Innsbruck, ich muß dich lassen (Heinrich Isaac): Difference between revisions
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*{{PostedDate|2017-01-24}} {{CPDLno|42794}} [[Media:Innsbruck,_ich_muß_dich_lassen-ABA.pdf|{{pdf}}]] [[Media:Innsbruck,_ich_muß_dich_lassen-ABA.mid|{{mid}}]] [[Media:Innsbruck,_ich_muß_dich_lassen-ABA.sib|{{Sib}}]] | *{{PostedDate|2017-01-24}} {{CPDLno|42794}} [[Media:Innsbruck,_ich_muß_dich_lassen-ABA.pdf|{{pdf}}]] [[Media:Innsbruck,_ich_muß_dich_lassen-ABA.mid|{{mid}}]] [[Media:Innsbruck,_ich_muß_dich_lassen-ABA.sib|{{Sib}}]] | ||
{{Editor|Virginia Kaycoff|2017-01-24}}{{ScoreInfo|Letter|4|152}}{{Copy|CPDL}} | {{Editor|Virginia Kaycoff|2017-01-24}}{{ScoreInfo|Letter|4|152}}{{Copy|CPDL}} | ||
:'''Edition notes:''' This | :'''Edition notes:''' This edition sets all three verses in ABA form using the diskantleid for verses 1 and 3 and the canonic setting for verse 2. It is based on a transcription by musicologist Paul Maynard, in the tessitura supplied by him with octave transposition of the diskant line at measures 38 to 40. | ||
==General Information== | ==General Information== | ||
Revision as of 04:07, 25 January 2017
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- (Posted 2017-01-24) CPDL #42794:
- Editor: Virginia Kaycoff (submitted 2017-01-24). Score information: Letter, 4 pages, 152 kB Copyright: CPDL
- Edition notes: This edition sets all three verses in ABA form using the diskantleid for verses 1 and 3 and the canonic setting for verse 2. It is based on a transcription by musicologist Paul Maynard, in the tessitura supplied by him with octave transposition of the diskant line at measures 38 to 40.
General Information
Title: Innsbruck, ich muss dich lassen
Composer: Heinrich Isaac
Lyricist:
Number of voices: 4vv Voicing: SATB
Genre: Secular
Language: German
Instruments: A cappella
{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.
Description: Emperor Maximilian I has been named as the author of the text, though that has not been substantiated. At least two versions of this composition exist: (1) a 4-voice diskantlied with the melody in the top (diskant) line, dating from the late 1530s, and (2) a lesser-know canonic version with the melody in the second (altus) and third (tenor) lines, probably from the 1520s. This edition uses both versions in an ABA arrangement (see edition notes above).
External websites: Wikipedia.
Original text and translations
Visit the external website(s) listed above for the original text and/or translations.