />
{{Top}}{{Text|French|<br />
C'est douleur non pareille.}}<br />
{{Mdl}}{{Translation|English|<br />
… 'tis a sorrow without equal.}}<br />
{{btm}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>Fysh