User:Philip Legge: Difference between revisions
Jump to navigation
Jump to search
mNo edit summary |
mNo edit summary |
||
| Line 86: | Line 86: | ||
|3142 <br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: III. Dignare||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |3142 <br>3271||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: III. Dignare||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS] [IMSLP]|| ||[[philiplegge:berlioz/h118.christe,rex_gloriae.sib|Sibelius 1]]||[[philiplegge:scorch/h118christe.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
|- | |- | ||
|3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}} | |3272||[[Hector Berlioz|Berlioz]]||{{NoComp|Te deum, H 118|Hector Berlioz}}: complete||[http://imslp.org/wiki/Special:ImagefromIndex/26472 FS I–V]<br>[http://imslp.org/wiki/Special:ImagefromIndex/26473 FS VI–VII]<br>[IMSLP]|| || ||[[philiplegge:berlioz/te_deum/|Work page]]||Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
|- | |- | ||
|3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92full.pdf FS+Px+VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |3273||[[Hector Berlioz|Berlioz]]||{{NoComp|La mort d'Ophélie, Op. 18, No. 2|Hector Berlioz}}||[{{SERVER}}/wiki/sheet/hb92full.pdf FS+Px+VS]|| ||[[philiplegge:berlioz/h.92b.la_mort_d'ophelie.sib|Sibelius 1]]||[[philiplegge:scorch/92b_mort.html|Scorch 1]]||Typeset from Malherbe & Weingartener, H.B. 38 (1903) | ||
| Line 136: | Line 136: | ||
|6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |6158||[[Wolfgang Amadeus Mozart|Mozart]]||{{NoComp|Great Mass in C minor, KV 427|Wolfgang Amadeus Mozart}}: complete work||[[Media:Mozart 427 Great Mass VS PML.pdf|VS]]<br>[http://imslp.org/wiki/Special:ImagefromIndex/28540 FS] [IMSLP]|| ||[[Media:Mozart K427 Great Mass in C VS PML.sib|Sibelius 3]]||[[philiplegge:mozart/great_mass/index.html|Work page]]||Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | ||
|- | |- | ||
|6495||[[Gustav Mahler|Mahler]]||{{NoComp|Symphony No. 2 in C Minor ('Resurrection') - choral score|Gustav Mahler}}||[{{SERVER}}/wiki/sheet/mahler2v.pdf VS]|| || || ||Typeset from Universal Edition, plate U.E. 2933 (1910) | |6495||[[Gustav Mahler|Mahler]]||{{NoComp|Symphony No. 2 in C Minor ('Resurrection') - choral score|Gustav Mahler}}||[{{SERVER}}/wiki/sheet/mahler2v.pdf VS]|| || || ||Typeset from Universal Edition, plate U.E. 2933 (1910) | ||
|- | |- | ||
|6607||[[Henry Purcell|Purcell]]||{{NoComp|If Music be the Food of Love|Henry Purcell}}||[{{SERVER}}/wiki/sheet/pur-379b.pdf VS]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; source unknown. | |6607||[[Henry Purcell|Purcell]]||{{NoComp|If Music be the Food of Love|Henry Purcell}}||[{{SERVER}}/wiki/sheet/pur-379b.pdf VS]|| ||[[Media:TUMS Busking Book 1_0.sib|Sibelius 3]]|| ||Retypeset; source unknown. | ||
| Line 196: | Line 196: | ||
|11831||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 7. ''Selig sind die Toten''||[[Media:JB45-7 Selig sind die Toten.pdf|VS]]||[[Media:JB45-7 Selig sind die Toten.mid|MIDI]]||[[Media:JB45-7 Selig sind die Toten.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | |11831||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: 7. ''Selig sind die Toten''||[[Media:JB45-7 Selig sind die Toten.pdf|VS]]||[[Media:JB45-7 Selig sind die Toten.mid|MIDI]]||[[Media:JB45-7 Selig sind die Toten.sib|Sibelius 3]]|| ||Re-typeset after complete works ed. E. Mandyczewski | ||
|- | |- | ||
|11832||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}} | |11832||[[Johannes Brahms|Brahms]]||{{NoComp|Ein deutsches Requiem, Op. 45|Johannes Brahms}}: complete||[[Media:JB45-Ein deutsches Requiem.pdf|VS]]|| || || ||Re-typeset after complete works ed. E. Mandyczewski | ||
|- | |- | ||
|11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[philiplegge:josquin/qui_habitat.sib|Sibelius 3]]||[[philiplegge:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola | |11932||[[Josquin des Prez|Josquin]]||{{NoComp|Qui habitat|Josquin des Prez}}||[[Media:Josquin Qui habitat Px PML.pdf|Px]]|| ||[[philiplegge:josquin/qui_habitat.sib|Sibelius 3]]||[[philiplegge:josquin/24.html|Scorch 3]]||Individual canons derived from '''CPDL #5915''', edited by Sabine Cassola | ||
|- | |- | ||
|13638||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons FS PML.pdf|FS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |12709||[[Robert Carver|Carver]]||{{NoComp|O bone Jesu|Robert Carver}}||[[Media:Carver arr PML O bone Jesu 19vv.pdf|FS]]|| || || ||Arranged from '''CPDL #7869''', edited by Sabine Cassola | ||
|- | |||
|13638||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}: Full score||[[Media:Z323 Come ye Sons FS PML.pdf|FS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
|- | |- | ||
|13665||[[Alexander Borodin|Borodin]]||{{NoComp|Polovetsian Dances|Alexander Borodin}} (from ''Prince Igor'')||[[Media:Borodin Polovetsian Dances PML.pdf|VS]]|| || || ||Re-edited from M.P. Belaieff | |13665||[[Alexander Borodin|Borodin]]||{{NoComp|Polovetsian Dances|Alexander Borodin}} (from ''Prince Igor'')||[[Media:Borodin Polovetsian Dances PML.pdf|VS]]|| || || ||Re-edited from M.P. Belaieff | ||
| Line 206: | Line 208: | ||
|15250||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel}}: complete||[[Media:Brumel Earthquake PML.pdf|VS]]|| || || ||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |15250||[[Antoine Brumel|Brumel]]||{{NoComp|Missa Et ecce terræ motus|Antoine Brumel}}: complete||[[Media:Brumel Earthquake PML.pdf|VS]]|| || || ||Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | ||
|- | |- | ||
|15467||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}||[[Media:Z323 Come ye Sons VS PML.pdf|VS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |15467||[[Henry Purcell|Purcell]]||{{NoComp|Come, ye Sons of Art, Z 323|Henry Purcell}}: Vocal score||[[Media:Z323 Come ye Sons VS PML.pdf|VS]]|| || || ||Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | ||
|- | |- | ||
|15527||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Vocal score||[[Media:Biber Plaudite VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |15527||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Vocal score||[[Media:Biber Plaudite VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | ||
| Line 212: | Line 214: | ||
|15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Full score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |15540||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Full score||[[Media:Biber Plaudite FS PML.pdf|FS]]|| ||[[Media:Biber Plaudite PML.sib|Sibelius 5]]|| ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | ||
|- | |- | ||
|15541||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}||[[Media:Biber Plaudite Parts PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |15541||[[Heinrich Biber|Biber]]||{{NoComp|Plaudite tympana|Heinrich Biber}}: Parts||[[Media:Biber Plaudite Parts PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | ||
|- | |- | ||
|15737||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Vocal score||[[Media:Biber Salisburgensis VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | |15737||[[Heinrich Biber|Biber]]||{{NoComp|Missa Salisburgensis|Heinrich Biber}}: ''Kyrie'', Vocal score||[[Media:Biber Salisburgensis VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 20 (Vienna, 1903) | ||
| Line 218: | Line 220: | ||
|15742||[[Anonymous]]||{{NoComp|Sumer is Icumen In|Anonymous}}||[[Media:Anon Sumer is icumen in DG PML.pdf|VS]]|| || || ||Typeset from autograph facsimile | |15742||[[Anonymous]]||{{NoComp|Sumer is Icumen In|Anonymous}}||[[Media:Anon Sumer is icumen in DG PML.pdf|VS]]|| || || ||Typeset from autograph facsimile | ||
|- | |- | ||
|15750||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: | |15750||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: Vocal score||[[Media:Biber Requiem in f VS PML.pdf|VS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | ||
|- | |- | ||
|15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: | |15751||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: Full score||[[Media:Biber Requiem in f FS PML.pdf|FS]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | ||
|- | |- | ||
|15752||[[Philip Legge|Legge]]||{{NoComp|I hear the land|Philip Legge}}||[[Media:I hear the land.pdf|VS]]|| || || || | |15752||[[Philip Legge|Legge]]||{{NoComp|I hear the land|Philip Legge}}||[[Media:I hear the land.pdf|VS]]|| || || || | ||
| Line 257: | Line 259: | ||
|- | |- | ||
|19592||[[Philip Legge|Legge]]||{{NoComp|Ite, missa est|Philip Legge}}||[[Media:Ite missa est, Op6-FS,VS,Px-PML.pdf|FS+VS+Px]]|| || || || | |19592||[[Philip Legge|Legge]]||{{NoComp|Ite, missa est|Philip Legge}}||[[Media:Ite missa est, Op6-FS,VS,Px-PML.pdf|FS+VS+Px]]|| || || || | ||
|- | |||
|19690||[[Heinrich Biber|Biber]]||{{NoComp|Requiem in f|Heinrich Biber}}: Parts||[[Media:Biber Requiem in f Px PML.pdf|Px]]|| || || ||Typeset from Adler, ''Denkmäler der Tonkunst in Österreich'', Band 59 (1923) | |||
|} | |} | ||
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress) | PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress) | ||
* M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' & ''Gloria'']] (f) | * M.-A. Charpentier: H 1 [[Messe, H 1 (Marc-Antoine Charpentier)|Mass for double choir, ''Kyrie'' & ''Gloria'']] (f) | ||
* G. Dufay: [[Nuper rosarum flores (Guillaume Dufay)|''Nuper rosarum flores'']] (v) | * G. Dufay: [[Nuper rosarum flores (Guillaume Dufay)|''Nuper rosarum flores'']] (v) | ||
Revision as of 03:25, 28 June 2009
May 2009 update
I might be doing a little bit of Wiki cleanup tasks again here at CPDL, but probably not at a very high rate of turnover. One thing I am determined to get done over the next month or so is the update of various scores in my extensive back catalogue of unfinished scores here:
- links to Berlioz full scores I've finally gotten done;
- tidy-up of the Mozart Great Mass in C (the vocal score is still rather shambolic);
- migration of wso.williams.edu scores to the choralwiki;
- some cross-fertilisation of useful templates from IMSLP, and vice versa.
I will of course attempt to answer the usual crop of e-mails that I receive as promptly as I can (address below).
Best regards, Philip Legge@ Φ 13:00, 9 May 2009 (AEST)
General information
Country of origin: Australia
Contributor since: 22 September 2000
Number of scores on CPDL: 53 distinct works, but somewhere in the vicinity of 146 scores or so...
Contact information
E-mail: Philip·M·Legge AT gmail·com
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to modern composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include performing editions of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; and Monteverdi's Mass and Vespers of 1610.
Scores
Key: FS = full score; VS = vocal score; Px = instrumental parts
| CPDL# | Composer | Work |  |
 |
Source | Scorch | Notes |
|---|---|---|---|---|---|---|---|
| 1391 | Handel | Dixit Dominus, HWV 232 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
| 1392 | Handel | Laudate pueri Dominum, HWV 237 | FS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
| 1393 | Handel | Nisi Dominus, HWV 238 | FS | MIDI | Sibelius 1 | Scorch 1 | Typeset from Chrysander, HG Band 38 (1872) |
| 1404 | Berlioz | Grande messe des morts, H 75: I. Introït et Kyrie | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
| 1430 | Berlioz | Grande messe des morts, H 75: III. Quid sum miser | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
| 1431 | Berlioz | Grande messe des morts, H 75: V. Quærens me | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
| 1432 | Berlioz | Grande messe des morts, H 75: VIII. Hostias | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
| 1433 | Berlioz | Grande messe des morts, H 75: X. Agnus Dei | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 25 (1902) | |
| 1436 | Berlioz | Te deum, H 118: II. Tibi omnes | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
| 1437 | Berlioz | Te deum, H 118: VI. Judex crederis | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
| 1470 | Josquin | Praeter rerum seriem | VS | MIDI | Sibelius 3 | Scorch 1 | Typeset from Kalmus reprint No. 702, editorial copyright expired 1998 at latest |
| 1473 | Berlioz | La menace des Francs, H 117 | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 41 (1903) | |
| 1474 | Berlioz | Hymne à la France (from 'Vox populi') | VS FS [IMSLP] |
Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 40 (1903) | |
| 1475 | Berlioz | Vox populi, H 120 | VS | Typeset from Malherbe & Weingartener, H.B. 40 & 41 (1903) | |||
| 1999 | Berlioz | Te deum, H 118: I. Te Deum laudamus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
| 2000 | Berlioz | Te deum, H 118: IV. Christe, rex gloriæ | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
| 2686 | Berlioz | Te deum, H 118: V. Te ergo quæsumus | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
| 3142 3271 |
Berlioz | Te deum, H 118: III. Dignare | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | |
| 3272 | Berlioz | Te deum, H 118: complete | FS I–V FS VI–VII [IMSLP] |
Work page | Typeset from Malherbe & Weingartener, H.B. 26 (1901) | ||
| 3273 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |
| 3274 | Berlioz | La mort d'Ophélie, Op. 18, No. 2 | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 38 (1903) | |
| 3349 | Mozart | Great Mass in C minor, KV 427: [1] Kyrie | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 3432 | Mozart | Great Mass in C minor, KV 427: [2] Gloria in excelsis Deo | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 3564 | Berlioz | Le Dépit de la bergère | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 79 (1904) | |
| 3565 | Berlioz | Ecot des joyeux compagnons: Histoire d'un rat (from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
| 3566 | Berlioz | Chanson de Méphistophélès: Histoire d'une puce (No. 5 from 'Faust') | FS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
| 3567 | Berlioz | Sérénade de Méphistophélès (No. 8 from 'Faust') | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 29 (1903) | |
| 3568 | Berlioz | La Captive, orientale: Version A | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 91 (1904) | |
| 3569 | Berlioz | La Captive, orientale: Version C | VS | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 92 (1904) | |
| 3570 | Berlioz | Chant des Chemins de fer | FS [IMSLP] | Sibelius 1 | Scorch 1 | Typeset from Malherbe & Weingartener, H.B. 37 (1903) | |
| 3571 | Berlioz | Nessun maggior piacere | VS | Sibelius 1 | Scorch 1 | Typeset from albumleaf facsimile | |
| 3572 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
| 3573 3573bis |
Brumel | Missa Et ecce terræ motus: Agnus Dei à 12, completion | VS [WIMA] VS |
Sibelius 1 | Scorch 1 | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |
| 3835 | Handel | Dixit Dominus, HWV 232 | Px | MIDI | Violins 1 & 2 Violas 1 & 2 Cello Bass Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
| 3836 | Bach | Cantata BWV 50 - Nun ist das Heil und die Kraft | FS+Px+VS | Sibelius 1 | Scorch 1 | Typeset from BGA | |
| 4948 | Mozart | Great Mass in C minor, KV 427: [3] Laudamus te | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 4949 | Mozart | Great Mass in C minor, KV 427: [4] Gratias | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 4950 | Mozart | Great Mass in C minor, KV 427: [5] Domine Deus | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 4951 | Mozart | Great Mass in C minor, KV 427: [6] Qui tollis | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 4952 | Mozart | Great Mass in C minor, KV 427: [7] Quoniam | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 4953 | Mozart | Great Mass in C minor, KV 427: [8] Jesu Christe – Cum sancto spiritu | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 4954 | Mozart | Great Mass in C minor, KV 427: [11] Sanctus – Osanna | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 6158 | Mozart | Great Mass in C minor, KV 427: complete work | VS FS [IMSLP] |
Sibelius 3 | Work page | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 6495 | Mahler | Symphony No. 2 in C Minor ('Resurrection') - choral score | VS | Typeset from Universal Edition, plate U.E. 2933 (1910) | |||
| 6607 | Purcell | If Music be the Food of Love | VS | Sibelius 3 | Retypeset; source unknown. | ||
| 6608 | Anonymous | Pase el agoa | VS | Sibelius 3 | Retypeset; urtext | ||
| 6951 | Horsley | Hail to thee, Sound! | VS | Scorch 1 | Edited from composer’s autograph FS and VS; Px and FS available on hire from RMP | ||
| 8489 | Handel | Laudate pueri Dominum, HWV 237 | Px | MIDI | Oboes 1 & 2 Violins 1 & 2 Violas 1 & 2 Continuo |
Typeset from Chrysander, HG Band 38 (1872) | |
| 8553 | Tallis | Spem in alium nunquam habui: Soprano partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8554 | Tallis | Spem in alium nunquam habui: Alto partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8555 | Tallis | Spem in alium nunquam habui: Tenor partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8556 | Tallis | Spem in alium nunquam habui: Baritone partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8557 | Tallis | Spem in alium nunquam habui: Bass partbook | Px | Typeset from Tudor Church Music VI (1928) | |||
| 8558 | Tallis | Spem in alium nunquam habui: Full Score | FS | Scorch 1 | Typeset from Tudor Church Music VI (1928) | ||
| 10522 | Handel | Zadok the Priest, HWV 258 | FS | MIDI | Sibelius 3 Sibelius 4 |
Typeset from Chrysander, HG Band 14 (1863) | |
| 10530 | Allegri | Miserere mei | VS | Sibelius 3 | Re-typeset after Guest | ||
| 10739 | Purcell | Come, ye Sons of Art, Z 323 | VS | Sibelius 3 | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | ||
| 10750 | Legge | Kubla Khan | VS FS [IMSLP] |
MIDI | Scorch | ||
| 10787 | Handel | Zadok the Priest, HWV 258 | Px | MIDI | Oboe 1 & 2 Bassoons 1 & 2 Trumpets 1, 2 & 3 Timpani Violins 1, 2 & 3 Viola, Cello, Bass [Continuo] |
Typeset from Chrysander, HG Band 14 (1863) | |
| 11088 | Mozart | Requiem, KV 626 | FS | Re-typeset from autograph facsimile | |||
| 11409 | Mozart | Great Mass in C minor, KV 427: [9] Credo in unum Deum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 11410 | Mozart | Great Mass in C minor, KV 427: [10] Et incarnatus est | VS | Editorial completion from Ph. Spitta, W.A.M. 427, B&H (1882) | |||
| 11411 | Mozart | Great Mass in C minor, KV 427: [12] Benedictus – Osanna | VS | Sibelius 1 | Scorch 1 | Typeset from Ph. Spitta, W.A.M. 427, B&H (1882) | |
| 11412 | Mozart | Great Mass in C minor, KV 427: [A1] Crucifixus – [A2] Et in Spiritum | VS | Sibelius 1 | Scorch 1 | Editorial completion from Ph. Spitta, W.A.M. 262, B&H (1878) | |
| 11578 | Legge | Ave atque vale | VS | ||||
| 11784 | Mozart | Ave verum corpus, KV 618 | VS | MIDI | Sibelius 3 | Re-typeset after NMA | |
| 11825 | Brahms | Ein deutsches Requiem, Op. 45: 1. Selig sind, die da Leid tragen | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11826 | Brahms | Ein deutsches Requiem, Op. 45: 2. Denn alles Fleisch, wie est Gras | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11827 | Brahms | Ein deutsches Requiem, Op. 45: 3. Herr, lehre doch mich | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11828 | Brahms | Ein deutsches Requiem, Op. 45: 4. Wie lieblich sind deine Wohnungen | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11829 | Brahms | Ein deutsches Requiem, Op. 45: 5. Ihr habt nun Traurigkeit | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11830 | Brahms | Ein deutsches Requiem, Op. 45: 6. Denn wir haben hie keine bleibende Statt | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11831 | Brahms | Ein deutsches Requiem, Op. 45: 7. Selig sind die Toten | VS | MIDI | Sibelius 3 | Re-typeset after complete works ed. E. Mandyczewski | |
| 11832 | Brahms | Ein deutsches Requiem, Op. 45: complete | VS | Re-typeset after complete works ed. E. Mandyczewski | |||
| 11932 | Josquin | Qui habitat | Px | Sibelius 3 | Scorch 3 | Individual canons derived from CPDL #5915, edited by Sabine Cassola | |
| 12709 | Carver | O bone Jesu | FS | Arranged from CPDL #7869, edited by Sabine Cassola | |||
| 13638 | Purcell | Come, ye Sons of Art, Z 323: Full score | FS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
| 13665 | Borodin | Polovetsian Dances (from Prince Igor) | VS | Re-edited from M.P. Belaieff | |||
| 15250 | Brumel | Missa Et ecce terræ motus: complete | VS | Typeset from facsimile of Bayerische Staatsbibliothek Mus. MS 1 | |||
| 15467 | Purcell | Come, ye Sons of Art, Z 323: Vocal score | VS | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
| 15527 | Biber | Plaudite tympana: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 15540 | Biber | Plaudite tympana: Full score | FS | Sibelius 5 | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | ||
| 15541 | Biber | Plaudite tympana: Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 15737 | Biber | Missa Salisburgensis: Kyrie, Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 15742 | Anonymous | Sumer is Icumen In | VS | Typeset from autograph facsimile | |||
| 15750 | Biber | Requiem in f: Vocal score | VS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
| 15751 | Biber | Requiem in f: Full score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) | |||
| 15752 | Legge | I hear the land | VS | ||||
| 15754 | Winikoff | This is Australia | VS | ||||
| 15804 | Tallis | Spem in alium nunquam habui: Choirs I and II | VS | Typeset from Tudor Church Music VI (1928) | |||
| 15805 | Tallis | Spem in alium nunquam habui: Choirs III and IV | VS | Typeset from Tudor Church Music VI (1928) | |||
| 15806 | Tallis | Spem in alium nunquam habui: Choirs V and VI | VS | Typeset from Tudor Church Music VI (1928) | |||
| 15807 | Tallis | Spem in alium nunquam habui: Choirs VII and VIII | VS | Typeset from Tudor Church Music VI (1928) | |||
| 16368 | Purcell | Come, ye Sons of Art, Z 323: Parts | Px | Re-edited from Shaw, Birthday Odes, Purcell Society (1926) | |||
| 16369 | Biber | Missa Salisburgensis: Kyrie, Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 16370 | Biber | Missa Salisburgensis: Kyrie, Full score | FS | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 20 (Vienna, 1903) | |||
| 16491 | Striggio | Ecce beatam lucem: Choir 1 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16492 | Striggio | Ecce beatam lucem: Choir 2 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16493 | Striggio | Ecce beatam lucem: Choir 3 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16494 | Striggio | Ecce beatam lucem: Choir 4 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16495 | Striggio | Ecce beatam lucem: Choir 5 | VS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16496 | Striggio | Ecce beatam lucem: Continuo | Px | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 16497 | Striggio | Ecce beatam lucem: Full score | FS | Re-typeset from CPDL #10763, edited by Sabine Cassola | |||
| 19156 | Mozart | Great Mass in C minor, KV 427: [B1] Agnus Dei – [B2] Dona nobis pacem | VS | Sibelius 3 Sibelius 3 |
Scorch 3 Scorch 3 |
Editorial completion from Ph. Spitta, W.A.M. 337, B&H (1878) | |
| 19592 | Legge | Ite, missa est | FS+VS+Px | ||||
| 19690 | Biber | Requiem in f: Parts | Px | Typeset from Adler, Denkmäler der Tonkunst in Österreich, Band 59 (1923) |
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)
- M.-A. Charpentier: H 1 Mass for double choir, Kyrie & Gloria (f)
- G. Dufay: Nuper rosarum flores (v)
- J. Eccles: My man John (v)
- G. Fauré: Requiem in D minor, Op. 48 (1888/1893 version) (v, f), Cantique de Jean Racine, Op. 11 (f+p)
- [C. Gesualdo: Tenebræ responses for Holy Saturday]
- Orlande de Lassus: Missa Quand'io pens'al martire (v)
- C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f)
- [C. Monteverdi: Missa In illo tempore (1610) (v)]
- C. Monteverdi: Domine ad adiuvandum (1610) (v, f, p)
- J. de Okeghem: Deo gratia 36vv (v/p, f)
- G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
- H.S. Schütz: Alleluja! Lobet den Herren (Psalm 150), SWV 38, 16vv (v, f, p), Das ist je gewißlich wahr (v)
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard