Difference between revisions of "Missa Gloria tibi Trinitas (John Taverner)"

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'''1. Gloria'''
 
'''1. Gloria'''
*{{CPDLno|12139}} [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.pdf|{{pdf}}]] [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.mid|{{mid}}]] [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.mxl|{{XML}}]] [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.mus|{{mus}}]] (Finale 2005)
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*{{CPDLno|12139}} [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.pdf|{{pdf}}]] [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.mid|{{mid}}]] [[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.mxl|{{XML}}]][[Media:Taverner-Missa_Gloria_tibi_Trinitas-1-Gloria.mus|{{mus}}]] (Finale 2005)  
 
{{Editor|Charles H. Giffen|2006-07-29}}{{ScoreInfo|Letter|23|366}}{{Copy|CPDL}}
 
{{Editor|Charles H. Giffen|2006-07-29}}{{ScoreInfo|Letter|23|366}}{{Copy|CPDL}}
 
:'''Edition notes:''' Original note values. {{MXL}}
 
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{{Language|Latin}}
 
{{Language|Latin}}
 
{{Instruments|A cappella}}
 
{{Instruments|A cappella}}
{{Published|}}
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{{Pub|1|}}
  
 
'''Description:''' This mass has no ''Kyrie'' since in the liturgical use of the period, the ''Kyrie'' was generally troped. It is not unusual in modern times to precede this mass with the composer's ''[[Kyrie Le Roy (John Taverner)|Kyrie Le Roy]]''. The ''Missa Gloria tibi Trinitas'' is also notable because the ''In nomine'' section of the ''Sanctus'' is the 'mother' of a multitude of instrumental "In Nomine" compositions (''Benedictus qui venit IN NOMINE Domini'') by various Renaissance composers: Richard Alwood, John Bull, Wiliam Byrd, Richard Dering, Alphonso Ferrabosco I, Alphonso Ferrabosco II, Orlando Gibbons, John Jenkins, William Lawes, Mallory, John Mundy, Robert Parsons, Henry Purcell, Nicholas Strogers, Thomas Tallis, Christopher Tye, John Ward, Thomas Weelkes, and Robert White.
 
'''Description:''' This mass has no ''Kyrie'' since in the liturgical use of the period, the ''Kyrie'' was generally troped. It is not unusual in modern times to precede this mass with the composer's ''[[Kyrie Le Roy (John Taverner)|Kyrie Le Roy]]''. The ''Missa Gloria tibi Trinitas'' is also notable because the ''In nomine'' section of the ''Sanctus'' is the 'mother' of a multitude of instrumental "In Nomine" compositions (''Benedictus qui venit IN NOMINE Domini'') by various Renaissance composers: Richard Alwood, John Bull, Wiliam Byrd, Richard Dering, Alphonso Ferrabosco I, Alphonso Ferrabosco II, Orlando Gibbons, John Jenkins, William Lawes, Mallory, John Mundy, Robert Parsons, Henry Purcell, Nicholas Strogers, Thomas Tallis, Christopher Tye, John Ward, Thomas Weelkes, and Robert White.

Latest revision as of 13:49, 23 June 2019

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1. Gloria

  • CPDL #12139:       (Finale 2005)
Editor: Charles H. Giffen (submitted 2006-07-29).   Score information: Letter, 23 pages, 366 kB   Copyright: CPDL
Edition notes: Original note values. MusicXML source file is in compressed .mxl format.

2. Credo

3-4. Sanctus-Benedictus

  • CPDL #12107:        (Finale 2000)
Editor: Sabine Cassola (submitted 2006-07-28).   Score information: A4, 11 pages, 228 kB   Copyright: CPDL
Edition notes: MusicXML source file is in compressed .mxl format.

4. Benedictus

  • (Posted 2018-05-03)   CPDL #49551:   
Editor: Humphrey Thompson (submitted 2018-05-03).   Score information: A3, 8 pages, 74 kB   Copyright: CPDL
Edition notes:
  • (Posted 2018-11-22)   CPDL #52211:   
Editor: Allen Garvin (submitted 2018-11-22).   Score information: Letter, 3 pages, 60 kB   Copyright: CC BY NC
Edition notes: This is just the famous In nomine section.

5. Agnus Dei

General Information

Title: Missa Gloria tibi Trinitas
Composer: John Taverner

Number of voices: 6vv   Voicing: SATTBB
Genre: SacredMass

Language: Latin
Instruments: A cappella

First published:

Description: This mass has no Kyrie since in the liturgical use of the period, the Kyrie was generally troped. It is not unusual in modern times to precede this mass with the composer's Kyrie Le Roy. The Missa Gloria tibi Trinitas is also notable because the In nomine section of the Sanctus is the 'mother' of a multitude of instrumental "In Nomine" compositions (Benedictus qui venit IN NOMINE Domini) by various Renaissance composers: Richard Alwood, John Bull, Wiliam Byrd, Richard Dering, Alphonso Ferrabosco I, Alphonso Ferrabosco II, Orlando Gibbons, John Jenkins, William Lawes, Mallory, John Mundy, Robert Parsons, Henry Purcell, Nicholas Strogers, Thomas Tallis, Christopher Tye, John Ward, Thomas Weelkes, and Robert White.

External websites:

Original text and translations

For information, refer to the Mass page. For texts and translations, see the individual pages:

KyrieGloriaCredoSanctus & BenedictusAgnus Dei