Christ lag in Todes Banden (Samuel Scheidt): Difference between revisions
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{{Language|German}} | {{Language|German}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Published|1620 ''Cantiones sacrae, octo vocum'', Hamburg}} | {{Published|1620, ''Cantiones sacrae, octo vocum'', Hamburg}} | ||
'''Description:''' | '''Description:''' | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 11:48, 5 September 2017
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- (Posted 2017-09-05) CPDL #46239:
- Editor: Pothárn Imre (submitted 2017-09-05). Score information: A4, 10 pages, 131 kB Copyright: CPDL
- Edition notes: Transcribed from original 1620 print. Original pitch and note-values.
General Information
Title: Christ lag in Todes Banden
Composer: Samuel Scheidt
Lyricist: Martin Luther
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Motet
Language: German
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description:
External websites:
Original text and translations
Original text and translations may be found at Christ lag in Todesbanden.
The text follows the 1620 print. It differs in two small details from the standard text. It has für unser Sünd instead of für unsre Sünd, and it has daß wir sollen fröhlich sein instead of des wir sollen fröhlich sein. Since they are consistent in all 8 voices, I retained the original wording.