Sanctus (Johannes Brassart): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{CPDLno|26278}} [[Media:Brassart-Sanctus.pdf|{{pdf}}]] [[Media:Brassart-Sanctus-MID.zip|{{Zip}}]](MIDI) [[Media:Brassart-Sanctus-XML.zip|{{Zip}}]](XML)  
*{{CPDLno|26278}} [[Media:Brassart-Sanctus.pdf|{{pdf}}]] [[Media:Brassart-Sanctus-MID.zip|{{Zip}}]](MIDI) [[Media:Brassart-Sanctus-XML.zip|{{Zip}}]](XML)  
{{Editor|Renato Calcaterra|2012-05-24}}{{ScoreInfo|A4|4|174}}{{Copy|CPDL}}
{{Editor|Renato Calcaterra|2012-05-24}}{{ScoreInfo|A4|4|174}}{{Copy|CPDL}}
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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|{{Cat|Trent codices|Trent 87}}}}
{{Pub|0|post 1445|in the ''[[Trent codices|Trent codices 87]]''|ms=ms}}


'''Description:''' Sanctus with two tropes transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. The initial time signature is missing, the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. The time change near the end of the Superius (tempus imperfectum cum prolatione maiore)  is misleading: is not the PERFECT semibrevis that equals the former brevis, as usual,  but is the IMPERFECT semibrevis instead. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ – the unstemmed notes with double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.
'''Description:''' Sanctus with two tropes transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. The initial time signature is missing, the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. The time change near the end of the Superius (tempus imperfectum cum prolatione maiore)  is misleading: is not the PERFECT semibrevis that equals the former brevis, as usual,  but is the IMPERFECT semibrevis instead. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ – the unstemmed notes with double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.
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sub cuius umbra Christum genuisti,
sub cuius umbra Christum genuisti,
excellentissima virgo Maria.
excellentissima virgo Maria.
Dominus Deus...
Dominus Deus…




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Benedictus
Benedictus
Mariæ filius
Mariæ filius
Qui venit...
Qui venit…
}}
}}


[[Category:Sheet music]]
[[Category:Sheet music]]
[[Category:Trent codices]]
[[Category:Medieval music]]
[[Category:Medieval music]]

Revision as of 15:37, 15 November 2019

Music files

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  • CPDL #26278:    (MIDI) (XML)
Editor: Renato Calcaterra (submitted 2012-05-24).   Score information: A4, 4 pages, 174 kB   Copyright: CPDL
Edition notes: The MIDI and the source (MusicXML) files are zipped.

General Information

Title: Sanctus
Composer: Johannes Brassart

Number of voices: 3vv   Voicing: ATT

Genre: SacredMass

Language: Latin
Instruments: A cappella

    Manuscript post 1445 in the Trent codices 87

Description: Sanctus with two tropes transcribed from the Trent manuscripts tr87. The keys, time signatures, notes' values accidentals and colourings are as in the manuscript, the coloured notes are “hemiolæ”. The initial time signature is missing, the “tempus perfectum” has been assumed from the context and the perfect notes and rests have been dotted. The time change near the end of the Superius (tempus imperfectum cum prolatione maiore) is misleading: is not the PERFECT semibrevis that equals the former brevis, as usual, but is the IMPERFECT semibrevis instead. The notes' values within the "ligaturæ" are as follows: the left upstemmed notes are semibreves - the unstemmed notes are breves - the right downstemmed notes are longæ – the unstemmed notes with double length body are maximæ. The "musica ficta" suggestions are in the MIDI and MusicXML files.

External websites: http://www1.trentinocultura.net/portal/server.pt?open=514&objID=22652&mode=2

Original text and translations

Latin.png Latin text

Trope I

Sanctus
Genitor summi filii,
quem concepit sancta virgo Maria;
Sanctus
Summi patris unigenitus,
quem produxit mundo virgo Maria,
Sanctus
Spiritus sanctus,
sub cuius umbra Christum genuisti,
excellentissima virgo Maria.
Dominus Deus…


Trope II

Benedictus
Mariæ filius
Qui venit…