Tristis est anima mea (Orlando di Lasso): Difference between revisions

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==Music files==
==Music files==
{{#Legend:}}
{{#Legend:}}
*{{PostedDate|2018-03-08}} {{CPDLno|48990}} [[Media:Lassus_Tristis_est_anima_mea.pdf|{{pdf}}]] [[Media:Lassus_Tristis_est_anima_mea.midi|{{mid}}]] [[Media:Lassus_Tristis_est_anima_mea.ly|{{ly}}]]
*{{PostedDate|2018-03-08}} {{CPDLno|48990}} [[Media:Lassus_Tristis_est_anima_mea.pdf|{{pdf}}]] [[Media:Lassus_Tristis_est_anima_mea.midi|{{mid}}]] [[Media:Lassus_Tristis_est_anima_mea.ly|{{ly}}]]  
{{Editor|Pothárn Imre|2018-03-08}}{{ScoreInfo|A4|3|81}}{{Copy|CPDL}}
{{Editor|Pothárn Imre|2018-03-08}}{{ScoreInfo|A4|3|81}}{{Copy|CPDL}}
:'''Edition notes:''' Transcribed from ''Altera pars selectissimarum cantionum'', 1579, Nuremberg. Original pitch and note values.
:'''Edition notes:''' Transcribed from ''Altera pars selectissimarum cantionum'', 1579, Nuremberg. Original pitch and note values.
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{{Language|Latin}}
{{Language|Latin}}
{{Instruments|A cappella}}
{{Instruments|A cappella}}
{{Published|1565,}} ''[[Modulorum 4, 5, 6, 7, 8, & 10 vocibus (…) secundum volumen (Orlando di Lasso)|Modulorum … modulatorum secundum volumen, 4–8, 10vv]]'', Paris.
{{Pub|1|1565|in ''{{NoCo|Modulorum 4-10 vocibus secundum volumen}}''|no=9}}
 
{{Pub|2|1568|in ''{{NoCo|Selectissimae cantiones}}''|no=2.30}}
{{Pub|3|1618|in ''[[Florilegium Portense]]''|vol=Volume 1|no=60}}
'''Description:''' The piece has an unusually wide range. The upper voices are in high chiavette, whereas the low voices are in chiavi naturali.
'''Description:''' The piece has an unusually wide range. The upper voices are in high chiavette, whereas the low voices are in chiavi naturali.



Revision as of 02:03, 2 July 2019

Music files

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ICON SOURCE
Icon_pdf.gif Pdf
Icon_snd.gif Midi
MusicXML.png MusicXML
Logo_capella-software_kurz_2011_16x16.png Capella
Finale.png Finale
Icon_ly.gif LilyPond
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Question.gif Help
  • (Posted 2018-03-08)  CPDL #48990:       
Editor: Pothárn Imre (submitted 2018-03-08).   Score information: A4, 3 pages, 81 kB   Copyright: CPDL
Edition notes: Transcribed from Altera pars selectissimarum cantionum, 1579, Nuremberg. Original pitch and note values.
  • (Posted 2017-06-20)  CPDL #45065:         
Editor: James Gibb (submitted 2017-06-20).   Score information: A4, 3 pages, 56 kB   Copyright: CPDL
Edition notes: MusicXML source file(s) in compressed .mxl format.
  • CPDL #21870:         
Editor: Gerd Eichler (submitted 2010-06-27).   Score information: A4, 3 pages, 69 kB   Copyright: CPDL
Edition notes: Mensurstrich layout, original note values and key signature, musica ficta clearly marked. MusicXML source file(s) in compressed .mxl format.
Last revised: 2013-11-12
  • CPDL #01854:        (Finale 1998)
Editor: Rafael Ornes (submitted 2000-12-08).   Score information: Letter, 6 pages, 112 kB   Copyright: CPDL
Edition notes: MusicXML source file(s) in compressed .mxl format.

General Information

Title: Tristis est anima mea
Composer: Orlando di Lasso

Number of voices: 5vv   Voicing: SATTB

Genre: SacredMotetTenebrae responsory

Language: Latin
Instruments: A cappella

First published: 1565 in Modulorum 4-10 vocibus secundum volumen, no. 9
    2nd published: 1568 in Selectissimae cantiones, no. 2.30
    3rd published: 1618 in Florilegium Portense, Volume 1, no. 60
Description: The piece has an unusually wide range. The upper voices are in high chiavette, whereas the low voices are in chiavi naturali.

External websites:

Original text and translations

Original text and translations may be found at Tristis est anima mea.