Magnificat Primi toni (Giovanni Matteo Asola): Difference between revisions
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*{{PostedDate|2019-06-26}} {{CPDLno|54628}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.ly|{{Ly}}]] | *{{PostedDate|2019-06-26}} {{CPDLno|54628}} [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.pdf|{{pdf}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.mid|{{mid}}]] [[Media:Io-Matthaeo-Asola-Veronensi-Magnificat-Primi-toni.ly|{{Ly}}]] | ||
{{Editor|Andreas Stenberg|2019-06-26}}{{ScoreInfo|A4|96|600}}{{Copy|CPDL}} | {{Editor|Andreas Stenberg|2019-06-26}}{{ScoreInfo|A4|96|600}}{{Copy|CPDL}} | ||
:'''Edition notes:''' A semidiplomatoric edition | :'''Edition notes:''' A semidiplomatoric edition with original note values and untransposed pitch (clefs are C1, C3, C4, F4 and C1, C3, C4, F4). Musica ficta are added sparingly and indicated in the usual way by printing above the notes. Includes a full score (pp 1-39), separate scores for each choir (pp. 41-), and individual voice parts (pp. 61-). To simplify two-sided printing of the PDF blanco pages are inserted in apropriate places. To save paper for one-sided printing, Download the ly-source file, comment-out the \pagebreak \markup {} \pagebreak sections and run it through Lilypond. | ||
==General Information== | ==General Information== | ||
| Line 11: | Line 11: | ||
{{Voicing|8|SATB.SATB}}<br> | {{Voicing|8|SATB.SATB}}<br> | ||
{{Genre|Sacred|Motets}} | {{Genre|Sacred|Motets|Evening Canticles}} | ||
{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{ | {{Pub|1|1574|in ''{{NoCo|Psalmodia ad vespertinas}}''|no=18}} | ||
'''Description:''' | '''Description:''' The setting is for two choirs and largely in a Falsobordoni style. | ||
The setting is for two choirs and largely in a Falsobordoni style. | |||
'''External websites:''' | '''External websites:''' | ||
*{{IMSLP2|Psalmodia ad vespertinas (Asola, Giammateo)|1574 print}} | |||
==Original text and translations== | ==Original text and translations== | ||
Revision as of 10:53, 9 September 2019
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- (Posted 2019-06-26) CPDL #54628:
- Editor: Andreas Stenberg (submitted 2019-06-26). Score information: A4, 96 pages, 600 kB Copyright: CPDL
- Edition notes: A semidiplomatoric edition with original note values and untransposed pitch (clefs are C1, C3, C4, F4 and C1, C3, C4, F4). Musica ficta are added sparingly and indicated in the usual way by printing above the notes. Includes a full score (pp 1-39), separate scores for each choir (pp. 41-), and individual voice parts (pp. 61-). To simplify two-sided printing of the PDF blanco pages are inserted in apropriate places. To save paper for one-sided printing, Download the ly-source file, comment-out the \pagebreak \markup {} \pagebreak sections and run it through Lilypond.
General Information
Title: Magnificat Primi toni
Composer: Giovanni Matteo Asola
Lyricist:
Number of voices: 8vv Voicing: SATB.SATB
Genre: Sacred, Motet, Evening Canticles
Language: Latin
Instruments: A cappella
First published: 1574 in Psalmodia ad vespertinas, no. 18
Description: The setting is for two choirs and largely in a Falsobordoni style.
External websites:
- 1574 print at the Petrucci Music Library (IMSLP)
Original text and translations
Original text and translations may be found at Magnificat.