Wyeth's Repository, Part Second
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General Information
Title: Wyeth's Repository, Part Second
Full Title: Wyeth's Repository of Sacred Music, Part Second; Original and Selected from the most Eminent and Approved Authors in that Science; For the use of Christian Churches, Singing Schools, and Private Societies, Together with a Plain and Concise Introduction to the Grounds of Music and Rules for Learners.
Editor - Compiler: John Wyeth
Publication date and place: 1813 by John Wyeth in Harrisburg, Pennsylvania, 132 pp. Second Edition 1820, 132 pp.
Description: An influential book in the West and South of that day, with over forty tunes newly published. One of the first widely-published books for composers such as Amzi Chapin, Lucius Chapin, Elkanah Dare, and Ananias Davisson.
External Links
References
- Lowens, Irving. 1964. Introduction, pp. i-xvi in Wyeth's Repository of Sacred Music, Part Second. Facsimile of Second Edition (1820). New York, New York: Da Capo Press. 132 pp.
Works at CPDL
Title | Year | Composer | Arranger | Lyricist | First Line | Subgenre | Vo. | Meter |
---|---|---|---|---|---|---|---|---|
Babylonian Captivity | 1813 | Elkanah Dare | Joel Barlow | Along the banks where Babel's current flows | Psalm-tunes | 4 | 10 10. 10 10 | |
Bellevue | 1813 | Elkanah Dare | Isaac Watts | Ye tribes of Adam, join | Psalm-tunes | 4 | 66. 66. 88 | |
Bridge Town | 1813 | Elkanah Dare | Philip Doddridge | Grace! 'tis a charming sound | 4 | 66. 86 (S.M.) | ||
Condescending | 1813 | Anonymous | Ananias Davisson | Isaac Watts | How condescending and how kind | 4 | 86. 86 (C.M.) | |
Consolation | 1813 | Anonymous | Charles Wesley | Come on, my partners in distress | 2 | 886. 886 | ||
Davis | 1813 | Anonymous | Joseph Swain | O thou in whose presence my soul takes delight | 3 | 11 8. 11 8 | ||
Dismission | 1813 | Elkanah Dare | John Fawcett (hymnwriter) | Lord, dismiss us with thy blesssing | 4 | 87. 87. 47 | ||
Fairton | 1813 | Elkanah Dare | Isaac Watts | O God of mercy, hear my call | Psalm-tunes | 3 | 86. 86 (C.M.) | |
Forster | 1813 | Anonymous | John Granade | Ye weary heavy laden souls | 3 | 86. 86. D (C.M.D.) | ||
Friendship | 1798 | George Frideric Handel | Ananias Davisson | Friendship to every willing mind | 4 | 87. 87. 88. 87 | ||
Friendship | 1812 | Anonymous | Charles Wesley | Ye simple souls, that stray | 3 | 66. 66. 86. 86 | ||
Glasgow | 1813 | Elkanah Dare | Isaac Watts | This life's a dream, an empty show | Psalm-tunes | 4 | 88. 88 (L.M.) | |
Hallelujah | 1813 | Anonymous | Robert Robinson | Come, thou fount of every blessing | Hymn tunes | 2 | 87. 87. D | |
Happiness | 1813 | Anonymous | Charles Wesley | O how happy are they Who their Savior obey | 2 | 669. 669 | ||
Kedron | 1799 | Amos Pilsbury | Charles Wesley | Thou man of griefs, remember me | 4 | 88. 88 (L.M.) | ||
Millville | 1813 | Elkanah Dare | Joel Barlow | We praise thee, Lord, who heard our cries | Psalm-tunes | 3 | 88. 88 (L.M.) | |
Mount Calvary | 1813 | Ananias Davisson | John Granade | The Son of Man they did betray | 4 | 88. 86. 88. 886 | ||
Mount Hope | 1813 | Elkanah Dare | Thomas Odiorne | Hark! hark, a Savior's voice | 2 | Irregular meter | ||
New Monmouth | 1813 | Lucius Chapin | Robert Robinson | Come thou fount of every blessing | 4 | 87. 87 | ||
Ninety-Fifth | 1813 | Lucius Chapin | Isaac Watts | When I can read my title clear | 4 | 86. 86 (C.M.) | ||
Pilgrim's Farewell | 1793 | Jacob French | Samuel Crossman | Fare you well, my friends | Psalm-tunes | 4 | ||
Redeeming Grace | 1813 | Anonymous | Anonymous lyricist | Come all that love my Lord and Master | 4 | 98. 98. D | ||
Reflection | 1813 | Anonymous | Ananias Davisson | Isaac Watts | No sleep or slumber to his eyes | Psalm-tunes | 4 | 86. 86 (C.M.) |
Restoration | 1813 | Anonymous | Anonymous lyricist | Ye captives restored and saints of the Lord | 4 | 10 11. 10 11 | ||
Road's Town | 1813 | Elkanah Dare | Joseph Humphreys | Blessed are the sons of God | 4 | 77. 77. 77 | ||
Solicitude | 1813 | Anonymous | Joseph Swain | O thou, in whose presence my soul takes delight | 2 | 11 8. 11 8 | ||
Solitude | 1813 | Barnabas McKyes | Anonymous | Come lead me to some lonely shade | 4 | 86. 86 (C.M.) | ||
The Band of Love | 1800 | Edward Miller | Edward Miller | Our souls by love together knit | Set pieces | 3 | 86. 86. D (C.M.D.) | |
The Rose Tree | 1813 | Ananias Davisson | Anonymous | There is a land of pleasure | 3 | 78. 78. D | ||
Transport | 1813 | Anonymous | John Granade | Ye children of Jesus, who're bound for the kingdom | 2 | 12 11.12 11.12 12.12 11 | ||
Triumph | 1813 | Anonymous | Anonymous lyricist | Tis done! Lo, they come! bright celestials descend | 3 | Irregular meter | ||
Twenty-Fourth | 1813 | Amzi Chapin | Isaac Watts | Salvation! O the joyful sound | 3 | 86. 86 (C.M.) | ||
Wilmington | 1813 | Elkanah Dare | Charles Wesley | Hark! the herald angels sing | Set pieces | 4 | 77. 77 |