User:Philip Legge: Difference between revisions
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|3571||[[Hector Berlioz|Berlioz]]||{{NoComp|Nessun maggior piacere|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb114.pdf VS]|| ||[[philiplegge:berlioz/h114.nessun_maggior_piacere.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from albumleaf facsimile | |3571||[[Hector Berlioz|Berlioz]]||{{NoComp|Nessun maggior piacere|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb114.pdf VS]|| ||[[philiplegge:berlioz/h114.nessun_maggior_piacere.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from albumleaf facsimile | ||
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|3572||[[Johann Sebastian Bach|Bach]]||{{NoComp|Cantata BWV 50 - Nun ist das Heil und die Kraft|Johann Sebastian Bach}}||[[Media:BWV50 Nun ist VS PML.pdf|VS]]|| ||[[philiplegge:bach/BWV50.sib|Sibelius 1]]||[[philiplegge:bach/|Scorch 1]]||Typeset from BGA | |||
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|3573 <br>3573''bis''||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel}}: Agnus Dei à 12, completion||[[icking:ByComposer/Brumel.html|VS]] [WIMA]<br>[[Media:Brumel Missa Et ecce Agnus PML.pdf|VS]]|| ||[[philiplegge:brumel/agnus.sib|Sibelius 1]]||[[philiplegge:brumel/|Scorch 1]]||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |||
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|3835||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus, HWV 232|George Frideric Handel}}||[{{SERVER}}/wiki/sheet/232-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Violin 1 PML.sib|Violins 1]] & [[Media:HWV232 Violin 2 PML.sib|2]]<br>[[Media:HWV232 Viola 1 PML.sib|Violas 1]] & [[Media:HWV232 Viola 2 PML.sib|2]]<br>[[Media:HWV232 Cello PML.sib|Cello]]<br>[[Media:HWV232 Bass PML.sib|Bass]]<br>[[Media:HWV232 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | |3835||[[George Frideric Handel|Handel]]||{{NoComp|Dixit Dominus, HWV 232|George Frideric Handel}}||[{{SERVER}}/wiki/sheet/232-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV232 Violin 1 PML.sib|Violins 1]] & [[Media:HWV232 Violin 2 PML.sib|2]]<br>[[Media:HWV232 Viola 1 PML.sib|Violas 1]] & [[Media:HWV232 Viola 2 PML.sib|2]]<br>[[Media:HWV232 Cello PML.sib|Cello]]<br>[[Media:HWV232 Bass PML.sib|Bass]]<br>[[Media:HWV232 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | ||
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|3836||[[Johann Sebastian Bach|Bach]]||{{NoComp|Cantata BWV 50 - Nun ist das Heil und die Kraft|Johann Sebastian Bach}}||[[Media:BWV50 Nun ist FS PML.pdf|FS+Px+VS]]|| ||[[philiplegge:bach/BWV50.sib|Sibelius 1]]||[[philiplegge:bach/|Scorch 1]]||Typeset from BGA | |||
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|4948||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [3] Laudamus te||[[Media:Mozart 427-3 Laudamus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/laudamus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/laudamus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |4948||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [3] Laudamus te||[[Media:Mozart 427-3 Laudamus VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/laudamus.sib|Sibelius 1]]||[[philiplegge:mozart/great_mass/laudamus.html|Scorch 1]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | ||
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|6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | ||
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|6495||[[Gustav Mahler|Mahler]]||{{NoComp|Symphony No. 2 in C Minor ('Resurrection') - choral score|Gustav Mahler}}||[{{SERVER}}/wiki/sheet/mahler2v.pdf VS]|| || || ||Typeset from Universal Edition, plate U.E. 2933 (1910). | |||
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|6607||[[Henry Purcell|Purcell]]||{{NoComp|If Music be the Food of Love|Henry Purcell}}||[{{SERVER}}/wiki/sheet/pur-379b.pdf VS]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; source unknown. | |||
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|6608||[[Anonymous]]||{{NoComp|Pase el agoa|Anonymous}}||[[Media:Pase el agoa (Anon 15C).pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; urtext | |||
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|6951||[[Charles Edward Horsley|Horsley]]||[[All hail to thee, Sound! (Charles Edward Horsley)|''Hail to thee, Sound!'']]||[{{SERVER}}/wiki/sheet/hors-e01.pdf VS]|| || ||[[philiplegge:horsley/|Scorch 1]]||Edited from composer’s autograph FS and VS; Px and FS available on hire from [http://www.rmp.org.au/ RMP] | |||
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|8489||[[George Frideric Handel|Handel]]||[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]||[{{SERVER}}/wiki/sheet/237-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | |8489||[[George Frideric Handel|Handel]]||[[Laudate pueri Dominum in D (George Frideric Handel)|Laudate pueri Dominum, HWV 237]]||[{{SERVER}}/wiki/sheet/237-part.pdf Px]||[http://www.classicalarchives.com/handel.html#handel_sacred MIDI]||[[Media:HWV237 Oboe 1 PML.sib|Oboes 1]] & [[Media:HWV237 Oboe 2 PML.sib|2]]<br>[[Media:HWV237 Violin 1 PML.sib|Violins 1]] & [[Media:HWV237 Violin 2 PML.sib|2]]<br>[[Media:HWV237 Viola 1 PML.sib|Violas 1]] & [[Media:HWV237 Viola 2 PML.sib|2]]<br>[[Media:HWV237 Continuo PML.sib|Continuo]]|| ||Typeset from Chrysander, HG Band 38 (1872) | ||
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|8553||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Soprano partbook||[[Media:Tallis Spem in alium Sopranos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
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|8554||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Alto partbook||[[Media:Tallis Spem in alium Altos PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
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|8555||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Tenor partbook||[[Media:Tallis Spem in alium Tenors PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
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|8556||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Baritone partbook||[[Media:Tallis Spem in alium Baritones PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
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|8557||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Bass partbook||[[Media:Tallis Spem in alium Basses PML.pdf|Px]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
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|8558||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Full Score||[[Media:Tallis Spem in alium full score PML.pdf|FS]]|| ||[[philiplegge:tallis/|Scorch 1]]|| ||Typeset from Tudor Church Music VI (1928) | |||
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|10522||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:Zadok the Priest-Sib4.pdf|FS]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]<br>[[Media:Zadok the Priest-Sib4.sib|Sibelius 4]]|| ||Typeset from Chrysander, HG Band 14 (1863) | |10522||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:Zadok the Priest-Sib4.pdf|FS]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV232 Dixit Dominus PML.sib|Sibelius 3]]<br>[[Media:Zadok the Priest-Sib4.sib|Sibelius 4]]|| ||Typeset from Chrysander, HG Band 14 (1863) | ||
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|10739||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:TUMS Come ye Sons 1_0.pdf|VS]]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |- | ||
|10787||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets 1]], [[Media:HWV258 Trumpet 2 PML.sib|2]] & [[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]]<br>[[Media:HWV258 Violoncello PML.sib|Cello]]<br>[[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863) | |10787||[[George Frideric Handel|Handel]]||[[Zadok the Priest (George Frideric Handel)|Zadok the Priest, HWV 258]]||[[Media:HWV258 Parts PML.pdf|Px]]||[[Media:Zadok the Priest-Sib4.mid|MIDI]]||[[Media:HWV258 Oboe 1 PML.sib|Oboe 1]] & [[Media:HWV258 Oboe 2 PML.sib|2]]<br>[[Media:HWV258 Bassoon 1 PML.sib|Bassoons 1]] & [[Media:HWV258 Bassoon 2 PML.sib|2]]<br>[[Media:HWV258 Trumpet 1 PML.sib|Trumpets 1]], [[Media:HWV258 Trumpet 2 PML.sib|2]] & [[Media:HWV258 Trumpet 3 PML.sib|3]]<br>[[Media:HWV258 Timpani PML.sib|Timpani]]<br>[[Media:HWV258 Violin 1 PML.sib|Violins 1]], [[Media:HWV258 Violin 2 PML.sib|2]] & [[Media:HWV258 Violin 3 PML.sib|3]]<br>[[Media:HWV258 Viola PML.sib|Viola]]<br>[[Media:HWV258 Violoncello PML.sib|Cello]]<br>[[Media:HWV258 Contrabass PML.sib|Bass]]<br>[Continuo]|| ||Typeset from Chrysander, HG Band 14 (1863) | ||
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|11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[philiplegge:josquin/qui_habitat.sib|Sibelius 3]]||[[philiplegge:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola | |11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[philiplegge:josquin/qui_habitat.sib|Sibelius 3]]||[[philiplegge:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola | ||
|- | |||
|13638||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons FS PML.pdf|FS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |||
|15467||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons VS PML.pdf|VS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |||
|15527||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Vocal score||[[Media:Biber Plaudite VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Full Score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15541||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}||[[Media:Biber Plaudite Parts PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15737||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Vocal score||[[Media:Biber Salisburgensis VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|15750||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: ''Introïtus et Kyrie, Sequentia'', Vocal score||[[Media:Biber Requiem in f VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | |||
|- | |||
|15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: ''Introïtus et Kyrie, Sequentia'', Full Score||[[Media:Biber Requiem in f FS PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | |||
|- | |||
|15804||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs I and II||[[Media:Tallis Spem in alium 1-2 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|15805||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs III and IV||[[Media:Tallis Spem in alium 3-4 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|15806||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs V and VI||[[Media:Tallis Spem in alium 5-6 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|15807||[[Thomas Tallis|Tallis]]||{{NoComp|Spem in alium nunquam habui|Thomas Tallis}}: Choirs VII and VIII||[[Media:Tallis Spem in alium 7-8 PML.pdf|VS]]|| || || ||Typeset from Tudor Church Music VI (1928) | |||
|- | |||
|16368||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons Px PML.pdf|Px]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |||
|16369||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Parts||[[Media:Biber Salisburgensis Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|16370||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Full Score||[[Media:Biber Salisburgensis PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |||
|- | |||
|16491||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 1||[[Media:Striggio Ecce beatam lucem Choir 1 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16492||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 2||[[Media:Striggio Ecce beatam lucem Choir 2 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16493||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 3||[[Media:Striggio Ecce beatam lucem Choir 3 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16494||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 4||[[Media:Striggio Ecce beatam lucem Choir 4 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16495||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Choir 5||[[Media:Striggio Ecce beatam lucem Choir 5 PML.pdf|VS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16496||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Continuo||[[Media:Striggio Ecce beatam lucem Continuo PML.pdf|Px]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |||
|16497||[[Alessandro Striggio|Striggio]]||{{NoComp|Ecce beatam lucem|Alessandro Striggio}}: Full Score||[[Media:Striggio Ecce beatam lucem FS PML.pdf|FS]]|| || || ||Re-typeset from '''CPDL #10763''', edited by Sabine Cassola | |||
|- | |- | ||
|19156||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [B1] Agnus Dei – [B2] Dona nobis pacem||[[Media:Mozart 427-B1 Agnus Dei VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/agnus.sib|Sibelius 3]]<br>[[philiplegge:mozart/great_mass/dona.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/agnus.html|Scorch 3]]<br>[[philiplegge:mozart/great_mass/dona.html|Scorch 3]]||Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878) | |19156||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: [B1] Agnus Dei – [B2] Dona nobis pacem||[[Media:Mozart 427-B1 Agnus Dei VS PML.pdf|VS]]|| ||[[philiplegge:mozart/great_mass/agnus.sib|Sibelius 3]]<br>[[philiplegge:mozart/great_mass/dona.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/agnus.html|Scorch 3]]<br>[[philiplegge:mozart/great_mass/dona.html|Scorch 3]]||Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878) | ||
Line 153: | Line 225: | ||
* after G. Allegri: [[Miserere mei (Gregorio Allegri)|''Miserere mei, Deus'']] (v, "top C version") | * after G. Allegri: [[Miserere mei (Gregorio Allegri)|''Miserere mei, Deus'']] (v, "top C version") | ||
* Anonymous: [[Sumer is Icumen In (Anonymous)|''Sumer is icumen in'']] (v) | * Anonymous: [[Sumer is Icumen In (Anonymous)|''Sumer is icumen in'']] (v) | ||
* A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v) | * A. Borodin: [[Polovetsian Dances (Alexander Borodin)|''Polovetsian Dances'']] from ''Prince Igor'' (v) | ||
* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v) | * J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']], Op. 45 (v) | ||
* R. Carver arr. Legge: [[O bone Jesu (Robert Carver)|''O bone Jesu'' 19vv]] (v) | * R. Carver arr. Legge: [[O bone Jesu (Robert Carver)|''O bone Jesu'' 19vv]] (v) | ||
* M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' & ''Gloria'']] (f) | * M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' & ''Gloria'']] (f) | ||
Line 164: | Line 233: | ||
* G. Fauré: [[Requiem in D minor, Op. 48 (Gabriel Fauré)|''Requiem'' in D minor, Op. 48 (1888/1893 version)]] (v, f), [[Cantique de Jean Racine, Op. 11 (Gabriel Fauré)|''Cantique de Jean Racine'', Op. 11]] (f+p) | * G. Fauré: [[Requiem in D minor, Op. 48 (Gabriel Fauré)|''Requiem'' in D minor, Op. 48 (1888/1893 version)]] (v, f), [[Cantique de Jean Racine, Op. 11 (Gabriel Fauré)|''Cantique de Jean Racine'', Op. 11]] (f+p) | ||
* [C. Gesualdo: Tenebræ responses for Holy Saturday] | * [C. Gesualdo: Tenebræ responses for Holy Saturday] | ||
* Orlande de Lassus: [[Missa Quand'io pens'al martire (Orlando di Lasso)|''Missa Quand'io pens'al martire'']] (v) | * Orlande de Lassus: [[Missa Quand'io pens'al martire (Orlando di Lasso)|''Missa Quand'io pens'al martire'']] (v) | ||
* P.M. Legge: [[Ave atque vale (Philip Legge)|''Ave atque vale'']] (v), [[I hear the land (Philip Legge)|''I hear the land'']] (v), [[Kubla Khan (Philip Legge)|''Kubla Khan'']] (v only, but f+p available on hire) | * P.M. Legge: [[Ave atque vale (Philip Legge)|''Ave atque vale'']] (v), [[I hear the land (Philip Legge)|''I hear the land'']] (v), [[Kubla Khan (Philip Legge)|''Kubla Khan'']] (v only, but f+p available on hire) | ||
* C. Monteverdi: [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|''Orfeo'' – Toccata, Prologue, & Act One]] (f) | * C. Monteverdi: [[L'Orfeo, Favola in Musica (Claudio Monteverdi)|''Orfeo'' – Toccata, Prologue, & Act One]] (f) | ||
* [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)] | * [C. Monteverdi: ''Missa In illo tempore'' (1610) (v)] | ||
Line 174: | Line 241: | ||
* J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f) | * J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (v/p, f) | ||
* G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''. | * G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''. | ||
* H.S. Schütz: {{NoComp|Alleluja! Lobet den Herren (Psalm 150), SWV 38|Heinrich Schütz}}, 16vv (v, f, p), [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v) | * H.S. Schütz: {{NoComp|Alleluja! Lobet den Herren (Psalm 150), SWV 38|Heinrich Schütz}}, 16vv (v, f, p), [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v) | ||
The [[philiplegge:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL). | The [[philiplegge:editions/|PML Music Editions]] page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL). | ||
Line 185: | Line 249: | ||
Index by composer: | Index by composer: | ||
* Anonymous: [[Alle psallite cum luya (Anonymous)|''Alle psallite'']], | * Anonymous: [[Alle psallite cum luya (Anonymous)|''Alle psallite'']], {{NoComp|Dona nobis pacem|Anonymous}}, {{NoComp|Drink to me only|Traditional}}, {{NoComp|Gaudeamus igitur|Anonymous}}, {{NoComp|Non nobis Domine|William Byrd}}, {{NoComp|Pase el agoa|Anonymous}} | ||
* Bateson: [[Your Shining Eyes (Thomas Bateson)|''Your shining eyes'']] | * Bateson: [[Your Shining Eyes (Thomas Bateson)|''Your shining eyes'']] | ||
* Bennet: [[Weep, O Mine Eyes (John Bennet)|''Weep O mine eyes'']] | * Bennet: [[Weep, O Mine Eyes (John Bennet)|''Weep O mine eyes'']] | ||
* Dowland: [[Come again sweet love doth now invite (John Dowland)|''Come again!'']], [[Fine knacks for ladies (John Dowland)|''Fine knacks'']] | * Dowland: [[Come again sweet love doth now invite (John Dowland)|''Come again!'']], [[Fine knacks for ladies (John Dowland)|''Fine knacks'']] | ||
* Ellyard: | * Ellyard: {{NoComp|Round on a well-known text|David Ellyard}} | ||
* Farmer: [[Fair Phyllis I saw (John Farmer)|''Faire Phyllis'']] | * Farmer: [[Fair Phyllis I saw (John Farmer)|''Faire Phyllis'']] | ||
* Ford: [[Since first I saw your face (Thomas Ford)|''Since first'']] | * Ford: [[Since first I saw your face (Thomas Ford)|''Since first'']] | ||
* Henry VIII: | * Henry VIII: {{NoComp|Greensleeves|Anonymous}}, [[Pastime with good company (Henry VIII)|''Pastyme'']] | ||
* Josquin Desprez: | * Josquin Desprez: {{NoComp|El Grillo|Josquin des Prez}} | ||
* Legge: | * Legge: {{NoComp|Non nobis, Domine|Philip Legge}} | ||
* Morley: [[Now is the Month of Maying (Thomas Morley)|''Now is the month of maying'']] | * Morley: [[Now is the Month of Maying (Thomas Morley)|''Now is the month of maying'']] | ||
* Passereau: | * Passereau: {{NoComp|Il est bel et bon|Pierre Passereau}} | ||
* Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']], | * Purcell: [[Come, ye Sons of Art (Henry Purcell)|''Come ye Sons of Art'']], {{NoComp|If music be the food of love|Henry Purcell}} | ||
* Tye: [[Laudate nomen Domini (Christopher Tye)|''Laudate'']] | * Tye: [[Laudate nomen Domini (Christopher Tye)|''Laudate'']] | ||
* Vecchi: | * Vecchi: {{NoComp|Fa una canzona|Orazio Vecchi}} | ||
* Vulpius: [[Es ist ein Ros' entsprungen (Melchior Vulpius)|''Lo, how a rose'']] | * Vulpius: [[Es ist ein Ros' entsprungen (Melchior Vulpius)|''Lo, how a rose'']] | ||
* Weelkes: | * Weelkes: {{NoComp|All at once well met|Thomas Weelkes}} | ||
* Wheeler: | * Wheeler: {{NoComp|Old Mother Hubbard|Alfred Wheeler}} | ||
[[Category:CPDL Editors|Legge, Philip|]] | [[Category:CPDL Editors|Legge, Philip|]] |
Revision as of 23:18, 11 May 2009
May 2009 update
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:
- links to Berlioz full scores I've finally gotten done;
- tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
- migration of wso.williams.edu scores to the choralwiki;
- some cross-fertilisation of useful templates from IMSLP, and vice versa.
I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).
Best regards, Philip Legge@ Φ 13:00, 9 May 2009 (AEST)
General information
Country of origin: Australia
Contributor since: 22 September 2000
Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...
Contact information
E-mail: Philip·M·Legge AT gmail·com
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.
Scores
Key: FS = full score; VS = vocal score; Px = instrumental parts
CPDL# | Composer | Work | Source | Scorch | Notes | ||
---|---|---|---|---|---|---|---|
1391 | Handel | Dixit Dominus, HWV 232 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1392 | Handel | Laudate pueri Dominum, HWV 237 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1393 | Handel | Nisi Dominus, HWV 238 | FS | MIDI | Sibelius 1 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
1404 | Berlioz | Grande messe des morts, H 75: I. Introït et Kyrie | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1430 | Berlioz | Grande messe des morts, H 75: III. Quid sum miser | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1431 | Berlioz | Grande messe des morts, H 75: V. Quærens me | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1432 | Berlioz | Grande messe des morts, H 75: VIII. Hostias | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1433 | Berlioz | Grande messe des morts, H 75: X. Agnus Dei | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
1436 | Berlioz | Te deum, H 118: II. Tibi omnes | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
1437 | Berlioz | Te deum, H 118: VI. Judex crederis | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
1470 | Josquin | Praeter rerum seriem | VS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest |
1473 | Berlioz | La menace des Francs, H 117 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 41 (1903) | |
1474 | Berlioz | Hymne à la France (from 'Vox populi') | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 40 (1903) | |
1475 | Berlioz | Vox populi, H 120 | VS | Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903) | |||
1999 | Berlioz | Te deum, H 118: I. Te Deum laudamus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
2000 | Berlioz | Te deum, H 118: IV. Christe, rex gloriæ | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
2686 | Berlioz | Te deum, H 118: V. Te ergo quæsumus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
3142 3271 |
Berlioz | Te deum, H 118: III. Dignare | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
3272 | Berlioz | Te deum, H 118 (complete) | FS I-V FS VI-VII [IMSLP] |
Work page | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
3273 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |
3274 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |
3349 | Mozart | Great Mass in C minor, KV 427: [1] Kyrie | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
3432 | Mozart | Great Mass in C minor, KV 427: [2] Gloria in excelsis Deo | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
3564 | Berlioz | Le Dépit de la bergère | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 79 (1904) | |
3565 | Berlioz | Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
3566 | Berlioz | Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
3567 | Berlioz | Sérénade de Méphistophélès (No. 8 from 'Faust') | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
3568 | Berlioz | La Captive, orientale: Version A | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 91 (1904) | |
3569 | Berlioz | La Captive, orientale: Version C | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 92 (1904) | |
3570 | Berlioz | Chant des Chemins de fer | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 37 (1903) | |
3571 | Berlioz | Nessun maggior piacere | VS | Sibelius 1 | Scorch 1 | Typeset from albumleaf facsimile | |
3572 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
3573 3573bis |
Brumel | Missa Et ecce terræ motus: Agnus Dei à 12, completion | VS [WIMA] VS |
Sibelius 1 | Scorch 1 | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |
3835 | Handel | Dixit Dominus, HWV 232 | Px | MIDI | Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
3836 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
4948 | Mozart | Great Mass in C minor, KV 427: [3] Laudamus te | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4949 | Mozart | Great Mass in C minor, KV 427: [4] Gratias | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4950 | Mozart | Great Mass in C minor, KV 427: [5] Domine Deus | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4951 | Mozart | Great Mass in C minor, KV 427: [6] Qui tollis | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4952 | Mozart | Great Mass in C minor, KV 427: [7] Quoniam | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4953 | Mozart | Great Mass in C minor, KV 427: [8] Jesu Christe – Cum sancto spiritu | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
4954 | Mozart | Great Mass in C minor, KV 427: [11] Sanctus – Osanna | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
6158 | Mozart | Great Mass in C minor, KV 427: complete work | VS FS [IMSLP] |
Sibelius 3 | Work page | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
6495 | Mahler | Symphony No. 2 in C Minor ('Resurrection') - choral score | VS | Typeset from Universal Edition, plate U.E. 2933 (1910). | |||
6607 | Purcell | If Music be the Food of Love | VS | Sibelius 3 | Retypeset; source unknown. | ||
6608 | Anonymous | Pase el agoa | VS | Sibelius 3 | Retypeset; urtext | ||
6951 | Horsley | Hail to thee, Sound! | VS | Scorch 1 | Edited from composer’s autograph FS and VS; Px and FS available on hire from RMP | ||
8489 | Handel | Laudate pueri Dominum, HWV 237 | Px | MIDI | Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
8553 | Tallis | Spem in alium nunquam habui: Soprano partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8554 | Tallis | Spem in alium nunquam habui: Alto partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8555 | Tallis | Spem in alium nunquam habui: Tenor partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8556 | Tallis | Spem in alium nunquam habui: Baritone partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8557 | Tallis | Spem in alium nunquam habui: Bass partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
8558 | Tallis | Spem in alium nunquam habui: Full Score | FS | Scorch 1 | Typeset from Tudor Church Music VI (1928) | ||
10522 | Handel | Zadok the Priest, HWV 258 | FS | MIDI | Sibelius 3 Sibelius 4 |
Typeset from Chrysander, HG Band 14 (1863) | |
10739 | Purcell | Come, ye Sons of Art, Z 323 | VS | Sibelius 3 | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | ||
10787 | Handel | Zadok the Priest, HWV 258 | Px | MIDI | Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola Cello Bass [Continuo] |
Typeset from Chrysander, HG Band 14 (1863) | |
11409 | Mozart | Great Mass in C minor, KV 427: [9] Credo in unum Deum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
11410 | Mozart | Great Mass in C minor, KV 427: [10] Et incarnatus est | VS | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
11411 | Mozart | Great Mass in C minor, KV 427: [12] Benedictus – Osanna | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
11412 | Mozart | Great Mass in C minor, KV 427: [A1] Crucifixus – [A2] Et in Spiritum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |
11932 | Josquin | Qui habitat | Px | Sibelius 3 | Scorch 3 | Individual canons derived from CPDL #5915, edited by Sabine Cassola | |
13638 | Purcell | Come, ye Sons of Art, Z 323 | FS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
15467 | Purcell | Come, ye Sons of Art, Z 323 | VS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
15527 | Biber | Plaudite tympana: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
15540 | Biber | Plaudite tympana: Full Score | FS | Sibelius 5 | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | ||
15541 | Biber | Plaudite tympana | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
15737 | Biber | Missa Salisburgensis: Kyrie, Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
15750 | Biber | Requiem in f: Introïtus et Kyrie, Sequentia, Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
15751 | Biber | Requiem in f: Introïtus et Kyrie, Sequentia, Full Score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
15804 | Tallis | Spem in alium nunquam habui: Choirs I and II | VS | Typeset from Tudor Church Music VI (1928) | |||
15805 | Tallis | Spem in alium nunquam habui: Choirs III and IV | VS | Typeset from Tudor Church Music VI (1928) | |||
15806 | Tallis | Spem in alium nunquam habui: Choirs V and VI | VS | Typeset from Tudor Church Music VI (1928) | |||
15807 | Tallis | Spem in alium nunquam habui: Choirs VII and VIII | VS | Typeset from Tudor Church Music VI (1928) | |||
16368 | Purcell | Come, ye Sons of Art, Z 323 | Px | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
16369 | Biber | Missa Salisburgensis: Kyrie, Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
16370 | Biber | Missa Salisburgensis: Kyrie, Full Score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
16491 | Striggio | Ecce beatam lucem: Choir 1 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16492 | Striggio | Ecce beatam lucem: Choir 2 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16493 | Striggio | Ecce beatam lucem: Choir 3 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16494 | Striggio | Ecce beatam lucem: Choir 4 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16495 | Striggio | Ecce beatam lucem: Choir 5 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16496 | Striggio | Ecce beatam lucem: Continuo | Px | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
16497 | Striggio | Ecce beatam lucem: Full Score | FS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
19156 | Mozart | Great Mass in C minor, KV 427: [B1] Agnus Dei – [B2] Dona nobis pacem | VS | Sibelius 3 Sibelius 3 |
Scorch 3 Scorch 3 |
Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878) |
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)
- after G. Allegri: Miserere mei, Deus (v, "top C version")
- Anonymous: Sumer is icumen in (v)
- A. Borodin: Polovetsian Dances from Prince Igor (v)
- J. Brahms: Ein deutsches Requiem, Op. 45 (v)
- R. Carver arr. Legge: O bone Jesu 19vv (v)
- M.-A. Charpentier: H 1 Mass for double choir, Kyrie & Gloria (f)
- G. Dufay: Nuper rosarum flores (v)
- J. Eccles: My man John (v)
- G. Fauré: Requiem in D minor, Op. 48 (1888/1893 version) (v, f), Cantique de Jean Racine, Op. 11 (f+p)
- [C. Gesualdo: Tenebræ responses for Holy Saturday]
- Orlande de Lassus: Missa Quand'io pens'al martire (v)
- P.M. Legge: Ave atque vale (v), I hear the land (v), Kubla Khan (v only, but f+p available on hire)
- C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f)
- [C. Monteverdi: Missa In illo tempore (1610) (v)]
- C. Monteverdi: Domine ad adiuvandum (1610) (v, f, p)
- W.A. Mozart: KV 618 Ave verum corpus (v), KV 626 Requiem in D minor (urtext) (f)
- J. de Okeghem: Deo gratia 36vv (v/p, f)
- G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
- H.S. Schütz: Alleluja! Lobet den Herren (Psalm 150), SWV 38, 16vv (v, f, p), Das ist je gewißlich wahr (v)
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard