Missa Gloria tibi Trinitas (John Taverner): Difference between revisions

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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Language|Latin}}
{{Published|}}
{{Published|}}



Revision as of 18:16, 4 September 2016

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1. Gloria

  • CPDL #12139:      (Finale 2005)
Editor: Charles H. Giffen (submitted 2006-07-29).   Score information: Letter, 23 pages, 366 kB   Copyright: CPDL
Edition notes: Original note values

2. Credo

3. Sanctus

  • CPDL #12107:      (Finale 2000)
Editor: Sabine Cassola (submitted 2006-07-28).   Score information: A4, 11 pages, 228 kB   Copyright: CPDL
Edition notes:

4. Agnus Dei

General Information

Title: Missa Gloria tibi Trinitas
Composer: John Taverner

Number of voices: 6vvvv   Voicing: SATTBB

Genre: SacredMass

Language: Latin
Instruments: A cappella

{{Published}} is obsolete (code commented out), replaced with {{Pub}} for works and {{PubDatePlace}} for publications.

Description: This mass has no Kyrie since in the liturgical use of the period, the Kyrie was generally troped. It is not unusual in modern times to precede this mass with the composer's Kyrie Le Roy. The Missa Gloria tibi Trinitas is also notable because the In nomine section of the Sanctus is the 'mother' of a multitude of instrumental "In Nomine" compositions (Benedictus qui venit IN NOMINE Domini) by various Renaissance composers: Richard Alwood, John Bull, Wiliam Byrd, Richard Dering, Alphonso Ferrabosco I, Alphonso Ferrabosco II, Orlando Gibbons, John Jenkins, William Lawes, Mallory, John Mundy, Robert Parsons, Henry Purcell, Nicholas Strogers, Thomas Tallis, Christopher Tye, John Ward, Thomas Weelkes, and Robert White.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei