Magnificat quinti toni (Ludwig Senfl): Difference between revisions
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{{Language|Latin}} | {{Language|Latin}} | ||
{{Instruments|A cappella}} | {{Instruments|A cappella}} | ||
{{Published:}} ''Magnificat octorum tonorum'', Nuremberg, 1537 | |||
'''Description:''' This Mode V Magnificat setting, alternating between chant and polyphony, is scored mostly for four voices (STTB), but in the twelfth and final verse a fifth voice (B) is added. | '''Description:''' This Mode V Magnificat setting, alternating between chant and polyphony, is scored mostly for four voices (STTB), but in the twelfth and final verse a fifth voice (B) is added. | ||
Revision as of 18:19, 1 September 2016
Music files
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File details |
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Help |
- CPDL #26315:
- Editor: Ross Jallo (submitted 2012-05-26). Score information: Letter, 9 pages, 103 kB Copyright: Public Domain
- Edition notes: Original key; note values halved (quartered in proportio tripla section).
General Information
Title: Magnificat quinti toni
Composer: Ludwig Senfl
Number of voices: 5vv Voicing: STTBB
Genre: Sacred, Evening Canticles
Language: Latin
Instruments: A cappella
Template:Published: Magnificat octorum tonorum, Nuremberg, 1537
Description: This Mode V Magnificat setting, alternating between chant and polyphony, is scored mostly for four voices (STTB), but in the twelfth and final verse a fifth voice (B) is added.
Original text and translations
Original text and translations may be found at Magnificat.