Magnificat quinti toni (Ludwig Senfl): Difference between revisions

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*{{CPDLno|26315}} [{{filepath:Sennfl_-_Magnificat_quinti_toni.pdf}} {{pdf}}] [{{filepath:Sennfl_-_Magnificat_quinti_toni.mid}} {{mid}}]  
*{{CPDLno|26315}} [{{filepath:Sennfl_-_Magnificat_quinti_toni.pdf}} {{pdf}}] [{{filepath:Sennfl_-_Magnificat_quinti_toni.mid}} {{mid}}]  
{{Editor|Ross Jallo|2012-05-26}}{{ScoreInfo|Letter|9|103}}{{Copy|Public Domain}}
{{Editor|Ross Jallo|2012-05-26}}{{ScoreInfo|Letter|9|103}}{{Copy|Public Domain}}
:'''Edition notes:''' Original pitch; note values halved (quartered in ''proportio tripla'' section).
:'''Edition notes:''' Original key; note values halved (quartered in ''proportio tripla'' section).


==General Information==
==General Information==

Revision as of 05:10, 4 February 2014

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  • CPDL #26315:  Icon_pdf.gif Icon_snd.gif
Editor: Ross Jallo (submitted 2012-05-26).   Score information: Letter, 9 pages, 103 kB   Copyright: Public Domain
Edition notes: Original key; note values halved (quartered in proportio tripla section).

General Information

Title: Magnificat quinti toni
Composer: Ludwig Senfl

Number of voices: 5vv   Voicing: STTBB

Genre: SacredEvening Canticles

Language: Latin
Instruments: a cappella
Published: Magnificat octorum tonorum, Nuremberg, 1537

Description: This Mode V Magnificat setting, alternating between chant and polyphony, is scored mostly for four voices (STTB), but in the twelfth and final verse a fifth voice (B) is added.

Original text and translations

Original text and translations may be found at Magnificat.