Missa Gloria tibi Trinitas (John Taverner): Difference between revisions
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{{Editor|Sabine Cassola|2006-07-28}}{{ScoreInfo|A4|11|228}}{{Copy|CPDL}} | {{Editor|Sabine Cassola|2006-07-28}}{{ScoreInfo|A4|11|228}}{{Copy|CPDL}} | ||
:'''Edition notes:''' | :'''Edition notes:''' | ||
Revision as of 17:32, 11 December 2011
Music files
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File details |
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1. Gloria
- CPDL #12139:
Finale 2005
- Editor: Charles H. Giffen (submitted 2006-07-29). Score information: Letter, 23 pages, 366 kB Copyright: CPDL
- Edition notes: Original note values
2. Credo
3. Sanctus
- CPDL #12107: Finale 2000
- Editor: Sabine Cassola (submitted 2006-07-28). Score information: A4, 11 pages, 228 kB Copyright: CPDL
- Edition notes:
4. Agnus Dei
General Information
Title: Missa Gloria tibi Trinitas
Composer: John Taverner
Number of voices: 6vvvv Voicing: SATTBB
Genre: Sacred, Mass
Language: Latin
Instruments: a cappella
Language: Latin
Description: This mass has no Kyrie since in the liturgical use of the period, the Kyrie was generally troped. It is not unusual in modern times to precede this mass with the composer's Kyrie Le Roy. The Missa Gloria tibi Trinitas is also notable because the In nomine section of the Sanctus is the 'mother' of a multitude of instrumental "In Nomine" compositions (Benedictus qui venit IN NOMINE Domini) by various Renaissance composers: Richard Alwood, John Bull, Wiliam Byrd, Richard Dering, Alphonso Ferrabosco I, Alphonso Ferrabosco II, Orlando Gibbons, John Jenkins, William Lawes, Mallory, John Mundy, Robert Parsons, Henry Purcell, Nicholas Strogers, Thomas Tallis, Christopher Tye, John Ward, Thomas Weelkes, and Robert White.
External websites:
Original text and translations
For information, refer to the Mass page. For texts and translations, see the individual pages: