Missa pro defunctis (Antoine Brumel): Difference between revisions
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==Music files== | ==Music files== | ||
{{Legend}} | {{Legend}} | ||
===''Complete Score''=== | |||
*{{NewWork|2010-05-21}} '''CPDL #21644:''' [http://www.cpdl.org/wiki/images/6/60/Brumel_M_Pro_Defunctis.pdf {{pdf}}] | |||
{{Editor|Tim Risher|2010-05-21}}{{ScoreInfo|Letter|23|756}}{{Copy|CPDL}} | |||
:'''Edition notes:''' This is the complete score. You can either download individual movements as well. | |||
===''Introitus''=== | ===''Introitus''=== | ||
* | *'''CPDL #21582:''' [http://www.cpdl.org/wiki/images/f/f7/1Introitus.pdf {{pdf}}] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|23|165}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|23|165}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. Suggested accidentals are above notes. | :'''Edition notes:''' Note values are halved. Suggested accidentals are above notes. | ||
===''Kyrie''=== | ===''Kyrie''=== | ||
* | *'''CPDL #21583:''' [http://www.cpdl.org/wiki/images/e/e0/2Kyrie.pdf {{pdf}}] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|108}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|108}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Original pitch, note values are halved. | :'''Edition notes:''' Original pitch, note values are halved. | ||
===''Sequentia''=== | ===''Sequentia''=== | ||
* | *'''CPDL #21584:''' [http://www.cpdl.org/wiki/images/4/4c/3Sequentia.pdf {{pdf}}] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|7|218}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|7|218}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score! | :'''Edition notes:''' Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score! | ||
===''Sanctus''=== | ===''Sanctus''=== | ||
* | *'''CPDL #21585:''' [http://www.cpdl.org/wiki/images/4/4d/4Sanctus.pdf {{pdf}}] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|2|96}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|2|96}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. | :'''Edition notes:''' Note values are halved. | ||
===''Agnus Dei''=== | ===''Agnus Dei''=== | ||
* | *'''CPDL #21586:''' [http://www.cpdl.org/wiki/images/3/3e/5Agnus_Dei.pdf {{pdf}}] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|92}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|92}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved. I have written out the repeat of the first Agnus. | :'''Edition notes:''' Note values are halved. I have written out the repeat of the first Agnus. | ||
===''Communio''=== | ===''Communio''=== | ||
* | *'''CPDL #21587:''' [http://www.cpdl.org/wiki/images/2/2f/6Communio.pdf {{pdf}}] | ||
{{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|107}}{{Copy|CPDL}} | {{Editor|Tim Risher|2010-05-07}}{{ScoreInfo|Letter|3|107}}{{Copy|CPDL}} | ||
:'''Edition notes:''' Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting! | :'''Edition notes:''' Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting! | ||
Revision as of 14:16, 21 May 2010
Music files
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File details |
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Help |
Complete Score
CPDL #21644: 
- Editor: Tim Risher (submitted 2010-05-21). Score information: Letter, 23 pages, 756 kB Copyright: CPDL
- Edition notes: This is the complete score. You can either download individual movements as well.
Introitus
- CPDL #21582:
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 23 pages, 165 kB Copyright: CPDL
- Edition notes: Note values are halved. Suggested accidentals are above notes.
Kyrie
- CPDL #21583:
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 108 kB Copyright: CPDL
- Edition notes: Original pitch, note values are halved.
Sequentia
- CPDL #21584:
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 7 pages, 218 kB Copyright: CPDL
- Edition notes: Note values are halved. Brumel used the same music for several verses; and I would think they are to be played in sequential order, therefore, that calls for a lot of jumping around in the score!
Sanctus
- CPDL #21585:
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 2 pages, 96 kB Copyright: CPDL
- Edition notes: Note values are halved.
Agnus Dei
- CPDL #21586:
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 92 kB Copyright: CPDL
- Edition notes: Note values are halved. I have written out the repeat of the first Agnus.
Communio
- CPDL #21587:
- Editor: Tim Risher (submitted 2010-05-07). Score information: Letter, 3 pages, 107 kB Copyright: CPDL
- Edition notes: Note values are halved, but I changed the "cut time" time signature to "C", as the values were already quite short in this movement. I decided, however, to halve them, as I thought it would look odd in contrast to the other movements. This movement is also written at a higher pitch level than the previous movements, perhaps Brumel was employing a bit of word painting!
General Information
Title: Missa Pro Defunctis
Composer: Antoine Brumel
Number of voices: 4vv Voicing: ATTB
Genre: Sacred, Mass
Language: Latin
Instruments: a cappella
Published:
Description: The Missa pro defunctis first appeared in a collection of masses released by Andreas de Antiquis in 1519; It must have achieved a certain amount of fame, as it appeared again in another collection, put together by Giacomo Junta in 1522.
Brumel's Missa pro defunctis for four voices, a late work, is notable for being the first Requiem to include a polyphonic setting of the Dies Iræ. Each movement is apparently based on a plainchant, but not all can be identified today. The unknown chants are in the Christe, Sanctus and Agnus Dei; the others can be found in the Liber Usualis.
External websites:
Text and translations
For information, refer to the Requiem page. For texts and translations, see the individual pages:
- Intr: Requiem • Kyrie • Tr: Absolve Domine • Dies irae • Off: Domine Jesu Christe • Sanctus & Benedictus • Agnus Dei • Comm: Lux aeterna