https://www.cpdl.org/wiki/api.php?action=feedcontributions&user=MarkChapman&feedformat=atomChoralWiki - User contributions [en]2024-03-28T09:44:50ZUser contributionsMediaWiki 1.39.4https://www.cpdl.org/wiki/index.php?title=Talk:We_be_souldiers_three_(Thomas_Ravenscroft)&diff=1648683Talk:We be souldiers three (Thomas Ravenscroft)2022-07-06T01:44:33Z<p>MarkChapman: Error report</p>
<hr />
<div>There is a mistake in bar 4. The Cs in the lowest part should instead be Ds, as in bar 2 [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 01:43, 6 July 2022 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Talk:Festino_nella_sera_del_gioved%C3%AC_grasso,_Op._18_(Adriano_Banchieri)&diff=1470675Talk:Festino nella sera del giovedì grasso, Op. 18 (Adriano Banchieri)2021-06-16T00:58:25Z<p>MarkChapman: </p>
<hr />
<div>==5. Madrigale a un dolce usignolo==<br />
Concerto Italiano sing this with different accidentals, and a more noteworthy change: tenor bars 47-48 ''-za privo'' is C A Bb here, which can't be right; they sing D A G. [http://imslp.org/wiki/Festino_nella_sera_del_gioved%C3%AC_grasso,_Op.18_%28Banchieri,_Adriano%29 JackB's score on IMSLP] has D A Bb. [[User:Rp|Rp]] ([[User talk:Rp|talk]]) 20:55, 17 April 2016 (UTC)<br />
==12. Contrapunto bestiale alla mente==<br />
The most recent edition ((Posted 2019-10-14) CPDL #55615) is of the previous movement, #11 Capricciata a tre voci, not this one.<br />
The third most recent edition ((Posted 2016-05-30) CPDL #39869) is missing a voice (4 parts rather than 5) The bass cantus firmus is missing from the actual "counterpoint" section. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 11:54, 15 June 2021 (UTC)<br />
:I moved CPDL 55615 to its proper place. Also rearranged text and added web links. I will also add template {{tl|ScoreError}} to CPDL 39869. — [[User:BarryJ|Barry Johnston]] [[User talk:BarryJ|(talk)]] 15:23, 15 June 2021 (UTC)<br />
::Thanks, Barry! [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 00:58, 16 June 2021 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Talk:Festino_nella_sera_del_gioved%C3%AC_grasso,_Op._18_(Adriano_Banchieri)&diff=1470495Talk:Festino nella sera del giovedì grasso, Op. 18 (Adriano Banchieri)2021-06-15T11:54:50Z<p>MarkChapman: Errors in editions of movement 12</p>
<hr />
<div>==5. Madrigale a un dolce usignolo==<br />
Concerto Italiano sing this with different accidentals, and a more noteworthy change: tenor bars 47-48 ''-za privo'' is C A Bb here, which can't be right; they sing D A G. [http://imslp.org/wiki/Festino_nella_sera_del_gioved%C3%AC_grasso,_Op.18_%28Banchieri,_Adriano%29 JackB's score on IMSLP] has D A Bb. [[User:Rp|Rp]] ([[User talk:Rp|talk]]) 20:55, 17 April 2016 (UTC)<br />
==12. Contrapunto bestiale alla mente==<br />
The most recent edition ((Posted 2019-10-14) CPDL #55615) is of the previous movement, #11 Capricciata a tre voci, not this one.<br />
The third most recent edition ((Posted 2016-05-30) CPDL #39869) is missing a voice (4 parts rather than 5) The bass cantus firmus is missing from the actual "counterpoint" section. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 11:54, 15 June 2021 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=User_talk:Adrianwall&diff=1450663User talk:Adrianwall2021-04-26T00:42:20Z<p>MarkChapman: /* Mistake in your edition of Missa Papae Marcelli */</p>
<hr />
<div>== New editions ==<br />
<br />
Hi Adrian! When posting new editions, please stick to the code you receive via email instead of creating "Edition" pages, as these are still in experimental phase and subject to many changes yet. Thank you! —[[User:Carlos|Carlos]] ([[User talk:Carlos|talk]]) 09:39, 20 October 2012 (CDT)<br />
<br />
== Obfuscating title==<br />
Wotcher. Thanks for correcting the duplication of the Tallis Mag & Nunc. I had just realised there was another edition under a specious title on CPDL. What was your reasoning for perpetuating the "Short service" nomenclature error? Not only is it a twentieth century disambiguation confection, it ignores the more prevalent form of evening canticles collective title, and gives inferior results in searches (IM'UO).[[User:Cjshawcj|Cjshawcj]] ([[User talk:Cjshawcj|talk]]) 15:20, 31 December 2012 (UTC)<br />
<br />
== Voicing of [[Lumen ad revelationem gentium (Giovanni Pierluigi da Palestrina)]] ==<br />
<br />
Hi Adrian,<br />
<br />
I don't agree that any voice is meant to be tacit, but we can continue at [[Talk:Lumen ad revelationem gentium (Giovanni Pierluigi da Palestrina)]] if you like. [[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 08:16, 12 April 2016 (UTC)<br />
<br />
== Wrong file uploaded for Sheppard's Libera now, Salva nos II ? ==<br />
Hi, Adrian,<br />
<br />
Is the file you attached at [[Libera nos, salva nos II (John_Sheppard)]] the one you intended? It points to the same PDF as [[Libera nos, salva_nos I (John_Sheppard)]]. They both point to this<br />
[https://www.cpdl.org/wiki/images/1/13/Shep-lib.pdf PDF]. Based on the voicing you indicated for II, AATTBarBarB, you may have uploaded a different file than you intended for it. Can you please check? Thanks. [[User:Vaarky|Vaarky]] ([[User talk:Vaarky|talk]]) 20:11, 7 January 2020 (UTC)<br />
<br />
:Quoting the "Edition notes": "First and second settings, with plainchant. Part 1 based on #18099; part 2 based on edition at [http://www.uma.es/victoria/varios.html#dieciseis]. Transposed up a fourth from original written pitch, for SSAATTB" - so yes, this points to the same file as the first setting, as it contains both settings. The voicing of the untransposed original is AATTBarBarB; my edition is, as specified, up a 4th, for SSAATTB. [[User:Adrianwall|Adrian M. Wall]] ([[User talk:Adrianwall|talk]]) 09:33, 8 January 2020 (UTC)<br />
<br />
== Mistake in your edition of Missa Papae Marcelli ==<br />
<br />
:Hi Adrian,<br />
<br />
:There is a mistake in your edition of Missa Papae Marcelli (Palestrina), [https://www.cpdl.org/wiki/images/8/84/Pal-MPapC.pdf Credo], bar 74 (Crucifixus). <br><br />
:The bass note should be an F, not a G, i.e. an octave below the tenor. Thanks. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 05:53, 21 January 2020 (UTC)<br />
Errors corrected. [[User:Adrianwall|Adrian M. Wall]] ([[User talk:Adrianwall|talk]]) 17:32, 25 April 2021 (UTC)<br />
<br />
:Thanks! [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 00:41, 26 April 2021 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=User_talk:Adrianwall&diff=1450662User talk:Adrianwall2021-04-26T00:41:44Z<p>MarkChapman: /* Mistake in your edition of Missa Papae Marcelli */</p>
<hr />
<div>== New editions ==<br />
<br />
Hi Adrian! When posting new editions, please stick to the code you receive via email instead of creating "Edition" pages, as these are still in experimental phase and subject to many changes yet. Thank you! —[[User:Carlos|Carlos]] ([[User talk:Carlos|talk]]) 09:39, 20 October 2012 (CDT)<br />
<br />
== Obfuscating title==<br />
Wotcher. Thanks for correcting the duplication of the Tallis Mag & Nunc. I had just realised there was another edition under a specious title on CPDL. What was your reasoning for perpetuating the "Short service" nomenclature error? Not only is it a twentieth century disambiguation confection, it ignores the more prevalent form of evening canticles collective title, and gives inferior results in searches (IM'UO).[[User:Cjshawcj|Cjshawcj]] ([[User talk:Cjshawcj|talk]]) 15:20, 31 December 2012 (UTC)<br />
<br />
== Voicing of [[Lumen ad revelationem gentium (Giovanni Pierluigi da Palestrina)]] ==<br />
<br />
Hi Adrian,<br />
<br />
I don't agree that any voice is meant to be tacit, but we can continue at [[Talk:Lumen ad revelationem gentium (Giovanni Pierluigi da Palestrina)]] if you like. [[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 08:16, 12 April 2016 (UTC)<br />
<br />
== Wrong file uploaded for Sheppard's Libera now, Salva nos II ? ==<br />
Hi, Adrian,<br />
<br />
Is the file you attached at [[Libera nos, salva nos II (John_Sheppard)]] the one you intended? It points to the same PDF as [[Libera nos, salva_nos I (John_Sheppard)]]. They both point to this<br />
[https://www.cpdl.org/wiki/images/1/13/Shep-lib.pdf PDF]. Based on the voicing you indicated for II, AATTBarBarB, you may have uploaded a different file than you intended for it. Can you please check? Thanks. [[User:Vaarky|Vaarky]] ([[User talk:Vaarky|talk]]) 20:11, 7 January 2020 (UTC)<br />
<br />
:Quoting the "Edition notes": "First and second settings, with plainchant. Part 1 based on #18099; part 2 based on edition at [http://www.uma.es/victoria/varios.html#dieciseis]. Transposed up a fourth from original written pitch, for SSAATTB" - so yes, this points to the same file as the first setting, as it contains both settings. The voicing of the untransposed original is AATTBarBarB; my edition is, as specified, up a 4th, for SSAATTB. [[User:Adrianwall|Adrian M. Wall]] ([[User talk:Adrianwall|talk]]) 09:33, 8 January 2020 (UTC)<br />
<br />
== Mistake in your edition of Missa Papae Marcelli ==<br />
<br />
:Hi Adrian,<br />
<br />
:There is a mistake in your edition of Missa Papae Marcelli (Palestrina), [https://www.cpdl.org/wiki/images/8/84/Pal-MPapC.pdf Credo], bar 74 (Crucifixus). <br><br />
:The bass note should be an F, not a G, i.e. an octave below the tenor. Thanks. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 05:53, 21 January 2020 (UTC)<br />
Errors corrected. [[User:Adrianwall|Adrian M. Wall]] ([[User talk:Adrianwall|talk]]) 17:32, 25 April 2021 (UTC)<br />
Thanks! [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 00:41, 26 April 2021 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Mark_Chapman&diff=1261028Mark Chapman2020-11-30T04:33:38Z<p>MarkChapman: /* Life */</p>
<hr />
<div>__NOTOC__<br />
==Life==<br />
'''Born:''' December 1960<br />
<br />
'''Died:'''<br />
<br />
'''Biography'''<br />
<br />
''Mark has been a member of adult choirs for over 40 years but only started composing in 2003. In 2007 his Agnus Dei (qv) was performed by the Canberra choir Cantorion, in 2008 his setting of the [[Ben Jonson]] poem Hymn to Diana (qv) was performed by Harmonic Means, and in 2009 his setting of Never Weather-beaten Sail (qv) was performed by the ANU Choral Society. His setting of the [[William_Shakespeare|Shakespeare]] ode Fear no more the heat o' the sun (qv) was performed by Capital Voices, and his Hosanna setting by Harmonic Means, both in late 2010, and his Sonnet and Ave Maria were both performed in October 2010 by the RMIT Occasional Choral Society as part of their choral composition competition, and the Ave Maria again in Hungary in October 2011 at the "Singing Hungary" regional choral festival. "I shall not pass this way again" and "Prayer of St Francis" were performed by Harmonic Means in mid 2012 and the set of three motets by Capital Voices at the end of 2012. "O Sacrum Convivium" was performed twice by Igitur Nos in 2012 and once by the ANU Choral Society in 2013. Harmonic Means performed both "Requiem" and "Welcome Yule" in 2013, and Capital Voices performed "Ave Maris Stella" also in 2013.''<br />
<br />
''Mark started formal composition lessons with Andrew Koll in 2013, and Andrew conducted "Domine, quid est homo?" and "Out of the Deep" in separate concerts with the ANU Choral Society in 2014.''<br />
<br />
''Mark's setting of Eva Schroeder's poem "Lamentation" and his motet "O Nata Lux" both received their first performances in June 2016, by I Progetti and Harmonic Means respectively, and "Domine, quid est homo?" received its second performance in a concert given by the 67th Intervarsity Choral Festival, conducted by Leonard Weiss, in July 2016. "Now Sleeps the Crimson Petal" was written for I Progetti and performed by them in the foyer of the High Court of Australia in May 2017.''<br />
<br />
''"With rue my heart is laden" was performed by the Gundaroo Community Singers under the direction of Maartje Sevenster for the Anzac Day Dawn Service in Gundaroo in 2019.''<br />
<br />
''"The Flea" was written for I Progetti, and performed by them in the Australian National Portrait Gallery in December 2020, as part of a concert of madrigals and related partsongs, titled "Miracles From Times of Plague".''<br />
<br />
==List of choral works==<br />
{{#SortWorks:}}<br />
{{CheckMissing}}<br />
{{Whatlinkshere}}<br />
==Publications==<br />
<br />
==External links==<br />
''add web links here''<br />
<br />
{{DEFAULTSORT:Chapman, Mark}}<br />
[[Category:1960 births]]<br />
[[Category:Composers]]<br />
[[Category:Modern composers]]<br />
[[Category:Australian composers]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Help_talk:Score_submission_guide&diff=1261021Help talk:Score submission guide2020-11-30T01:32:05Z<p>MarkChapman: </p>
<hr />
<div>==First impressions==<br />
Intimidatingly lengthy, but the form is mostly self-explanatory and I understand this is meant as a link from a nutshell version. One problem that catches my eye is that the labels on Form Add work and the labels in the output are often different!<br />
*"Title of work" might instead read:<br />
<br />
'''Title:''' This field is automatically filled if you are adding a new edition of an existing work.<br />
<br />
Include enough information to unambiguously identify the work (opus, catalogue number, etc.; see [[Help:Disambiguation]] or examples at [[:Category:Disambiguation of works]]). Use sentence capitalization for incipits; see further [[Help:Style conventions#Titles of works and pages]].<br />
<br />
*'''Name of Composer (First name Last name)'''<br />
This field is automatically filled unless you are entering the first work/edition for a new composer, where you will have to delete the pre-defined value and enter the name of the new composer.<br />
<br />
Use the exact name that appears on the composer page ([[Josquin des Prez]] instead of Despres)<br />
<br />
*'''Editor/contributor'''<br />
It will be a great day when this too is automatically filled in for logged in users!<br />
<br />
*'''Notes about musical composition''' [on work pages this field is labeled '''Description:''')<br />
General information about the composition. See '''Edition notes:''' below<br />
<br />
[[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 23:38, 7 July 2020 (UTC)<br />
<br />
== "Unable to insert into table!" ==<br />
<br />
What does this error message mean? I've twice filled out the form for [[File:Dal ciel venne messo novello.pdf]], once with and once without the text source file, and still get "Unable to insert into table!" [[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 02:06, 28 October 2020 (UTC)<br />
:This usually means that you lost your login status, however you are attempting to perform an operation that requires to be logged-in. The database returns an error because it detects an operation that is not permitted to a user that is not logged-in. For example, if you have the "add work form" open and not submitted yet, and then you logout through another window (or tab) of your browser, this "Unable to insert into table!" is the type of error that that can be thrown if the form is submitted after having logged out. Also, switching from http to https may cause the login cookies to be invalidated, and therefore the situation is similar to a logout. Please keep an eye on the use of http vs. https in the address bar of your browser: for example, accessing pages that were bookmarked in http while being logged-in in https may confuse the recognition of the logged-in status. Max a.k.a. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 12:12, 29 October 2020 (UTC)<br />
::Thanks Max! Having since created [[Dal ciel venne messo novello (Anonymous)]] by hand, is there an easy way to go back add a missing CPDLno? [[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 22:10, 29 October 2020 (UTC)<br />
:::When the add work form is submitted, the information entered are stored in a database that is used for maintenance and tracing purposes. Bypassing the normal submission process is not recommended, as such information would be omitted. The best thing to do is just to re-submit the form, entering by copy-and-paste the name of the files uploaded already, and then use the CPDL number assigned. Max a.k.a. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 22:24, 29 October 2020 (UTC)<br />
<br />
==Bug in name of uploaded files==<br />
I am currently uploading a new piece, using AddWorkForm and the associated "Upload now" buttons, with the name of the associated files being delimited with underscores, i.e. "Flea _The_MC(.pdf etc.)" I then repeatedly get a warning "Filename has been changed to "Flea_The_MC.<extension>", because the system generated destination file name has spaces in it, not underscores. If I change the spaces back to underscores in the destination file name and press "Submit modified file description", it then loads happily, but the file name had underscores, not spaces, in it in the first place, honestly. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 01:26, 29 November 2020 (UTC)<br />
:I just tried duplicating your problem, but it worked for me – AddWork form, Upload now, nothing in form but filename (with underscores, from Browse) and uncheck Watch file (the system automatically filled the Destination filename field on the Upload form, with underscores). — [[User:BarryJ|Barry Johnston]] [[User talk:BarryJ|(talk)]] 04:03, 29 November 2020 (UTC)<br />
::I think that the problem with "Flea _The_MC" was the space followed by the underscore after "Flea". In filenames (as well as in wiki page names etc.) the MediaWiki software converts spaces to underscores, because every file uploaded has a corresponding <i>File:</i> page with the same name, and spaces are not allowed in page names, they are always converted to underscores (and vice versa when the page name is displayed). Then, if multiple consecutive underscores are present, they are reduced to one underscore only (I guess this is just for readability reasons). The warning informs the uploader that the filename is being changed according to the MediaWiki software rules, and one has just to accept. Max a.k.a.[[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 06:47, 29 November 2020 (UTC).<br />
:::Thanks![[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 01:32, 30 November 2020 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=The_Flea_(Mark_Chapman)&diff=1260842The Flea (Mark Chapman)2020-11-29T01:37:16Z<p>MarkChapman: /* Original text and translations */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-11-29}} {{CPDLno|61707}} [[Media:Flea_The_MC.pdf|{{pdf}}]] [[Media:Flea_The_MC.mid|{{mid}}]] [[Media:Flea_The_MC.mp3|{{mp3}}]] [[Media:Flea_The_MC.mxl|{{XML}}]]<br />
{{Editor|Mark Chapman|2020-11-29}}{{ScoreInfo|A4|5|105}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''The Flea''<br><br />
{{Composer|Mark Chapman}}<br />
{{Lyricist|John Donne}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Partsongs}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|Never published}}<br />
<br />
'''Description:''' This setting was made as part of a concert of madrigals and related partsongs, titled "Miracles From Times of Plague". The grotesque nature of the poem is evoked by the frequent use of descending diminished intervals.<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
Mark but this flea, and mark in this,<br><br />
How little that which thou deniest me is;<br><br />
It sucked me first, and now sucks thee,<br><br />
And in this flea our two bloods mingled be;<br><br />
Thou know’st that this cannot be said<br><br />
A sin, nor shame, nor loss of maidenhead,<br><br />
Yet this enjoys before it woo,<br><br />
And pampered swells with one blood made of two,<br><br />
And this, alas, is more than we would do.<br><br />
<br />
Oh stay, three lives in one flea spare,<br><br />
Where we almost, nay more than married are.<br> <br />
This flea is you and I, and this<br><br />
Our marriage bed, and marriage temple is;<br><br />
Though parents grudge, and you, w'are met,<br><br />
And cloistered in these living walls of jet.<br><br />
Though use make you apt to kill me,<br><br />
Let not to that, self-murder added be,<br><br />
And sacrilege, three sins in killing three.<br><br />
<br />
Cruel and sudden, hast thou since<br><br />
Purpled thy nail, in blood of innocence?<br><br />
Wherein could this flea guilty be,<br><br />
Except in that drop which it sucked from thee?<br><br />
Yet thou triumph’st, and say'st that thou<br><br />
Find’st not thy self, nor me the weaker now;<br><br />
’Tis true; then learn how false, fears be:<br><br />
Just so much honor, when thou yield’st to me,<br><br />
Will waste, as this flea’s death took life from thee. <br />
<br />
[[Category:Sheet music]]<br />
[[Category:Modern music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=The_Flea_(Mark_Chapman)&diff=1260841The Flea (Mark Chapman)2020-11-29T01:30:25Z<p>MarkChapman: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-11-29}} {{CPDLno|61707}} [[Media:Flea_The_MC.pdf|{{pdf}}]] [[Media:Flea_The_MC.mid|{{mid}}]] [[Media:Flea_The_MC.mp3|{{mp3}}]] [[Media:Flea_The_MC.mxl|{{XML}}]]<br />
{{Editor|Mark Chapman|2020-11-29}}{{ScoreInfo|A4|5|105}}{{Copy|Creative Commons Attribution Non-Commercial Share Alike}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''The Flea''<br><br />
{{Composer|Mark Chapman}}<br />
{{Lyricist|John Donne}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Partsongs}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|Never published}}<br />
<br />
'''Description:''' This setting was made as part of a concert of madrigals and related partsongs, titled "Miracles From Times of Plague". The grotesque nature of the poem is evoked by the frequent use of descending diminished intervals.<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Modern music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:Flea_The_MC.mxl&diff=1260839File:Flea The MC.mxl2020-11-29T01:27:59Z<p>MarkChapman: </p>
<hr />
<div></div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:Flea_The_MC.mp3&diff=1260837File:Flea The MC.mp32020-11-29T01:27:17Z<p>MarkChapman: </p>
<hr />
<div></div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Help_talk:Score_submission_guide&diff=1260836Help talk:Score submission guide2020-11-29T01:27:00Z<p>MarkChapman: Bug in name of uploaded files</p>
<hr />
<div>==First impressions==<br />
Intimidatingly lengthy, but the form is mostly self-explanatory and I understand this is meant as a link from a nutshell version. One problem that catches my eye is that the labels on Form Add work and the labels in the output are often different!<br />
*"Title of work" might instead read:<br />
<br />
'''Title:''' This field is automatically filled if you are adding a new edition of an existing work.<br />
<br />
Include enough information to unambiguously identify the work (opus, catalogue number, etc.; see [[Help:Disambiguation]] or examples at [[:Category:Disambiguation of works]]). Use sentence capitalization for incipits; see further [[Help:Style conventions#Titles of works and pages]].<br />
<br />
*'''Name of Composer (First name Last name)'''<br />
This field is automatically filled unless you are entering the first work/edition for a new composer, where you will have to delete the pre-defined value and enter the name of the new composer.<br />
<br />
Use the exact name that appears on the composer page ([[Josquin des Prez]] instead of Despres)<br />
<br />
*'''Editor/contributor'''<br />
It will be a great day when this too is automatically filled in for logged in users!<br />
<br />
*'''Notes about musical composition''' [on work pages this field is labeled '''Description:''')<br />
General information about the composition. See '''Edition notes:''' below<br />
<br />
[[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 23:38, 7 July 2020 (UTC)<br />
<br />
== "Unable to insert into table!" ==<br />
<br />
What does this error message mean? I've twice filled out the form for [[File:Dal ciel venne messo novello.pdf]], once with and once without the text source file, and still get "Unable to insert into table!" [[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 02:06, 28 October 2020 (UTC)<br />
:This usually means that you lost your login status, however you are attempting to perform an operation that requires to be logged-in. The database returns an error because it detects an operation that is not permitted to a user that is not logged-in. For example, if you have the "add work form" open and not submitted yet, and then you logout through another window (or tab) of your browser, this "Unable to insert into table!" is the type of error that that can be thrown if the form is submitted after having logged out. Also, switching from http to https may cause the login cookies to be invalidated, and therefore the situation is similar to a logout. Please keep an eye on the use of http vs. https in the address bar of your browser: for example, accessing pages that were bookmarked in http while being logged-in in https may confuse the recognition of the logged-in status. Max a.k.a. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 12:12, 29 October 2020 (UTC)<br />
::Thanks Max! Having since created [[Dal ciel venne messo novello (Anonymous)]] by hand, is there an easy way to go back add a missing CPDLno? [[User:Richard Mix|Richard Mix]] ([[User talk:Richard Mix|talk]]) 22:10, 29 October 2020 (UTC)<br />
:::When the add work form is submitted, the information entered are stored in a database that is used for maintenance and tracing purposes. Bypassing the normal submission process is not recommended, as such information would be omitted. The best thing to do is just to re-submit the form, entering by copy-and-paste the name of the files uploaded already, and then use the CPDL number assigned. Max a.k.a. [[User:Choralia|Choralia]] ([[User talk:Choralia|talk]]) 22:24, 29 October 2020 (UTC)<br />
<br />
==Bug in name of uploaded files==<br />
I am currently uploading a new piece, using AddWorkForm and the associated "Upload now" buttons, with the name of the associated files being delimited with underscores, i.e. "Flea _The_MC(.pdf etc.)" I then repeatedly get a warning "Filename has been changed to "Flea_The_MC.<extension>", because the system generated destination file name has spaces in it, not underscores. If I change the spaces back to underscores in the destination file name and press "Submit modified file description", it then loads happily, but the file name had underscores, not spaces, in it in the first place, honestly. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 01:26, 29 November 2020 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:Flea_The_MC.mid&diff=1260833File:Flea The MC.mid2020-11-29T01:11:46Z<p>MarkChapman: The Flea midi</p>
<hr />
<div>== Summary ==<br />
The Flea midi</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:Flea_The_MC.pdf&diff=1260832File:Flea The MC.pdf2020-11-29T01:10:48Z<p>MarkChapman: The Flea pdf</p>
<hr />
<div>== Summary ==<br />
The Flea pdf</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1180189There is a garden in her face (Robert Jones)2020-08-07T09:14:53Z<p>MarkChapman: Added xml file</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-08-07}} {{CPDLno|60050}} [[Media:There_is_a_garden_modified.pdf|{{pdf}}]] [[Media:There_is_a_garden_modified.mid|{{mid}}]] [[Media:There is a garden_modified.mxl|{{XML}}]] [[Media:There_is_a_garden_modified.mscz|{{Muse}}]]<br />
{{Editor|Mark Chapman|2020-08-07}}{{ScoreInfo|A4|3|62}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Verses 2 and 3 added, notes exchanged between alto and tenor to eliminate tenor high As<br />
<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mxl|{{XML}}]] [[Media:There is a garden.mscz|{{Muse}}]] <br />
{{Editor|Mark Chapman|2020-07-11}} {{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Apparently there should be a lute part, but the available edition only included the vocal parts.<br />
<br />
==General Information==<br />
{{Title|''There is a garden in her face''}}<br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1605}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden_modified.mxl&diff=1180188File:There is a garden modified.mxl2020-08-07T09:13:37Z<p>MarkChapman: There Is A Garden In Her Face modified MXL</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face modified MXL</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1180187There is a garden in her face (Robert Jones)2020-08-07T09:07:27Z<p>MarkChapman: Work page updated with new work entry</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-08-07}} {{CPDLno|60050}} [[Media:There_is_a_garden_modified.pdf|{{pdf}}]] [[Media:There_is_a_garden_modified.mid|{{mid}}]] [[Media:There_is_a_garden_modified.mscz|{{Muse}}]]<br />
{{Editor|Mark Chapman|2020-08-07}}{{ScoreInfo|A4|3|62}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Verses 2 and 3 added, notes exchanged between alto and tenor to eliminate tenor high As<br />
<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mxl|{{XML}}]] [[Media:There is a garden.mscz|{{Muse}}]] <br />
{{Editor|Mark Chapman|2020-07-11}} {{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Apparently there should be a lute part, but the available edition only included the vocal parts.<br />
<br />
==General Information==<br />
{{Title|''There is a garden in her face''}}<br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1605}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden_modified.mscz&diff=1180186File:There is a garden modified.mscz2020-08-07T09:03:20Z<p>MarkChapman: There Is A Garden In Her Face modified MuseScore source</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face modified MuseScore source</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden_modified.mid&diff=1180185File:There is a garden modified.mid2020-08-07T09:02:45Z<p>MarkChapman: There Is A Garden In Her Face modified midi</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face modified midi</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden_modified.pdf&diff=1180184File:There is a garden modified.pdf2020-08-07T09:01:44Z<p>MarkChapman: There Is A Garden In Her Face modified PDF</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face modified PDF</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1153525There is a garden in her face (Robert Jones)2020-07-12T01:24:45Z<p>MarkChapman: Publication date changed from 1608, yielding to the page Ultimum_Vale_(Robert_Jones)</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mxl|{{XML}}]] [[Media:There is a garden.mscz|{{Muse}}]] <br />
{{Editor|Mark Chapman|2020-07-11}}{{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Apparently there should be a lute part, but the available edition only included the vocal parts.<br />
<br />
==General Information==<br />
'''Title:''' ''There is a garden in her face''<br><br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1605}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:'''<br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1153232There is a garden in her face (Robert Jones)2020-07-11T10:15:29Z<p>MarkChapman: </p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mscz|{{XML}}]] [[Media:There is a garden.mxl|{{XML}}]] <br />
{{Editor|Mark Chapman|2020-07-11}}{{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Apparently there should be a lute part, but the available edition only included the vocal parts.<br />
==General Information==<br />
'''Title:''' ''There is a Garden in Her Face''<br><br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1608}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face (Thomas Campion)}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.mscz&diff=1153231File:There is a garden.mscz2020-07-11T10:13:27Z<p>MarkChapman: MarkChapman uploaded a new version of File:There is a garden.mscz</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face source file (Musescore)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.mxl&diff=1153230File:There is a garden.mxl2020-07-11T10:12:42Z<p>MarkChapman: MarkChapman uploaded a new version of File:There is a garden.mxl</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face Compressed MusicMXL</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.pdf&diff=1153229File:There is a garden.pdf2020-07-11T10:11:20Z<p>MarkChapman: MarkChapman uploaded a new version of File:There is a garden.pdf</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face PDF</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1153228There is a garden in her face (Robert Jones)2020-07-11T10:06:26Z<p>MarkChapman: Added xml file</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mscz|{{XML}}]] [[Media:There is a garden.xml|{{xml}}]] <br />
{{Editor|Mark Chapman|2020-07-11}}{{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Apparently there should be a lute part, but the available edition only included the vocal parts.<br />
==General Information==<br />
'''Title:''' ''There is a Garden in Her Face''<br><br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1608}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face (Thomas Campion)}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1153175There is a garden in her face (Robert Jones)2020-07-11T07:27:54Z<p>MarkChapman: Added note on edition</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mscz|{{XML}}]]<br />
{{Editor|Mark Chapman|2020-07-11}}{{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' Apparently there should be a lute part, but the available edition only included the vocal parts.<br />
==General Information==<br />
'''Title:''' ''There is a Garden in Her Face''<br><br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1608}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face (Thomas Campion)}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Robert_Jones&diff=1153174Robert Jones2020-07-11T07:26:05Z<p>MarkChapman: </p>
<hr />
<div>==Life==<br />
'''Born:''' c. 1577<br />
<br />
'''Died:''' c. 1615<br />
<br />
'''Biography'''<br />
<br />
Not to be confused with an earlier Robert Jones, composing in the early 16th century.<br />
{{WikipediaLink|Robert Jones (composer)}}<br />
<br />
==List of choral works==<br />
{{#SortWorks:}}<br />
{{CheckMissing}}<br />
{{Whatlinkshere}}<br />
==Publications==<br />
*'''{{NoCo|The First Booke of Songes or Ayres}}''' of foure parts with Tableture for the Lute. So made that all the parts together, or either of them severally may be song to the Lute, Orpherian or Viol de gambo. (1600)<br />
*'''{{NoCo|The Second Booke of Songs and Ayres}}''', set out to the Lute, the base Violl the playne way, or the Base by tableture after the leero fashion. (1601)<br />
*'''{{NoCo|Ultimum Vale}}''', with a triplicity of Musicke, Whereof The first part is for the Lute, the Voyce and the Viole Degambo, The 2.part is for the Lute, the Viole, and foure partes to sing, The third part is for two Trebles, to sing either to the Lute, or the Viole or to both, if any please. (1605 - not 1608 as often claimed)<br><br />
*'''{{NoCo|The First Set of Madrigals}}''', of 3. 4. 5. 6. 7. 8. Parts, for Viols and Voices, or for Voices alone, or as you please. (1607)<br><br />
*'''{{NoCo|A Musicall Dreame}}'''. Or The Fourth Booke of Ayres, the First part is for the Lute, two Voyces, and the Viole de Gambo; The Second part is for the Lute, the Viole and foure Voices to Sing: The Third part is for one Voyce alone, or to the Lute, the Basse Viole, or to both if you please, Whereof, two are Italian Ayres. (1609)<br><br />
*'''{{NoCo|The Muses Gardin for Delights}}''', Or the fift Booke of Ayres, onely for the Lute, the Base-vyoll, and the Voyce. (1610)<br><br />
<br />
<br />
Contributions to:<br />
*'''[[The Triumphs of Oriana]]''' (1601), compiled by Thomas Morley<br />
*'''{{NoComp|The teares or lamentacions of a sorrowfull soule|William Leighton}}''' (1614), compiled by Sir William Leighton<br />
<br />
Notes:<br><br />
'''{{NoCo|Ultimum Vale}}''' is considered the third book of 'ayres'.<br><br />
'''{{NoCo|The First Set of Madrigals}}''' was the only set ever published. Only the Cantus and Bassus partbooks survive.<br><br />
The lute parts of '''{{NoCo|A Musicall Dreame}}''' and '''{{NoCo|The Muses Gardin for Delights}}''' are, in places, crude and dissonant. It has been suggested that, in these cases, Jones is only responsible for the melody and bass lines, but there is little external evidence to support this.<br />
<br />
==List of works by publication==<br />
<table border="1" cellpadding="2" cellspacing="0" width="100%"><br />
<tr><td valign="top" width="50%"><br />
=====[[The First Booke of Songes or Ayres (Robert Jones)|The First Booke of Songes or Ayres]] (1600)=====<br />
*A Womans Lookes<br />
*Fond wanton youths<br />
*Shee whose matchlesse beauty<br />
*Once did I love<br />
*Led by a strong desire<br />
*Lie downe poore heart<br />
*Where lingring feare<br />
*Hero care not though<br />
*When love and time<br />
*Sweete come away<br />
*Women what are they<br />
*[[Farewell, dear love (Robert Jones)|''Farewell deere love'']]<br />
*O my poore eies<br />
*If fathers knew<br />
*Life is but a Poets phable<br />
*Sweete Philomell<br />
*That heart<br />
*[[What if I seek for love (Robert Jones)|''What if I seeke'']]<br />
*My mistris<br />
*Perplexed<br />
*Can modest plaine desire<br />
<br />
<br />
=====[[The Second Booke of Songs and Ayres (Robert Jones)|The Second Booke of Songs and Ayres]] (1601)=====<br />
*Love wing'd my hopes<br />
*My love bound me with a kisse<br />
*O how my thoughts doe beat me<br />
*Dreames and Imaginations<br />
*Mee thought this other night<br />
*Who so is tide<br />
*Fie fie<br />
*Beautie stands further<br />
*Now what is love<br />
*Loves God is a boy<br />
*Over these brookes<br />
*Whither runneth my sweet heart<br />
*Once did I love<br />
*Faire women<br />
*Daintie darling<br />
*My love is neither yoong nor old<br />
*Love is a bable<br />
*Arise<br />
*Did ever man<br />
*To sigh and to be sad<br />
*Come sorrow come<br />
<br />
=====[[The Triumphs of Oriana]] (1601)=====<br />
*21. Fair Oriana, seeming to wink at folly<br><br />
{{NoCo|Fair Oriana seeming to wink at folly}}<br />
<br />
=====[[Ultimum Vale (Robert Jones)|Ultimum Vale]] (1605)=====<br />
*Doe not, O do not prize thy beautie<br />
*Beautie sate bathing by a spring<br />
*[[Go to bed, sweet muse (Robert Jones)|''Goe to bed sweet Muze, take thy rest'']]<br />
*Shall I looke to ease my griefe<br />
*What If I sped where I least expected<br />
*Sweete if you like and love me still<br />
*Sease troubled thoughts to sigh<br />
*Scinthia Queene of Seas and Lands<br />
*Blame not my cheekes<br />
*[[There is a Garden in Her Face (Robert Jones)|''There is a Garden in her face'']]<br />
*Sweete Love my onely Treasure<br />
*Thinkst thou Kate to put me downe<br />
*When will the fountaine of my teares be drye<br />
*Flye from the world<br />
*Happy he who to sweete home retirde<br />
*Disdaine that so doth fill me<br />
*Now let her change and spare not<br />
*Since just disdaine began to rise<br />
*At her fayre hands how have I grace intreated<br />
*Oft have I muzde the cause to finde<br />
*Now have I learnd with much adoo at last<br />
</td><br />
<td valign="top"><br />
=====[[The First Set of Madrigals (Robert Jones)|The First Set of Madrigals]] (1607)=====<br />
*Thine Eyes So Bright<br />
*She only is the pride of Nature's skill<br />
*When I behold her eyes, (the first part)<br />
*But let her look in mine (the second part)<br />
*Love, if a god thou art<br />
*O, I do love then kiss me<br />
*Sing merry birds, your cheerful notes <br />
*I come sweet birds, with swiftest flight,<br />
*Cock-a-doodle-doo : thus I begin<br />
*Shrill-sounding bird, call up the drowsy morn (the first part)<br />
*And when day's fled, with slow pace I'll return(the second part)<br />
*Here is an end of all the songs<br />
*Come doleful owl. the messenger of woe,<br />
*Sweet, when thou singest, l'll Ieave my careful nest (the first part)<br />
*Thou tellest thy sorrows in a soft sweet note, (the second part)<br />
*When To Her Lute Corida Sings (the first part)<br />
*And as her lute doth live and die, (the second part)<br />
*If I behold your eyes<br />
*Since your sweet cheery lips I kissed (the first part)<br />
*Then grant me, dear, those cherries still (the second part)<br />
*Stay wandering thoughts, O whither do you hast?<br />
*Your presence breeds my anguish (the first part)<br />
*If those dear eyes that burn me, (the second part)<br />
*If thou speak kindly to me (the third part)<br />
*Are lovers full of fire? (the first part)<br />
*The more I burn, the more I do desire (the second part)<br />
<br />
<br />
====={{NoCo|A Musicall Dreame}} (1609)=====<br />
*{{NoCo|Though your strangenes}}<br />
*{{NoCo|Sweete Kate|Sweet Kate of late ranne away}}<br />
*{{NoCo|Sweete Kate}}<br />
*{{NoCo|Once did I serve a cruell hart}}<br />
*{{NoCo|Will saide to his mammy|Will saide to his mammy, that hee woulde goe woo}}<br />
*{{NoCo|Harke, harke wot yee wat}}<br />
*{{NoCo|My complaining is but faining}}<br />
*{{NoCo|On a time in summer season}}<br />
*{{NoCo|Fare well fond youth}}<br />
*{{NoCo|How should I shew my love|How should I shew my love unto my love}}<br />
*O he is gone and I am here<br />
*{{NoCo|And is it night}}<br />
*{{NoCo|She hath an eye}}<br />
*{{NoCo|I know not what|I know not what, yet that I feele is much}}<br />
*{{NoCo|Griefe, griefe of my best loves absenting}} <br />
*{{NoCo|If in this flesh}} &nbsp;<br />
*O thred of life when thou art spent<br />
*When I sit reading all alone<br />
*Faine would I speake, but feare to give offence<br />
*In Sherwood livde stout Robin Hood<br />
*Ite Caldi sospiri<br />
*Samor non è che dunque<br />
<br />
=====[[The Muses Gardin for Delights (Robert Jones)|The Muses Gardin for Delights]] (1610)=====<br />
*{{NoCo|Love, love}}<br />
*{{NoCo|Soft, Cupid, soft}}<br />
*{{NoCo|Aze I the silly fish beguile}}<br />
<br />
*The fountaines smoake<br />
*Walking by the River side<br />
*I cannot chuse but give a smile<br />
*Joy in thy hopes<br />
*How many New yeeres have growen olde<br />
*There was a shepheard that did live<br />
*The Sea hath many thousand sands<br />
*Once did my thoughts both ebbe and flow<br />
*I am so farre from pittying thee<br />
*As I lay lately in a dreame<br />
*There was a willy ladde<br />
*My father faine would have me take<br />
*My Love hath her true Love betraide<br />
*All my sence thy sweetnesse gained<br />
*To thee deafe Aspe with dying voice<br />
*Behold her lockes like wires of beaten Gold<br />
*Although the Wings of my desire be clipt<br />
*Might I redeeme mine errors with mine eyes<br />
<br />
<br />
=====[[The teares or lamentacions of a sorrowfull soule (William Leighton)|The teares or lamentacions of a sorrowfull soule]] (1614)=====<br />
*22. Let thy salvation be my joy<br />
*28. What shall I render<br />
*47. Lament, Lament, My Soul, Cry, O Cry<br />
</td><br />
</tr></table><br />
<br />
==External links==<br />
*[http://www.hoasm.org/IVM/JonesR2.html Short biography from HOASM]<br />
*[http://www.kulturserver.de/home/harald-lillmeyer/Texte/Downloads/Downloads.html Texts of five of his publications, with some midi files (copyright)]<br />
*[http://home.att.ne.jp/blue/patchan/NewJones/RosseterJones.html Another site, also with information about Philip Rosseter]<br />
<br />
<br />
{{DEFAULTSORT:{{NameSorter}}}}<br />
[[Category:1577 births]]<br />
[[Category:1615 deaths]]<br />
[[Category:Composers]]<br />
[[Category:Renaissance composers]]<br />
[[Category:Baroque composers]]<br />
[[Category:English composers]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Ultimum_Vale_(Robert_Jones)&diff=1153173Ultimum Vale (Robert Jones)2020-07-11T07:23:50Z<p>MarkChapman: </p>
<hr />
<div>==General Information==<br />
'''Title:''' Ultimum Vale, with a triplicity of Musicke, Whereof The first part is for the Lute, the Voyce and the Viole Degambo, The 2.part is for the Lute, the Viole, and foure partes to sing, The third part is for two Trebles, to sing either to the Lute, or the Viole or to both, if any please.<br><br />
'''Composer:''' Robert Jones<br><br />
<br />
{{Voicing|4|SATB, Solo Soprano, Solo SS}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments| Lute, orpharion, bass-viol, or a cappella}}<br />
{{PubDatePlace|1605|in London|&nbsp;}} 'Printed at London by John Windet, and are to be sold by Simon Waterson, in Powles Churchyeard, at the Signe of the Crowne'.<br />
<br />
'''Description:''' A collection of 21 songs in one, two and four parts, with lute and viol parts.<br />
<br />
'''Note:''' Many references, following Fellowes (1926) incorrectly give as published in 1608<br />
<br />
==List of works==<br />
{{#Legend:}}<br />
'''Solo, with lute and bass-viol parts'''<br><br />
*Doe not, O do not prize thy beautie<br />
*Beautie sate bathing by a spring<br />
*[[Go to bed, sweet muse (Robert Jones)|''Goe to bed sweet Muze, take thy rest'']]<br />
*Shall I looke to ease my griefe<br />
*What If I sped where I least expected<br />
*Sweete if you like and love me still<br />
<br />
'''SATB, with lute part'''<br><br />
*Sease troubled thoughts to sigh<br />
*Scinthia Queene of Seas and Lands<br />
*Blame not my cheekes<br />
*[[There is a Garden in Her Face (Robert Jones)|''There is a Garden in her face'']]<br />
*Sweete Love my onely Treasure<br />
*Thinkst thou Kate to put me downe<br />
*When will the fountaine of my teares be drye<br />
*Flye from the world<br />
*Happy he who to sweete home retirde<br />
<br />
'''Two sopranos, with lute part'''<br><br />
*Disdaine that so doth fill me<br />
*Now let her change and spare not<br />
*Since just disdaine began to rise<br />
*At her fayre hands how have I grace intreated<br />
*Oft have I muzde the cause to finde<br />
*Now have I learnd with much adoo at last<br />
<br />
==Works at CPDL==<br />
{{MultiPubList|yr,seq,gen,subg,vo,voices|1605}}<br />
<br />
==Copies==<br />
Royal College of Music, London, shelfmark I.G.23 [title page missing]<br><br />
Private ownership [complete]<br />
<br />
==Editions==<br />
Fellowes, E.H. ed., 1926, ''Ultimum Vale. Third Book of Ayres. 1608'', London: Stainer & Bell [music, volume 6 in 'The English School of Lutenist Song Writers', second series]<br> <br />
Greer, David ed., 1978, ''Ultimum Vale'', London: Scolar Press [facsimile - collated from both copies]<br><br />
<br />
==References==<br />
Pollard, A.W. and Redgrave, G.R., 1986, ''A short-title catalogue…'', 2nd edition, London: Bibliographical Society, no. 14738<br><br />
RISM A/I/4 J644<br />
<br />
==External links==<br />
<br />
*[http://www.kulturserver.de/home/harald-lillmeyer/Texte/Downloads/Downloads.html Texts of five of Jones' publications, including 'Ultimum Vale', with some midi files (copyright)]<br><br />
<br />
[[Category:Music publications]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1153171There is a garden in her face (Robert Jones)2020-07-11T07:21:02Z<p>MarkChapman: Added text link</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mscz|{{XML}}]]<br />
{{Editor|Mark Chapman|2020-07-11}}{{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''There is a Garden in Her Face''<br><br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1608}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|There is a garden in her face (Thomas Campion)}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=There_is_a_garden_in_her_face_(Robert_Jones)&diff=1153167There is a garden in her face (Robert Jones)2020-07-11T07:05:15Z<p>MarkChapman: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-07-11}} {{CPDLno|59669}} [[Media:There is a garden.pdf|{{pdf}}]] [[Media:There is a garden.mid|{{mid}}]] [[Media:There is a garden.mscz|{{XML}}]]<br />
{{Editor|Mark Chapman|2020-07-11}}{{ScoreInfo|A4|2|54}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''There is a Garden in Her Face''<br><br />
{{Composer|Robert Jones}}<br />
{{Lyricist|Thomas Campion}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Secular|Madrigals}}<br />
{{Language|English}}<br />
{{Instruments|A cappella}}<br />
{{Pub|1|1608}}<br />
<br />
'''Description:''' <br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Renaissance music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.mid&diff=1153166File:There is a garden.mid2020-07-11T06:59:07Z<p>MarkChapman: There Is A Garden In Her Face midi</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face midi</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.mscz&diff=1153165File:There is a garden.mscz2020-07-11T06:58:11Z<p>MarkChapman: There Is A Garden In Her Face source file (Musescore)</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face source file (Musescore)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.mxl&diff=1153163File:There is a garden.mxl2020-07-11T06:57:29Z<p>MarkChapman: There Is A Garden In Her Face Compressed MusicMXL</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face Compressed MusicMXL</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:There_is_a_garden.pdf&diff=1153162File:There is a garden.pdf2020-07-11T06:56:25Z<p>MarkChapman: There Is A Garden In Her Face PDF</p>
<hr />
<div>== Summary ==<br />
There Is A Garden In Her Face PDF</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Talk:John_Shaw_Neilson&diff=1104816Talk:John Shaw Neilson2020-06-13T00:22:17Z<p>MarkChapman: </p>
<hr />
<div>Why were dates added to this name when that isn't CPDL convention? The system has rightly reverted it to the old version.<br />
<br />
:Hello Mark Chapman, please add four tildes (<nowiki>~~~~</nowiki>) to your message to identify yourself. I came across this composer because he didn't sort correctly, and removed the dates from his name; I also had to do that to the two works for which he is lyricist. I don't know where the dates came from. By the way, you can see who did what to any page by clicking the "history" tab at the top. Cheers, — [[User:BarryJ|Barry Johnston]] [[User talk:BarryJ|(talk)]] 03:59, 12 June 2020 (UTC)<br />
<br />
Apologies for not signing my previous comment. Wasn't the history lost because the page without dates in the name became a different page? [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 00:22, 13 June 2020 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Talk:John_Shaw_Neilson&diff=1098520Talk:John Shaw Neilson2020-06-12T01:29:54Z<p>MarkChapman: Query last edit</p>
<hr />
<div>Why were dates added to this name when that isn't CPDL convention? The system has rightly reverted it to the old version.</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=User_talk:Claude_T&diff=1069211User talk:Claude T2020-03-14T11:48:04Z<p>MarkChapman: /* MXL file */</p>
<hr />
<div>Archives of this page are [http://www.cpdl.org/wiki/index.php/User_talk:Claude_T/Archive1 here (2007-2010)], [http://www.cpdl.org/wiki/index.php/User_talk:Claude_T/Archive2 here (2010-2012)], [http://www.cpdl.org/wiki/index.php/User_talk:Claude_T/Archive3 here (2012-2013)], [http://www.cpdl.org/wiki/index.php/User_talk:Claude_T/Archive4 here (2014-2015)], [http://www.cpdl.org/wiki/index.php?title=User_talk:Claude_T/Archive5 here (2015-2016)] and [http://www.cpdl.org/wiki/index.php?title=User_talk:Claude_T/Archive6 here (2017-2019)].<br />
<br />
<br />
<br />
== New edition not showing up / thanks for the redirect ==<br />
<br />
Hi Claude, thanks for the redirect on my user page (and for bumping my edition of [[As Vesta was from Latmos hill descending (Thomas Weelkes)|As Vesta was]] to the top of the page for chronological ordering--I'll be sure to do that next time).<br />
<br />
I see my new edition listed when I view [[As Vesta was from Latmos hill descending (Thomas Weelkes)|As Vesta was]] while signed in, but not otherwise. Is this normal? Am I missing something?<br />
<br />
Thanks!<br><br />
[[User:Maia.mcc|Maia.mcc]] ([[User talk:Maia.mcc|talk]]) 04:12, 23 December 2019 (UTC)<br />
:You're welcome, Maïa! Recent changes are seen only when connected (logged in). But after a few hours, perhaps a day or so, they remain seeable by anybody.<br />
<br />
:By the way, we use to add, as a source file, an MXL (compressed musicXML) file with each edition. The reason for that is to be more user-friendly for the users who don't have the same notation software as the editor. If they have a recent software, they can open such file, to adapt the pitch to their choir abilities, to make rehearsal files, etc. You may add any file to your edition clicking on 'Upload a file' in the left pane of any CPDL page, under 'Tools'. You'll also, next time, be able to add an MXL file in lieu of the Sibelius one through the AddWork form. [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 06:45, 23 December 2019 (UTC)<br />
<br />
== Michael Praetorius - Quem pastores laudavere a 4 ==<br />
<br />
Hi Claude,<br />
<br />
there is an existing page of [[Quem pastores laudavere a 4 (Michael Praetorius)]], which first edition claims to be from [[Musae Sioniae, fünffter Theil (Michael Praetorius)]], but the page is not linked to this publication. The two other publications on this page are similar but different, and all three are not any version from "Musae Sioniae V". (In "Musae Sioniae" the numbers 88, 89 and 90 are "Quem pastores a 4", but with different extras).<br />
<br />
So I added a second page [[Quem pastores laudavere a 4 with children (Michael Praetorius)]], which I linked to "Musae Sioniae V, No 88".<br />
<br />
If I find time I will add No. 89 from the autograph, put it to [[Quem pastores laudavere a 4 (Michael Praetorius)]] and link it to "Musae Sioniae V, No. 89", because it's the most similar source for the existing three editions.<br />
[[User:Volker Seibt]] ([[User talk:Vseibt|talk]]) 13:16, 29 December 2019 (UTC)<br />
:Thanks for your edits. [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 14:03, 29 December 2019 (UTC)<br />
<br />
== Appreciation ==<br />
Thank you for the warm welcome, you are very kind! I am glad to be part of this amazing community. I am grateful to have this once in a lifetime opportunity to work with you and to meet others. It is a pleasure and a privilege for me to be here. I owe you my life! --[[User:Music4Ever|Music4Ever]] ([[User talk:Music4Ever|talk]]) 21:35, 29 December 2019 (UTC)<br />
:Feel free to ask, if any question. [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 06:26, 30 December 2019 (UTC)<br />
::Anytime! --[[User:Music4Ever|Music4Ever]] ([[User talk:Music4Ever|talk]]) 06:42, 30 December 2019 (UTC)<br />
<br />
== Samuel Babcock ==<br />
https://en.wikipedia.org/wiki/Samuel_G._Babcock There is no person named [[Samuel Babcock]] that is a composer. This Wikipedia source links to a bishop named [[Samuel G. Babcock]]. This page also has the wrong birth and death dates. Please delete this. This person is not a composer, he was a bishop. Not relevant to this wiki. --[[User:Music4Ever|Music4Ever]] ([[User talk:Music4Ever|talk]]) 17:29, 30 December 2019 (UTC)<br />
<br />
== Wikipedia version of this guy as a bishop, not a composer ==<br />
'''Samuel Gavitt Babcock''' (1851–1938) was an American bishop in the Protestant Episcopal Church. He graduated from the Episcopal Theological School at Cambridge, Massachusetts, in 1891. After holding pastorates in Rhode Island and Massachusetts he was archdeacon of Massachusetts from 1903 to 1913, when he was elected suffragan bishop of Massachusetts. --[[User:Music4Ever|Music4Ever]] ([[User talk:Music4Ever|talk]]) 17:32, 30 December 2019 (UTC)<br />
:I'm knowing nothing about him. Please use the forums before any deletion. [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 17:36, 30 December 2019 (UTC)<br />
::Please show me a link to the forums. --[[User:Music4Ever|Music4Ever]] ([[User talk:Music4Ever|talk]]) 17:38, 30 December 2019 (UTC)<br />
:::In the left pane of any CPDL page, including this one ;-) [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 17:40, 30 December 2019 (UTC)<br />
<br />
== 2020 ==<br />
<br />
Happy new year to you, best wishes for 2020! --[[User:Music4Ever|Music4Ever]] ([[User talk:Music4Ever|talk]]) 20:43, 30 December 2019 (UTC)<br />
<br />
==MXL file==<br />
Hi Claude. You added an MXL file to my page https://www.cpdl.org/wiki/index.php/Heart_of_Spring_(Mark_Chapman) I have updated the MuseScore file but don't have access to update this one. Thanks. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 04:12, 28 January 2020 (UTC)<br />
:Hi, Mark. Thank you for your contributions. I've updated the MXL file. Next time, feel free to add your own MXL file and warn me to remove mine ;-) [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 07:07, 28 January 2020 (UTC)<br />
::Thanks! [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 07:30, 28 January 2020 (UTC)<br />
Thanks again for the new MXL file. There is apparently a workaround to get MusicXML out of Lilypond, but I haven't mastered it yet.[[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 11:47, 14 March 2020 (UTC)<br />
<br />
== At first the mountain rill (George Alexander MacFarren) ==<br />
<br />
Thanks for adding the text, Claude. Must have got distracted after uploading the files.<br><br />
[[User:Jamesgibb|Jamesgibb]] ([[User talk:Jamesgibb|talk]]) 12:30, 1 March 2020 (UTC)<br />
:You're welcome, James! [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 12:31, 1 March 2020 (UTC)<br />
<br />
== Qui habitat by Ortells ==<br />
<br />
Claude, I entered the details of this work today but after doing this I did not get the usual email with the code to use in creating the new work. Did I do something wrong? [[User:Jgoodliffe|Jgoodliffe]] ([[User talk:Jgoodliffe|talk]]) 17:12, 2 March 2020 (UTC)<br />
:Hi, Jonathan, Many thanks for all your contributions! For what I can see, you uploaded three files concerning that work, but I don't see that you filled the AddWork form as before, for the other works. Please go to the Ortell's composer page, click on 'Add new work' on the upper right part. Fill the AddWork form, but no need to upload the files, you did it already. By the way, adding an MXL (compressed XML) file allows more users to use your edition(s), not only those who have Sibelius. Feel free to upload the MXL file in lieu of the Sibelius one, if you don't want to upload both files. Kind Regards, [[User:Claude T|Claude]] ([[User talk:Claude T|talk]]) 21:37, 2 March 2020 (UTC)<br />
<br />
Claude. Thanks for this. My version of Sibelius (5.2.5) can only import, not export XML files. The cost of upgrading the software, which in all other respects does everything I want, is disproportionate. However, I will keep an eye out for a possible solution [[User:Jgoodliffe|Jgoodliffe]] ([[User talk:Jgoodliffe|talk]]) 09:51, 3 March 2020 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Talk:Missa_Papae_Marcelli_(Giovanni_Pierluigi_da_Palestrina)&diff=1065240Talk:Missa Papae Marcelli (Giovanni Pierluigi da Palestrina)2020-02-22T05:50:38Z<p>MarkChapman: </p>
<hr />
<div>'''CPDL#1908'''<br />
<br />
'''Agnus Dei I''' <br><br />
V. 49. The second should be g, no e. <br><br />
[[User:Dedragon|Dedragon]] 11:35, 18 October 2010 (UTC)<br />
<br />
<br />
'''CPDL #11984:'''<br><br />
The following errors have been noted:<br />
<br />
'''Kyrie'''<br><br />
VI.21.3: an 8ve too low; should be c'<br><br />
IV.24: c'<br><br />
VI.24: g<br><br />
<br />
'''Gloria'''<br><br />
VI.17: whole bar an 8ve too low<br><br />
VI.29: whole bar an 8ve too low<br><br />
V.48-50: whole passage an 8ve too low<br><br />
V.51: crotchet rest; g minim; g crotchet<br><br />
<br />
'''Credo'''<br><br />
Not checked<br><br />
<br />
'''Agnus I'''<br><br />
II.15.3: e'<br><br />
II.26.2: a'<br><br />
II.27.1: b'<br><br />
<br />
'''Agnus II'''<br><br />
III.12.4: 8ve too high; should be g<br><br />
II.15.1: a'<br><br />
--[[User:DaveF|DaveF]] 21:21, 13 April 2010 (UTC)<br />
<br />
<br />
'''CPDL #31743'''<br><br />
I have changed the time signature from large alla breve (4/2) to common time (4/4) because I think it is much easier for a modern choral singer to read the score with whole notes instead of double whole notes, half notes instead of whole notes etc. The mp3 rendering was made with Finale 2011, EWQL Symphonic Choirs and EWQL QL Spaces. The key was lowered 1 semitone (B major) in order to get some idea of the original tuning.<br><br />
--[[User:MWE|MWE]] ([[User talk:MWE|talk]]) 17:46, 21 April 2014 (UTC)<br />
<br />
'''CPDL #21437''' <br><br />
Ficta: Benedictus, T2 bar 12: E natural instead of E flat (like T1 bar 2, not like T1 bar 8) [[User:Peter Hilton|Peter Hilton]] ([[User talk:Peter Hilton|talk]]) 20:20, 7 September 2016 (UTC) <br><br />
Underlay error: Credo, S bar 64: 'to' should be 'cto'. [[User:Peter Hilton|Peter Hilton]] ([[User talk:Peter Hilton|talk]]) 13:15, 6 September 2016 (UTC)<br />
<br />
'''CPDL #43813''' <br><br />
'''Credo'''<br><br />
Bar 74: Bass note should be an F, not a G. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 05:58, 21 January 2020 (UTC)<br />
'''Gloria'''<br><br />
Sorry, but I have another one. Bars 21-22: Bass 2 entry notes on "Prop- ter" should be an octave higher (Bb3 and A3 rather than Bb2 and A2). The rest of the phrase is correct. [[User:MarkChapman|MarkChapman]] ([[User talk:MarkChapman|talk]]) 05:49, 22 February 2020 (UTC)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Mark_Chapman&diff=1062750Mark Chapman2020-02-07T06:34:48Z<p>MarkChapman: Performance information added</p>
<hr />
<div>__NOTOC__<br />
==Life==<br />
'''Born:''' December 1960<br />
<br />
'''Died:''' <br />
<br />
'''Biography'''<br><br />
''Mark has been a member of adult choirs for over 40 years but only started composing in 2003. In 2007 his Agnus Dei (qv) was performed by the Canberra choir Cantorion, in 2008 his setting of the [[Ben Jonson]] poem Hymn to Diana (qv) was performed by Harmonic Means, and in 2009 his setting of Never Weather-beaten Sail (qv) was performed by the ANU Choral Society. His setting of the [[William_Shakespeare|Shakespeare]] ode Fear no more the heat o' the sun (qv) was performed by Capital Voices, and his Hosanna setting by Harmonic Means, both in late 2010, and his Sonnet and Ave Maria were both performed in October 2010 by the RMIT Occasional Choral Society as part of their choral composition competition, and the Ave Maria again in Hungary in October 2011 at the "Singing Hungary" regional choral festival. "I shall not pass this way again" and "Prayer of St Francis" were performed by Harmonic Means in mid 2012 and the set of three motets by Capital Voices at the end of 2012. "O Sacrum Convivium" was performed twice by Igitur Nos in 2012 and once by the ANU Choral Society in 2013. Harmonic Means performed both "Requiem" and "Welcome Yule" in 2013, and Capital Voices performed "Ave Maris Stella" also in 2013.''<br />
<br />
''Mark started formal composition lessons with Andrew Koll in 2013, and Andrew conducted "Domine, quid est homo?" and "Out of the Deep" in separate concerts with the ANU Choral Society in 2014.''<br />
<br />
''Mark's setting of Eva Schroeder's poem "Lamentation" and his motet "O Nata Lux" both received their first performances in June 2016, by I Progetti and Harmonic Means respectively, and "Domine, quid est homo?" received its second performance in a concert given by the 67th Intervarsity Choral Festival, conducted by Leonard Weiss, in July 2016. "Now Sleeps the Crimson Petal" was written for I Progetti and performed by them in the foyer of the High Court of Australia in May 2017.''<br />
<br />
''"With rue my heart is laden" was performed by the Gundaroo Community Singers under the direction of Maartje Sevenster for the Anzac Day Dawn Service in Gundaroo in 2019.''<br />
<br />
==List of choral works==<br />
{{#SortWorks:}}<br />
{{CheckMissing}}<br />
{{Whatlinkshere}}<br />
==Publications==<br />
<br />
==External links==<br />
''add web links here''<br />
<br />
{{DEFAULTSORT:Chapman, Mark}}<br />
[[Category:1960 births]]<br />
[[Category:Composers]]<br />
[[Category:Modern composers]]<br />
[[Category:Australian composers]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=With_rue_my_heart_is_laden_(Mark_Chapman)&diff=1062749With rue my heart is laden (Mark Chapman)2020-02-07T06:31:14Z<p>MarkChapman: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-02-07}} {{CPDLno|56948}} [[Media:With_rue_my_heart_is_laden.pdf|{{pdf}}]] [[Media:With_rue_my_heart_is_laden.mid|{{mid}}]] [[Media:With_rue_my_heart_is_laden.mscz|{{Muse}}]]<br />
{{Editor|Mark Chapman|2020-02-07}}{{ScoreInfo|A4|3|79}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''With rue my heart is laden''<br><br />
{{Composer|Mark Chapman}}<br />
{{Lyricist|A. E. Housman}}<br />
<br />
{{Voicing|2|SA}}<br><br />
{{Genre|Secular|Lamentations}}<br />
{{Language|English}}<br />
{{Instruments|Piano}}<br />
{{Pub|1|Never published}}<br />
<br />
'''Description:''' Written for an Anzac Day Dawn Service for performance by a small group of enthusiastic amateurs. Parts were doubled down the octave by the males in the choir. The setting attempts to evoke golden memories of youth, contrasted with the sad reality of the present day.<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Modern music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:With_rue_my_heart_is_laden.mxl&diff=1062748File:With rue my heart is laden.mxl2020-02-07T06:27:41Z<p>MarkChapman: With rue my heart is laden - Compressed mxl</p>
<hr />
<div>== Summary ==<br />
With rue my heart is laden - Compressed mxl</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:With_rue_my_heart_is_laden.mscz&diff=1062747File:With rue my heart is laden.mscz2020-02-07T06:27:10Z<p>MarkChapman: With rue my heart is laden source file (MuseScore 2)</p>
<hr />
<div>== Summary ==<br />
With rue my heart is laden source file (MuseScore 2)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:With_rue_my_heart_is_laden.mid&diff=1062746File:With rue my heart is laden.mid2020-02-07T06:26:16Z<p>MarkChapman: With rue my heart is laden soundfile (MIDI)</p>
<hr />
<div>== Summary ==<br />
With rue my heart is laden soundfile (MIDI)</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=File:With_rue_my_heart_is_laden.pdf&diff=1062745File:With rue my heart is laden.pdf2020-02-07T06:25:37Z<p>MarkChapman: With rue my heart is laden PDF</p>
<hr />
<div>== Summary ==<br />
With rue my heart is laden PDF</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=The_heavens_declare_the_glory_of_God_(Mark_Chapman)&diff=1062645The heavens declare the glory of God (Mark Chapman)2020-02-06T05:32:15Z<p>MarkChapman: Changed 'lyricist' to 'source of text', and added text rather than just linking to the whole Psalm</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-02-05}} {{CPDLno|56927}} [[Media:Psalm19.pdf|{{pdf}}]] [[Media:Psalm19.midi|{{mid}}]] [[Media:Psalm19.ly|{{Ly}}]]<br />
{{Editor|Mark Chapman|2020-02-05}}{{ScoreInfo|A4|11|825}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''The heavens declare the glory of God''<br><br />
{{Composer|Mark Chapman}}<br />
'''Source of text:''' [[Psalm 19|Psalm 19:1-5]]<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Anthems}}<br />
{{Language|English}}<br />
{{Instruments|Organ}}<br />
{{Pub|1|Never published}}<br />
<br />
'''Description:''' A short, joyous setting of the first 5 verses of Psalm 19<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{Vs|Ps.19:1}} The heavens declare the glory of God: and the firmament showeth his handywork.<br><br />
{{Vs|Ps.19:2}} Day unto day uttereth speech, and night unto night showeth knowledge.<br><br />
{{Vs|Ps.19:3}} There is no speech nor language, where their voice is not heard.<br><br />
{{Vs|Ps.19:4}} Their line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun,<br><br />
{{Vs|Ps.19:5}} Which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race.<br />
[[Category:Sheet music]]<br />
[[Category:Modern music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Psalm_19&diff=1062644Psalm 192020-02-06T05:06:12Z<p>MarkChapman: Added composer, move 'French' between 'Clark' and 'Furtak', and corrected (?) 'strrong' to 'strong' in the KJV</p>
<hr />
<div>{{Psalm legend|19|39|1}}<br />
== General Information ==<br />
== Settings by composers ==<br />
{{Top}}<br />
*[[Let the words of my mouth (Joseph Barnby)|Joseph Barnby]] SSATTB (vv. 14-15, BCP)<br />
**[[Asia (William Billings)|Asia]] SATB (English, Isaac Watts' metrical version)<br />
**[[Brookline (William Billings)|Brookline]] SATB (English, metrical New Version)<br />
**[[Sublimity (William Billings)|Sublimity]] SATB (English, metrical version by Billings)<br />
*[[The heavens declare the glory of God (William Boyce)|William Boyce]] ATB(SATB) (vv. 1-5 English BCP, with Rev. 15:3 & 4:11) <br />
*[[Colchester (Oliver Brownson)|Oliver Brownson]] SATB (English, Isaac Watts' metrical version)<br />
*[[The heavens declare the glory of God (Mark Chapman)|Mark Chapman]] SATB (vv. 1-5 English KJV, except 'showeth' instead of 'sheweth') <br />
*[[Thomas Clark]]<br />
**''Behold the morning sun'' (English, metrical version by Isaac Watts)<br />
***from ''A Fifth Set of Psalm Tunes'' SATB<br />
***[[Behold the morning sun (Bingley) (Thomas Clark)|to the tune 'Bingley', from ''The Congregational Harmonist'']] SATB<br />
**''The heavens declare thy glory, Lord'' SATB (English, metrical New Version)<br />
*[[Creation (Jacob French)|Jacob French]] SATB (English, Isaac Watts metrical version)<br />
*[[Let the words of my mouth (Maggie Furtak)|Maggie Furtak]] SATB (v. 14, English BCP)<br />
*[[Charles H. Giffen]]<br />
**[[Psalm 19 for Lent 3-B (Charles H. Giffen)|Psalm 19 for Lent 3-B]] SATB (vv. 8-11, English)<br />
**[[Rorate caeli desuper (Charles H. Giffen)|Rorate caeli desuper]] SATB (v. 2, Latin)<br />
{{Middle}}<br />
*[[Les cieux instruisent la terre (Théodore Gouvy)|Théodore Gouvy]] SSTB (French metrical version)<br />
*[[Messiah, HWV 56 (George Frideric Handel)|George Frideric Handel]] SATB (v. 4, English BCP)<br />
*[[Caeli enarrant gloriam Dei (Hans Leo Hassler)|Hans Leo Hassler]] SSSAAATTTTBBB (vv. 2-6a, Latin)<br />
*[[Franz Joseph Haydn]] <br />
**[[Die Himmel erzählen (from 'The Creation') (Joseph Haydn)|Die Himmel erzählen]] SATB & ATB soli (vv. 2-3,5, German)<br />
**[[The Heavens are Telling (from 'The Creation') (Joseph Haydn)|The Heavens are Telling]] SATB & ATB soli (vv. 1-2,4, English paraphrase)<br />
**[[The spacious firmament on high (Joseph Haydn)|The spacious firmament on high]] S solo (English, Addison's paraphrase)<br />
*[[Pembrook (Daniel Read)|Daniel Read]] SATB (English, [[Isaac Watts]] paraphrases Ps. 17 & 19)<br />
*[[Heinrich Schütz]]<br />
**[[Die Himmel, Herr, preisen Dein göttliche Macht, SWV 115 (Heinrich Schütz)|SWV 115]] SATB (vv1-5,9, metrical paraphrase by Cornelius Becker)<br />
**[[Die Himmel erzählen die Ehre Gottes, SWV 386 (Heinrich Schütz)|SWV 386]] SSATTB (vv. 1.6, German)<br />
**[[Die Himmel erzählen die Ehre Gottes, SWV 455 (Heinrich Schütz)|SWV 455]] SSATTB (vv. 1-6, German, Luther Bibel 1545, with minor spelling variations)<br />
*[[Cranbury (Nehemiah Shumway)|Nehemiah Shumway]] SATB (English, Isaac Watts' metrical version)<br />
*[[The heavens declare the glory of God (Thomas Tomkins)|Thomas Tomkins]] TTBB (vv. 1-4, English)<br />
*[[Caeli enarrant gloriam Dei (Giovanni Damasceno Uffereri)|Giovanni Damasceno Uffereri]] SSATTB (vv. 1-5, Latin)<br />
*[[Psalm 19 (Thurlow Weed)|Thurlow Weed]] SATB (vv. 1-2, English paraphrase)<br />
{{Bottom}}<br />
See also:<br />
*[[Justitiae Domini]] for settings of vv. 9-12 as the {{CiteCat|Offertories|offertory}} for {{CiteCat|Lent III}} and {{CiteCat|Pentecost IX}}.<br />
*[[In omnem terram]] for settings of v. 5 as the {{CiteCat|Offertories|offertory}} for the feast of SS. Simon & Jude.<br />
*[[Die Himmel rühmen (Ludwig van Beethoven)]], sometimes adapted in English as ''The Heavens are Telling''<br />
*''Caeli enarrrant'' is the verse of the {{CiteCat|Advent IV}} {{CiteCat|Introits|introit}} ''[[Rorate caeli (introit) (Gregorian chant)|Rorate caeli]]''.<br />
{{TextAutoList}}<br />
<br />
==Text and translations==<br />
{{Top}}<br />
===[[Clementine Vulgate]] (Psalm 18)===<br />
{{Text|Latin|<br />
{{Vs|1}} ''In finem. Psalmus David.''<br />
{{Vs|2}} Caeli enarrant gloriam Dei, et opera manuum ejus annuntiat firmamentum.<br />
{{Vs|3}} Dies diei eructat verbum, et nox nocti indicat scientiam.<br />
{{Vs|4}} Non sunt loquelae, neque sermones, quorum non audiantur voces eorum.<br />
{{Vs|5}} In omnem terram exivit sonus eorum, et in fines orbis terrae verba eorum.<br />
{{Vs|6}} In sole posuit tabernaculum suum; et ipse tamquam sponsus procedens de thalamo suo.<br />
Exsultavit ut gigas ad currendam viam;<br />
{{Vs|7}} a summo caelo egressio ejus. Et occursus ejus usque ad summum ejus;<br />
nec est qui se abscondat a calore ejus.<br />
{{Vs|8}} Lex Domini immaculata, convertens animas; testimonium Domini fidele,<br />
sapientiam praestans parvulis.<br />
{{Vs|9}} Justitiae Domini rectae, laetificantes corda; praeceptum Domini lucidum,<br />
illuminans oculos.<br />
{{Vs|10}} Timor Domini sanctus, permanens in saeculum saeculi; judicia Domini vera,<br />
justificata in semetipsa,<br />
{{Vs|11}} desiderabilia super aurum et lapidem pretiosum multum, et dulciora super mel<br />
et favum.<br />
{{Vs|12}} Etenim servus tuus custodit ea; in custodiendis illis retributio multa.<br />
{{Vs|13}} Delicta quis intelligit? ab occultis meis munda me;<br />
{{Vs|14}} et ab alienis parce servo tuo. Si mei non fuerint dominati,<br />
tunc immaculatus ero, et emundabor a delicto maximo.<br />
{{Vs|15}} Et erunt ut complaceant eloquia oris mei, et meditatio cordis mei in conspectu tuo semper. <br />
{{Vs}} Domine, adjutor meus, et redemptor meus.}}<br />
{{Middle}}<br />
===Church of England 1662 ''Book of Common Prayer''===<br />
{{Text|English|<br />
{{Vs}} ''To the end. A psalm of David.'' <br />
{{Vs|1}} The heavens declare the glory of God: and the firmament sheweth his handywork.<br />
{{Vs|2}} One day telleth another: and one night certifieth another.<br />
{{Vs|3}} There is neither speech nor language: but their voices are heard among them.<br />
{{Vs|4}} Their sound is gone out into all lands: and their words into the ends of the world.<br />
{{Vs|5}} In them hath he set a tabernacle for the sun: which cometh forth as a bridegroom out of his chamber, and rejoiceth as a giant to run his course.<br />
{{Vs|6}} It goeth forth from the uttermost part of the heaven, and runneth about unto the end of it again:<br />
and there is nothing hid from the heat thereof.<br />
{{Vs|7}} The law of the Lord is an undefiled law, converting the soul: the testimony of the Lord is sure, <br />
and giveth wisdom unto the simple.<br />
{{Vs|8}} The statutes of the Lord are right, and rejoice the heart: the commandment of the Lord is pure,<br />
and giveth light unto the eyes.<br />
{{Vs|9}} The fear of the Lord is clean, and endureth for ever: the judgements of the Lord are true,<br />
and righteous altogether.<br />
{{Vs|10}} More to be desired are they than gold, yea, than much fine gold: sweeter also than honey,<br />
and the honey-comb.<br />
{{Vs|11}} Moreover, by them is thy servant taught: and in keeping of them there is great reward.<br />
{{Vs|12}} Who can tell how oft he offendeth: O cleanse thou me from my secret faults.<br />
{{Vs|13}} Keep thy servant also from presumptuous sins, lest they get the dominion over me:<br />
so shall I be undefiled, and innocent from the great offence.<br />
{{Vs|14}} Let the words of my mouth, and the meditation of my heart: be alway acceptable in thy sight,<br />
{{Vs|15}} O Lord: my strength, and my redeemer.}}<br />
{{Bottom}}<br />
{{Top}}<br />
===King James Version===<br />
{{Text|English|<br />
{{Vs|1}} The heavens declare the glory of God: and the firmament sheweth his handywork.<br />
{{Vs|2}} Day unto day uttereth speech, and night unto night sheweth knowledge.<br />
{{Vs|3}} There is no speech nor language, where their voice is not heard.<br />
{{Vs|4}} Their line is gone out through all the earth, and their words to the end of the world. In them hath he set a tabernacle for the sun,<br />
{{Vs|5}} Which is as a bridegroom coming out of his chamber, and rejoiceth as a strong man to run a race.<br />
{{Vs|6}} His going forth is from the end of the heaven, and his circuit unto the ends of it: and there is nothing hid from the heat thereof.<br />
{{Vs|7}} The law of the Lord is perfect, converting the soul: the testimony of the {{Lord}} is sure, making wise the simple.<br />
{{Vs|8}} The statutes of the {{Lord}} are right, rejoicing the heart: the commandment of the {{Lord}} is pure, enlighting the eyes.<br />
{{Vs|9}} The fear of the {{Lord}} is clean, enduring for ever: the judgements of the {{Lord}} are true and righteous altogether.<br />
{{Vs|10}} More to be desired are they than gold, yea, than much fine gold: sweeter also than honey, and the honeycomb.<br />
{{Vs|11}} Moreover by them is thy servant warned: and in keeping of them there is great reward.<br />
{{Vs|12}} Who can undetstand his errors? cleanse thou me from secret faults.<br />
{{Vs|13}} Keep back thy servant also from presumptuous sins, let them not have dominion over me: then shall I be upright, and I shall be innocent from the great transgression.<br />
{{Vs|14}} Let the words of my mouth, and the meditation of my heart, be acceptable in thy sight, O {{Lord}}, my strength, and my redeemer.}}<br />
{{Middle}}<br />
<br />
===English metrical version by Joseph Addison===<br />
{{Text|English|<br />
The spacious firmament on high,<br />
With all the blue ethereal sky,<br />
And spangled heav'ns, a shining frame<br />
Their great Original proclaim.<br />
Th'unwearied sun from day to day,<br />
Does his Creator’s powers display,<br />
And publishes to every land<br />
The work of an almighty hand.<br />
<br />
Soon as the evening shades prevail<br />
The moon takes up the wondrous tale,<br />
And nightly to the list'ning earth<br />
Repeats the story of her birth;<br />
While all the stars that round her burn<br />
And all the planets in their turn,<br />
Confirm the tidings as they roll,<br />
And spread the truth from pole to pole.<br />
<br />
What though in solemn silence all<br />
Move round this dark terrestrial ball?<br />
What though no real voice nor sound<br />
Amidst their radiant orbs be found?<br />
In reason’s ear they all rejoice,<br />
And utter forth a glorious voice,<br />
Forever singing, as they shine,<br />
'The hand that made us is divine.'}}<br />
{{Bottom}}<br />
<br />
{{Top}}<br />
===Metrical 'New Version' ([[Nahum Tate|Tate]] & [[Nicholas Brady|Brady]])===<br />
{{Text|English|<br />
{{Vs|1}} The heavens declare thy glory, Lord,<br />
which that alone can fill;<br />
The firmament and stars express<br />
their great Creator's skill.<br />
{{Vs|2}} The dawn of each returning day,<br />
fresh beams of knowledge brings:<br />
From the dark returns of night<br />
new instruction springs.<br />
{{Vs|3}} Their powerful language to no realm<br />
or region is confined,<br />
'Tis nature's voice, and understood<br />
alike by all mankind.<br />
{{Vs|4}} Their doctrine does its sacred sense<br />
through earth's extent display;<br />
Whose bright contents the circling sun<br />
does round the world convey.<br />
{{Vs|5}} No bridegroom for his nuptials dressed,<br />
has such a cheerful face;<br />
No giant does like him rejoice,<br />
to run his glorious race.<br />
{{Vs|6}} From east to west, from west to east,<br />
his restless course he goes;<br />
And through his progress cheerful light,<br />
and vital warmth bestows. <br />
<br />
PART II.<br />
{{Vs|7}} God's perfect law converts the soul,<br />
reclaims from false desires,<br />
With sacred wisdom his sure word<br />
the ignorant inspires.<br />
{{Vs|8}} The statutes of the Lord are just,<br />
and bring sincere delight;<br />
His pure commands in search of truth,<br />
assist the feeblest light.<br />
{{Vs|9}} His perfect worship here is fixed,<br />
on sure foundations laid:<br />
His equal laws are in the scales<br />
of truth and justice weighed.<br />
{{Vs|10}} Of more esteem than golden mines,<br />
or gold refined with skill:<br />
More sweet than honey, or the drops<br />
that from the comb distill.<br />
{{Vs|11}} My trusty counselors they are,<br />
and friendly warnings give;<br />
Divine rewards attend on those,<br />
who by thy precepts live.<br />
{{Vs|12}} But what frail man observes, how oft,<br />
he does from virtue fail?<br />
cleanse me from my secret faults,<br />
thou God that knowest them ail:<br />
{{Vs|13}} Let no presumptuous sin, O Lord,<br />
dominion have over me,<br />
That by thy grace, preserved, I may<br />
the great transgression flee.<br />
{{Vs|14}} So shall my prayer and praises be<br />
with thy acceptance blest;<br />
And I secure, on thy defense,<br />
my strength and Savior rest.}}<br />
{{Middle|3}}<br />
===Paraphrases by [[Isaac Watts]], 1719===<br />
{{Text|English|<br />
PART 1 (S. M.)<br />
''The books of nature and scripture. For a Lord's-day morning''<br />
<br />
Behold, the lofty sky<br />
Declares its Maker God,<br />
And all his starry works on high<br />
Proclaim his power abroad.<br />
<br />
The darkness and the light<br />
Still keep their course the same;<br />
While night to day, and day to night,<br />
Divinely teach his name.<br />
<br />
In every different land<br />
Their general voice is known;<br />
They show the wonders of his hand,<br />
And orders of his throne.<br />
<br />
Ye British lands, rejoice,<br />
Here he reveals his word;<br />
We are not left to nature's voice,<br />
To bid us know the Lord.<br />
<br />
His statutes and commands<br />
Are set before our eyes;<br />
He puts his gospel in our hands,<br />
Where our salvation lies.<br />
<br />
His laws are just and pure,<br />
His truth without deceit,<br />
His promises for ever sure,<br />
And his rewards are great.<br />
<br />
Not honey to the taste<br />
Affords so much delight,<br />
Nor gold that has the furnace passed<br />
So much allures the sight.<br />
<br />
While of thy works I sing,<br />
Thy glory to proclaim,<br />
Accept the praise, my God, my King<br />
In my Redeemer's name.<br />
<br />
PART 2 (S. M.)<br />
''God's word most excellent; or, Sincerity and watchfulness. For a Lord's-day morning''<br />
<br />
Behold, the morning sun<br />
Begins his glorious way;<br />
His beams through all the nations run,<br />
And life and light convey.<br />
<br />
But where the gospel comes<br />
It spreads diviner light;<br />
It calls dead sinners from their tombs,<br />
And gives the blind their sight.<br />
<br />
How perfect is thy word!<br />
And all thy judgments just!<br />
For ever sure thy promise, Lord,<br />
And men securely trust.<br />
<br />
My gracious God, how plain<br />
Are thy directions given!<br />
O may I never read in vain,<br />
But find the path to heaven!<br />
<br />
I hear thy word with love,<br />
And I would fain obey:<br />
Send thy good Spirit from above<br />
To guide me, lest I stray.<br />
<br />
O who can ever find<br />
The errors of his ways?<br />
Yet with a bold, presumptuous mind<br />
I would not dare transgress.<br />
<br />
Warn me of every sin,<br />
Forgive my secret faults,<br />
And cleanse this guilty soul of mine,<br />
Whose crimes exceed my thoughts.<br />
<br />
While with my heart and tongue<br />
I spread thy praise abroad,<br />
Accept the worship and the song,<br />
My Savior and my God.}}<br />
{{middle|3}}<br />
{{Text|Simple|<br />
<br />
ANOTHER PARAPHRASE (L. M.)<br />
''The books of nature and of Scripture compared; or, The glory and success of the Gospel''<br />
<br />
The heavens declare thy glory, Lord,<br />
In every star thy wisdom shines<br />
But when our eyes behold thy word,<br />
We read thy name in fairer lines.<br />
<br />
The rolling sun, the changing light,<br />
And nights and days, thy power confess<br />
But the blest volume thou hast writ<br />
Reveals thy justice and thy grace.<br />
<br />
Sun, moon, and stars convey thy praise<br />
Round the whole earth, and never stand:<br />
So when thy truth began its race,<br />
It touched and glanced on every land.<br />
<br />
Nor shall thy spreading gospel rest<br />
Till through the world thy truth has run,<br />
Till Christ has all the nations blest<br />
That see the light or feel the sun.<br />
<br />
Great Sun of Righteousness, arise,<br />
Bless the dark world with heavenly light;<br />
Thy gospel makes the simple wise,<br />
Thy laws are pure, thy judgments right.<br />
<br />
Thy noblest wonders here we view<br />
In souls renewed and sins forgiven;<br />
Lord, cleanse my sins, my soul renew,<br />
And make thy word my guide to heaven.<br />
<br />
(88. 88. 88)<br />
''The books of nature and of scripture''<br />
<br />
Great God, the heavens' well-ordered frame<br />
Declares the glories of thy name:<br />
There thy rich works of wonder shine;<br />
A thousand starry beauties there,<br />
A thousand radiant marks appear<br />
Of boundless power and skill divine.<br />
<br />
From night to day, from day to night,<br />
The dawning and the dying light<br />
Lectures of heavenly wisdom read;<br />
With silent eloquence they raise<br />
Our thoughts to our Creator's praise,<br />
And neither sound nor language need.<br />
<br />
Yet their divine instructions run<br />
Far as the journeys of the sun,<br />
And every nation knows their voice:<br />
The sun, like some young bridegroom dressed,<br />
Breaks from the chambers of the east,<br />
Rolls round, and makes the earth rejoice.<br />
<br />
Where'er he spreads his beams abroad,<br />
He smiles and speaks his Maker God<br />
All nature joins to show thy praise:<br />
Thus God in ev'ry creature shines;<br />
Fair is the book of nature's lines,<br />
But fairer is thy book of grace.<br />
<br />
I love the volumes of thy word;<br />
What light and joy those leaves afford<br />
To souls benighted and distressed!<br />
Thy precepts guide my doubtful way,<br />
Thy fear forbids my feet to stray,<br />
Thy promise leads my heart to rest.<br />
<br />
From the discoveries of thy law<br />
The perfect rules of life I draw;<br />
These are my study and delight:<br />
Not honey so invites the taste,<br />
Nor gold that hath the furnace past<br />
Appears so pleasing to the sight.<br />
<br />
Thy threatenings wake my slumbering eyes,<br />
And warn me where my danger lies;<br />
But 'tis thy blessed gospel, Lord,<br />
That makes my guilty conscience clean,<br />
Converts my soul, subdues my sin,<br />
And gives a free, but large reward.<br />
<br />
Who knows the errors of his thoughts?<br />
My God, forgive my secret faults,<br />
And from presumptuous sins restrain:<br />
Accept my poor attempts of praise,<br />
That I have read thy book of grace,<br />
And book of nature, not in vain.}}<br />
{{Bottom}}<br />
{{Top}}<br />
{{top}}<br />
===Káldi fordítás (18. zsoltár)===<br />
{{Translation|Hungarian|<br />
:Isten dicsérete a természetből és kijelentésből.<br />
:Végig Dávid zsoltára.<br />
Az egek beszélik Isten dicsőségét, és az ő kezei alkotmányát hirdeti az égboltozat.<br />
Ezt beszéli a nap a (jövő) napnak, erre tanítja az éj a (jövő) éjt.<br />
Nincs nyelv, sem beszéd, melyen nem hallatnék az ő szavok;<br />
egész földre elhat az ő szózatuk, és a földkerekség határaira igéjök.<br />
Az egekben vagyon helyezve a nap sátora, melyből, mint a vőlegény az ő tereméből, kilépvén, örömmel futja pályáját, mint a hős.<br />
Kijövete az ég egyik véghatárától, és járása másik végeig, és nincs, ki elrejtse magát hevétől.<br />
Az Úr törvénye hiba nélkül való, lelkeket térítő; az Úr bizonyságtétele hű, bölcseséget adó a kisdedeknek.<br />
Az Úr rendelései egyenesek, sziveket vígasztalók; az Úr parancsa világos, megvilágosítja a szemeket.<br />
Az Úr félelme szent, megmaradó örökön örökké, az Úr itéletei igazak, igazolvák önmagokban.<br />
Kivánatosbak az aranynál és sok drágakőnél, és édesbek a színméznél és a lépesméznél.<br />
A te szolgád meg is tartja azokat, megtartásukban sok a jutalom.<br />
De a vétkeket ki veszi észre? az én titkos bűneimtől tisztits meg engem, és az idegenektől szabadítsd meg szolgádat.<br />
Ha nem uralkodnak rajtam, akkor hiba nélkül leszek, és nagy vétkektől tisztúlok meg.<br />
És kedvesek lesznek az én szám beszédei, és szívem elmélkedése előtted lesz mindenkoron, Uram, én segítőm és megváltóm!}}<br />
{{mdl}}<br />
===Luther Bibel (1545)===<br />
{{Translation|German|<br />
{{Vs|1}} Die Himmel erzählen die Ehre Gottes, und die Feste verkündigt seiner Hände Werk.<br />
{{Vs|2}} Ein Tag sagt's dem andern, und eine Nacht tut's kund der andern.<br />
{{Vs|3}} Es ist keine Sprache noch Rede, da man nicht ihre Stimme höre.<br />
{{Vs|4}} Ihre Schnur geht aus in alle Lande und ihre Rede an der Welt Ende. Er hat der Sonne eine Hütte an ihnen gemacht;<br />
{{Vs|5}} und dieselbe geht heraus wie ein Bräutigam aus seiner Kammer und freut sich wie ein Held zu laufen den Weg.<br />
{{Vs|6}} Sie geht auf an einem Ende des Himmels und läuft um bis wieder an sein Ende, und bleibt nichts vor ihrer Hitze verborgen.<br />
{{Vs|7}} Das Gesetz des HERRN ist vollkommen und erquickt die Seele; das Zeugnis des HERRN ist gewiß und macht die Unverständigen weise.<br />
{{Vs|8}} Die Befehle des HERRN sind richtig und erfreuen das Herz; die Gebote des HERRN sind lauter und erleuchten die Augen.<br />
{{Vs|9}} Die Furcht des HERRN ist rein und bleibt ewiglich; die Rechte des HERRN sind wahrhaftig, allesamt gerecht.<br />
{{Vs|10}} Sie sind köstlicher denn Gold und viel feines Gold; sie sind süßer denn Honig und Honigseim.<br />
{{Vs|11}} Auch wird dein Knecht durch sie erinnert; und wer sie hält, der hat großen Lohn.<br />
{{Vs|12}} Wer kann merken, wie oft er fehlet? Verzeihe mir die verborgenen Fehle!<br />
{{Vs|13}} Bewahre auch deinen Knecht vor den Stolzen, daß sie nicht über mich herrschen, so werde ich ohne Tadel sein und unschuldig bleiben großer Missetat.<br />
{{Vs|14}} Laß dir wohl gefallen die Rede meines Mundes und das Gespräch meines Herzens vor dir, HERR, mein Hort und mein Erlöser.}}<br />
{{btm}}<br />
[[Category:Text pages]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=The_heavens_declare_the_glory_of_God_(Mark_Chapman)&diff=1062643The heavens declare the glory of God (Mark Chapman)2020-02-06T04:53:57Z<p>MarkChapman: /* Original text and translations */</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-02-05}} {{CPDLno|56927}} [[Media:Psalm19.pdf|{{pdf}}]] [[Media:Psalm19.midi|{{mid}}]] [[Media:Psalm19.ly|{{Ly}}]]<br />
{{Editor|Mark Chapman|2020-02-05}}{{ScoreInfo|A4|11|825}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''The heavens declare the glory of God''<br><br />
{{Composer|Mark Chapman}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Anthems}}<br />
{{Language|English}}<br />
{{Instruments|Organ}}<br />
{{Pub|1|Never published}}<br />
<br />
'''Description:''' A short, joyous setting of the first 5 verses of Psalm 19<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{LinkText|Psalm 19}}<br />
[[Category:Sheet music]]<br />
[[Category:Modern music]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=Mark_Chapman&diff=1062507Mark Chapman2020-02-05T10:57:11Z<p>MarkChapman: Updated biographical information</p>
<hr />
<div>__NOTOC__<br />
==Life==<br />
'''Born:''' December 1960<br />
<br />
'''Died:''' <br />
<br />
'''Biography'''<br><br />
''Mark has been a member of adult choirs for over 40 years but only started composing in 2003. In 2007 his Agnus Dei (qv) was performed by the Canberra choir Cantorion, in 2008 his setting of the [[Ben Jonson]] poem Hymn to Diana (qv) was performed by Harmonic Means, and in 2009 his setting of Never Weather-beaten Sail (qv) was performed by the ANU Choral Society. His setting of the [[William_Shakespeare|Shakespeare]] ode Fear no more the heat o' the sun (qv) was performed by Capital Voices, and his Hosanna setting by Harmonic Means, both in late 2010, and his Sonnet and Ave Maria were both performed in October 2010 by the RMIT Occasional Choral Society as part of their choral composition competition, and the Ave Maria again in Hungary in October 2011 at the "Singing Hungary" regional choral festival. "I shall not pass this way again" and "Prayer of St Francis" were performed by Harmonic Means in mid 2012 and the set of three motets by Capital Voices at the end of 2012. "O Sacrum Convivium" was performed twice by Igitur Nos in 2012 and once by the ANU Choral Society in 2013. Harmonic Means performed both "Requiem" and "Welcome Yule" in 2013, and Capital Voices performed "Ave Maris Stella" also in 2013.''<br />
<br />
''Mark started formal composition lessons with Andrew Koll in 2013, and Andrew conducted "Domine, quid est homo?" and "Out of the Deep" in separate concerts with the ANU Choral Society in 2014.''<br />
<br />
''Mark's setting of Eva Schroeder's poem "Lamentation" and his motet "O Nata Lux" both received their first performances in June 2016, by I Progetti and Harmonic Means respectively, and "Domine, quid est homo?" received its second performance in a concert given by the 67th Intervarsity Choral Festival, conducted by Leonard Weiss, in July 2016. "Now Sleeps the Crimson Petal" was written for I Progetti and performed by them in the foyer of the High Court of Australia in May 2017.''<br />
<br />
==List of choral works==<br />
{{#SortWorks:}}<br />
{{CheckMissing}}<br />
{{Whatlinkshere}}<br />
==Publications==<br />
<br />
==External links==<br />
''add web links here''<br />
<br />
{{DEFAULTSORT:Chapman, Mark}}<br />
[[Category:1960 births]]<br />
[[Category:Composers]]<br />
[[Category:Modern composers]]<br />
[[Category:Australian composers]]</div>MarkChapmanhttps://www.cpdl.org/wiki/index.php?title=The_heavens_declare_the_glory_of_God_(Mark_Chapman)&diff=1062506The heavens declare the glory of God (Mark Chapman)2020-02-05T10:55:23Z<p>MarkChapman: New work page created</p>
<hr />
<div>==Music files==<br />
{{#Legend:}}<br />
*{{PostedDate|2020-02-05}} {{CPDLno|56927}} [[Media:Psalm19.pdf|{{pdf}}]] [[Media:Psalm19.midi|{{mid}}]] [[Media:Psalm19.ly|{{Ly}}]]<br />
{{Editor|Mark Chapman|2020-02-05}}{{ScoreInfo|A4|11|825}}{{Copy|CPDL}}<br />
:'''Edition notes:''' <br />
<br />
==General Information==<br />
'''Title:''' ''The heavens declare the glory of God''<br><br />
{{Composer|Mark Chapman}}<br />
{{Lyricist|}}<br />
<br />
{{Voicing|4|SATB}}<br><br />
{{Genre|Sacred|Anthems}}<br />
{{Language|English}}<br />
{{Instruments|Organ}}<br />
{{Pub|1|Never published}}<br />
<br />
'''Description:''' A short, joyous setting of the first 5 verses of Psalm 19<br />
<br />
'''External websites:''' <br />
<br />
==Original text and translations==<br />
{{NoText}}<br />
<br />
[[Category:Sheet music]]<br />
[[Category:Modern music]]</div>MarkChapman