Hodie in monte (Peter Philips): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2015-09-18}} {{CPDLno|36831}} [[Media:Philips_hodie_in_monte.pdf|{{pdf}}]] [[Media:Philips_hodie_in_monte.mid|{{mid}}]] [[Media:Philips_hodie_in_monte.mp3|{{mp3}}]] [[Media:Philips_hodie_in_monte.mxl|{{XML}}]] [[Media:Philips_hodie_in_monte.musx|{{F14}}]] (Finale 2014)  
*{{PostedDate|2015-09-18}} {{CPDLno|36831}} [[Media:Philips_hodie_in_monte.pdf|{{pdf}}]] [[Media:Philips_hodie_in_monte.mid|{{mid}}]] [[Media:Philips_hodie_in_monte.mp3|{{mp3}}]] [[Media:Philips_hodie_in_monte.mxl|{{XML}}]] [[Media:Philips_hodie_in_monte.musx|{{F14}}]] (Finale 2014)
{{Editor|Paul R. Marchesano|2015-09-18}}{{ScoreInfo|Letter|5|116}}{{Copy|CPDL}}
{{Editor|Paul R. Marchesano|2015-09-18}}{{ScoreInfo|Letter|5|116}}{{Copy|CPDL}}
:'''Edition notes:''' Original pitch. Note values halved. {{MXL}}
:{{EdNotes|Original pitch. Note values halved.}}


==General Information==
==General Information==
'''Title:''' ''Hodie in monte''<br>
{{Title|''Hodie in monte''}}
{{Composer|Peter Philips}}
{{Composer|Peter Philips}}
{{Lyricist|}}
{{Lyricist|}}


{{Voicing|8|SATB.SATB}}<br>
{{Voicing|8|SATB.SATB}}
{{Genre|Sacred|Motets}} for {{Cat|Transfiguration}}
{{Genre|Sacred|Motets}} for {{Cat|Transfiguration}}
{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella (basso seguente ad lib.)}}
{{Instruments|A cappella (basso seguente ad lib.)}}
{{Published|1613}}
{{Pub|1|1613|in {{NoComp|Cantiones sacrae octonis vocibus|Peter Philips}}|no=3}}
 
{{Descr|No. 3 in ''Cantiones Sacrae Octonis Vocibus'' (1613). An organ continuo part was added in the 1625 printing (second edition) but it is fairly clear that organ continuo was not considered integral by Philips. However, it was common to have cornettists and trombonists doubling at least some of the parts. There are no indications of strings doubling.}}
'''Description:''' No. 3 in ''Cantiones Sacrae Octonis Vocibus'' (1613). An organ continuo part was added in the 1625 printing (second edition) but it is fairly clear that organ continuo was not considered integral by Philips. However, it was common to have cornettists and trombonists doubling at least some of the parts. There are no indications of strings doubling.
{{#ExtWeb:}}
 
'''External websites:'''
 
==Original text and translations==
==Original text and translations==
{{Top}}{{Text|Latin|
{{Top}}{{Text|Latin|
Hodie in monte  
Hodie in monte
transfigurato Domino  
transfigurato Domino
aperti sunt caeli,  
aperti sunt caeli,
et vox patris intonuit:
et vox patris intonuit:
Hic est Filius meus dilectus  
Hic est Filius meus dilectus
in quo mihi complacui.
in quo mihi complacui.
Intonuit de caelo Dominus  
Intonuit de caelo Dominus
et vox patris audita est.
et vox patris audita est.
}}
}}


{{Middle|3}}{{Translation|English|
{{Middle|3}}{{Translation|English|
Today he was transfigured  
Today he was transfigured
on the mountain of the Lord,
on the mountain of the Lord,
the heavens were opened,  
the heavens were opened,
and the voice of the father thundered:
and the voice of the father thundered:
“This is my Son, the beloved,  
“This is my Son, the beloved,
in whom I am well pleased.”
in whom I am well pleased.”
The LORD thundered from heaven,  
The LORD thundered from heaven,
and the voice of the Father was heard.
and the voice of the Father was heard.
}}
}}
{{Middle|3}}{{Translation|German|
{{Middle|3}}{{Translation|German|
Heute, als der Herr  
Heute, als der Herr
auf einem Berg verklärt wurde,
auf einem Berg verklärt wurde,
da öffnete sich der Himmel,
da öffnete sich der Himmel
und die Stimme des Vaters war zu hören:
und die Stimme des Vaters war zu hören:
Dieser ist mein gelibeter Sohn,  
Dieser ist mein geliebter Sohn,
an ihm habe ich mein Gefallen.
an ihm habe ich mein Gefallen.
Der HERR donnerte vom Himmel,  
Der HERR donnerte vom Himmel,
und die Stimme des Vaters zu hören war.
und die Stimme des Vaters war zu hören.
}}
}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Renaissance music]]
[[Category:Renaissance music]]

Latest revision as of 22:14, 16 March 2022

Music files

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Icon_pdf.gif Pdf
Icon_snd.gif Midi
Icon_mp3.gif Mp3
MusicXML.png MusicXML
Finale_2014_icon.png Finale 2014
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Question.gif Help
  • (Posted 2015-09-18)  CPDL #36831:          (Finale 2014)
Editor: Paul R. Marchesano (submitted 2015-09-18).   Score information: Letter, 5 pages, 116 kB   Copyright: CPDL
Edition notes: Original pitch. Note values halved.

General Information

Title: Hodie in monte
Composer: Peter Philips
Lyricist:

Number of voices: 8vv   Voicing: SATB.SATB
Genre: SacredMotet for Transfiguration

Language: Latin
Instruments: A cappella (basso seguente ad lib.)

First published: 1613 in Cantiones sacrae octonis vocibus, no. 3
Description: No. 3 in Cantiones Sacrae Octonis Vocibus (1613). An organ continuo part was added in the 1625 printing (second edition) but it is fairly clear that organ continuo was not considered integral by Philips. However, it was common to have cornettists and trombonists doubling at least some of the parts. There are no indications of strings doubling.

External websites:

Original text and translations

Latin.png Latin text

Hodie in monte
transfigurato Domino
aperti sunt caeli,
et vox patris intonuit:
Hic est Filius meus dilectus
in quo mihi complacui.
Intonuit de caelo Dominus
et vox patris audita est.
 

English.png English translation

Today he was transfigured
on the mountain of the Lord,
the heavens were opened,
and the voice of the father thundered:
“This is my Son, the beloved,
in whom I am well pleased.”
The LORD thundered from heaven,
and the voice of the Father was heard.
 

German.png German translation

Heute, als der Herr
auf einem Berg verklärt wurde,
da öffnete sich der Himmel
und die Stimme des Vaters war zu hören:
Dieser ist mein geliebter Sohn,
an ihm habe ich mein Gefallen.
Der HERR donnerte vom Himmel,
und die Stimme des Vaters war zu hören.