Domine, quid multiplicati sunt (Claude Goudimel): Difference between revisions
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*{{PostedDate|2019-09-25}} {{CPDLno|55427}} [[Media:Goudimel_Ego_dormivi.pdf|{{pdf}}]] | *{{PostedDate|2019-09-25}} {{CPDLno|55427}} [[Media:Goudimel_Ego_dormivi.pdf|{{pdf}}]] | ||
{{Editor|Mick Swithinbank|2019-09-25}}{{ScoreInfo|A4|6|70}}{{Copy|CPDL}} | {{Editor|Mick Swithinbank|2019-09-25}}{{ScoreInfo|A4|6|70}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Original pitch and note values. This is the second half of Goudimel's setting of Domine, quid multiplicati sunt. Source: Susato, Liber quartus of 1554. The original clefs were C1, C3, C4, F4. | :'''Edition notes:''' Original pitch and note values. This is the second half of Goudimel's setting of ''Domine, quid multiplicati sunt''. Source: Susato, ''Liber quartus'' of 1554. The original clefs were C1, C3, C4, F4. | ||
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*{{:Edition:CPDL 24034}} | *{{:Edition:CPDL 24034}} | ||
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*{{CPDLno|5422}} [[Media:Goud-qui.pdf|{{pdf}}]] [[Media:Goud-qui.mid|{{mid}}]] [[Media:Goud-qui.mxl|{{XML}}]] [[Media:Goud-qui.sib|{{sib}}]] (Sibelius 2) | *{{CPDLno|5422}} [[Media:Goud-qui.pdf|{{pdf}}]] [[Media:Goud-qui.mid|{{mid}}]] [[Media:Goud-qui.mxl|{{XML}}]] [[Media:Goud-qui.sib|{{sib}}]] (Sibelius 2) | ||
{{Editor|Jonathan Goodliffe|2003-08-12}}{{ScoreInfo|A4|7|108}}{{Copy|CPDL}} | {{Editor|Jonathan Goodliffe|2003-08-12}}{{ScoreInfo|A4|7|108}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Corrected version uploaded 2006-07-07. Source of this edition is Burney's "History of Music" which may not be entirely reliable. Clash at beginning of bar 74 needs to be checked against more reliable source. | :'''Edition notes:''' Corrected version uploaded 2006-07-07. Source of this edition is Burney's "History of Music" which may not be entirely reliable. Clash at beginning of bar 74 needs to be checked against more reliable source. {{MXL}} | ||
The clash in bar 74 is in the original source, at least once the E is editorially flattened, as it probably should indeed be. Some of the E flats in Burney's score correspond to accidentals in Susato's partbooks, while others must have been added by Burney. On the other hand, the Susato source does not contain a single F or C sharp, so these must have been added - and quite liberally - by Burney, and in many cases may be better ignored (the one in bar 51 especially). If by any chance the C sharps in bar 75 were to be accepted, a B natural would also be required between them. Burney omitted Part Two of the motet, Ego dormivi, which is now available above. [[User:Mick Swithinbank|Mick Swithinbank]] ([[User talk:Mick Swithinbank|talk]]) 14:16, 25 September 2019 (UTC)Mick Swithinbank | The clash in bar 74 is in the original source, at least once the E is editorially flattened, as it probably should indeed be. Some of the E flats in Burney's score correspond to accidentals in Susato's partbooks, while others must have been added by Burney. On the other hand, the Susato source does not contain a single F or C sharp, so these must have been added - and quite liberally - by Burney, and in many cases may be better ignored (the one in bar 51 especially). If by any chance the C sharps in bar 75 were to be accepted, a B natural would also be required between them. Burney omitted Part Two of the motet, Ego dormivi, which is now available above. [[User:Mick Swithinbank|Mick Swithinbank]] ([[User talk:Mick Swithinbank|talk]]) 14:16, 25 September 2019 (UTC)Mick Swithinbank | ||
==General Information== | ==General Information== |
Revision as of 06:30, 27 September 2019
Music files
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- Editor: Mick Swithinbank (submitted 2019-09-25). Score information: A4, 6 pages, 70 kB Copyright: CPDL
- Edition notes: Original pitch and note values. This is the second half of Goudimel's setting of Domine, quid multiplicati sunt. Source: Susato, Liber quartus of 1554. The original clefs were C1, C3, C4, F4.
- Editor: Jonathan Goodliffe (submitted 2003-08-12). Score information: A4, 7 pages, 108 kB Copyright: CPDL
- Edition notes: Corrected version uploaded 2006-07-07. Source of this edition is Burney's "History of Music" which may not be entirely reliable. Clash at beginning of bar 74 needs to be checked against more reliable source. MusicXML source file(s) in compressed .mxl format.
The clash in bar 74 is in the original source, at least once the E is editorially flattened, as it probably should indeed be. Some of the E flats in Burney's score correspond to accidentals in Susato's partbooks, while others must have been added by Burney. On the other hand, the Susato source does not contain a single F or C sharp, so these must have been added - and quite liberally - by Burney, and in many cases may be better ignored (the one in bar 51 especially). If by any chance the C sharps in bar 75 were to be accepted, a B natural would also be required between them. Burney omitted Part Two of the motet, Ego dormivi, which is now available above. Mick Swithinbank (talk) 14:16, 25 September 2019 (UTC)Mick Swithinbank
General Information
Title: Domine, quid multiplicati sunt
Composer: Claude Goudimel
Number of voices: 4vv Voicings: SATB or ATTB
Genre: Sacred, Motet
Language: Latin
Instruments: A cappella
First published: 1554 in Ecclesiasticarum cantionum quatuor vocum, liber 4, no. 7
Description:
External websites:
Original text and translations
Latin text Domine, quid multiplicati sunt qui tribulant me? |
English translation Lord, why do those who persecute me proliferate?
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French translation Seigneur, pourquoi ceux qui me persécutent se sont-ils multipliés ?
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Original text and translations may be found at Psalm 3.