Innsbruck, ich muß dich lassen (Heinrich Isaac): Difference between revisions
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'''Description:''' Emperor Maximilian I has been named as the author of the text, though that has not been substantiated. | '''Description:''' Emperor Maximilian I has been named as the author of the text, though that has not been substantiated. | ||
At least two versions of this composition exist: (1) a 4-voice diskantlied with the melody in the top (diskant) line, dating from the late 1530s, and (2) a lesser-know canonic version with the melody in the second (altus) and third (tenor) lines, probably from the 1520s. This edition uses both versions in an ABA arrangement (see edition notes | At least two versions of this composition exist: (1) a 4-voice diskantlied with the melody in the top (diskant) line, dating from the late 1530s, and (2) a lesser-know canonic version with the melody in the second (altus) and third (tenor) lines, probably from the 1520s. This edition uses both versions in an ABA arrangement (see edition notes above). | ||
'''External websites:''' | '''External websites:''' | ||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 19:13, 24 January 2017
Music files
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- (Posted 2017-01-24) CPDL #42794:
Sibelius
- Editor: Virginia Kaycoff (submitted 2017-01-24). Score information: Letter, 4 pages, 152 kB Copyright: CPDL
- Edition notes: This ABA edition sets all three verses using the diskantleid for verse 1 and 2 and the canonic setting for verse 2. It is based on a transcription by musicologist Paul Maynard, in the tessitura supplied by him.
General Information
Title: Innsbruck, ich muß dich lassen
Composer: Heinrich Isaac
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Secular
Language: German
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Emperor Maximilian I has been named as the author of the text, though that has not been substantiated. At least two versions of this composition exist: (1) a 4-voice diskantlied with the melody in the top (diskant) line, dating from the late 1530s, and (2) a lesser-know canonic version with the melody in the second (altus) and third (tenor) lines, probably from the 1520s. This edition uses both versions in an ABA arrangement (see edition notes above).
External websites:
Original text and translations
Text (or link to a text page) needs to be added.