Domine, quid multiplicati sunt (Claude Goudimel): Difference between revisions

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==Music files==
==Music files==
{{Legend}}
{{#Legend:}}
 
===1. pars===
*{{CPDLno|24034}} [{{filepath:Goudimel_-_Domine_quid_multiplicati_sunt.pdf}} {{pdf}}]
<!--
{{Editor|Edward Tambling|2011-07-29}}{{ScoreInfo|A4|5|63}}{{Copy|CPDL}}
*{{:Edition:CPDL 24034}}{{Editor|Edward Tambling|2011-07-29}}{{ScoreInfo|A4|5|63}}{{Copy|CPDL}}
:'''Edition notes:''' In the original key for ATTB
:'''Edition notes:''' In the original key for ATTB
-->
*{{CPDLno|5422}} [[Media:Goud-qui.pdf|{{pdf}}]] [[Media:Goud-qui.mid|{{mid}}]] [[Media:Goud-qui.mxl|{{XML}}]] [[Media:Goud-qui.sib|{{sib}}]] (Sibelius 2)
{{Editor|Jonathan Goodliffe|2003-08-12}}{{ScoreInfo|A4|7|108}}{{Copy|CPDL}}
:'''Edition notes:''' Corrected version uploaded 2006-07-07. Source of this edition is Burney's "History of Music" which may not be entirely reliable. Clash at beginning of bar 74 needs to be checked against more reliable source. {{MXL}}


*{{CPDLno|5422}} [{{filepath:Goud-qui.pdf}} {{pdf}}] [{{filepath:Goud-qui.mid}} {{mid}}] [{{filepath:Goud-qui.sib}} Sibelius 2]
The clash in bar 74 is in the original source, at least once the E is editorially flattened, as it probably should indeed be. Some of the E flats in Burney's score correspond to accidentals in Susato's partbooks, while others must have been added by Burney. On the other hand, the Susato source does not contain a single F or C sharp, so these must have been added - and quite liberally - by Burney, and in many cases may be better ignored (the one in bar 51 especially). If by any chance the C sharps in bar 75 were to be accepted, a B natural would also be required between them. Burney omitted Part Two of the motet, Ego dormivi, which is now available below. [[User:Mick Swithinbank|Mick Swithinbank]] ([[User talk:Mick Swithinbank|talk]]) 14:16, 25 September 2019 (UTC)Mick Swithinbank
{{Editor|Jonathan Goodliffe|2003-08-12}}{{ScoreInfo|A4|7|108}}{{Copy|CPDL}}
:'''Edition notes:''' Corrected version uploaded 2006-07-07. Source of this edition is Burney's "History of Music" which may not be entirely reliable. Clash at beginning of bar 74 needs to be checked against more reliable source.


===2. pars "Ego dormivi"===
*{{PostedDate|2019-09-25}} {{CPDLno|55427}} [[Media:Goudimel_Ego_dormivi.pdf|{{pdf}}]]
{{Editor|Mick Swithinbank|2019-09-25}}{{ScoreInfo|A4|6|70}}{{Copy|CPDL}}
:'''Edition notes:''' Original pitch and note values. This is the second half of Goudimel's setting of ''Domine, quid multiplicati sunt''. Source: Susato, ''Liber quartus'' of 1554. The original clefs were C1, C3, C4, F4.
==General Information==
==General Information==
'''Title:''' ''Domine, quid multiplicati sunt''<br>
'''Title:''' ''Domine, quid multiplicati sunt'' (secunda pars ''Ego dormivi'')<br>
{{Composer|Claude Goudimel}}
{{Composer|Claude Goudimel}}


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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
'''Published:''' A General History of Music (Charles Burney)<br>
{{Pub|1|1554|in ''[[Ecclesiasticarum cantionum quatuor vocum, liber 4]]''|no=7}}


'''Description:'''  
'''Description:'''  


'''External websites:'''  
'''External websites:'''


==Original text and translations==
==Original text and translations==
{|width=100%
{{top}}
|valign="top"|
{{Text|Latin|
{{Text|Latin|
Domine, quid multiplicati sunt qui tribulant me?  
Domine, quid multiplicati sunt qui tribulant me?  
Line 37: Line 42:
et exaudivit me de monte sancto suo.
et exaudivit me de monte sancto suo.
}}
}}
|
 
{{Translation|English|
{{mdl|3}}{{Translation|English|
Lord, why do those who persecute me proliferate?
Lord, why do those who persecute me proliferate?
Many have risen against me.
Many have risen against me.
Line 47: Line 52:
My voice called to the Lord
My voice called to the Lord
ad he listened from his holy mountain.
ad he listened from his holy mountain.
}}
}}{{Translator|Campelli}}
|
 
{{Translation|French|
{{mdl|3}}{{Translation|French|
Seigneur, pourquoi ceux qui me persécutent se sont-ils multipliés ?  
Seigneur, pourquoi ceux qui me persécutent se sont-ils multipliés ?  
Ils sont nombreux ceux qui s'élèvent contre moi.
Ils sont nombreux ceux qui s'élèvent contre moi.
Line 58: Line 63:
De ma voix j'ai crié vers le Seigneur  
De ma voix j'ai crié vers le Seigneur  
et Il m'a exaucé du haut de sa montagne sainte.
et Il m'a exaucé du haut de sa montagne sainte.
}}
}}{{Translator|Campelli}}
|}
{{btm}}
 
{{NoText|Latin}} for ''Ego dormivi''
 
{{LinkText|Psalm 3}}
[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Revision as of 10:56, 27 September 2019

Music files

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Sibelius.png Sibelius
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1. pars

  • CPDL #05422:        (Sibelius 2)
Editor: Jonathan Goodliffe (submitted 2003-08-12).   Score information: A4, 7 pages, 108 kB   Copyright: CPDL
Edition notes: Corrected version uploaded 2006-07-07. Source of this edition is Burney's "History of Music" which may not be entirely reliable. Clash at beginning of bar 74 needs to be checked against more reliable source. MusicXML source file(s) in compressed .mxl format.

The clash in bar 74 is in the original source, at least once the E is editorially flattened, as it probably should indeed be. Some of the E flats in Burney's score correspond to accidentals in Susato's partbooks, while others must have been added by Burney. On the other hand, the Susato source does not contain a single F or C sharp, so these must have been added - and quite liberally - by Burney, and in many cases may be better ignored (the one in bar 51 especially). If by any chance the C sharps in bar 75 were to be accepted, a B natural would also be required between them. Burney omitted Part Two of the motet, Ego dormivi, which is now available below. Mick Swithinbank (talk) 14:16, 25 September 2019 (UTC)Mick Swithinbank

2. pars "Ego dormivi"

  • (Posted 2019-09-25)  CPDL #55427:   
Editor: Mick Swithinbank (submitted 2019-09-25).   Score information: A4, 6 pages, 70 kB   Copyright: CPDL
Edition notes: Original pitch and note values. This is the second half of Goudimel's setting of Domine, quid multiplicati sunt. Source: Susato, Liber quartus of 1554. The original clefs were C1, C3, C4, F4.

General Information

Title: Domine, quid multiplicati sunt (secunda pars Ego dormivi)
Composer: Claude Goudimel

Number of voices: 4vv   Voicings: SATB or ATTB

Genre: SacredMotet

Language: Latin
Instruments: A cappella

First published: 1554 in Ecclesiasticarum cantionum quatuor vocum, liber 4, no. 7

Description:

External websites:

Original text and translations

Latin.png Latin text

Domine, quid multiplicati sunt qui tribulant me?
Multi insurgunt adversum me.
Multi dicunt animæ meæ:
Non est salus ipsi in Deo ejus.
Tu autem Domine, susceptor meus es,
gloria mea, et exaltans caput meum.
Voce mea ad Dominum clamavi
et exaudivit me de monte sancto suo.
 

English.png English translation

Lord, why do those who persecute me proliferate?
Many have risen against me.
Many tell my soul:
"There is no salvation for him in his God".
Yet you, Lord, are my protector,
my glory, you lift my head up.
My voice called to the Lord
ad he listened from his holy mountain.
 

Translation by Campelli
French.png French translation

Seigneur, pourquoi ceux qui me persécutent se sont-ils multipliés ?
Ils sont nombreux ceux qui s'élèvent contre moi.
Beaucoup disent à mon âme:
Il n'y a pas de salut pour elle dans son Dieu.
Mais toi, Seigneur, tu es mon protecteur,
ma gloire, et tu relèves ma tête.
De ma voix j'ai crié vers le Seigneur
et Il m'a exaucé du haut de sa montagne sainte.
 

Translation by Campelli

Latin text (or link to a text page) needs to be added.   Question.gif for Ego dormivi

Original text and translations may be found at Psalm 3.