Behold that splendour: hear the shout: Difference between revisions
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It was also used in America: a setting to a tune 'Lanesborough' was published without attribution in John Stickney's ''The Gentleman and Lady’s Musical Companion'', Newburyport: 1774; and was set to a tune 'Northborough' by [[William Billings]] in {{NoComp|The Suffolk Harmony|William Billings}}, Boston: 1786. | It was also used in America: a setting to a tune 'Lanesborough' was published without attribution in John Stickney's ''The Gentleman and Lady’s Musical Companion'', Newburyport: 1774; and was set to a tune 'Northborough' by [[William Billings]] in {{NoComp|The Suffolk Harmony|William Billings}}, Boston: 1786. | ||
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==Text and translations== | ==Text and translations== | ||
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{{Text|English | |||
Behold that splendour: hear the shout! | Behold that splendour: hear the shout! | ||
Heav'n opens; angels issue out | Heav'n opens; angels issue out | ||
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What solemn tidings do they bring? | What solemn tidings do they bring? | ||
Rapt at th'approach of Israel's King, | Rapt at th'approach of Israel's King, | ||
They speak the Monarch nigh. | They speak the Monarch nigh. | ||
Why does the King approach our land? | Why does the King approach our land? | ||
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Shepherds, be glad: he comes with peace, | Shepherds, be glad: he comes with peace, | ||
Not wrath, but universal grace, | Not wrath, but universal grace, | ||
To bless ev'n distant climes. | To bless ev'n distant climes. | ||
See heav'n's great heir, a woman's son! | See heav'n's great heir, a woman's son! | ||
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Yours is the guilt, but his the pain: | Yours is the guilt, but his the pain: | ||
His are the sorrows, yours the gain: | His are the sorrows, yours the gain: | ||
Then let his praise be high. | Then let his praise be high. | ||
Come, mighty King, the grace enhance, | Come, mighty King, the grace enhance, | ||
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Till blest, transported, fired above, | Till blest, transported, fired above, | ||
We sing with nobler pow'rs. | We sing with nobler pow'rs. | ||
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Latest revision as of 17:48, 23 March 2024
General information
Behold that splendour: hear the shout is a carol text first set to music on pages 162-163 of William Knapp's New Church Melody (1st edition, [1753]), where it is headed 'A Carol, or Redemption the Wonder of Angels. 1749 [/] A 4 Voc.': the first verse of the text is underlaid, with three further verses printed after the music, on p164. The background to this and two other carols in New Church Melody is explained by Knapp on pp171-172 of the book:
Advertisement.
The three last carols were sent me according as they bare date, by a Gentleman unknown, desiring me to Set them to Music. with the third I received the following Letter.
W.K.
Sir
I take the liberty, tho' unknown, of troubling you with another Carol which I beg you will do me the Honour of Setting to Music. if this performance, as I fear it will, should prove less animated than the occasion require; your candor must ascribe it, in some measure, to an illness under which I have long labour'd, and which has greatly depres'd my Spirits; and likewise to the frequency of my attempts upon the same subject, this before you being the fifth Composition of the kind. you will see here too many Symptoms of a Sickly Muse. And yet I expect that Music which works wonders, and is known to be Sovereign in some diseases, will at least give her a more sprightly Air, if not totally relieve her. It will not be the first instance, in which Poetry has been supported, enlivend and recommended by the help of her Sister-Art. my own obligations of this sort to you I take this opportunity of very Sincerely and thankfully acknowledging. Some time or other I may possibly make so free, as to send you a few Songs in behalf of which I shall intreat the same assistance from the Art, in which you are so scknowledged a Master; Amusements of that kind, when decently entertaining, being, in my apprehension, no way dishonourable to the Cloth I wear. Please to return the new Carol assoon as possible and you will lay a double obligation on your Obedient Humble
- Servant &c.
The text was subsequently set to music as 'A Carol or Redemption, the Wonder of Angels. A 4 Voci.' by Joseph Stephenson, published on pp28-29 of Church Harmony Sacred to Devotion (first edition 1757).
It was also used in America: a setting to a tune 'Lanesborough' was published without attribution in John Stickney's The Gentleman and Lady’s Musical Companion, Newburyport: 1774; and was set to a tune 'Northborough' by William Billings in The Suffolk Harmony, Boston: 1786.
Settings by composers (automated)
- Crys Armbrust — Behold that splendour (from Three Choral Nativity Carols) English SATB
- Crys Armbrust — Three Choral Nativity Carols (Full Score) English SATB
- William Billings — Northborough English SATB
- William Knapp — Behold that splendour: hear the shout English SATB
Text and translations
English text Behold that splendour: hear the shout! |
External links
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