I saw my lady weeping (Thomas Morley): Difference between revisions
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Line 27: | Line 27: | ||
I saw my lady weeping | I saw my lady weeping | ||
And sorrow proud to be advanced so | And sorrow proud to be advanced so | ||
In those fair eyes, | In those fair eyes, where all perfection's kept. | ||
where all perfection's kept. | |||
Her face was full of woe, | Her face was full of woe, | ||
But such a woe, believe me, | But such a woe, believe me, as wins more hearts | ||
as wins more hearts | Than mirth can do with her enticing parts.}} | ||
Than mirth can do | |||
with her enticing parts.}} | |||
[[Category:Sheet music]] | [[Category:Sheet music]] | ||
[[Category:Renaissance music]] | [[Category:Renaissance music]] |
Revision as of 15:47, 7 February 2017
Music files
ICON | SOURCE |
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File details | |
Help |
- Editor: James Gibb (submitted 2017-02-07). Score information: A4, 1 page, 33 kB Copyright: CPDL
- Edition notes: Reformatting of #16198.
- Editor: Brian Russell (submitted 2008-02-19). Score information: A4, 1 page, 16 kB Copyright: CPDL
- Edition notes: NoteWorthy Composer file may be viewed and printed with NoteWorthy Composer Viewer.
General Information
Title: I saw my lady weeping
Composer: Thomas Morley
Number of voices: 1v Voicing: T
Genre: Secular, Partsong
Language: English
Instruments: Lute
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: #5 from Morley's First Book of Ayres.
External websites:
Original text and translations
English text
I saw my lady weeping
And sorrow proud to be advanced so
In those fair eyes, where all perfection's kept.
Her face was full of woe,
But such a woe, believe me, as wins more hearts
Than mirth can do with her enticing parts.