Talk:Exultate justi (Ludovico da Viadana): Difference between revisions
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BASS: M. 34-36. can ti _ cum no vum. (The note without syllable should be the A in m.39, not the A in m. 40).<br> | BASS: M. 34-36. can ti _ cum no vum. (The note without syllable should be the A in m.39, not the A in m. 40).<br> | ||
--[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 20:03, 28 May 2019 (UTC) | --[[User:Imruska|Imruska]] ([[User talk:Imruska|talk]]) 20:03, 28 May 2019 (UTC) | ||
== Errors falsely identified by Pothárn Imre in Simon Biazeck's edition of Exsultate iusti by Viadana == | |||
Pothárn Imre incorrectly states that the first fusa in bar 19 of the tenor should be D-flat rather than B-flat. It is in my edition - transcribed without fault from the 17th-century print - and the pitches are replicated exactly in my transposed edition, yet the comments are transferred there to accord with the transposed pitch class... [[User:Hildegard of Brompton|Simon Biazeck]] ([[User talk:Hildegard of Brompton|talk]]) 20:46, 28 May 2019 (UTC) | |||
Revision as of 20:46, 28 May 2019
Errors in edition 46796:
Original print can be found at IMSLP. https://imslp.org/wiki/Per_sonar_nel'organo_li_cento_concerti_ecclesiastici_(Viadana%2C_Lodovico_da) where you can check.
LYRICS
All voices. "In psalterio decem chordarum psallite ei." is one sentence. So no full stop after chordarum, and psallite should be lower case. Cantate ei canticum novum new sentence, Cantate should be capitalised in measures 32-33.
Alto: Measures 19-20: ci _ _ _ _ tha ra, in ci tha ra. So the semiminim note and dotted semiminim note D should not be tied.
Tenor: Measures 19-20: the same as in Alto.
Measures 30-31. il _ li, psal li te il li.
The lyrics is missing after measures 72.
Bass: Measures 38-40. can ti _ cum no vum. (The note without syllable should be the A in m.39, not the A in m. 40).
MUSIC
Tenor: Measure 47. The D should be an octave lower.
Bass: Measure 41. The D should be a semibreve as in the Soprano, not a minim.
Imruska (talk) 19:25, 28 May 2019 (UTC)
Errors in edition 31161
SOPRANO: M. 27. the last two minims should be A, D, instead of F sharp G. (So the motive is the same as in m. 26-27 only in shorter note values.)
ALTO: M. 15-16. The word cithara should be repeated: Last minim (E) in m. 16 tha, m. 17, ra, ci tha ra. (The minim and dotted minim D should not be tied.)
M. 65-66. The semibreve G in m. 66 should be tied to the breve in front of it, not to the F sharp following it, the rhythm is identical with the Tenor.
TENOR: M. 6. The last minim should be a third higher, E instead of C.
M. 15-16. The text underlay should be as in the Alto. M. 16 last minim (G) tha, m. 17 ra, ci tha ra.
M. 27. The musical motive is the same as in m. 23, the first semiminim should be a C instead of A.
BASS: M. 34-36. can ti _ cum no vum. (The note without syllable should be the A in m.39, not the A in m. 40).
--Imruska (talk) 20:03, 28 May 2019 (UTC)
Errors falsely identified by Pothárn Imre in Simon Biazeck's edition of Exsultate iusti by Viadana
Pothárn Imre incorrectly states that the first fusa in bar 19 of the tenor should be D-flat rather than B-flat. It is in my edition - transcribed without fault from the 17th-century print - and the pitches are replicated exactly in my transposed edition, yet the comments are transferred there to accord with the transposed pitch class... Simon Biazeck (talk) 20:46, 28 May 2019 (UTC)