https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&feed=atom&action=history
Matheo de Aranda - Revision history
2024-03-28T11:18:03Z
Revision history for this page on the wiki
MediaWiki 1.39.4
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=1673590&oldid=prev
BarryJ: Text replacement - "\'\'\'Aliases\:\'\'\' (.*)
" to "{{Aliases|$1}}
"
2022-10-23T03:24:38Z
<p>Text replacement - "\'\'\'Aliases\:\'\'\' (.*) " to "{{Aliases|$1}} "</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:24, 23 October 2022</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''</del>Aliases<del style="font-weight: bold; text-decoration: none;">:''' </del>Mateus de Aranda</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{</ins>Aliases<ins style="font-weight: bold; text-decoration: none;">|</ins>Mateus de Aranda<ins style="font-weight: bold; text-decoration: none;">}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Life==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Life==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Born:''' c.1495, ?Aranda de Duero, Spain</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Born:''' c.1495, ?Aranda de Duero, Spain</div></td></tr>
</table>
BarryJ
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=1038601&oldid=prev
CHGiffen: Text replacement - "{{Whatlinkshere}}
" to "{{Whatlinkshere}}
"
2019-10-26T00:47:45Z
<p>Text replacement - "{{Whatlinkshere}} " to "{{Whatlinkshere}} "</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 00:47, 26 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l20">Line 20:</td>
<td colspan="2" class="diff-lineno">Line 20:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Whatlinkshere}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Whatlinkshere}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Publications==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Publications==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Tractado d'canto llano'' (Lisbon, 1533/R1962)</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*''Tractado d'canto llano'' (Lisbon, 1533/R1962)</div></td></tr>
</table>
CHGiffen
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=768989&oldid=prev
Claude T: Text replace - "==List of choral works==
{{#Legend:}}" to "==List of choral works==
"
2017-02-25T18:09:48Z
<p>Text replace - "==List of choral works== {{#Legend:}}" to "==List of choral works== "</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:09, 25 February 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l16">Line 16:</td>
<td colspan="2" class="diff-lineno">Line 16:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==List of choral works==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==List of choral works==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">{{#Legend:}}</del></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{NoWorks}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{NoWorks}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
Claude T
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=768267&oldid=prev
BarryJ: Text replace - "{{Legend}}" to "{{#Legend:}}"
2017-02-25T03:05:04Z
<p>Text replace - "{{Legend}}" to "{{#Legend:}}"</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 03:05, 25 February 2017</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l16">Line 16:</td>
<td colspan="2" class="diff-lineno">Line 16:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==List of choral works==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==List of choral works==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>{{Legend}}</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>{{<ins style="font-weight: bold; text-decoration: none;">#</ins>Legend<ins style="font-weight: bold; text-decoration: none;">:</ins>}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{NoWorks}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{NoWorks}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
BarryJ
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=306007&oldid=prev
Carlos: /* Life */ removed possibly controversial content per request
2011-11-05T04:20:35Z
<p><span dir="auto"><span class="autocomment">Life: </span> removed possibly controversial content per request</span></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 04:20, 5 November 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The </del>Spanish composer and theorist <del style="font-weight: bold; text-decoration: none;">Mateus d’Aranda was probably born in Aranda de Duero, c.1495 and probably died in Coimbra 15 February 1548. He studied at the University of Alcalá de Henares sometime before 1524 with Pedro Ciruelo, going to Italy for further studies</del>. He was Mestre de Capela at the Cathedral of Évora by 3 April 1528. He held this post until 26 August 1544, when he was appointed Lente de Musica (a teaching post) at the Coimbra University, a post which he held until his death<del style="font-weight: bold; text-decoration: none;">. During the years he spent in Évora, the royal court resided there rather than in Lisbon, and Aranda earned praise from the administrator of the see, Cardinal D. Afonso. At Coimbra, however (according to a collegue, Juan Fernández), the other native Portuguese professors were so resentful towards the foreigner, that Aranda died (according to Fernández) of “pure vexation”. His body was carried back to Évora for burial on 2 June 1549</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Spanish composer and theorist. He was Mestre de Capela at the Cathedral of Évora by 3 April 1528. He held this post until 26 August 1544, when he was appointed Lente de Musica (a teaching post) at the Coimbra University, a post which he held until his death.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish<del style="font-weight: bold; text-decoration: none;">. In the Tractado d’Canto Llano (Lisbon, 1533) he follows Juan de Espinosa and Martín de Rivaflecha declaring the sung diatonic semitone smaller that the chromatic. He also allowed the breaking of ligatures for the “correct” accentuation and, like his Spanish contemporary theorists, preferred more freedom in the use of ficta in plainsong</del>. In his Tractado de Canto Mensurable (Lisbon, 1535), his examples of species counterpoint were the first polyphony published in Portugal.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish. In his Tractado de Canto Mensurable (Lisbon, 1535), his examples of species counterpoint were the first polyphony published in Portugal.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>A few compositions are attributed to him: a four-voice setting of ''Adjuva nos Deus'', and two mass fragments: ''Et incarnatus'' and ''Et vitam'', all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library<del style="font-weight: bold; text-decoration: none;">. Based on these few surviving works, it can be said that his music is not so complex as that of other composers of the time</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A few compositions are attributed to him: a four-voice setting of ''Adjuva nos Deus'', and two mass fragments: ''Et incarnatus'' and ''Et vitam'', all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l18">Line 18:</td>
<td colspan="2" class="diff-lineno">Line 18:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Legend}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Legend}}</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{NoWorks}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{NoWorks}}</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Whatlinkshere}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Whatlinkshere}}</div></td></tr>
</table>
Carlos
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=303889&oldid=prev
CHGiffen: Protected "Matheo de Aranda": "" Prevent page blanking ([edit=sysop] (expires 19:58, 6 November 2011 (UTC)) [move=sysop] (expires 19:58, 6 November 2011 (UTC)))
2011-10-30T18:58:25Z
<p>Protected "<a href="/wiki/index.php/Matheo_de_Aranda" title="Matheo de Aranda">Matheo de Aranda</a>": "" Prevent page blanking ([edit=sysop] (expires 19:58, 6 November 2011 (UTC)) [move=sysop] (expires 19:58, 6 November 2011 (UTC)))</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<tr class="diff-title" lang="en">
<td colspan="1" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="1" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:58, 30 October 2011</td>
</tr><tr><td colspan="2" class="diff-notice" lang="en"><div class="mw-diff-empty">(No difference)</div>
</td></tr></table>
CHGiffen
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=303887&oldid=prev
CHGiffen: Reverted edits by LH (talk) to last revision by Carlos
2011-10-30T18:54:59Z
<p>Reverted edits by <a href="/wiki/index.php/Special:Contributions/LH" title="Special:Contributions/LH">LH</a> (<a href="/wiki/index.php/User_talk:LH" title="User talk:LH">talk</a>) to last revision by <a href="/wiki/index.php/User:Carlos" class="mw-redirect" title="User:Carlos">Carlos</a></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:54, 30 October 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The Spanish composer and theorist Mateus d’Aranda was probably born in Aranda de Duero, c.1495 and probably died in Coimbra 15 February 1548. He studied at the University of Alcalá de Henares sometime before 1524 with Pedro Ciruelo, going to Italy for further studies. He was Mestre de Capela at the Cathedral of Évora by 3 April 1528. He held this post until 26 August 1544, when he was appointed Lente de Musica (a teaching post) at the Coimbra University, a post which he held until his death. During the years he spent in Évora, the royal court resided there rather than in Lisbon, and Aranda earned praise from the administrator of the see, Cardinal D. Afonso. At Coimbra, however (according to a collegue, Juan Fernández), the other native Portuguese professors were so resentful towards the foreigner, that Aranda died (according to Fernández) of “pure vexation”. His body was carried back to Évora for burial on 2 June 1549.</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish. In the Tractado d’Canto Llano (Lisbon, 1533) he follows Juan de Espinosa and Martín de Rivaflecha declaring the sung diatonic semitone smaller that the chromatic. He also allowed the breaking of ligatures for the “correct” accentuation and, like his Spanish contemporary theorists, preferred more freedom in the use of ficta in plainsong. In his Tractado de Canto Mensurable (Lisbon, 1535), his examples of species counterpoint were the first polyphony published in Portugal.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A few compositions are attributed to him: a four-voice setting of ''Adjuva nos Deus'', and two mass fragments: ''Et incarnatus'' and ''Et vitam'', all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library. Based on these few surviving works, it can be said that his music is not so complex as that of other composers of the time.</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td></tr>
</table>
CHGiffen
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=302477&oldid=prev
LH at 16:02, 27 October 2011
2011-10-27T16:02:41Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 16:02, 27 October 2011</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The Spanish composer and theorist Mateus d’Aranda was probably born in Aranda de Duero, c.1495 and probably died in Coimbra 15 February 1548. He studied at the University of Alcalá de Henares sometime before 1524 with Pedro Ciruelo, going to Italy for further studies. He was Mestre de Capela at the Cathedral of Évora by 3 April 1528. He held this post until 26 August 1544, when he was appointed Lente de Musica (a teaching post) at the Coimbra University, a post which he held until his death. During the years he spent in Évora, the royal court resided there rather than in Lisbon, and Aranda earned praise from the administrator of the see, Cardinal D. Afonso. At Coimbra, however (according to a collegue, Juan Fernández), the other native Portuguese professors were so resentful towards the foreigner, that Aranda died (according to Fernández) of “pure vexation”. His body was carried back to Évora for burial on 2 June 1549.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish. In the Tractado d’Canto Llano (Lisbon, 1533) he follows Juan de Espinosa and Martín de Rivaflecha declaring the sung diatonic semitone smaller that the chromatic. He also allowed the breaking of ligatures for the “correct” accentuation and, like his Spanish contemporary theorists, preferred more freedom in the use of ficta in plainsong. In his Tractado de Canto Mensurable (Lisbon, 1535), his examples of species counterpoint were the first polyphony published in Portugal.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A few compositions are attributed to him: a four-voice setting of ''Adjuva nos Deus'', and two mass fragments: ''Et incarnatus'' and ''Et vitam'', all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library. Based on these few surviving works, it can be said that his music is not so complex as that of other composers of the time.</del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td></tr>
</table>
LH
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=229131&oldid=prev
Carlos: Manuel Mendes had just been born by the time Aranda died; it would be better to compare him to someone of his generation
2010-02-18T17:51:18Z
<p>Manuel Mendes had just been born by the time Aranda died; it would be better to compare him to someone of his generation</p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:51, 18 February 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Spanish composer and theorist Mateus d’Aranda was probably born in Aranda de Duero, <del style="font-weight: bold; text-decoration: none;">c1495 </del>and probably died in Coimbra 15 February 1548. He studied at the University of Alcalá de Henares sometime before 1524 with Pedro Ciruelo, going to Italy for further studies. He was Mestre de Capela at the Cathedral of Évora by 3 April 1528. He held this post until 26 August 1544, when he was appointed Lente de Musica (a teaching post) at the Coimbra University, a post which he <del style="font-weight: bold; text-decoration: none;">holded </del>until his death. During the years he spent in Évora, the royal court resided there Aranda <del style="font-weight: bold; text-decoration: none;">gained praised </del>from the administrator of the see Cardinal D. Afonso. At Coimbra, however (according to a collegue, Juan Fernández), the other <del style="font-weight: bold; text-decoration: none;">colleagues </del>were resentful towards <del style="font-weight: bold; text-decoration: none;">a </del>foreigner, <del style="font-weight: bold; text-decoration: none;">and </del>Aranda died (according to Fernández) of “pure vexation”. His body was carried back to Évora for burial on 2 June 1549.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Spanish composer and theorist Mateus d’Aranda was probably born in Aranda de Duero, <ins style="font-weight: bold; text-decoration: none;">c.1495 </ins>and probably died in Coimbra 15 February 1548. He studied at the University of Alcalá de Henares sometime before 1524 with Pedro Ciruelo, going to Italy for further studies. He was Mestre de Capela at the Cathedral of Évora by 3 April 1528. He held this post until 26 August 1544, when he was appointed Lente de Musica (a teaching post) at the Coimbra University, a post which he <ins style="font-weight: bold; text-decoration: none;">held </ins>until his death. During the years he spent in Évora, the royal court resided there <ins style="font-weight: bold; text-decoration: none;">rather than in Lisbon, and </ins>Aranda <ins style="font-weight: bold; text-decoration: none;">earned praise </ins>from the administrator of the see<ins style="font-weight: bold; text-decoration: none;">, </ins>Cardinal D. Afonso. At Coimbra, however (according to a collegue, Juan Fernández), the other <ins style="font-weight: bold; text-decoration: none;">native Portuguese professors </ins>were <ins style="font-weight: bold; text-decoration: none;">so </ins>resentful towards <ins style="font-weight: bold; text-decoration: none;">the </ins>foreigner, <ins style="font-weight: bold; text-decoration: none;">that </ins>Aranda died (according to Fernández) of “pure vexation”. His body was carried back to Évora for burial on 2 June 1549.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish. In the Tractado d’Canto Llano (Lisbon, 1533) he <del style="font-weight: bold; text-decoration: none;">fallows </del>Juan de Espinosa and Martín de Rivaflecha declaring the sung diatonic semitone smaller that the chromatic. He also allowed the breaking of ligatures for the “correct” accentuation and, like his Spanish contemporary theorists, preferred more freedom in the use of ficta in plainsong. In his Tractado de Canto Mensurable (Lisbon, 1535), his examples of species counterpoint<del style="font-weight: bold; text-decoration: none;">, </del>were the first polyphony published in Portugal.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish. In the Tractado d’Canto Llano (Lisbon, 1533) he <ins style="font-weight: bold; text-decoration: none;">follows </ins>Juan de Espinosa and Martín de Rivaflecha declaring the sung diatonic semitone smaller that the chromatic. He also allowed the breaking of ligatures for the “correct” accentuation and, like his Spanish contemporary theorists, preferred more freedom in the use of ficta in plainsong. In his Tractado de Canto Mensurable (Lisbon, 1535), his examples of species counterpoint were the first polyphony published in Portugal.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>A few compositions are attributed to him: a four-voice setting of Adjuva nos Deus, and two mass fragments: Et <del style="font-weight: bold; text-decoration: none;">Incantatus </del>and Et <del style="font-weight: bold; text-decoration: none;">Vitam</del>, all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library. <del style="font-weight: bold; text-decoration: none;">His </del>music is <del style="font-weight: bold; text-decoration: none;">less </del>complex <del style="font-weight: bold; text-decoration: none;">than, for example </del>of <del style="font-weight: bold; text-decoration: none;">Manuel Mendes, or almost none </del>of <del style="font-weight: bold; text-decoration: none;">his music survived</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A few compositions are attributed to him: a four-voice setting of <ins style="font-weight: bold; text-decoration: none;">''</ins>Adjuva nos Deus<ins style="font-weight: bold; text-decoration: none;">''</ins>, and two mass fragments: <ins style="font-weight: bold; text-decoration: none;">''</ins>Et <ins style="font-weight: bold; text-decoration: none;">incarnatus'' </ins>and <ins style="font-weight: bold; text-decoration: none;">''</ins>Et <ins style="font-weight: bold; text-decoration: none;">vitam''</ins>, all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library. <ins style="font-weight: bold; text-decoration: none;">Based on these few surviving works, it can be said that his </ins>music is <ins style="font-weight: bold; text-decoration: none;">not so </ins>complex <ins style="font-weight: bold; text-decoration: none;">as that </ins>of <ins style="font-weight: bold; text-decoration: none;">other composers </ins>of <ins style="font-weight: bold; text-decoration: none;">the time</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17">Line 17:</td>
<td colspan="2" class="diff-lineno">Line 17:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==List of choral works==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==List of choral works==</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Legend}}</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>{{Legend}}</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">{{NoWorks}}</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
</table>
Carlos
https://www.cpdl.org/wiki/index.php?title=Matheo_de_Aranda&diff=229106&oldid=prev
LH at 14:01, 18 February 2010
2010-02-18T14:01:32Z
<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 14:01, 18 February 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l7">Line 7:</td>
<td colspan="2" class="diff-lineno">Line 7:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Biography'''</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Aranda was a </del>Spanish theorist. He studied <del style="font-weight: bold; text-decoration: none;">music theory with Pedro Ciruelo </del>at the University of Alcalá de Henares sometime before 1524<del style="font-weight: bold; text-decoration: none;">; later he went </del>to Italy for <del style="font-weight: bold; text-decoration: none;">practical instruction</del>. <del style="font-weight: bold; text-decoration: none;">By 3 April 1528 he </del>was <del style="font-weight: bold; text-decoration: none;">mestre </del>de <del style="font-weight: bold; text-decoration: none;">capela </del>at Évora <del style="font-weight: bold; text-decoration: none;">Cathedral in Portugal, a </del>post <del style="font-weight: bold; text-decoration: none;">which he held </del>until 26 August 1544, when he was appointed <del style="font-weight: bold; text-decoration: none;">professor of music </del>at Coimbra University. During <del style="font-weight: bold; text-decoration: none;">most of this period </del>the <del style="font-weight: bold; text-decoration: none;">Portuguese court resided </del>in Évora <del style="font-weight: bold; text-decoration: none;">rather than in Lisbon</del>, <del style="font-weight: bold; text-decoration: none;">and </del>Aranda <del style="font-weight: bold; text-decoration: none;">earned praise </del>from the administrator of the see<del style="font-weight: bold; text-decoration: none;">, </del>Cardinal <del style="font-weight: bold; text-decoration: none;">Dom </del>Afonso. At Coimbra, however<del style="font-weight: bold; text-decoration: none;">, the native Portuguese professors proved so resentful towards the foreigner that </del>according to a <del style="font-weight: bold; text-decoration: none;">colleague</del>, Juan Fernández, Aranda died of <del style="font-weight: bold; text-decoration: none;">‘pure vexation’</del>. His body was carried back to Évora for burial on 2 June 1549.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The </ins>Spanish <ins style="font-weight: bold; text-decoration: none;">composer and </ins>theorist <ins style="font-weight: bold; text-decoration: none;">Mateus d’Aranda was probably born in Aranda de Duero, c1495 and probably died in Coimbra 15 February 1548</ins>. He studied at the University of Alcalá de Henares sometime before 1524 <ins style="font-weight: bold; text-decoration: none;">with Pedro Ciruelo, going </ins>to Italy for <ins style="font-weight: bold; text-decoration: none;">further studies</ins>. <ins style="font-weight: bold; text-decoration: none;">He </ins>was <ins style="font-weight: bold; text-decoration: none;">Mestre </ins>de <ins style="font-weight: bold; text-decoration: none;">Capela </ins>at <ins style="font-weight: bold; text-decoration: none;">the Cathedral of </ins>Évora <ins style="font-weight: bold; text-decoration: none;">by 3 April 1528. He held this </ins>post until 26 August 1544, when he was appointed <ins style="font-weight: bold; text-decoration: none;">Lente de Musica (a teaching post) </ins>at <ins style="font-weight: bold; text-decoration: none;">the </ins>Coimbra University<ins style="font-weight: bold; text-decoration: none;">, a post which he holded until his death</ins>. During the <ins style="font-weight: bold; text-decoration: none;">years he spent </ins>in Évora, <ins style="font-weight: bold; text-decoration: none;">the royal court resided there </ins>Aranda <ins style="font-weight: bold; text-decoration: none;">gained praised </ins>from the administrator of the see Cardinal <ins style="font-weight: bold; text-decoration: none;">D. </ins>Afonso. At Coimbra, however <ins style="font-weight: bold; text-decoration: none;">(</ins>according to a <ins style="font-weight: bold; text-decoration: none;">collegue</ins>, Juan Fernández<ins style="font-weight: bold; text-decoration: none;">), the other colleagues were resentful towards a foreigner</ins>, <ins style="font-weight: bold; text-decoration: none;">and </ins>Aranda died <ins style="font-weight: bold; text-decoration: none;">(according to Fernández) </ins>of <ins style="font-weight: bold; text-decoration: none;">“pure vexation”</ins>. His body was carried back to Évora for burial on 2 June 1549.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The </del>examples of species counterpoint <del style="font-weight: bold; text-decoration: none;">in his second treatise </del>were the first polyphony published in Portugal. A few <del style="font-weight: bold; text-decoration: none;">surviving </del>compositions are <del style="font-weight: bold; text-decoration: none;">attributable </del>to <del style="font-weight: bold; text-decoration: none;">Aranda</del>: <del style="font-weight: bold; text-decoration: none;">the </del>four-voice setting of <del style="font-weight: bold; text-decoration: none;">the tract ''</del>Adjuva nos Deus<del style="font-weight: bold; text-decoration: none;">'' </del>and two mass fragments<del style="font-weight: bold; text-decoration: none;">, ''</del>Et <del style="font-weight: bold; text-decoration: none;">incarnatus'' </del>and <del style="font-weight: bold; text-decoration: none;">''</del>Et <del style="font-weight: bold; text-decoration: none;">vitam''</del>.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Although he had composed music, Aranda is most important as a theorist. His two music treatises were the first to be printed in Portugal, although they are written in Spanish. In the Tractado d’Canto Llano (Lisbon, 1533) he fallows Juan de Espinosa and Martín de Rivaflecha declaring the sung diatonic semitone smaller that the chromatic. He also allowed the breaking of ligatures for the “correct” accentuation and, like his Spanish contemporary theorists, preferred more freedom in the use of ficta in plainsong. In his Tractado de Canto Mensurable (Lisbon, 1535), his </ins>examples of species counterpoint<ins style="font-weight: bold; text-decoration: none;">, </ins>were the first polyphony published in Portugal.</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A few compositions are <ins style="font-weight: bold; text-decoration: none;">attributed </ins>to <ins style="font-weight: bold; text-decoration: none;">him</ins>: <ins style="font-weight: bold; text-decoration: none;">a </ins>four-voice setting of Adjuva nos Deus<ins style="font-weight: bold; text-decoration: none;">, </ins>and two mass fragments<ins style="font-weight: bold; text-decoration: none;">: </ins>Et <ins style="font-weight: bold; text-decoration: none;">Incantatus </ins>and Et <ins style="font-weight: bold; text-decoration: none;">Vitam, all found in the manuscript (P-EVp Cód. CLI/1-9 d.) at Évora Public Library. His music is less complex than, for example of Manuel Mendes, or almost none of his music survived</ins>.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><!-- {{WikipediaLink}} --></div></td></tr>
</table>
LH