Gaude virgo (John Sheppard): Difference between revisions
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*{{PostedDate|2019-02-15}} {{CPDLno|53292}} [[Media:Sheppard-GaudeVirgo.pdf|{{pdf}}]] [[Media:Sheppard-GaudeVirgo.mid|{{mid}}]] | *{{PostedDate|2019-02-15}} {{CPDLno|53292}} [[Media:Sheppard-GaudeVirgo.pdf|{{pdf}}]] [[Media:Sheppard-GaudeVirgo.mid|{{mid}}]] | ||
{{Editor|Jason Smart|2019-02-15}}{{ScoreInfo|A4|26|668}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | {{Editor|Jason Smart|2019-02-15}}{{ScoreInfo|A4|26|668}}{{Copy|Creative Commons Attribution Non-Commercial No Derivatives}} | ||
:'''Edition notes:''' Edited from the surviving early manuscripts. Transposed up a fourth from the "low clef" compasses. Note values halved. Missing portions of the Treble voice reconstructed by the editor. | :'''Edition notes:''' Edited from the surviving early manuscripts. Transposed up a fourth from the "low clef" compasses. Note values halved. Missing portions of the Treble voice reconstructed by the editor. A critical commentary is appended to the score. | ||
==General Information== | ==General Information== | ||
Revision as of 00:49, 15 February 2019
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- (Posted 2019-02-15) CPDL #53292:
- Editor: Jason Smart (submitted 2019-02-15). Score information: A4, 26 pages, 668 kB Copyright: CC BY NC ND
- Edition notes: Edited from the surviving early manuscripts. Transposed up a fourth from the "low clef" compasses. Note values halved. Missing portions of the Treble voice reconstructed by the editor. A critical commentary is appended to the score.
General Information
Title: Gaude virgo
Composer: John Sheppard
Lyricist:
Number of voices: 6vv Voicing: SATTBarB with divisions
Genre: Sacred, Antiphon
Language: Latin
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Gaude virgo is the only large-scale votive antiphon by Sheppard to survive in more than a fragmentary state. Even this has not survived unscathed. All the necessary voice parts survive for the reduced-voice sections, but the full choir sections lack the Treble part. It is unfortunate that it is such a prominent voice part that is incomplete, but the quality of the work justifies an attempt at completion.
External websites:
Original text and translations
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