User:Philip Legge: Difference between revisions
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'''Contributor since:''' 22 September]] [[2000 | '''Contributor since:''' 22 September]] [[2000 | ||
'''Number of scores on CPDL:''' | '''Number of scores on CPDL:''' 107 | ||
[[Special:Whatlinkshere/User:Philip Legge|'''List scores by this editor''']] | [[Special:Whatlinkshere/User:Philip Legge|'''List scores by this editor''']] | ||
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=Scores= | =Scores= | ||
At present, I am | At present, I am finishing work on Brahms' ''German Requiem'', which will be uploaded shortly. Then it's hopefully back to proofreading the Havergal Brian Symphony 7 and also the proofing of the Monteverdi ''Missa In illo tempore'', which is 1/6th done. | ||
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work | PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress) | ||
* after G. Allegri: [[Miserere mei (Gregorio Allegri)|''Miserere mei, Deus'']] (v, "top C version") | * after G. Allegri: [[Miserere mei (Gregorio Allegri)|''Miserere mei, Deus'']] (v, "top C version") | ||
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* H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v) | * H. Berlioz: ''La mort d'Ophélie'' (v, f+p); ''Vox populi'' (v) | ||
* H. Berlioz: some other minor works (usually f only) | * H. Berlioz: some other minor works (usually f only) | ||
* J. Brahms: [[Ein deutsches Requiem, Op. 45 (Johannes Brahms)|''Ein deutsches Requiem'']] [v pending] | |||
* A. Brumel: [''Missa Et ecce terræ motus'' 12vv], [[Missa Et ecce terræ motus (Antoine Brumel)|''Agnus Dei'']] (v) | * A. Brumel: [''Missa Et ecce terræ motus'' 12vv], [[Missa Et ecce terræ motus (Antoine Brumel)|''Agnus Dei'']] (v) | ||
* M.-A. Charpentier: Mass for double choir, [[Messe, H 1 (Marc-Antoine Charpentier)|''Kyrie'' and ''Gloria'']] (f) | * M.-A. Charpentier: Mass for double choir, [[Messe, H 1 (Marc-Antoine Charpentier)|''Kyrie'' and ''Gloria'']] (f) | ||
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* C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (f, v, p) | * C. Monteverdi: [[Domine ad adiuvandum (Claudio Monteverdi)|''Domine ad adiuvandum'']] (1610) (f, v, p) | ||
* W.A. Mozart: K427 (417a) [[Great Mass in C minor, KV 427 (Wolfgang Amadeus Mozart)|Great Mass in C]] (completed by additions from K262 and K337), ''Kyrie'', ''Gloria'', [''Credo''], ''Sanctus'', ''Benedictus'', [''Agnus Dei''] (v) | * W.A. Mozart: K427 (417a) [[Great Mass in C minor, KV 427 (Wolfgang Amadeus Mozart)|Great Mass in C]] (completed by additions from K262 and K337), ''Kyrie'', ''Gloria'', [''Credo''], ''Sanctus'', ''Benedictus'', [''Agnus Dei''] (v) | ||
* W.A. Mozart: K618 [[Ave verum corpus ((Wolfgang Amadeus Mozart)|''Ave verum corpus'']] (v) | |||
* W.A. Mozart: K626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f) | * W.A. Mozart: K626 [[Requiem, KV 626 (Wolfgang Amadeus Mozart)|''Requiem'' in D minor (urtext)]] (f) | ||
* J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (f, v/p) | * J. de Okeghem: [[Deo Gratias (36 part canon) (Johannes Ockeghem)|''Deo gratia'' 36vv]] (f, v/p) | ||
* G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''. | * G.P. da Palestrina: [[Missa Iste Confessor (Giovanni Pierluigi da Palestrina)|''Missa Iste confessor'']], [[Missa O Rex gloriae (Giovanni Pierluigi da Palestrina)|''Missa O Rex gloriæ'']] (v); editions do not contain ''Credo''. | ||
* H. Purcell: ''Come ye Sons of Art'' | * [H. Purcell: ''Come ye Sons of Art'' (v, f+p)] | ||
* H.S. Schütz: [[Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)|''Alleluja! Lobe den Herren'' (Psalm 150)]] (f, v, p) | * H.S. Schütz: [[Alleluja! Lobet den Herren, SWV 38 (Heinrich Schütz)|''Alleluja! Lobe den Herren'' (Psalm 150)]] (f, v, p) | ||
* H.S. Schütz: [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v) | * H.S. Schütz: [[Das ist je gewißlich wahr (Heinrich Schütz)|''Das ist je gewißlich wahr'']] (v) | ||
Revision as of 13:38, 28 May 2006
General information
Country of origin: Australia
Contributor since: 22 September]] [[2000
Number of scores on CPDL: 107
Contact information
E-mail: phi1ip AT netscape DOT net
Website: PML Music Editions: music prepared by Philip Legge
Education
Bachelor of Science (Physics, Mathematics), University of Tasmania
Background
Philip Legge is an amateur musician based in Melbourne. Although always interested in music from an early age, he took up singing as an adult with the Tasmania University Musical Society thanks to the lure of performing in Beethoven's Choral Symphony. He sings mainly as a tenor or counter-tenor, and has performed a wide variety of repertoire with a number of choirs around Australia. He has from time to time conducted choirs, composed some choral music, and on several occasions unwillingly played as a repetiteur, despite not being a pianist!
Philip's interests range across seven centuries of Western art music, from the notational complexities of Guillaume Dufay, to living composers such as György Ligeti, and as a musicologist he is particularly interested in notations pre-dating the modern era. He is especially knowledgeable in the music of Hector Berlioz and the English symphonist Havergal Brian, and has edited the latter's Symphony No. 7 in C (1948) for publication by United Music Publishing Ltd. Philip intends to eventually have public domain editions of Berlioz's Te Deum and Requiem available for download as full scores, vocal scores, and instrumental parts.
Other ongoing projects include a complete performing edition of Mozart's Great Mass in C supplemented by suitable movements from two other Mozart masses; a complete performing edition of Monteverdi's Mass and Vespers of 1610, and a complete scholarly edition of Brumel's 12 voice Missa Et ecce terræ motus.
Scores
At present, I am finishing work on Brahms' German Requiem, which will be uploaded shortly. Then it's hopefully back to proofreading the Havergal Brian Symphony 7 and also the proofing of the Monteverdi Missa In illo tempore, which is 1/6th done.
PDF versions: (v = vocal score; f = full score; p = parts available; [ ] = work in progress)
- after G. Allegri: Miserere mei, Deus (v, "top C version")
- J.S. Bach: Cantata BWV 50, Nun ist das Heil und die Kraft (v, f+p)
- H. Berlioz: La mort d'Ophélie (v, f+p); Vox populi (v)
- H. Berlioz: some other minor works (usually f only)
- J. Brahms: Ein deutsches Requiem [v pending]
- A. Brumel: [Missa Et ecce terræ motus 12vv], Agnus Dei (v)
- M.-A. Charpentier: Mass for double choir, Kyrie and Gloria (f)
- G. Dufay: Nuper rosarum flores (v)
- J. Eccles: My man John (v)
- G. Fauré: Requiem in D minor (1888/1893 version) (f, [v], [p])
- [C. Gesualdo: Tenebræ responses for Holy Saturday (v)]
- G.F. Handel: Dixit Dominus (f, p); Laudate pueri Dominum (f, p); Nisi Dominus (f); Zadok the Priest (f, p)
- C.E. Horsley: Hail to thee, Sound! (v only, but f+p available on hire)
- Josquin Desprez: Præter rerum seriem (v)
- Orlande de Lassus: Missa Quand'io pens'al martire (v)
- P.M. Legge: Ave atque vale (v), Kubla Khan (v only, but f+p available on hire)
- G. Mahler: Symphony Nº 2 in C minor "Resurrection", choral score of 5th movement (v)
- C. Monteverdi: Orfeo – Toccata, Prologue, & Act One (f, [p])
- [C. Monteverdi: Missa In illo tempore (1610) (v)]
- C. Monteverdi: Domine ad adiuvandum (1610) (f, v, p)
- W.A. Mozart: K427 (417a) Great Mass in C (completed by additions from K262 and K337), Kyrie, Gloria, [Credo], Sanctus, Benedictus, [Agnus Dei] (v)
- W.A. Mozart: K618 Ave verum corpus (v)
- W.A. Mozart: K626 Requiem in D minor (urtext) (f)
- J. de Okeghem: Deo gratia 36vv (f, v/p)
- G.P. da Palestrina: Missa Iste confessor, Missa O Rex gloriæ (v); editions do not contain Credo.
- [H. Purcell: Come ye Sons of Art (v, f+p)]
- H.S. Schütz: Alleluja! Lobe den Herren (Psalm 150) (f, v, p)
- H.S. Schütz: Das ist je gewißlich wahr (v)
- T. Tallis: Spem in alium nunquam habui/Sing and glorify 40vv (f, [v], p)
The PML Music Editions page has a fuller list of music, including orchestral music and some works with copyright restrictions (making them unsuitable for inclusion in the CPDL).
Publications
The TUMS Busking Book, a compendium of 26 madrigals, motets, songs, rounds, and canons, as sung by the Tasmania University Musical Society.
Index by composer:
- Anonymous: Alle psallite, Dona nobis pacem, Drink to me only, Gaudeamus igitur, Non nobis Domine, Pase el agoa
- Bateson: Your shining eyes
- Bennet: Weep O mine eyes
- Dowland: Come again!, Fine knacks
- Ellyard: Round on a well-known text
- Farmer: Faire Phyllis
- Ford: Since first
- Henry VIII: Greensleeves, Pastyme
- Josquin Desprez: El Grillo
- Legge: Non nobis, Domine
- Morley: Now is the month of maying
- Passereau: Il est bel et bon
- Purcell: Come ye Sons of Art, If music be the food of love
- Tye: Laudate
- Vecchi: Fa una canzona
- Vulpius: Lo, how a rose
- Weelkes: All at once well met
- Wheeler: Old Mother Hubbard